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1

Akinola, Anthony Alioye. The Search for a Nigerian political system: Confederation : diarchy : zoning. London: Afroworld Publishing Co., 1986.

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2

Abioye, Akinola Anthony. A search for a Nigerian political system: Confederation, diarchy, zoning. London: Afroworld Pub. Co., 1986.

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3

Srinivasan, Ramona. The Concept of diarchy: In special reference to its working in the Bombay Presidency, 1921-1937. New Delhi: NIB Publishers, 1992.

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Madras, journal. Marseille: André Dimanche éditeur, 1997.

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5

Petrosino, Angelo. Un anno con Jessica: Diario di una bambina. Torino, Italy: Sonda, 1991.

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6

Testimoni de càrrec: Vint anys al servei de Catalunya (1993-2012). Barcelona: Proa, 2014.

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7

1972-, Domènech Laia, and Virgili Montse, eds. Diario de un amargado. Barcelona: Editorial MORSA, 2012.

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8

Cooper, Robin. The timewaster diaries: A year in the life of Robin Cooper. London: Sphere, 2007.

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9

Naiquan, Liu, ed. Zhao Liewen ri ji zhi wan Qing shi lu. Xianggang: Ming wen chu ban she you xian gong si, 2002.

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Ziemkiewicz, Rafał. Zgred. Poznań: Zysk i S-ka Wydawn, 2011.

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11

O, Ti︠u︡ment︠s︡ev I., and Uniwersytet Warszawski Instytut Historyczny, eds. Dnevnik I︠A︡na Petra Sapegi: 1608-1611. Moskva: Drevlekhranilishche, 2012.

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F, Petrova V., and Sazhin V. N, eds. Dnevnik. Moskva: Novoe literaturnoe obozrenie, 2011.

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13

Odyakmaz, A. Nevzad. Küllük anıları. 3rd ed. İstanbul: Mephisto, 2004.

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14

Ich will Zeugnis ablegen bis zum letzten: Tagebücher 1933 - 1945 ; eine Auswahl. Hamburg, Germany: Spiegel-Verlag, 2007.

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15

Roeb, Elke, and Volkhard A. J. Kempf, eds. Leitsymptom Diarrhö. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110539288.

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16

Rang ling hun gen shang jiao bu. Beijing Shi: Zhong xin chu ban she, 2008.

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17

Costa, Hipólito José da. Diário da minha viagem a Filadélfia. Lisboa: Instituto Ciências Sociais, 2007.

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18

Chŏng, Yŏng-nyŏl. Chugŭm poda tŏhan apʻŭm. Sŏul Tʻŭkpyŏlsi: Sasayŏn, 1988.

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19

Diary of a yuppie. London: Weidenfeld and Nicolson, 1987.

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20

Mirotvorskai︠a︡, Natalʹi︠a︡ Aleksandrovna. Dve tetradi: Dnevnik Natalʹi Aleksandrovny Mirotvorskoĭ. [Moskva]: "Galerei︠a︡ STO", 2010.

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21

Gabriele, Emma. Vademecum: San Francisco. Edited by Lorenzo Mazzoni and Marco Belli. Milano, Italy: AC Edizioni S.r.l. - Lite Editions, 2012.

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22

Auchincloss, Louis. Diary of a yuppie. Boston: Houghton Mifflin, 1986.

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23

Gill, May. Dear Bob: Letters from home 1930-1931. Middlesbrough: Mudfog, 2002.

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24

1948-, Aisa Ferran, ed. Diario de un miliciano republicano (1936-1939). Barcelona: Editorial Base, 2010.

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25

Ziegenhagen, Dieter J., and Wolfgang Kruis. Obstipation und Diarrhö. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-642-56406-2.

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26

Gombrowicz, Witold. Diary. Evanston, IL: Northwestern University Press, 1988.

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27

Dent, Emma. Diary. [Cheltenham, Glos: Reardon Pub., 1998.

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28

Diary. London: Marshall Cavendish, 1988.

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29

Michael, Mack, ed. Diary. Hamburg: Kruse, 2000.

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30

Diary. New Haven, [Conn.]: Yale University Press, 2010.

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31

Particulier dagboek 1933. Amsterdam: Arbeiderspers, 1987.

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32

FI LAMAN: Część I - Batna - pierwszy rok. Poland Warsaw: peta, 2000.

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33

FI LAMAN: Część II - Batna - drugi rok. Poland Warsaw: peta, 2001.

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34

Lounsberry, Barbara. Virginia Woolf, the War Without, the War Within. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056937.001.0001.

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Virginia Woolf, The War Without, The War Within completes Lounsberry’s trilogy on Virginia Woolf’s luminous diary and the diaries she read. It offers the first treatment of Woolf’s final diary stage (1929–1941), in which she turned more to her diary—and to others' diaries—as the war pressures of the unfurling 1930s grew. It reveals her artistic wars within as the encroaching outer war (World War II) approached. For the first time, this book will explore each of Woolf’s 12 final diary books in depth and trace her final flowering as a diarist. We watch as Woolf increases her number of diary entries in the 1930s and uses her diary more and more as a morning prop (as well as a post-tea-time act). We see her wish to write a “meatier” diary in 1940: an “evening” diary for “Old Virginia.” Interwoven into her own diary as it unfolds are the 18 key diaries that helped shape both her semi-private diary style and her public prose, including the diaries of Leo and Countess Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. This book functions as a new Woolf biography, marking her life through her diaries from age forty-seven to four days before her suicide in 1941. Additionally, a new reading of Woolf’s suicide is offered—one based on her diaries.
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35

Hyers, Lauri L. Qualitative Diary Research Design. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190256692.003.0003.

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This chapter discusses basic design considerations for qualitative diary studies that involve either archival or solicited diaries. After a brief overview of the unique types of data diaries can provide, a separate discussion is provided for archival and solicited diary studies. Archival diary researchers will need to locate diaries that have already been written for personal reasons or for past research studies. They will not have any say in the format of these pre-existing diaries. Solicited diary researchers, in contrast, must plan for participant selection and recruitment and the structure and timing of the diary entries. The chapter concludes with a discussion of potential supporting documents for both archival and solicited diary studies.
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36

Poverty Creek Journal. Tupelo Press, Incorporated, 2014.

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37

My Summer Diary. Scholastic, Inc., 1986.

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38

Hyers, Lauri L. Putting it All Together. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190256692.003.0005.

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This chapter discusses the planning and management of a diary study, evaluating a diary study, strengths and weaknesses, and ethical considerations. In order to develop a successful qualitative diary study, researchers will need to (1) have a solid plan for project management, (2) be aware of potential methodological strengths and weaknesses, and (3) pay attention to the special ethical considerations in doing qualitative diary research. The researcher will be invited to review the entire process of a diary study, from the pre-data-collection phase to the post-data collection phase. Next the criteria for evaluating a diary study will be discussed, making connections to the general evaluative criteria applied to qualitative research in general. Special evaluation criteria and ethical considerations will be discussed with regard to the very unique methodological features of qualitative research conducted with diaries.
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39

Hyers, Lauri. Diary Methods. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190256692.001.0001.

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This book provides an overview of diary research history, design, data collection, data analysis, report writing, evaluation, and ethics. In use for about 100 years now in the social sciences, diary research methods are distinct in the qualitative canon for their mode of data collection. Diary research methods are as flexible as other qualitative methods and can be adapted to suit a variety of epistemological assumptions and research questions, types of diarists and data formats, and styles of analysis. Although diary research can seem daunting, many qualitative researchers have had great success in working with diaries as their primary data source. In this volume, the diary will first be explored historically, from its emergence as a popular cultural phenomenon to its eventual use by social science researchers. Attention will then turn to the use of archival and solicited diaries in qualitative research designs. Next, the basics of designing, analyzing, and writing qualitative diary studies will be reviewed. The volume concludes with a discussion of the strengths, weaknesses, and ethical considerations of qualitative diary research.
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40

Hyers, Lauri L. Diary Data Collection as a Qualitative Research Method. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190256692.003.0002.

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This chapter discusses the use of the diary in qualitative research, the role of the researcher and the diarist, the format of the entries, the epistemological orientations underlying diary designs, and various types of diary studies. The diary has always been among the options in the qualitative methodological repertoire and actually predates other more common contemporary methods for data collection. Diary studies involve the standard tasks of any research project: reviewing the literature and identifying research questions; designing and carrying out a data collection protocol; and analyzing and discussing the data. The style of analysis depends upon the type of study conducted. This chapter will discuss the use of diaries in several types Descriptive, Constructionist, and Applied Research designs.
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41

Ferguson, Sam. Diaries Real and Fictional in Twentieth-Century French Writing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814535.001.0001.

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This is the first study of the diary in French writing across the twentieth century, as a genre including both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries (or journaux intimes) – a supposedly private form of writing – would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d’André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889–1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau’s works published under the pseudonym of Sally Mara (1947–1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes’s experiments with the diary (1977–1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux’s published diaries (1993–2011) demonstrate the role of the diary in the modern field of life-writing, especially in comparison with autobiography. Throughout the century, the diary has repeatedly been used to construct an œuvre and author, but also to call these fundamental literary concepts into question.
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42

Hyers, Lauri L. Analyzing and Writing a Report on Qualitative Diary Research. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190256692.003.0004.

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This chapter discusses how to analyze and write up a qualitative diary research report. In qualitative diary studies, the summative narrative developed by the researcher is as integral to the report as is the more elaborated narrative provided by each diarist. Distilling individual diaries into a cohesive and concise report and many other challenges face researchers writing reports using complex diary data. After considering some of the practical aspects of writing up diary research studies, such as targeting and tailoring reports to non-academic, applied, or scholarly outlets, the majority of the chapter will turn to analyzing and coding of diary data and report-writing specifically for scholarly outlets. Data analysis and report writing are treated together because these are typically concurrent tasks in qualitative research studies.
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43

Notebook, Exclusive. Diary: Diary, Journal, Diary. Independently Published, 2019.

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44

Ferguson, Sam. Annie Ernaux. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814535.003.0008.

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This chapter examines the place of the diary in the context of considerable growth in all forms of life-writing since the 1970s, through a reading of diaries published by Annie Ernaux. The diary has shared in the broader success of life-writing, but also remained marginal. This marginality is apparent within Ernaux’s overall writing project, broadly associated with the aims of autobiography, and even inimical to the diary. Her first diary publication, Journal du dehors, is positioned as an alternative to the journal intime by its focus on strangers and the outside world, but still points cautiously towards a diaristic authorial posture. Ernaux’s later publications of actual journaux intimes (including “Je ne suis pas sortie de ma nuit”) establish a complex relationship with Ernaux’s autobiographical works, acting as a supplement. L’Atelier noir, Ernaux’s writing diary (journal d’écriture), again acts as a supplement to her volume of complete works Écrire la vie.
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45

Ferguson, Sam. Les Cahiers d’André Walter. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814535.003.0002.

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Gide’s first publication of diary-writing, Les Cahiers d’André Walter, explores the potential of the journal intime to contribute to an author’s literary œuvre, and help construct their textual author-figure. It was initially presented as the real diary of a real André Walter (an ‘auteur supposé’ rather than a mere pseudonym). When read as if it were a real journal intime, it appears as an innovative, partly literary diary-writing project, and manifests a new concept of the intime. André Walter’s own theoretical deliberations in this work explore themes of contingency (associated with the journal intime) and necessity (associated with literature), and anticipate his own actual transition from supposedly real author to fictional character. Once the illusion of the auteur supposé is revealed, and the work is read as fiction, Walter’s desires and diary-writing project are viewed ironically as a partial failure, and call for further experiments with diary-writing.
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46

Ferguson, Sam. Paludes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814535.003.0003.

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Gide’s experimentation with diary-writing continues in Paludes. Like Les Cahiers d’André Walter, it is the diary (journal intime) of a character writing a novel (in this case also entitled ‘Paludes’, creating a structure of mise en abyme). The work’s exploration of diary-writing depends on a dizzying, comical instability in the text’s structure: first, the status of the main narrative (as a diary or some other sort of narrative) is never resolved; secondly, the relation between the main narrative and the narrator’s own literary creation (‘Paludes’) remains unclear. Paludes continues some of the theoretical themes from Les Cahiers d’André Walter, but the narrator of Paludes is more focused on embracing the contingency of diary-writing, as a way to escape the deterministic necessity of existence and achieve some sort of action and freedom in writing. The work calls for a new form of literary œuvre that can accommodate this diaristic contingency.
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47

Ferguson, Sam. The Return of the Diary in Barthes’s ‘Vita Nova’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814535.003.0007.

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This chapter examines a moment when the literary avant-garde returned to diary-writing and the writing subject, by focusing on Roland Barthes’s experiments with the diary (journal intime). These experiments take place in the context of his project for a ‘Vita Nova’ (seeking a unification of his life and writing, and a new, subjective form of literature), and are all related to his mourning for his mother. His Journal de deuil (written 1977–1979) pursues an impossible ideal of diary-writing, in which a univocal, fully present writing subject expresses a valuable interior experience to produce a literary œuvre. The impossibility of this ideal leads Barthes to his reflections on the diary in the article ‘Délibération’, and then to an almost perfectly opposite form of diary-writing project, with Soirées de Paris. These two diaries, exploring opposite extremes of writing, are placed by Barthes as components within his imagined novel (Vita Nova).
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48

Grossmith, George and Weedon. The Diary of a Nobody. Edited by Kate Flint. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199540150.001.0001.

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‘Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see - because I do not happen to be a ‘Somebody’ - why my diary should not be interesting.’ The Diary of a Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to be seen as the epitome of English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency. Both celebration and critique, The Diary of a Nobody has often been imitated, but never bettered. This edition features Weedon Grossmith's hilarious illustrations and is complemented by an enjoyable introduction discussing the book's social background and suburban fiction as a genre.
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49

Mühsam: Anarchist in Anführungsstrichen. Zürich, Switzerland: Edition Moderne, 2018.

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50

My diarrhe. 2018.

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