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Journal articles on the topic 'Dialogus de oratoribus (Tacitus)'

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Published: 4 June 2021

Last updated: 26 January 2023

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1

Barnes, T. D., and Roland Mayer. "Tacitus: Dialogus de oratoribus." Phoenix 57, no. 3/4 (2003): 351. http://dx.doi.org/10.2307/3648533.

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2

Barnes, T. D. "The Significance of Tacitus' Dialogus de Oratoribus." Harvard Studies in Classical Philology 90 (1986): 225. http://dx.doi.org/10.2307/311472.

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3

Beck, Jan-Wilhelm. "Tacitus, Dialogus de oratoribus. Edited by Roland Mayer." Gnomon 76, no. 3 (2004): 223–28. http://dx.doi.org/10.17104/0017-1417_2004_3_223.

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4

Strunk, Thomas E. "Offending the Powerful: Tacitus’ Dialogus de Oratoribus and Safe Criticism." Mnemosyne 63, no. 2 (2010): 241–67. http://dx.doi.org/10.1163/156852510x456147.

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AbstractThis paper argues that the character of Curiatius Maternus in Tacitus’ Dialogus de Oratoribus is consistent throughout the dialogue in his attitude to the imperial regime. Maternus begins the dialogue in outright dissent, while in the second half he appears to be an apologist for the regime. Accepting the ironic reading of Maternus’ concluding speech, this paper asserts that Maternus shifts to figured speech in reaction to M. Aper, who expresses solidarity with the political values and rhetorical style of the delatores, and Vipstanus Messalla, the half-brother of the delator M. Aquiliu

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5

Brink, C. O. "Quintilian's De Causis Corruptae Eloquentiae and Tacitus' Dialogus De Oratoribus." Classical Quarterly 39, no. 2 (1989): 472–503. http://dx.doi.org/10.1017/s0009838800037526.

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Certain proximities between two distinguished but very dissimilar contemporaries, Quintilian and Tacitus, may be stated. Contemporary they were, though the former, born probably a little before A.D. 40, was older by about twenty years. Both were from outside Rome, Quintilian certainly of provincial, Spanish, origin, Tacitus very probably from one of the Galliae, yet both exemplars of Romanitas.

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6

Van Den Berg, Christopher S. "INTRATEXT, DECLAMATION AND DRAMATIC ARGUMENT IN TACITUS' DIALOGUS DE ORATORIBUS." Classical Quarterly 64, no. 1 (2014): 298–315. http://dx.doi.org/10.1017/s0009838813000736.

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Tacitus' Dialogus de oratoribus (c. 100 c.e.) may be the most perplexing of the extant Roman dialogues, quite possibly, of the entire Greco-Roman tradition. Despite advances in the rhetorical and literary appreciation of ancient dialogues, this text continues to elude understanding. Oddly, the difficulties stem neither from obscurities of subject matter and presentation nor from any anomalism vis-à-vis the norms of the genre. Six compelling speeches lucidly detail the value, history and development of eloquentia (‘skilled speech’) from the perspective of the late first and early second centuri

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7

Dressler, Alex. "Poetics of Conspiracy and Hermeneutics of Suspicion in Tacitus's Dialogus de Oratoribus." Classical Antiquity 32, no. 1 (2013): 1–34. http://dx.doi.org/10.1525/ca.2013.32.1.1.

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This article argues that the end of Tacitus's Dialogus de Oratoribus is inconclusive in ways that draw attention to the difficulty of interpretation not only of the dialogue, as by modern scholars, but also in the dialogue, as by its leading characters. The inconclusiveness is especially marked by a commonly noted, but little discussed, feature of the end: when the rest of the characters laugh at the point of departure, Tacitus himself does not. Arguing that this difference of affective response on the part of the characters prefigures differences in interpretive response on the part of reader

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8

Goldberg, Sander M. "Appreciating Aper: the defence of modernity in Tacitus’ Dialogus de oratoribus." Classical Quarterly 49, no. 1 (1999): 224–37. http://dx.doi.org/10.1093/cq/49.1.224.

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Nearly a century ago, Friedrich Leo argued with his characteristic acumen that the neo-Ciceronian style of Tacitus' Dialogus de oratoribus was as much a function of its genre as its subject. ‘The genre’, he observed, ‘demands its style. One who deals with different genres must write in different styles.’ Alfred Gudeman, the target of Leo's review, had therefore missed a key step in the argument for Tacitean authorship when he invoked ‘the influence of subject-matter’ without considering the demands of genre. In hindsight, the point seems almost obvious, and the sophistication of recent work on

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9

Mayer, Roland. "Christopher S. van den Berg: The World of Tacitus’ Dialogus de Oratoribus. Aestheticsand Empire in Ancient Rome." Gnomon 89, no. 3 (2017): 212–15. http://dx.doi.org/10.17104/0017-1417-2017-3-212.

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10

Breij, Bé. "The World of Tacitus’ Dialogus de Oratoribus. Aesthetics and Empire in Ancient Rome, written by Van den Berg, C.S." Mnemosyne 70, no. 3 (2017): 531–34. http://dx.doi.org/10.1163/1568525x-12342367.

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11

Rutledge, Steve H. "The World of Tacitus’ Dialogus de Oratoribus: Aesthetics and Empire in Ancient Rome by Christopher S. van den Berg." Classical World 108, no. 4 (2015): 573–74. http://dx.doi.org/10.1353/clw.2015.0053.

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12

Kapust, Daniel J. "Review: The World of Tacitus’ Dialogus de Oratoribus: Aesthetics and Empire in Ancient Rome, by Christopher S. van den Berg." Rhetorica 36, no. 3 (2018): 320–22. http://dx.doi.org/10.1525/rh.2018.36.3.320.

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13

Andrew Gallia. "Potentes and Potentia in Tacitus's Dialogus de oratoribus." Transactions of the American Philological Association 139, no. 1 (2009): 169–206. http://dx.doi.org/10.1353/apa.0.0020.

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14

Kyungjoo Ko. "Tacitus' Dialogus de Oratoribus : A Roman Elite's View of the Past and the Present in the Debate on the Decline of Oratory." Journal of Classical Studies ll, no. 42 (2015): 107–44. http://dx.doi.org/10.20975/jcskor.2015..42.107.

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15

Sailor, Dylan. "The World of Tacitus’ “Dialogus de Oratoribus”: Aesthetics and Empire in Ancient Rome. By Christopher S. van den Berg. Cambridge and New York: Cambridge University Press, 2014. Pp. [xiii] + 344." Classical Philology 111, no. 4 (2016): 478–82. http://dx.doi.org/10.1086/688719.

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16

Haynes, Holly. "C. S. VAN DEN BERG , THE WORLD OF TACITUS’ DIALOGUS DE ORATORIBUS: AESTHETICS AND EMPIRE IN ANCIENT ROME. Cambridge/NewYork: Cambridge University Press, 2014. Pp. xiii + 344. isbn 9781107020900. £65.00/US$110.00." Journal of Roman Studies 106 (February 11, 2016): 353–54. http://dx.doi.org/10.1017/s0075435816000083.

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17

Winterbottom, Michael. "Tacitus' Dialogus - Domenico Bo: Le principali problematiche del Dialogus de Oratoribus. (Spudasmata, 51.) Panorarnica storico-critica dal 1426 al 1990, con in appendice: restituzione critica del testo alla luce di nuova classificazione dei codici. Pp. 462. Hildesheim, Zurich and New York: Georg olms Verlag, 1993. Paper, DM 88." Classical Review 44, no. 1 (1994): 57–58. http://dx.doi.org/10.1017/s0009840x00290434.

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18

Corbeill, Anthony. "TACITUS’ DIALOGUS." Classical Review 54, no. 2 (2004): 410–12. http://dx.doi.org/10.1093/cr/54.2.410.

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19

Merklin, Harald. "Probleme des «Dialogus de oratoribus»." Antike und Abendland 34, no. 1 (1988): 170–89. http://dx.doi.org/10.1515/anab-1988-0114.

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20

Winterbottom, Michael. "Tacitus, Dialogus 13.4." Classical Quarterly 49, no. 1 (1999): 338. http://dx.doi.org/10.1093/cq/49.1.338-a.

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At Dialogus 13.4, Tacitus makes Maternus decry the good fortune of the orators Vibius Crispus and Eprius Marcellus: ‘Nam Crispus iste et Marcellus, ad quorum exempla me uocas, quid habent in hac sua fortuna concupiscendum? Quod timent, an quod timentur? Quod, cum cotidie aliquid rogentur, ii quibus praestant indignantur? Quod alligati cum adulatione nec imperantibus umquam satis serui uidentur nec nobis satis liberi? Quae haec summa eorum potentia est? Tantum posse liberti solent’

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21

Edwards, Rebecca. "Hunting for Boars with Pliny and Tacitus." Classical Antiquity 27, no. 1 (2008): 35–58. http://dx.doi.org/10.1525/ca.2008.27.1.35.

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This paper will examine intertextual references between the Dialogus of Tacitus and the letters of Pliny, in particular those regarding boar hunting. It will argue that there are clues in the letters of Pliny which can help us to understand the relationship between these two writers as well as the tone and purpose of the Dialogus. By studying Pliny's letters to Tacitus on hunting (1.6, 9.10), one can see the specific reference to boars as an allusion to Marcus Aper, the chief spokesperson for contemporary eloquence in the dialogue, indicating a degree of humor and irony in the Dialogus that is

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22

Levene, D. S. "Tacitus' Dialogus As Literary History." Transactions of the American Philological Association 134, no. 1 (2004): 157–200. http://dx.doi.org/10.1353/apa.2004.0005.

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23

Peterlini, Ariovaldo A. "Eloqüência, liberdade e educação no Dialogus de oratoribus." Classica - Revista Brasileira de Estudos Clássicos 19, no. 1 (2006): 83–98. http://dx.doi.org/10.24277/classica.v19i1.106.

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Visa o trabalho trazer à consideração de hoje idéias e fatos selecionados no Dialogus de oratoribus, de Tácito, como auxílio ao melhor entendimento do signi?cado da maior ou menor liberdade de ser e expressar-se, consoante o sistema político e o educacional, bem como da atuação da eloqüência nessa liberdade. A oratória tida por decadente na época de Tácito, embora vista ainda como arte de proteção e salvação é raramente, quase a medo, tratada à luz da política dominante. A educação falha e a “paz” política seriam as causas dessa decadência na época imperial. Na visão romana, a liberdade propri

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24

Martin, Raul. "Sobre el estilo y la elocuencia en el Dialogus de oratoribus." Humanitas. Revista de Teoría, Crítica y Estudios Literarios 2, no. 3 (2022): 109–30. http://dx.doi.org/10.29105/revistahumanitas2.3-35.

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Planteamos un comentario pormenorizado de los diversos elementos estilísticos que hacen su aparición a tenor de los motivos tratados y los argumentos esgrimidos a lo largo del Dialogus de oratoribus de Tácito, todo ello partiendo del concepto de la elocuentia, tal como era entendida en el tiempo y mente del autor.

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25

Possanza, Mark. "A Crux in Tacitus "Dialogus" 5.3-4." Phoenix 49, no. 2 (1995): 131. http://dx.doi.org/10.2307/1192630.

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26

Brink, C. O. "Can Tacitus' Dialogus Be Dated? Evidence and Historical Conclusions." Harvard Studies in Classical Philology 96 (1994): 251. http://dx.doi.org/10.2307/311327.

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27

Sánchez Vendramini, David. "El Dialogus de oratoribus y la opinión de Tácito sobre las posibilidades de la oratoria en el régimen imperial." Emerita 77, no. 1 (2009): 109–23. http://dx.doi.org/10.3989/emerita.2009.v77.i1.308.

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28

Woytek, Erich. "Der Panegyricus des Plinius. Sein Verhältnis zum Dialogus und den Historiae des Tacitus und seine absolute Datierung." Wiener Studien 119 (2007): 115–56. http://dx.doi.org/10.1553/wst119s115.

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29

Mossakowski, Wiesław. "LAUDATORES W PROCESIE RZYMSKIM." Zeszyty Prawnicze 1 (January 27, 2017): 167. http://dx.doi.org/10.21697/zp.2001.1.09.

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LAUDATORES IM RÖMISCHEN PROZESSLaudatores waren in römischen Strafsachen der Republikzeit sui generis Zeuge oder Bürge. Ihre Aussagen (testimonia) wurden laudationes genannt. Laudatores machten aber keine Aussagen über Tatsachen, die mit dem Begehen des Verbrechens durch den Angeklagten zusammenhängten (crimen), sondern waren durch den Verteidigen bestellt, um die Moral der Angeklagten zu bestätigen. Die Argumentation der laudatores hatte keinen rechtlichen Charakter. Damit sollte die Ehrlichkeit des Lebens des Angeklagten bestätigt werden. Laudationes waren bekannt bereits vor dem Entstehen d

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30

Berry, D. H. "Tacitus, Dialogvs De Oratoribvs. Ed. R. Mayer. Cambridge: Cambridge University Press, 2001. Pp. ix + 227. ISBN 0-521-47040-4 (bound); 0-521-46996-1 (paper). £45.00 (bound); £15.95 (paper)." Journal of Roman Studies 93 (November 2003): 390–91. http://dx.doi.org/10.1017/s0075435800063644.

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31

Berry, D. H. "Tacitus, Dialogvs De Oratoribvs. Ed. R. Mayer. Cambridge: Cambridge University Press, 2001. Pp. ix + 227. ISBN 0-521-47040-4 (bound); 0-521-46996-1 (paper). £45.00 (bound); £15.95 (paper)." Journal of Roman Studies 93 (November 2003): 390–91. http://dx.doi.org/10.2307/3184731.

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32

Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 2 (2015): 224–31. http://dx.doi.org/10.1017/s0017383515000091.

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James Uden's impressive new study of Juvenal's Satires opens up our understanding not only of the poetry itself but also of the world in which it was written, the confusing cosmopolitan world of the Roman Empire under Trajan and Hadrian, with its flourishing of Greek intellectualism, and its dissolution of old certainties about identity and values. Juvenal is revealed as very much a poet of his day, and while Uden is alert to the ‘affected timelessness’ and ‘ambiguous referentiality’ (203) of the Satires, he also shows how Juvenal's poetry resonates with the historical and cultural context of

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33

"DOMENICO BO, Le principali problematiche del Dialogus de oratoribus. Panoramica storico-critica dal 1426 al 1990 (Spudasmata, 51). Hildesheim, Olms, 1993. 462 p. Pr. DM 88,—." Mnemosyne 49, no. 3 (1996): 388. http://dx.doi.org/10.1163/1568525962611111.

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