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Books on the topic 'Diapasons'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Zwang, Gérard. Le diapason. Montpellier, France: Sauramps, 1998.

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2

Guzmán, Félix Rivera. Diapasón. San Juan, Puerto Rico: Isla Negra, 1999.

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3

Pyee, Doris. Le diapason 1850-1852. Baltimore, Md: RIPM, 2010.

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4

Outram, Richard Daley. Diapason in thimble theatre. [Toronto: Gauntlet Press?, 1997.

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5

Diapasó amerat. València: E. Climent, 1986.

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6

Papatheodōrou, Vasilēs. Stē diapasōn. Athēna: Ekdoseis Kastaniōtē, 2009.

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7

Hénault, Christiane. Diapason: Initiation à la musique. Chomedey, Laval, Québec: Éditions Beauchemin, 1990.

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8

Carvajal, Antonio. Diapasón de Epicuro. Sevilla: Fundación El Monte, 2004.

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9

Carvajal, Antonio. Diapasón de Epicuro. Sevilla: Fundación El Monte, 2004.

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10

La nuit, le jour: Au diapason de la création. Paris: Seuil, 2009.

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11

La musique baroque et son diapason: Le classique confisqué. Paris: Harmattan, 2014.

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12

Pauline, Côté, and Chevalier Nicole Ph D, eds. L'hyperactivité au diapason de la musique et du français. Québec, Québec: Presses de l'Université du Québec, 2009.

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13

Fusión ; seguido de Diapasón de lo inverosímil en la carne. Colmenar Viejo, Madrid: Amargord, 2010.

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14

Hastain, J/J. Approximating diapason: Or how to milk the con and the in of tension of tense-ing of tensile. New York: Spuyten Duyvil, 2012.

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15

Tenney, James. About Diapason. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0019.

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Abstract:

James Tenney reflects on his 1996 composition Diapason. Near the beginning and the end of the piece, the “diapason” includes harmonics from the forty-eighth through sixty-fourth, whereas at the dynamic climax, it includes the first through the seventeenth partials. Tenney discusses some unusual procedures that are required to perform the piece, including: all of the string instruments are retuned in an elaborate scordatura; wind players are free to choose from the set of pitches being played at any moment by the string players nearest to them; and to facilitate this process, each wind player is seated between two string players or is, in fact, surrounded by from four to six string players whose pitches can thus be matched in this way. Tenney also claims that he produced these unusual pitches because of his belief that we have entered a new music-historical era during which there will be a resumption of the evolutionary development of harmony.

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16

Diapasón. Océano, 2012.

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17

Collectif. DIAPASON JAUNE - VOLUME 2. PRESSES D'ILE DE FRANCE, 2005.

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18

Collectif. DIAPASON JAUNE - VOLUME 2. PRESSES D'ILE DE FRANCE, 2005.

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19

Elio, Pecora, ed. Diapason di voci: Omaggio a Sandro Penna. Valverde (Catania): Il girasole, 1997.

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20

Elio, Pecora, ed. Diapason di voci: Omaggio a Sandro Penna. Valverde (Catania): Il girasole, 1997.

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21

France, Mej Scouts de. Diapason rouge vol. 2 : Carnet de chants avec accords. Presses d' Ile de France, 1997.

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22

France, Scouts de. Diapason Rouge : Volume 4, Carnet de 300 chants avec accords. Les Presses d'Ile de France, 2003.

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