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Journal articles on the topic 'Dickens, Charles, Poor in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Guarneri, Cristina. "Examining the Effects of the Ragged School in Literature." Journal of English Language and Literature 11, no. 1 (2019): 1090–96. http://dx.doi.org/10.17722/jell.v11i1.408.

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The ability to educate all children, despite social class was an important responsibility. However, some of these problems included social problems that had been faced by poor children during this Victorian Era. Charles Dickens encountered the ragged schooling, which made a lasting impact upon him and is said to have been a significant element in his writing of A Christmas Carol. It was through Charles Dickens’ legacy was using his novels and other works to reveal a world of poverty and unimaginable struggles. His vivid descriptions of the life of street children in the city, workhouses and Yo

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2

Thompson, Terry W. "The Writing on the Wall." Renascence 71, no. 3 (2019): 173–85. http://dx.doi.org/10.5840/renascence201971312.

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Charles Dickens, considered by many the poet laureate for the poor and downtrodden of his time, had a great fondness for "religious and moral themes." As a result, "one does not have to read very far in either the major or minor works of Dickens to learn lessons contained in both the New and Old Testaments." Among his favorite biblical allusions are examples of the many hard "lessons" visited upon the rich and the powerful by a just God. One of the author's most resonating Old Testament references is to the "great feast" of King Belshazzar, the sixth century B.C. ruler of Babylon who loved gol

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3

Finley, Susan, and Morgan A. Parker. "Children Talk to Charles Dickens about Their Own “Hard Times”." International Review of Qualitative Research 4, no. 4 (2011): 403–15. http://dx.doi.org/10.1525/irqr.2011.4.4.403.

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The focus of this research narrative is children's perceptions of social class and their experiences of poverty as a social identity. Participatory action research that includes narrative reflection is demonstrated for its capacity and potential as a source of agency that may contribute to youths' academic, social, and political emancipation. In this research we analyze perceptions and attitudes about social class as these perceptions and attitudes are expressed by a group of children who are economically poor and who reside in an urban area in the Pacific Northwest. Our purpose has been to en

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4

Lian, Min. "Analysis of Dickens' Critique and Humanity Spirit in Oliver Twist Based on the Appraisal Theory." Theory and Practice in Language Studies 8, no. 8 (2018): 1050. http://dx.doi.org/10.17507/tpls.0808.19.

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As the greatest representative of English critical realism, Charles Dickens’ novel Oliver Twist reflects the complex social reality in his time and manifests the author’s humanity spirit especially to the poor and the lower class. The paper uses the attitude sub-system in appraisal theory as analytical framework, chooses the attitude resources related to the protagonist Oliver as research material, mainly analyzes his personality characteristics at lexical level. The study aims to reveal the author’s humanity spirit that lurked in the discourse after construing Oliver’s image in that social ba

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5

Sitio, Robert Juni Tua, Yumna Rasid, and Aceng Rahmat. "RELIGIOSITY IN CHARLES DICKENSâ€™ CHRISTMAS NOVELS A Study of Structural Genetic." IJLECR - INTERNATIONAL JOURNAL OF LANGUAGE EDUCATION AND CULTURE REVIEW 4, no. 1 (2018): 1–7. http://dx.doi.org/10.21009/ijlecr.041.01.

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The objective of this research was to understand comprehensively the meaning and existence of religiosity in Dickensâ€™ Christmas Novels. It was a qualitative research by using structural genetic approach. The data were collected by using content analysis to classify the frequency of the concept or the code of the text. Then conducting them towards dimension of religiosity. The data analysis and interpretation indicates that (1) Dimensions of religiosity exist in intrinsic structures such theme, plot, character, setting indicate the importance of religiosity to make a better world. (2) Social

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6

Monod, Sylvere, and Harland S. Nelson. "Charles Dickens." Modern Language Review 80, no. 2 (1985): 442. http://dx.doi.org/10.2307/3728701.

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7

Harrington, Emily. "The Expiration of Commitments in Adelaide Procter's “Homeward Bound”." Victorian Literature and Culture 48, no. 2 (2020): 435–44. http://dx.doi.org/10.1017/s1060150320000042.

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It has been a long time since the poetry of Adelaide Anne Procter, a favorite of Queen Victoria, captured much interest from readers of poetry, whether they be anthology aficionados, scholars, or students. Now considered a minor poet of the period, she was nevertheless a quintessential poet activist of her day, raising money for and working with the Providence Row Night Refuge, editing and contributing to the English Women's Journal alongside the Langham Place Feminists and the Society for the Employment of Women. She published volumes of her own poems, one of which ran to as many as nineteen

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8

Bouvard, Luc. "Christine Huguet (éd.), Charles Dickens l’Inimitable (Charles Dickens the Inimitable)." Cahiers victoriens et édouardiens, no. 76 Automne (October 20, 2012): 152–55. http://dx.doi.org/10.4000/cve.535.

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9

Tucker, Edward L. "James and Charles Dickens." Henry James Review 17, no. 2 (1996): 208–9. http://dx.doi.org/10.1353/hjr.1996.0018.

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10

Piggott, Gillian. "Charles Dickens / Going Astray: Dickens and London." Journal of Victorian Culture 16, no. 1 (2011): 146–50. http://dx.doi.org/10.1080/13555502.2010.519550.

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11

Wegelin, Christof A., and Sidney P. Moss. "Charles Dickens' Quarrel with America." American Literature 57, no. 4 (1985): 666. http://dx.doi.org/10.2307/2926370.

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12

Sanders, Andrew, and Graham Storey. "Charles Dickens: 'Bleak House'." Modern Language Review 84, no. 2 (1989): 447. http://dx.doi.org/10.2307/3731594.

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13

Trisnawati, Ika Kana, Sarair Sarair, and Maulida Rahmi. "Irony in Charles Dicken's Oliver Twist." Englisia Journal 3, no. 2 (2017): 91. http://dx.doi.org/10.22373/ej.v3i2.1026.

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This paper describes the types of irony used by Charles Dickens in his notable early work, Oliver Twist, as well as the reasons the irony was chosen. As a figurative language, irony is utilized to express one’s complex feelings without truly saying them. In Oliver Twist, Dickens brought the readers some real social issues wrapped in dark, deep written expressions of irony uttered by the characters of his novel. Undoubtedly, the novel had left an impact to the British society at the time. The irony Dickens displayed here includes verbal, situational, and dramatic irony. His choice of irony made

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14

Louttit, Chris. "A Companion to Charles Dickens." English Studies 90, no. 6 (2009): 743–45. http://dx.doi.org/10.1080/00138380902990259.

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15

Rzepka, Charles J., and Lawrence Frank. "Charles Dickens and the Romantic Self." Studies in Romanticism 25, no. 4 (1986): 585. http://dx.doi.org/10.2307/25600627.

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16

Pearson, Sara L. "The Romantic Legacy of Charles Dickens." Brontë Studies 44, no. 4 (2019): 406–8. http://dx.doi.org/10.1080/14748932.2019.1643093.

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17

Bradbury, Nicola, and Doris Alexander. "Creating Characters with Charles Dickens." Modern Language Review 88, no. 2 (1993): 417. http://dx.doi.org/10.2307/3733778.

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18

Westwood, Benjamin. "The Oxford handbook of Charles Dickens." Nineteenth-Century Contexts 42, no. 1 (2019): 119–21. http://dx.doi.org/10.1080/08905495.2019.1658392.

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19

Gilmour, Michael. "Dickensian Dramas: Plays from Charles Dickens." English Studies 100, no. 3 (2019): 362–64. http://dx.doi.org/10.1080/0013838x.2019.1580037.

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20

Gilmour, Michael. "Dickensian Dramas: Plays from Charles Dickens." English Studies 100, no. 4 (2019): 498–500. http://dx.doi.org/10.1080/0013838x.2019.1595822.

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21

Karam Ahmadova, Latifa. "REALISM IN NINETEENTH-CENTURY ENGLISH LITERATURE." SCIENTIFIC WORK 61, no. 12 (2020): 117–20. http://dx.doi.org/10.36719/2663-4619/61/117-120.

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In England, realism was formed very quickly, because it appeared immediately after the Enlightenment, and its formation occurred almost simultaneously with the development of Romanticism, which did not hinder the success of the new literary movement. The peculiarity of English literature is that in it romanticism and realism coexisted and enriched each other. Examples include the works of two writers, Elizabeth Gaskell and Charlotte Bronte. However, the discovery and confirmation of realism in English literature is primarily associated with the legacy of Charles Dickens (1812-1870) and William

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22

Moseley, Merritt. "The Long and Short of Charles Dickens." Sewanee Review 121, no. 3 (2013): 460–67. http://dx.doi.org/10.1353/sew.2013.0067.

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23

Bradbury, Nicola, and Mildred Newcomb. "The Imagined World of Charles Dickens." Modern Language Review 86, no. 1 (1991): 180. http://dx.doi.org/10.2307/3732122.

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24

Shatto, Susan, and Robert Giddings. "The Changing World of Charles Dickens." Modern Language Review 82, no. 4 (1987): 925. http://dx.doi.org/10.2307/3729071.

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25

Rodensky, Lisa. "POPULAR DICKENS." Victorian Literature and Culture 37, no. 2 (2009): 583–607. http://dx.doi.org/10.1017/s1060150309090354.

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Why was Charles Dickens so popularwhen he broke onto the scene in the late 1830s? That's still a real question to ask, but so is another, related question: what did the terms “popular” and “popularity” mean when applied to this novelist at this signal moment in the development of the novel? Writing in theNational Magazine and Monthly Critic: A Journal of Philosophy, Science, Literature, Music, and the Drama– a short-lived monthly designed to publish serious work on various subjects – G. H. Lewes begins his 1837 review of Dickens'sSketches by Boz, Pickwick Papers, andOliver Twistwith a paragrap

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26

Piggott, Gillian. "Charles Dickens and the Great Theatre of the World/Dickens' Women." Journal of Victorian Culture 18, no. 1 (2013): 155–59. http://dx.doi.org/10.1080/13555502.2013.787708.

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27

Longworth, Gail, and Jerome Carson. "Recovery heroes from the past: Charles Dickens (1859:2003): “it was the best of times it was the worst of times”." Mental Health and Social Inclusion 22, no. 2 (2018): 78–84. http://dx.doi.org/10.1108/mhsi-02-2018-0002.

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Purpose The purpose of this paper is to provide a profile of the novelist Charles Dickens. Design/methodology/approach Several biographies and articles about the life of Charles Dickens were examined, to see if there was evidence that he experienced mental health problems. Findings While Dickens has been acclaimed for his ability to authentically portray the living conditions of the poor in the nineteenth-century Britain, there is comparatively little historical record of the fact that he may have experienced bipolar disorder. This paper suggests that he displayed many of the characteristic sy

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28

Newsom, Robert. ": The Imagined World of Charles Dickens. . Mildred Newcomb." Nineteenth-Century Literature 45, no. 1 (1990): 108–10. http://dx.doi.org/10.1525/ncl.1990.45.1.99p03002.

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29

Ford, George H. ": Innocent Abroad: Charles Dickens' American Engagements. . Jerome Meckier." Nineteenth-Century Literature 45, no. 4 (1991): 515–17. http://dx.doi.org/10.1525/ncl.1991.45.4.99p0349i.

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30

PLUNKETT, JOHN. "REVIEW OF JAY CLAYTON, CHARLES DICKENS IN CYBERSPACE." Nineteenth-Century Literature 59, no. 4 (2005): 543–47. http://dx.doi.org/10.1525/ncl.2005.59.4.543.

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31

Hamdan, Shahizah, and Dinnur Qayyimah Ahmad Jalaluddin. "Relationship Ideals in Charles Dickens’ Great Expectations." 3L The Southeast Asian Journal of English Language Studies 25, no. 3 (2019): 106–14. http://dx.doi.org/10.17576/3l-2019-2503-08.

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32

Richardson, Ruth. "Charles Dickens Post Mortem & Bare Life under the New Poor Law." European Journal of Life Writing 9 (July 6, 2020): LW&D81—LW&D107. http://dx.doi.org/10.21827/ejlw.9.36901.

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The theme of this article is how life writing can bury things, sometimes for generations, and how secrets buried in life can re-emerge after death, and disturb.1 Lives often make best sense read backwards, so here we start with revelations that emerged only after Charles Dickens’s death: in his will, and in John Forster’s famous biography and its use of the important document known as the ‘autobiographical fragment’ written by Dickens himself in the late 1840s. Forster covered gaps in the biography by guiding attention away from certain aspects of Dickens’s life, in particular his family’s geo

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33

Ali Fauzi. "SOCIAL CONFLICTS FOUND IN CHARLES DICKENS’ GREAT EXPECTATIONS." Tadris : Jurnal Penelitian dan Pemikiran Pendidikan Islam 9, no. 1 (2019): 87–109. http://dx.doi.org/10.51675/jt.v9i1.35.

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Literature is the expression of life in the works of beauty, truth, and cannot be separated from feeling, thought, or any activities as part of life. By literature, one can express his knowledge and get entertainment because literature is also defined as simply another way one can experience the world around him through his imagination. Meanwhile, novel as a genre of literature, is a reflection of reality the author writes based on his view. The novelist expresses ideas, or values which the readers can accept. In this research report, the researcher analyzes the novel “Great Expectations” to k

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34

Barzilai, Shuli. "THE BLUEBEARD BAROMETER: CHARLES DICKENS AND CAPTAIN MURDERER." Victorian Literature and Culture 32, no. 2 (2004): 505–24. http://dx.doi.org/10.1017/s1060150304000634.

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“You mustn't marry more than one person at a time, may you, Peggotty?”“Certainly not,” says Peggotty, with the promptest decision.“But if you marry a person, and the person dies, why then you may marry another person, mayn't you, Peggotty?”“You MAY,” says Peggotty, “if you choose, my dear. That's a matter of opinion.”—David Copperfield(1849–50)THE FIRST TIME I HEARD OF CAPTAIN MURDERERwas in the Jerusalem Theater many years ago when the Welsh actor Emlyn Williams (1905–87) gave a reading of scenes from the works of Charles Dickens. Williams's performance was a recreation of the initiative of D

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35

Welsh, Alexander. "The Letters of Charles Dickens, Volume 12: 1868-1870, and: The Cambridge Companion to Charles Dickens (review)." Victorian Studies 46, no. 1 (2003): 114–18. http://dx.doi.org/10.1353/vic.2004.0071.

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36

Smith, G. "MALCOLM ANDREWS. Charles Dickens and His Performing Selves: Dickens and the Public Readings." Review of English Studies 59, no. 238 (2007): 169–70. http://dx.doi.org/10.1093/res/hgm151.

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37

Furneaux. "Charles Dickens, by Michael Slater." Victorian Studies 53, no. 3 (2011): 588. http://dx.doi.org/10.2979/victorianstudies.53.3.588.

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38

Shatto, Susan, and K. J. Fielding. "The Speeches of Charles Dickens: A Complete Edition." Modern Language Review 87, no. 1 (1992): 176. http://dx.doi.org/10.2307/3732345.

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39

Hervouet-Farrar, Isabelle. "« A Flight », de Charles Dickens (1851), récit de voyage ?" Cahiers victoriens et édouardiens, no. 75 Printemps (June 13, 2012): 145–58. http://dx.doi.org/10.4000/cve.1659.

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40

Monod, Sylvère. "Les mots de la fin : The Letters of Charles Dickens." Études anglaises 56, no. 1 (2003): 47. http://dx.doi.org/10.3917/etan.561.51.

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41

Joseph, Gerhard. "Prejudice in Jane Austen, Emma Tennant, Charles Dickens-and Us." Studies in English Literature, 1500-1900 40, no. 4 (2000): 679. http://dx.doi.org/10.2307/1556245.

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42

Small, H. "DAVID PAROISSIEN (ed.), A Companion to Charles Dickens." Notes and Queries 57, no. 1 (2010): 143–45. http://dx.doi.org/10.1093/notesj/gjp283.

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43

JOSHI, PRITI. "Mutiny Echoes: India, Britons, and Charles Dickens's A Tale of Two Cities." Nineteenth-Century Literature 62, no. 1 (2007): 48–87. http://dx.doi.org/10.1525/ncl.2007.62.1.48.

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This essay asks what, if any, import the Indian ““Mutiny”” of 1857 had on A Tale of Two Cities (1859), Charles Dickens�s fictionalized account of the French Revolution. Begun shortly after the Indian uprising started, Dickens�s historical novel appears studiously to avoid any mention of events on the Indian subcontinent, even though these events preoccupied and enraged the author. Few scholars have attended to the question of A Tale of Two Cities and the ““Mutiny,”” but when they have, scholars have looked for analogies between India and Dickens�s account of the French Revolution. In this essa

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44

Brattin, Joel J. "Charles Dickens Magician: Conjuring in Life, Letters and Literature by Ian Keable." Dickens Quarterly 32, no. 2 (2015): 162–64. http://dx.doi.org/10.1353/dqt.2015.0023.

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45

Newsom, Robert. ": Dickens and the Grownup Child. . Malcolm Andrews. ; Parentage and Inheritance in the Novels of Charles Dickens. . Anny Sadrin." Nineteenth-Century Literature 50, no. 3 (1995): 384–87. http://dx.doi.org/10.1525/ncl.1995.50.3.99p0173b.

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46

Welsh, Alexander. "The Letters of Charles Dickens: Volume Nine, 1859-1861, and: The Letters of Charles Dickens: Volume Ten, 1862-1864 (review)." Victorian Studies 42, no. 2 (1999): 381–84. http://dx.doi.org/10.1353/vic.2000.0043.

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47

Glavin, John. "Charles Dickens and His Performing Selves: Dickens and the Public Readings, by Malcolm Andrews." Victorian Studies 50, no. 1 (2007): 102–4. http://dx.doi.org/10.2979/vic.2007.50.1.102.

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48

Monod, Sylvere, and John Kucich. "Excess and Restraint in the Novels of Charles Dickens." Modern Language Review 80, no. 2 (1985): 443. http://dx.doi.org/10.2307/3728702.

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49

Elizabeth Starr. "Manufacturing Novels: Charles Dickens on the Hearth in Coketown." Texas Studies in Literature and Language 51, no. 3 (2009): 317–40. http://dx.doi.org/10.1353/tsl.0.0031.

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50

Simon, Leslie S. "The Pleasures of Memory: Learning to Read with Charles Dickens." Nineteenth-Century Contexts 38, no. 2 (2016): 160–62. http://dx.doi.org/10.1080/08905495.2015.1136984.

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