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Dissertations / Theses on the topic 'Dickens, Charles, Religion in literature'

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1

Smith, Steven N. "An analysis of gospel elements in selected major works of Charles Dickens." Theological Research Exchange Network (TREN), 1990. http://www.tren.com.

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Colledge, Gary. "Revisiting the sublime history : Dickens, Christianity, and 'The life of Our Lord' /." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/422.

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Zeske, Karen Marie. "Browning and Dickens: Religious Direction in Victorian England." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500704/.

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Many Nineteenth century writers experienced the withdrawal of God discussed by Miller in The Disappearance of God. Robert Browning and Charles Dickens present two examples of "Fra Lippo Lippi" and Great Expectations model effective alternatives to accepting God's absence. Conversely "Andrea del Sarto" accepts the void the other two heroes shun.
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Stuart, Daniel. "Stalking Dickens: Predatory Disturbances in the Novels of Charles Dickens." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707270/.

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Stalking in the nineteenth century was a dangerous, increasingly violent behavior pattern circulating in society. It was as much a criminal act then as now, and one the Victorian novel exposes as a problematic form of unwanted intrusion. The realist novel of this period alongside its more sensational counterparts not only depicts scenes of close surveillance, obsession, and harassment as harmful. It exposes the inability of social laws to regulate such conduct. I argue Charles Dickens is the most pivotal figure in observing how stalking emerged as not only a fictional motif, but as an inescapa
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Harvey, Alban Thomas. "The historical novels of Charles Dickens." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293764.

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Henson, Louise. "Charles Dickens, Elizabeth Gaskell and Victorian science." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323196.

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7

Vlassova-Place, Irina. "Mythological aspects of fiction of Charles Dickens." Thesis, University of Reading, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263049.

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8

Coats, Jerry B. (Jerry Brian). "Charles Dickens and Idiolects of Alienation." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277905/.

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A part of Charles Dickens's genius with character is his deftness at creating an appropriate idiolect for each character. Through their discourse, characters reveal not only themselves, but also Dickens's comment on social features that shape their communication style. Three specific idiolects are discussed in this study. First, Dickens demonstrates the pressures that an occupation exerts on Alfred Jingle from Pickwick Papers. Second, Mr. Gradgrind from Hard Times is robbed of his ability to communicate as Dickens highlights the errors of Utilitarianism. Finally, four characters from three nov
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9

Hooper, Keith William James. "Dickens : faith and his early fiction." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/68154.

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This thesis, focusing on Dickens' early work ('Our Parish'to The Old Curiosity Shop), explorers the nature and fictional expression of the author's faith and the historical ecclesiastical elements of his writing. Dickens passionately believed that the Church was failing in its Christian responsibility to the poor. Contrary to contemporary religious thought, he neither accepted that the appalling depravation endured by the poor esulted from their personal sin, or that the imperative of spiritual redemption negated the Church's responsibility to ease their physical distress. He also realised tha
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10

Racadio, D. S. "The comic, the grotesque and the uncanny in Charles Dickens." Thesis, University of East Anglia, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280064.

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Lane, Cara. "Moments in the life of literature /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/9458.

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Morgan, Maggie. "The polyphonic "voice of society" a stylistic analysis of Our mutual friend /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/2007%20Spring%20Theses/MORGAN_MAGGIE_15.pdf.

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13

Major, David. "Charles Dickens & the Breakdown of Society's Institutions for Children." TopSCHOLAR®, 1986. https://digitalcommons.wku.edu/theses/2563.

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As a social critic, Charles Dickens carries an attack against the mistreatment of children throughout his career. At first reacting in the defense of wronged children, he develops a view of the process of social breakdown that results from mistreating children. Adults fai3 in their duty to children because they fail to recognize the needs of children as children and even fail to recognize the human rights of children. This mistreatment is implemented by social institutions that are supposedly dedicated to caring for children. The family fails to bring up the child with love and care. The child
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Ebelthite, Candice Axell. ""The wife of Lucifer" : women and evil in Charles Dickens." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1002231.

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This thesis examines Dickens's presentation of evil women. In the course of my reading I discovered that most of the evil women in his novels are mothers, or mother-figures, a finding which altered the nature of my interpretation and led to closer examination of these characters, rather than the prostitutes and criminals who may have been viewed negatively by Nineteenth century society and thereby condemned as evil. Among the many unsympathetically portrayed mothers and mother-figures in Dickens's works, the three that are most interesting are Lady Dedlock, Miss Havisham, and Mrs Skewton. Mada
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Hudd, Louise Gudrun. "The representation of the body in the fiction of Charles Dickens." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390397.

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Welch, Brenda Jean Losey Jay Brian. "Charles Dickens's Bleak house Benthamite jurisprudence and the law, or what the law is and what the law ought to be /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5158.

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Littlewood, Derek George. "The signification of speech and writing in the work of Charles Dickens." Thesis, n.p, 1989. http://ethos.bl.uk/.

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Crowe, Julian. "Money and character in the novels of Charles Dickens." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15063.

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This thesis discusses the relationship between money and character in the novels of Charles Dickens, concentrating mainly on the later novels, from Dombey & Son onwards. Money is extremely important in Dickens's social criticism, and he is always conscious of money-related motives in his conception of character. However, despite its importance and omnipresence, money ought not to be elevated into the key explanatory principle in Dickens's thought. Dickens has been valued for different qualities over the years. Many who value him as an entertainer with a powerful poetic imagination tend to unde
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Clarkson, Carrol. "Naming and personal identity in the novels of Charles Dickens : a philosophical approach." Thesis, University of York, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286042.

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Teachout, Jeffrey Frank. "The importance of Charles Dickens in Victorian social reform." Diss., Click here for available full-text of this thesis, 2006. http://library.wichita.edu/digitallibrary/etd/2006/t035.pdf.

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Cohn, Mallory R. "Suffering, self-creation and survival : victimized children in the novels of Charles Dickens /." South Hadley, Mass. : [s.n.], 2008. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2008/274.pdf.

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Dasgupta, Ushashi. "House to house : Dickens and the properties of fiction." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5105b20f-d521-4660-8b44-363170ca33c3.

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This thesis explores the idiosyncrasies of the nineteenth-century property market and the significance of rented spaces in the literary imagination, focusing on Charles Dickens's fiction and journalism. The traditional understanding of the Victorian home has been challenged in recent criticism that points to the permeability of the public and private spheres, complicates the ways in which gender mapped onto these spheres, and highlights the difference between home and house, freehold and leasehold. This thesis contributes to the discussion by showing that domestic space was a more fractured co
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23

Lee, Klaudia Hiu Yen. "Cross-cultural encounters : the early reception of Charles Dickens in China, 1895-1915." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/27655/.

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This thesis examines the early reception of Charles Dickens in China from 1895 to 1915, with the aim of exploring the extent to which the values and politics that are purportedly embedded in Dickensian texts were interpreted and re-rendered for a totally different readership in a new place and time. I shall first introduce the publication and circulation history of Dickens's works in China during this first phase of cross-cultural transfer, and outline the theoretical underpinning of my research by arguing that the early Chinese translation of Dickens's works was a distinctive form both of tra
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24

Folléa, Clémence. "Dickens excentrique : persistances du Dickensien." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC146.

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Cette thèse examine des trajectoires imaginaires décrites dans l’œuvre de Charles Dickens et à partir d’elle. On y étudie le texte et les réincarnations de Great Expectations (1860-61), Oliver Twist (1837-39) puis The Mystery of Edwin Drood (1870), trois romans qui, depuis l’ère victorienne, pénètrent l’imaginaire collectif et alimentent des discours divers, toujours influencés par leurs conditions de production. Ainsi, cette thèse pratique des microanalyses de ses sources primaires tout en prêtant attention au contexte de chaque œuvre. Son corpus comprend des adaptations filmiques mais aussi
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25

Morgentaler, Goldie 1950. "When like begets like : Dickens and heredity." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39968.

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This dissertation attempts to trace hereditary motifs in the novels of Charles Dickens and to relate these motifs to broader concerns--specifically Dickens's depiction of the formation of the self, his understanding of history and of the role of time Towards this end, I offer an historical overview of scientific and popular thinking on heredity, and suggest how some of these notions were translated into Dickens's fiction. The discussion of hereditary themes in the novels falls into two broad categories--the private and the public.<br>In the first of these, I argue that Dickens tended to define
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Lawrie-Munro, Brian. "The double in Dickens' final completed novels /." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27950.

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This thesis is an examination of the double motif used by Charles Dickens in A Tale of Two Cities, Great Expectations, and Our Mutual Friend. There is a subtle shift that takes place in these last completed works, from a double motif which is used to prescribe individual behaviour along the lines of domestic or Christian ideology, to one which examines the social and psychological consequences of the individual's submission to such ideological imperatives. In fine, Dickens begins to distance himself from the stock, physical double he had inherited, turning instead to a double that finds its ca
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Swifte, Yasmin. "Charles Dickens and the role of legal institutions in moral and social reform Oliver Twist, Bleak House, and Our mutual friend /." Connect to full text, 1999. http://hdl.handle.net/2123/409.

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Thesis (M.A.)--University of Sydney, 2000.<br>Title from title screen (viewed Apr. 21, 2008). Submitted in fulfilment of the requirements for the degree of Master of Arts to the Dept. of English, Faculty of Arts. Degree awarded 2000; thesis submitted 1999. Includes bibliography. Also available in print form.
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28

Dryden, Jonathan Norton 1962. "Ixion's wheel: Masculinity and the figure of the circle in the novels of Charles Dickens." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/282341.

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This dissertation investigates through a close reading of four novels--The Pickwick Papers, David Copperfield, A Tale of Two Cities, and Great Expectations--the way in which masculinity and authorial subjectivity in Dickens's novels are bound to the figure of the circle, an image which functions both as a figure for an ideal narcissistic unity and as a sign of the individual's subjection to the metaphoric and metonymic movement of language within the symbolic order; what Jacques Lacan has identified as "symbolic necessity." I demonstrate this double function of the circle by showing how oralit
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29

Trefler, Caroline. "Dickens and food : realist reflections in a puddle of chicken grease." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24107.

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Food has a near-ubiquitous role in the fiction of Charles Dickens. From the action that does and does not take place, to the appearance and essence of the characters, and to the language and style in which they were written, virtually every aspect of Dickens's novels and short stories is, to some extent and at one time or another, connected with food. This thesis explores the nature and implications of food in Dickens and, in addition to its introduction and conclusion, it has been divided into three chapters: (a) Language, Style, and Subject/theme; (b) Plot and Setting; and (c) Characterizati
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Shutt, Nicola Justine Louise. "Nobody's child : the theme of illegitimacy in the novels of Charles Dickens, George Eliot and Wilkie Collins." Thesis, University of York, 1990. http://etheses.whiterose.ac.uk/4249/.

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31

Milhan, Trish. "Developing new approaches to Dickens' Great Expectations." CSUSB ScholarWorks, 1993. https://scholarworks.lib.csusb.edu/etd-project/707.

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Swifte, Yasmine Gai. "Charles Dickens and the Role of Legal Institutions in Social and Moral Reform: Oliver Twist, Bleak House, and Our Mutual Friend." University of Sydney, English, 2000. http://hdl.handle.net/2123/409.

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The legal system of Victorian England is integral to Charles Dickens' novels and to their moral intent. Dickens was acutely conscious of the way in which the Victorian novel operated as a form of moral art. As a novelist he is concerned about the victims of his society and the way in which their lots can be improved. He therefore chooses to construct representative victims of legal institutions such as the Poor Law Amendment Act of 1834 and the Court of Chancery in his novels to highlight flaws in his world and the changes that might be made to improve social conditions. This thesis w
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Oscarsson, Sanna. "Monks & Oliver: Two Sides of the Same Coin in Charles Dickens' Oliver Twist." Thesis, Karlstads universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-67769.

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Oliver Twist is a novel loved by many, read by more. It is a classic novel by Charles Dickens, portraying the life and hardships of a young boy named Oliver Twist, who was born in a work house. Oliver is bright and righteous, the exact opposite of his brother Edward “Monks” Leeford. This essay will follow Oliver and Monks and analyse their characters in the light of the literary hero and the literary villain and in doing so see how Dickens use the characters as literary tools to convey his view of a dark, uncaring Victorian society as well as his hopes for a brighter future. Their strong chara
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Barker, Daniel K. "A justification of the narrative presence of Esther Summerson in Charles Dickens's Bleak house /." Electronic version (PDF), 2004. http://dl.uncw.edu/etd/2004/barkerd/danielbarker.html.

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Henderson, Jessica Rae. "Opium use in Victorian England : the works of Gaskell, Eliot, and Dickens /." [Boise, Idaho] : Boise State University, 2009. http://scholarworks.boisestate.edu/td/39/.

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Matos, Erika Paula de. "Tempos difíceis na Inglaterra: forma literária e representação social em \'Hard Times\' de Charles Dickens." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-08112007-150309/.

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Charles Dickens é um autor cujos méritos literários são, muitas vezes, obscurecidos por sua enorme popularidade, sendo seus livros relegados por muitos à categoria de mero entretenimento. O propósito deste trabalho é analisar na forma do romance como - apesar de temas e estilo que se apresentam como populares - o texto de Hard Times pode revelar um interessante e profundo diálogo entre literatura e sociedade. Sentimentalismo e melodrama são estudados como formas tipicamente dickensianas de representação dos conflitos e transformações sociais que afetaram o século XIX.<br>Charles Dickens has so
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Chapman, Stephen. "Imagining the Thames : conceptions and functions of the river in the fiction of Charles Dickens." Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/1528.

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This thesis examines Dickens's uses of images of the river throughout his fiction, and also in the early sketches, the reprinted pieces from Household Words and The Uncommercial Traveller. The river concerned is usually but not exclusively the Thames, usually but not exclusively in London. The thesis offers some practical evidence to account for the powerful influence of the Thames upon Dickens's imagination and shows how he conceives of it both within existing frames of reference and in some distinctively Dickensian ways. It considers how Dickens's representations of the river play into the c
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Persson, Dennis. "The Industrialised City of Great Expectations? : Pip's journey from the marshes to the city." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10215.

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This bachelor thesis will have its focus on Great Expectations by Charles Dickens. The central claim of this thesis is that in the novel Great Expectations, the protagonist Pip is used by Dickens as a metaphor for the British urbanization during the period of industrialisation.       The literary theory that will help to analyse and prove this claim will be New Historicism. The central praxis of using non-literary historical documents and comparing them it to a literary text such as Great Expectations will be used in the discussion part of this thesis. As New Historicism tends to be unclearly
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Napolitano, Marc Philip. "Of waifs and wizards." Click here for download, 2006. http://wwwlib.umi.com/cr/villanova/fullcit?p1432502.

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Cadwallader-Bouron, Delphine. "L'imaginaire de la pathologie : discours médical et écrits romanesques chez Wilkie Collins et Charles Dickens." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030136.

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Les études qui entreprennent d’évaluer la place de la maladie dans les romans de Dickens et Collins adoptent souvent le point de vue du médecin, montrant comment leurs peintures de la maladie constituent des diagnostics scientifiquement exacts. Or la médecine est d’abord un discours sur la maladie : diagnostiquer les personnages des romanciers reviendrait donc à considérer la grille de lecture médicale comme outil d’analyse valable pour évaluer la maladie dans leur œuvre. Cette thèse se propose d’interroger la pertinence d’une telle grille de lecture, qui semble anachronique [ce discours se co
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Tredennick, Bianca Page. "Mortal remains : death and materiality in nineteenth-century British literature /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3061968.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 218-225). Also available for download via the World Wide Web; free to University of Oregon users.
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Kim, Katherine Jihyun. "Haunted Mind and Matter: The Human Will and Haunting in Nineteenth-Century British Literature." Thesis, Boston College, 2014. http://hdl.handle.net/2345/3839.

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Thesis advisor: Judith Wilt<br>This project argues that the concept of haunting pervaded Victorian society, imagination, and thought and reflected anxieties regarding destabilized conceptions of the self and the world. It spans the nineteenth century from Mary Shelley to Henry James in order to claim that the living can invite and employ haunting in ways useful to self discovery or recovery. Rather than view haunting as a primarily one-directional relationship in which the haunter imposes itself on the haunted, I suggest that haunting can be invoked by the haunted in order to integrate new per
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Pridgen, Linda Poland. "The "Jaded Traveller" John Jasper's failed psychic quest in Charles Dickens's The mystery of Edwin Drood /." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0329101-120114/unrestricted/pridgenl0416.pdf.

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Milbank, A. "Daughters of the house : Modes of the gothic in the fiction of Wilkie Collins, Charles Dickens and Sheridan Le Fanu." Thesis, Lancaster University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234621.

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Heitzman, Matthew William. "Revolutionary Narratives, Imperial Rivalries: Britain and the French Empire in the Nineteenth Century." Thesis, Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104076.

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Thesis advisor: Rosemarie Bodenheimer<br>This dissertation considers England's imperial rivalry with France and its influence on literary production in the long nineteenth century. It offers a new context for the study of British imperialism by examining the ways in which mid-Victorian novels responded to and were shaped by the threat of French imperialism. It studies three canonical Victorian novels: William Thackeray's Vanity Fair (1846-1848), Charlotte Brontë's Villette (1853) and Charles Dickens's A Tale of Two Cities (1859), and argues that even though these texts deal very lightly with t
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Santos, Leandra Alves dos [UNESP]. "O romance europeu do século XIX: uma leitura de Notre-Dame de Paris (1831) de Victor Hugo e A tale of two cities (1859) de Charles Dickens." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/115583.

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Made available in DSpace on 2015-03-03T11:52:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-05-30Bitstream added on 2015-03-03T12:07:27Z : No. of bitstreams: 1 000809956.pdf: 11088567 bytes, checksum: f61da15ba3a27fcc67b4127bc0f80c4a (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>O objetivo deste estudo é analisar a categoria da espacialidade e o procedimento grotesco nos romances Notre-Dame de Paris (1831) de Victor Hugo e A tale of two cities (1859) de Charles Dickens, most
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Moon, Sangwha. "Dickens in the Context of Victorian Culture: an Interpretation of Three of Dickens's Novels from the Viewpoint of Darwinian Nature." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279322/.

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The worlds of Dickens's novels and of Darwin's science reveal striking similarity in spite of their involvement in different areas. The similarity comes from the fact that they shared the ethos of Victorian society: laissez-faire capitalism. In The Origin of Species, which was published on 1859, Charles Darwin theorizes that nature has evolved through the rules of natural selection, survival of the fittest, and the struggle for existence. Although his conclusion comes from the scientific evidence that was acquired from his five-year voyage, it is clear that Dawinian nature is reflected in crue
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Santos, Leandra Alves dos. "O romance europeu do século XIX : uma leitura de Notre-Dame de Paris (1831) de Victor Hugo e A tale of two cities (1859) de Charles Dickens /." Araraquara, 2011. http://hdl.handle.net/11449/115583.

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Orientador: Sidney Barbosa<br>Banca: Henrique Silvestre Soares<br>Banca: Fabiano Rodrigo da Silva Santos<br>Banca: Antônio Fernandes Júnior<br>Banca: Andressa Cristina de Oliveira<br>Resumo: O objetivo deste estudo é analisar a categoria da espacialidade e o procedimento grotesco nos romances Notre-Dame de Paris (1831) de Victor Hugo e A tale of two cities (1859) de Charles Dickens, mostrando como esses procedimentos narrativos auxiliam na projeção das ações das personagens e como produzem efeito de sentido, revelando assim uma das infinitas leituras oferecidas pelas referidas obras. Em Notre-
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Wright, Benjamin Jude. ""Of That Transfigured World" : Realism and Fantasy in Victorian Literature." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4617.

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"Of That Transfigured World" identifies a generally unremarked upon mode of nineteenth-century literature that intermingles realism and fantasy in order to address epistemological problems. I contend that works of Charles Dickens, Charlotte and Emily Brontë, Walter Pater, and Oscar Wilde maintain a realist core overlaid by fantastic elements that come from the language used to characterize the core narrative or from metatexts or paratexts (such as stories that characters tell). The fantastic in this way becomes a mode of interpretation in texts concerned with the problems of representation and
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Murray, John Condon. "Speech and power negotiations in industrial novels from 1849 to 1866 /." View online ; access limited to URI, 2007. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3277000.

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