Relevant bibliographies by topics / Diaspora and modernity

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Diaspora and modernity'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Diaspora and modernity"

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SLOBIN, GRETA N. "MODERNISM/MODERNITY IN THE POST-REVOLUTIONARY DIASPORA." Canadian-American Slavic Studies 37, no. 1-2 (2003): 57–70. http://dx.doi.org/10.1163/221023903x00477.

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Lazarus, Neil. "Is a Counterculture of Modernity a Theory of Modernity?" Diaspora: A Journal of Transnational Studies 4, no. 3 (December 1995): 323–39. http://dx.doi.org/10.3138/diaspora.4.3.323.

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Hardy, Ken. "Art Projects: Modernity = Mobility: Diaspora." Circa, no. 69 (1994): 43. http://dx.doi.org/10.2307/25562699.

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Dirlik, Arif. "Modernity in Question? Culture and Religion in an Age of Global Modernity." Diaspora: A Journal of Transnational Studies 12, no. 2 (September 2003): 147–68. http://dx.doi.org/10.3138/diaspora.12.2.147.

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Tostões, Ana, and Maria Manuel Oliveira. "Transcontinental Modernism. M&G as an Unité d’habitation and a factory complex in Mozambique." Brasilis, no. 43 (2010): 70–73. http://dx.doi.org/10.52200/43.a.2bif8auu.

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With the aim of contributing to the documentation and conservation of the modern architectural heritage, this paper presents Monteiro & Giro Complex (M&G), built during the 50’s in Quelimane, Mozambique, with the goal of stressing the modernity of the social program and the technological approach. If one wants to gain a better understanding of the worldwide Diaspora of architectural modernism, it is essential to document and analyse the important heritage of sub–Saharan Africa. Modern architectural debates have been reproduced, transformed, contested and sometimes even improved in distant lands and overseas territories. These contradictory aspects of Modernist practice are revealed in the programmatic, technological and structural M&G industrial Complex.
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Roopnarine, L. "The African diaspora: Slavery, modernity, and globalization." African Affairs 114, no. 454 (November 27, 2014): 168–70. http://dx.doi.org/10.1093/afraf/adu075.

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Adeniran, Adebusuyi Isaac. "The African diaspora: slavery, modernity and globalization." Canadian Journal of African Studies / Revue canadienne des études africaines 49, no. 3 (September 2, 2015): 546–48. http://dx.doi.org/10.1080/00083968.2015.1071105.

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Mamedov, Ilgar. "Ukrainian Diaspora of Canada, its history and modernity." Slavic Almanac, no. 3-4 (2018): 254–305. http://dx.doi.org/10.31168/2073-5731.2018.3-4.3.01.

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Migration of Ukrainians to Canada took place in 4 stages: before the first world war, after it, after the second world war and at the end of the XX century. It was caused, respectively, by economic, political, military-political and socio-economic reasons. The official attitude towards Ukrainians in Canada proceeded from racial beliefs about their inferiority compared to the dominant Anglo-Saxons. Although this policy was later transformed into multiculturalism, in reality it was quietly and tacitly applied in a daily practice.
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Hanchard, M. "Afro-Modernity: Temporality, Politics, and the African Diaspora." Public Culture 11, no. 1 (January 1, 1999): 245–68. http://dx.doi.org/10.1215/08992363-11-1-245.

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Dirlik, Arif. "Where Do We Go from Here? Marxism, Modernity, and Postcolonial Studies." Diaspora: A Journal of Transnational Studies 12, no. 3 (December 2003): 419–36. http://dx.doi.org/10.3138/diaspora.12.3.419.

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Dissertations / Theses on the topic "Diaspora and modernity"

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Mirmotahari, Emad. "Islam and the Eastern African novel revisiting nation, diaspora, modernity /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666396541&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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St, Louis Brett Andrew Lucas. "C.L.R. James's social theory : a critique of race and modernity." Thesis, University of Southampton, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297631.

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Hesse, Barnor. "Signs of blackness : racialized governmentality and the politics of black diaspora." Thesis, University of Essex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243354.

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Spencer, Patricia Annamaria. "Malaya's Indian Tamil Labor Diaspora: Colonial Subversion of Their Quest for Agency and Modernity." DigitalCommons@USU, 2013. https://digitalcommons.usu.edu/etd/1463.

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The Indian labor diaspora that settled in Malaya, now known as Malaysia, was a diaspora that was used to further colonial ambitions. Large scale agricultural projects required a workforce that Malaya did not have. South Indian peasants from the untouchable Madrasi caste were taken to Malaya, initially, as indentured servants. When indenture was abolished, they were engaged as contract workers. Inferiority and backwardness were common colonial perceptions that were held against them. These laborers were exploited by the British as they had no bargaining power or the ability to demand more than a meager wage. World War II redefined the way these laborers started to view the British. Having suffered defeat in the hands of the Japanese, the colonial power retreated meekly. This was a significant development as it removed the veil of British dominance in the eyes of a formerly docile people. When the British returned to Malaya after the war, it was a more defiant Indian labor community who greeted them. These wanted more concessions. They wanted citizenship, better wages and living conditions. They wanted a future that did not retain them on the rubber estates but one where they could finally shed their subaltern roots and achieve upward mobility. This new defiance was met with antagonism by the colonial power whose main concern was to get the lucrative but stalled rubber industry up and running again. The destitution and impoverishment suffered by the Indians during the war was ignored as they were rounded up like cattle to be put to work again on the estates. When their demands were not met, Indian laborers joined forces with the heavily Communist influenced Chinese migrant community to go on strikes, the strongest weapon they had at their disposal. The creation of the All Malayan Rubber Workers' Council, a predominantly Indian trade union, is essential in showing how Indian labor became a threat to the British that they eventually had to retaliate with draconian military suppression through the imposition of the Emergency in 1948. Archival material from the Malaysian National Archives, The National Archives of the United Kingdom, the Labor History and Archive Study Center at the People's History Museum in the United Kingdom, and the Hull History Center in the United Kingdom, were analyzed to present an alternate narrative as opposed to the colonial narrative, in recognizing and attributing a modern spirit and agency amongst this formerly docile labor diaspora. This work presents the events of 1945-1948 as a time when Indians rejected the colonial perception of them as an inferior people, and challenged the colonial power. However, their efforts were subverted by the British and by doing so, the British ensured the maintenance of a labor diaspora that would continue to be exploited by those who ruled over them.
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Pello-Esso, Kibandu. "Design And Race: "African Design" In The Shadow Of Modernity." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7822.

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To explore the question of how race and design are related, I have developed a set of analysis strategies, involving props that are investigating objecthood and subjectivity. I use prototyping techniques and sketching in full scale. The design process contains three main investigation packages that ran parallel and was intertwined with each other, and resulted in a staged planetarian habitability (Mbembe, 2020) that communicates how to decolonize the African objects.  The objective of this project was to investigate how to make stories about African design as well as identify how an African spatial design practice could unfold. The myth building around race is a successful practice even today. Therefore, it is necessary for each generation to undo these myths. The project resulted in objects and a spatial installation that render tangible, new ideals about modernity and design in relation to race.
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Karim, Haryati Abdul. "Globalisation, 'in-between' identities and shifting values : young multiethnic Malaysians and media consumption." Thesis, Loughborough University, 2010. https://dspace.lboro.ac.uk/2134/8841.

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The aim of this research is to examine the identities of youth from different cultural background in Malaysia that has been formed through consumption of media. The forces of globalisation reportedly have de-centred the self from the core, leading to multiple, fluid and contradictory identities. Individuals have been displaced from their backgrounds, and have emerged as individuals, in contrast to past collective identities. People are self-reflexive in constructing their sense of self, with the media playing a role in nurturing one s quest for self-identity (Thompson, 1995). This issue is of particular relevance to young Malaysians. Within this locality, young people s lives are deeply embedded in the collectivities of ethnicity, religion and national identity. At the same time, Malaysia has adopted an open economic market. The de-regulation of Malaysia s broadcasting services enables a mass penetration of the global media to influence young Malaysians. This study is interested in examining how these conditions have affected young Malaysians identities through media consumption. While other studies have explored identity through the consumption of the global media by local audiences, such studies have focused on hybridised cultural practices. This study takes into account de-centred identities by examining shifts in values among different ethnicities, as reflected in consumption of global and local television programmes, differentiating this from previous research works. This study draws on Giddens (1990) concept of reflexivity in examining this issue. This study found that the global media plays a significant role in young Malaysians questioning tradition against modernity. They admire life outside Malaysia, and view it as more modern and liberating, compared to the perceived closed life of Malaysian culture. Yet, this does not conclusively show that young Malaysians have completely abandoned local cultures and values. Rather, it shows they can fully adopt values they admire into their lives while continuing to live within the bounds of their parents and community. Young Malaysians have appropriated the various forms of global cultures derived from media consumption as a means of forging their sense of self, which articulates a need to project an individual self rather than emerging from their collectivity. Although religion and ethnicity remain important in their lives, these young people do not see themselves solely restricted by these identity markers alone. Their cultural identity contains characteristics of other global cultures as well. It is an intersection of various forms of identities, negotiated between religion and ethnicity within global youth cultures, diaspora, gender, lifestyles and taste. Young Malaysians can best be described as having in-between identities - global - local subjects borne out of the hybridisation of values from both sources. Ethnic minority Malaysians display two identities, due to their consumption of international programmes. First, overseas Chinese and Tamil television programmes enable youth to hybridise their youth identity into Western-Asian popular youth cultures instead of drawing solely from one or the other. Second, this type of exposure leads young Malaysian-Chinese to have feelings of cultural superiority over the local Malay films and drama.
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Santos, Eduardo Antonio Estevam. "Luiz Gama, um intelectual diaspórico: intelectualidade, relações étnico-raciais e produção cultural na modernidade paulistana (1830-1882)." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12825.

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This academic paper interprets and analyzes the trajectory and cultural production of the poet, journalist, mason, abolitionist, lawyer ("rábula") and political leader Luiz Gama. The city of São Paulo was the space for his accomplishments, quintessential place for the emergence of his political and diasporic identity, to his legal struggles on behalf of enslaved and the stage for the emergence of liberal-republican positions wich, to Gama, Gama, were inseparable from slave liberation. We prioritize, in the analysis of their narratives, how Luiz Gama used race, identity, modernity and memory of slavery to mediate the social reality of São Paulo and ethno-racial relations. Under the analytical perspective of cultural studies and postcolonial criticism, we seek to find Luiz Gama in frames of an intellectuality formed beyond the national space
Este trabalho acadêmico interpreta e analisa a trajetória e produção cultural do poeta, jornalista, maçom, abolicionista, advogado (rábula) e líder político Luiz Gama. A cidade de São Paulo foi o espaço de suas realizações, lugar por excelência para o surgimento de sua identidade política diaspórica, para os seus embates jurídicos em favor do escravizado e palco para o surgimento de posições liberal-republicanas que, para Gama, eram indissociáveis da libertação escrava. Priorizamos, nas análises de suas narrativas, o modo como Luiz Gama usava a raça, a identidade, a modernidade e a memória da escravidão para mediar a realidade social paulistana e as relações étnicoraciais. Sob a perspectiva analítica dos estudos culturais e da crítica póscolonial, procuramos localizar Luiz Gama nos quadros de uma intelectualidade formada além do espaço nacional
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An, Ji-yoon. "Family pictures : representations of the family in contemporary Korean cinema." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/268018.

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The family has always been a central narrative theme in cinema. Korean cinema has been no exception, where the family has proved to be a popular subject since its earliest days. Yet Western scholarship on Korean cinema has given little attention to this dominant theme, preferring to concentrate on the film industry's recent revival and its blockbusters. Scholarship in Korea and in the Korean language, on the hand, has continuously discussed some of the major cinematic works on the family. However, such literature has tended to be in the form of articles discussing one or two particular works. A comprehensive study of the family in contemporary Korean cinema therefore remains absent both in Korean and in English. This thesis is an attempt to provide such a work, bringing together films on the family and writings on them in both Western and Korean scholarships, as well as filling the gaps where certain trends and patterns have gone undetected. How are the changes in the understanding of the family or in the roles of individual family members reworked, imagined, or desired in films? Taking this question as the starting point of the research, each chapter explores a separate theme: transformations in the structure of the family; faltering patriarchy and fatherhood; motherhood and the extremity of maternal love; and certain children's experiences of the family. The first chapter detects a general move away from the traditional patriarchal nuclear family and an interest in depicting alternative families, exploring shifting family forms in contemporary society and the public discourses surrounding them. The second chapter highlights the contradictory ways that the father has been illustrated in films during and after the IMF crisis. The third chapter explores a branch of recent thrillers that depicts mothers as dark and dangerous characters, offering an interesting cultural framing to the multiple perceptions of the mother figure in contemporary society. Finally, the last chapter aims to extend representations of the 'Korean family' to include films by/about those currently living outside of Korea, namely Korean emigrants and adoptees.
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Smith, Alé Elizabeth. "Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28117.

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S.J. Naudé's collection of short stories, The Alphabet of Birds, foregrounds the diasporic experiences of its marginalised, transnational subjects. The stories unearth profound grief and a deep sense of loss and displacement. The title of the collection suggests that the content grapples with issues that are central to the discourse of diaspora: movement, freedom, borders, home, dwelling, meaning, and identity. Jaco van Schalkwyk's debut novel, The Alibi Club, is structured around the story of a young man's efforts to build a new life in an unfamiliar country. Although very different in style, tone, and form, Naudé and Van Schalkwyk both ask questions about the nature of belonging, pain and loss associated with the diasporic experience: How does one come to terms with one's past?; How does one navigate oneself in an increasingly estranging global world?; Is it possible to re-imagine the past, to rewrite the stories one tells about oneself? Naudé and Van Schalkwyk are not the first South Africans to give thought to these questions; in fact, our country has a rich history of pre- and post-apartheid diasporic writings. What I find compelling, however, is how a new generation of authors - a group of writers that faces unique challenges - draws on the literary form to engage with and relate to the past and present, their country of birth, and their language. I consider in what ways the literary form allows these two authors to articulate and re-imagine the lived diasporic experiences of their Afrikaans-speaking, contemporary transnational subjects who inhabit multiple identities.
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Stubbs, Tara M. C. "'Irish by descent' : Marianne Moore, Irish writers and the American-Irish Inheritance." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:bf87b5ea-4baa-4a46-9509-2c59e738e2a1.

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Despite having a rather weak family connection to Ireland, the American modernist poet Marianne Moore (1887-1972) described herself in a letter to Ezra Pound in 1919 as ‘Irish by descent’. This thesis relates Moore’s claim of Irish descent to her career as a publisher, poet and playwright, and argues that her decision to shape an Irish inheritance for herself was linked with her self-identification as an American poet. Chapter 1 discusses Moore’s self-confessed susceptibility to ‘Irish magic’ in relation to the increase in contributions from Irish writers during her editorship of The Dial magazine from 1925 to 1929. Moore’s 1915 poems to the Irish writers George Moore, W. B. Yeats and George Bernard Shaw, which reveal a paradoxical desire for affiliation to, and disassociation from, Irish literary traditions, are scrutinized in Chapter 2. Chapters 3a and b discuss Moore’s ‘Irish’ poems ‘Sojourn in the Whale’ (1917) and ‘Spenser’s Ireland’ (1941). In both poems political events in Ireland – the ‘Easter Rising’ of 1916 and Ireland’s policy of neutrality during World War II – become a backdrop for Moore’s personal anxieties as an American poet of ‘Irish’ descent coming to terms with her political and cultural inheritance. Expanding upon previous chapters’ discussion of the interrelation of poetics and politics, Chapter 4 shows how Moore’s use of Irish sources in ‘Spenser’s Ireland’ and other poems including ‘Silence’ and the ‘Student’ reflects her quixotic attitude to Irish culture as alternately an inspiration and a tool for manipulation. The final chapter discusses Moore’s adaptation of the Anglo-Irish novelist Maria Edgeworth’s 1812 novel The Absentee as a play in 1954. Through this last piece of ‘Irish’ writing, Moore adopts a sentimentality that befits the later stages of her career and illustrates how Irish literature, rather than Irish politics, has emerged as her ultimate source of inspiration.
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Books on the topic "Diaspora and modernity"

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Ma, Sheng-mei. Asian diaspora and East-West modernity. West Lafayette, IN: Purdue University Press, 2012.

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Ma, Sheng-mei. Asian diaspora and East-West modernity. West Lafayette, IN: Purdue University Press, 2012.

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Culture, diaspora, and modernity in Muslim writing. New York: Routledge, 2012.

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Modernity, freedom, and the African diaspora: Dublin, New Orleans, Paris. Bloomingtonn: Indiana University Press, 2012.

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Kaplan, Yosef. An alternative path to modernity: The Sephardi diaspora in western Europe. Leiden: Brill, 2000.

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Nayar, Kamala E. The Sikh diaspora in Vancouver: Three generations amid tradition, modernity, and multiculturalism. Toronto: University of Toronto Press, 2004.

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One people?: Tradition, modernity, and Jewish unity. London, UK: Littman Library of Jewish Civilization, 1993.

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Robertson, Clyde C. Africa rising: Multidisciplinary discussions on Africana studies and history : from ancient times through modernity. Trenton, NJ: Africa World Press, 2009.

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Africa rising: Multidisciplinary discussions on Africana studies and history : from ancient times through modernity. Trenton, NJ: Africa World Press, 2009.

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Diasporic modernisms: Hebrew and Yiddish in the twentieth century. New York: Oxford University Press, 2011.

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Book chapters on the topic "Diaspora and modernity"

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James, Leslie. "Nation, Diaspora, and Modernity." In George Padmore and Decolonization from Below, 143–63. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137352026_8.

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Desai, Jigna, and Rani Neutill. "The Anxieties of “New” Indian Modernity." In A Companion to Diaspora and Transnationalism, 231–48. Oxford, UK: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118320792.ch13.

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Pierse, Michael. "“Coeval but Out of Kilter”: Diaspora, Modernity and “Authenticity” in Irish Emigrant Worker Writing." In Rethinking the Irish Diaspora, 247–71. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-40784-5_11.

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Parmar, Maya. "Picturing the Modern Self: Vernacular Modernity and Temporal Synchronicity." In Reading Cultural Representations of the Double Diaspora, 119–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18083-6_4.

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Domingo, Andreu, and Amand Blanes. "The Galician Diaspora in the Twenty-First Century: Demographic Renovation as a Response to the Economic Crisis." In Migration, Minorities and Modernity, 93–111. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66305-0_8.

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Burt, Ramsay. "Modernity, ritual and diasporic culture." In Dance, Modernism, and Modernity, 199–213. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429457845-11.

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Pieris, Anoma. "Subaltern-diasporic histories of modernism." In Rethinking Global Modernism, 251–71. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003120209-19.

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Maxwell, William J. "Ghostreaders and Diaspora-Writers: Four Theses on the FBI and African American Modernism." In Modernism on File, 23–38. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230610392_2.

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Yuki, Masami. "A Diasporic Intervention Into Modernity: A World of Eating Together." In Foodscapes of Contemporary Japanese Women Writers, 119–29. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137477231_7.

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Carter, Donald Martin. "Crossing Modernity." In Navigating the African Diaspora, 143–72. University of Minnesota Press, 2010. http://dx.doi.org/10.5749/minnesota/9780816647774.003.0005.

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