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Relevant bibliographies by topics / Dickens, Charles (1812-1870) – Technique

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Academic literature on the topic 'Dickens, Charles (1812-1870) – Technique'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Dickens, Charles (1812-1870) – Technique"

1

Larner, A. J. "Charles Dickens (1812–1870) and epilepsy." Epilepsy & Behavior 24, no. 4 (2012): 422–25. http://dx.doi.org/10.1016/j.yebeh.2012.05.006.

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Damon, Julien. "La pensée de... - Charles Dickens (1812-1870)." Informations sociales 137, no. 1 (2007): 53. http://dx.doi.org/10.3917/inso.137.0053.

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3

Allahyari, Keyvan. "Antipodeanism, and Charles Dickens’ Imperialist Undertakings in Depicting Australia." MANUSYA 14, no. 2 (2011): 24–35. http://dx.doi.org/10.1163/26659077-01402002.

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Charles Dickens (1812-1870) was, at once, the most prominent English novelist of the mid-nineteenth century and one of the most industrious workers in facilitating the emigration of the British lower classes to colonial Australia. Throughout his novelistic and journalistic depictions of Australia, Dickens draws upon the textual tradition of the imaginary construction of the southern continent. His writings, therefore, function as complementing pieces for the discursive puzzle of ‘Australia’ and ‘the Australian’ from the Empire’s point of view. I will argue that Dickens’ picture of Australia ec

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4

Karam Ahmadova, Latifa. "REALISM IN NINETEENTH-CENTURY ENGLISH LITERATURE." SCIENTIFIC WORK 61, no. 12 (2020): 117–20. http://dx.doi.org/10.36719/2663-4619/61/117-120.

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In England, realism was formed very quickly, because it appeared immediately after the Enlightenment, and its formation occurred almost simultaneously with the development of Romanticism, which did not hinder the success of the new literary movement. The peculiarity of English literature is that in it romanticism and realism coexisted and enriched each other. Examples include the works of two writers, Elizabeth Gaskell and Charlotte Bronte. However, the discovery and confirmation of realism in English literature is primarily associated with the legacy of Charles Dickens (1812-1870) and William

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5

Franco, Gustavo Naves. "Modos ficcionais e historicidade: Charles Dickens, Franz Kafka, Raymond Carver." História da Historiografia: International Journal of Theory and History of Historiography 7, no. 16 (2014): 121–37. http://dx.doi.org/10.15848/hh.v0i16.824.

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O artigo propõe uma leitura comparativa das obras de Charles Dickens (1812-1870), Franz Kafka (1883-1924) e Raymond Carver (1938-1988), com base na “Teoria dos Modos” de Northrop Frye. Neste percurso, os diferentes usos do modo cômico e do modo trágico são analisados como signos de historicidade que acompanham transformações culturais verificadas entre os séculos XIX e XX no ocidente. Observa-se, então, que os contrapontos modais recorrentes em cada autor criam uma dinâmica de identidades e diferenças entre suas narrativas, bem como entre os textos e as circunstâncias contextuais em que emerge

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6

Asst. Prof. Ali Mohammed Segar. "Characteristics of Tragi-Comedy in Charles Dickens's Novel Oliver Twist." journal of the college of basic education 26, no. 106 (2020): 1–19. http://dx.doi.org/10.35950/cbej.v26i106.4879.

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The English novelist Charles John Hoffman Dickens (1812-1870) is well known for scholars and students of English literature. His name is always accompanied to some( classics) in the history of the English novel such as: ( Oliver Twist( 1839), David Copperfield (1850), Hard Times ( 1854 ), The Tale of Two Cities ( 1859 )Great Expectations (1860) and other novels. He is one of the most professional novelists of the Victorian age; rather, he is regarded by many critics as the father of the realistic trend and the greatest novelist of his age. In his fiction, Dickens created some of the worl

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7

"Charles Dickens, 1812-1870: An Anthology from the Berg Collection. 2nd ed.Lola L. Szladits." Papers of the Bibliographical Society of America 84, no. 2 (1990): 195. http://dx.doi.org/10.1086/pbsa.84.2.24303105.

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Dissertations / Theses on the topic "Dickens, Charles (1812-1870) – Technique"

1

Obayda, Zaynab. "L'enfance orpheline et la défaillance parentale dans les romans de Dickens : le génie stylistique de l'écrivain engagé." Thesis, Nancy 2, 2010. http://www.theses.fr/2010NAN21027.

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JUBAULT, RICHARD. "L'hysterie chez charles dickens." Rennes 1, 1992. http://www.theses.fr/1992REN1M098.

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3

Coats, Jerry B. (Jerry Brian). "Charles Dickens and Idiolects of Alienation." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277905/.

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A part of Charles Dickens's genius with character is his deftness at creating an appropriate idiolect for each character. Through their discourse, characters reveal not only themselves, but also Dickens's comment on social features that shape their communication style. Three specific idiolects are discussed in this study. First, Dickens demonstrates the pressures that an occupation exerts on Alfred Jingle from Pickwick Papers. Second, Mr. Gradgrind from Hard Times is robbed of his ability to communicate as Dickens highlights the errors of Utilitarianism. Finally, four characters from three nov

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4

Daly, Robyn Anne. "Asleep in a glass coffin: fairy tales as illuminating attitudes to women in the novels of Charles Dickens." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002270.

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The field of research of this thesis covers three main areas: the novels of Charles Dickens; fairy tales and storytelling; and notions of women as reflected in feminist literary theory. A reading of selected novels by Dickens provides the primary source. That he copiously drew on fairy tales has been explored in such notable works as Harry Stone's, but the thesis concentrates on Dickens 's propensity in his creation of female protagonists to give them a voice which is vivified through fairy tale. The analysis of fairy story through narrative theory and feminist literary theory functions as the

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5

RAZANANTSOA, GAYET LALAO FARA. "La question du sujet dans la fiction de charles dickens : oliver twist, david copperfield et great expectations." Lyon 2, 1999. http://www.theses.fr/1999LYO20020.

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La fiction dickensienne met en scene ce qui permet l'avenement d'un sujet a l'ordre symbolique de la parole. La diegese des trois romans choisis illustre comment le desir vient s'articuler a la loi de l'interdit, lorsqu'un processus de substitution permet a l'innommable de se faire entendre a travers les rets du discours, regulant ainsi le rapport du sujet a l'objet du desir. Notre tache, en tantque lecteur, a consiste a etre a l'ecoute de cette parole venue d'ailleurs, d'etudier le travail d'un texte qui voile et devoile a la fois le desir qu'il tait et l'impuissance a le dire, tout en disant

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6

Crowe, Julian. "Money and character in the novels of Charles Dickens." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15063.

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This thesis discusses the relationship between money and character in the novels of Charles Dickens, concentrating mainly on the later novels, from Dombey & Son onwards. Money is extremely important in Dickens's social criticism, and he is always conscious of money-related motives in his conception of character. However, despite its importance and omnipresence, money ought not to be elevated into the key explanatory principle in Dickens's thought. Dickens has been valued for different qualities over the years. Many who value him as an entertainer with a powerful poetic imagination tend to unde

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7

Nelms, Jeffrey Charles. "Orality, Literacy, and Character in Bleak House." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc500998/.

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This work argues that the dynamics of the oral and of the literate consciousness play a vital role in the characterization of Bleak House. Through an application of Walter Ong's synthesis of orality/literacy research, Krook's residual orality is seen to play a greater role in his characterization than his more frequently discussed spontaneous combustion. Also, the role orality and literacy plays in understanding Dickens's satire of "philanthropic shams" is analyzed. This study concludes that an awareness of orality and literacy gives the reader of Bleak House a consistent framework for evaluat

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8

Folléa, Clémence. "Dickens excentrique : persistances du Dickensien." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC146.

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Cette thèse examine des trajectoires imaginaires décrites dans l’œuvre de Charles Dickens et à partir d’elle. On y étudie le texte et les réincarnations de Great Expectations (1860-61), Oliver Twist (1837-39) puis The Mystery of Edwin Drood (1870), trois romans qui, depuis l’ère victorienne, pénètrent l’imaginaire collectif et alimentent des discours divers, toujours influencés par leurs conditions de production. Ainsi, cette thèse pratique des microanalyses de ses sources primaires tout en prêtant attention au contexte de chaque œuvre. Son corpus comprend des adaptations filmiques mais aussi

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9

Sandy, Kébir. "The grotesque in the creation of the dickensian characters : constancy and evolution." Limoges, 1994. http://www.theses.fr/1994LIMO0506.

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Dickens et son oeuvre ont fait l'objet de multiples interpretations. Ceci est du a la complexite de la personnalite de l'ecrivain et a la richesse de son texte. Il y a cependant un sujet relativement peu aborde, celui de l'evolution du romancier comme artiste du grotesque. C'est le but que nous avons fixe a notre travail ; nous nous sommes appuyes sur l'analyse de nombreux personnages des romans. En tenant compte de sa nature ambigue, la premiere partie propose une definition historique et linguistique du terme "grotesque" et une serie d'opinions anciennes et modernes sur la question. Ensuite,

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Ma, Ying. "Charles Dicken's search for an image of ideal women : a case study of Florence Dombey in Dombey and Son." Thesis, University of Macau, 2012. http://umaclib3.umac.mo/record=b2586640.

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Books on the topic "Dickens, Charles (1812-1870) – Technique"

1

Dickens' rhetoric. P. Lang, 1993.

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Newsom, Robert. Dickens on the romantic side of familiar things: 'Bleak House' and the novel tradition. Dickens Project, University of California, Santa Cruz, 1988.

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3

Daldry, Graham. Charles Dickens and the form of the novel: Fiction and narrative in Dickens' work. Barnes and Noble Books, 1986.

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Charles Dickens and the form of the novel: Fiction and narrative in Dickens' work. Croom Helm, 1987.

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Daldry, Graham. Charles Dickens and the form of the novel: Fiction and narrative in Dickens' work. Barnes & Noble Books, 1987.

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6

Jaffe, Audrey. Vanishing points: Dickens, narrative, and the subject of omniscience. University of California Press, 1991.

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The magic lantern: Representations of the double in Dickens. Routledge, 2007.

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Paganoni, Maria Cristina. The magic lantern: Representation of the double in Dickens. Routledge, 2008.

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To kill a text: The dialogic fiction of Hugo, Dickens, and Zola. University of Delaware Press, 1995.

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10

Hawksley, Lucinda Dickens. Charles Dickens: Dickens' bicentenary, 1812-2012. Andre Deutsch, 2011.

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Book chapters on the topic "Dickens, Charles (1812-1870) – Technique"

1

Bowen, John. "Charles Dickens (1812–1870): Englishman and European." In The Cambridge Companion to European Novelists. Cambridge University Press, 2012. http://dx.doi.org/10.1017/ccol9780521515047.014.

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