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Journal articles on the topic 'Dictatorship and memory'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Andermann, Jens. "Showcasing Dictatorship." Journal of Educational Media, Memory, and Society 4, no. 2 (2012): 69–93. http://dx.doi.org/10.3167/jemms.2012.040205.

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This article compares two recently inaugurated museums dedicated to the period of dictatorial terror and repression in the Southern Cone: the Museum of Memory and Human Rights at Santiago, Chile (opened in 2009), and the Museum of Memory at Rosario, Argentina (2010). Both museums invoke in their very names the "memorial museum" as a new mode of exhibitionary remembrance of traumatic events from the past. They seek to sidestep the detachment and "objectivity" that has traditionally characterized historical museum displays in favor of soliciting active, performative empathy from visitors. Neithe

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2

Prendergast, Muireann. "Witnessing in the echo chamber: From counter-discourses in print media to counter-memories of Argentina’s state terrorism." Memory Studies 13, no. 6 (2018): 1036–57. http://dx.doi.org/10.1177/1750698018818222.

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While the importance of journalism in memory studies has often been overlooked in academic scholarship, media discourses can be considered ‘memory’s precondition’ on both active and passive levels. First, journalists record events as they happen building on narratives and testimonies. Second, sometimes decades later, these can be invoked in legal and social post-dictatorship processes. Applying the theoretical framework of critical discourse analysis to memory studies, this research explores the relationship between counter-journalism and counter-memories as a response to and rejection of the

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3

Loff, Manuel. "Dictatorship and revolution: Socio-political reconstructions of collective memory in post-authoritarian Portugal." Culture & History Digital Journal 3, no. 2 (2014): e017. http://dx.doi.org/10.3989/chdj.2014.017.

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Badilla Rajevic, Manuela. "The Day of the Young Combatant, generational struggles in the memory field of post-dictatorship Chile." Memory Studies 13, no. 2 (2017): 191–207. http://dx.doi.org/10.1177/1750698017730871.

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This article explores the multilayered struggles within the memory field in post-dictatorship Chilean society by investigating the Day of the Young Combatant, a commemoration of the murder of two young brothers perpetrated by police officers in 1985. Every 29 March, people born after the end of the dictatorship—members of the post-dictatorship generation—commemorate through cultural activities and violent riots. Since the murder, the commemoration has evolved from local and unofficially recognized to a large-scale, violent event that takes place every year in working-class neighborhoods of San

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5

Jones, Sara. "Mass Dictatorship and Memory as Ever Present Past." Social History 40, no. 3 (2015): 417–19. http://dx.doi.org/10.1080/03071022.2015.1044235.

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6

Aguero, F. "Dictatorship and Human Rights: The Politics of Memory." Radical History Review 2007, no. 97 (2007): 123–33. http://dx.doi.org/10.1215/01636545-2006-018.

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Lissovsky, Mauricio, and Ana Lígia Leite e Aguiar. "The Brazilian dictatorship and the battle of images." Memory Studies 8, no. 1 (2014): 22–37. http://dx.doi.org/10.1177/1750698014552404.

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In contrast to other South American countries, in Brazil, where a military dictatorship (1964–1985) incarcerated, tortured and ‘disappeared’ countless opponents, there have been very few initiatives to construct a public memory in the form of memorials and museums. Only recently, when the National Truth Commission was set up in 2012, debates on the importance of memory re-emerged, including a significant increase in the number of proposals to construct memorials of national importance, taking as their point of reference the coup in which the military seized power 50 years ago. This text offers

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8

Coloma, Marcela Pizarro. "Eugenio Dittborn: Clashes of Memory in Post-Dictatorship Chile." Hispanic Research Journal 7, no. 4 (2006): 321–36. http://dx.doi.org/10.1179/174582006x150957.

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Cornejo, Marcela, Carolina Rocha, Nicolás Villarroel, Enzo Cáceres, and Anastassia Vivanco. "Tell me your story about the Chilean dictatorship: When doing memory is taking positions." Memory Studies 13, no. 4 (2018): 601–16. http://dx.doi.org/10.1177/1750698018761170.

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The current memory struggles about the Chilean dictatorship makes it increasingly relevant to hear a diverse range of voices on the subject. One way of addressing this is to study autobiographical narratives, in which people construct a character to present themselves as the protagonists of a story by taking multiple positions regarding what is remembered. This article presents a study that analyzed the life stories of Chilean people (diverse in their generations, cities, experiences of political repression, political orientations and socio-economic levels) and that distinguished between the p

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10

Gelonch-Solé, Josep. "Mass Graves from the Civil War and the Franco Era in Spain: Once Forgotten, Now at the Heart of the Public Debate." European Review 21, no. 4 (2013): 507–22. http://dx.doi.org/10.1017/s1062798713000501.

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Since October 2000, mass graves from the Civil War and Franco's dictatorship have become the most visible issue of the process of recovery of historical memory in Spain, as a metaphor for digging up the traumatic past. This paper offers a historical reading of this process, pointing out the importance of recovering the buried bodies to give them a worthy burial, to restore their memory, and to allow families to complete their mourning. Mass graves have been the subject of different interventions: they have been located, marked and dignified, in some cases opened and the human remains exhumed.

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11

Magnussen, Anne. "Det perverse artefakt. Konflikt og erindringer i spanske tegneserier." K&K - Kultur og Klasse 39, no. 111 (2011): 97–111. http://dx.doi.org/10.7146/kok.v39i111.15758.

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THE PERVERSE ARTIFACT. CONFLICT AND MEMOIRS IN SPANISH CARTOON SERIESWithin the last 10 to 15 years, the Spanish debate about historical memory has gained much force, with a specific focus on memories of the Civil War (1936-39) and of the succeeding dictatorship that ended with a process of democratization at the end of the 1970s. Although the big Spanish political parties disagree on several memory related issues, they agree that the main objective is to secure a reconciliation of the Spanish population that – at least according to some parties, organisations and analysts – is still divided b

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12

Schneider, Nina, and Rebecca J. Atencio. "Reckoning with Dictatorship in Brazil." Latin American Perspectives 43, no. 5 (2016): 12–28. http://dx.doi.org/10.1177/0094582x16647715.

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A conventional approach that takes into account only official reckonings might lead one to believe that Brazil has lacked a culture of memory of the military regime, at least until recently. Widening the scope to include cultural production, however, provides a different view: one of a long tradition of reckoning with the dictatorship. In postauthoritarian Brazil, the process of transition has been marked by a disjuncture between the profusion of cultural responses to the dictatorship era and the legalistic silence resulting from the 1979 amnesty law, which continues to grant impunity to forme

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13

Shemak, April. "Refugee women and the work of care in Évelyne Trouillot’s Memory at Bay." Cultural Dynamics 30, no. 1-2 (2018): 19–34. http://dx.doi.org/10.1177/0921374017751769.

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This article examines the idea of home in relation to care work performed by refugee women of the African Diaspora as portrayed in Évelyne Trouillot’s post-dictatorship novel Memory at Bay (2015) (published in French as La mémoire aux abois (2010). Memory at Bay depicts care work as the labor involved in attending to the needs of patients in a nursing facility on the outskirts of Paris. Through her work as a nurse’s aide in this facility, Marie-Ange confronts her mother’s memories of a traumatic past living under a dictatorship in Quisqueya (a fictionalization of the Duvalier regime in Haiti).

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D’Orsi, Lorenzo. "Trauma and the Politics of Memory of the Uruguayan Dictatorship." Latin American Perspectives 42, no. 3 (2015): 162–79. http://dx.doi.org/10.1177/0094582x15581162.

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Ethnographic research on the life experiences of former political prisoners and their families in Uruguay suggests the need for rethinking of the concept of trauma, which is often inadequate to convey the historical and social specificity of painful memories. The collective wound is constructed in public space, and intimate memories are closely linked to the framework in which they are embedded. Working on the victim’s self is not sufficient to overcome the trauma, distracting attention from the need for social recognition and justice. Making history and doing justice are unavoidable steps in

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Rajevic, Manuela Badilla. "THE CHILEAN STUDENT MOVEMENT: CHALLENGING PUBLIC MEMORIES OF PINOCHET'S DICTATORSHIP*." Mobilization: An International Quarterly 24, no. 4 (2019): 493–510. http://dx.doi.org/10.17813/1086-671x-24-4-493.

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This article illustrates the connection between the rise of social movements and the profound transformations in the ways post-conflict societies symbolize their difficult past. It examines how the 2011 Chilean student movement developed an alternative memory about Chile's Pinochet regime. I show how the movement claimed fundamental changes within the educational and political systems, framing its demands as a critical response to the socioeconomic neoliberal transformations set in motion by the Pinochet military regime. Through an empirical analysis of the 2011 student movement that combines

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Poblete, Juan. "The Memory of the National and the National as Memory." Latin American Perspectives 42, no. 3 (2015): 92–106. http://dx.doi.org/10.1177/0094582x15570889.

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This essay seeks to illuminate a different, more encompassing kind of transition than that from dictatorship to post-dictatorship (and its attendant forms of memory of military brutal force and human rights abuses) often privileged by studies of political violence and social memory. The focus is twofold: first, to describe a transition from the world of the social to that of the post-social, i.e. a transition from a welfare state-centered form of the nation to its neoliberal competitive state counterpart; and secondly, to analyze its attendant memory dynamics. The double articulation of collec

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Castillo Gallardo, Patricia Eliana, Nicolas Peña Fredes, María Paz Garrido, Antonia Gonzalez Bertran, and Florencia Trujillo Arredondo. "Recuerdos de infancia: niñez y dictadura en Chile (1973-1990) / Childhood memories: chilhood and dictatorship in Chile (1973-1990)." Kamchatka. Revista de análisis cultural., no. 10 (December 29, 2017): 447. http://dx.doi.org/10.7203/kam.10.9973.

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Resumen: Este artículo presenta resultados de una investigación en torno a la experiencia de la niñez en la última dictadura cívico-militar en Chile (1973-1990). Se discute el lugar que han ocupado los recuerdos de infancia en los estudios de memoria respecto a este periodo. Se acude a la perspectiva de los nuevos estudios de infancia para dirigir la mirada sobre aspectos poco visibles de la vida cotidiana. Se realizaron 24 entrevistas abiertas a personas que vivieron la niñez en dictadura. La entrevista fue concertada a propósito de un objeto (carta, diario de vida, tarjetas postales, grabaci

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18

Kahan, Emmanuel Nicolás, and Laura Schenquer. "The Use of the Past During the Last Military Dictatorship and Post-Dictatorship: The Holocaust as the Horizon of Identification, Alienation and Negotiation for the Jewish Community." Temas de Nuestra América. Revista de Estudios Latinoaméricanos 32, no. 60 (2016): 131. http://dx.doi.org/10.15359/tdna.32-60.7.

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We live in an era in which the Holocaust has become a universal trope of historic trauma. The Nazi genocide has come to be known as the greatest disaster of civilization and, as such, simply mentioning it or comparing it to other repressive events stirs or blocks meanings about specific events. In the case of Argentina, the resonance of the memory of the Holocaust penetrated the origins of the most recent military dictatorship. As early as the year 1976, external voices that denounced the regime for perpetrating genocide were heard publically around the world. This article analyzes some uses o

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da Silva, Raquel, and Ana Sofia Ferreira. "The Post-Dictatorship Memory Politics in Portugal Which Erased Political Violence from the Collective Memory." Integrative Psychological and Behavioral Science 53, no. 1 (2018): 24–43. http://dx.doi.org/10.1007/s12124-018-9452-8.

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Conte, Gonzalo. "A topography of memory: Reconstructing the architectures of terror in the Argentine dictatorship." Memory Studies 8, no. 1 (2014): 86–101. http://dx.doi.org/10.1177/1750698014552411.

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This essay introduces the work of Memoria Abierta (Open Memory), a non-governmental organisation that compiles, organises and distributes the mass of documentary evidence from human rights organisations and other personal and institutional archives connected to State terrorism in Argentina. It collates testimony on social and political life of the 1960s and 1970s and works on the territorial and spatial memory of the period of political violence in Argentina. Specifically, the ‘Topography of Memory’ section collects, systematises and produces documentation about sites, buildings and spaces tha

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HERNÀNDEZ-GRANDE, ALÍCIA. "Stumbling over History: Stolpersteine and the Performance of Memory in Spain's Streets." Theatre Research International 45, no. 1 (2020): 4–21. http://dx.doi.org/10.1017/s0307883319000555.

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The Stolpersteine (‘stumbling stones’) memorial project commemorates victims of Nazi violence and the Holocaust through an individual marker installed outside the last willing residence before deportation and execution. The Stolpersteine project has spread throughout Europe, providing an urban topography of sites where traumatic events occurred. Because Stolpersteine are placed in public streets, they create performance possibilities, inviting passing pedestrians to engage in past history and trauma. As the project grows throughout Europe, however, the universality of the stones abuts with the

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22

Traverso, Antonio. "Excavating La Moneda: cinematic memory and post-dictatorship documentary in Chile." Social Identities 25, no. 4 (2018): 590–606. http://dx.doi.org/10.1080/13504630.2018.1514168.

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23

SEOANE, SUSANA SUEIRO. "Spain during the Transition from Dictatorship to Democracy." Contemporary European History 13, no. 3 (2004): 367–74. http://dx.doi.org/10.1017/s096077730400178x.

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Paloma Aguilar, Memory and Amnesia. The Role of the Spanish Civil War in the Transition to Democracy (Oxford and New York: Berghahn, 2002), 330 pp., $27.95 (pb), ISBN 1-571-814965.Pilar Ortuño Anaya, European Socialists and Spain: The Transition to Democracy (London: Palgrave, 2002), 273pp., $69.95 (hb), ISBN 0-333-94927-7.Julio Crespo MacLennan, Spain and the Process of European Integration, 1957–85. Political Change and Europeanism (London: Palgrave, 2000), 240 pp., £52.50 (hb), ISBN 0-333-928865.S. P. Mangen, Spanish Society after Franco: Regime Transition and the Welfare State (London: Pal

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24

Bishop, Karen Elizabeth. "The Architectural History of Disappearance." Journal of the Society of Architectural Historians 73, no. 4 (2014): 556–78. http://dx.doi.org/10.1525/jsah.2014.73.4.556.

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The architectural history of the clandestine detention and torture center begins when a space selected for its invisibility becomes legible in a landscape. How that visibility is integrated into postdictatorship societies and accounted for historically often becomes a matter of public debate playing out in the press, in local and national calls for proposals for what to do with the sites, and in architectural competitions. In The Architectural History of Disappearance: Rebuilding Memory Sites in the Southern Cone, Karen Elizabeth Bishop argues that the proposals to reappropriate the spaces of

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Magnussen, Anne. "The New Spanish Memory Comics." European Comic Art 7, no. 1 (2014): 56–84. http://dx.doi.org/10.3167/eca.2014.070104.

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Since the end of the 1990s, more and more Spanish comics have focused on the recent Spanish past, including the memory of the Civil War (1936–1939) and the succeeding dictatorship. This article offers an analysis of a particular comics volume, Cuerda de presas (2005) by Jorge García and Fidel Martínez, and discusses the way in which it interprets the role of the past in Spanish society thirty years after the political transition to democracy. I argue that Cuerda de presas participates in the questioning of the dominant memory about the past. It does this by undermining narrative coherence and

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Vera Reyes, María. "Memory and Utopia." Theory Now. Journal of Literature, Critique, and Thought 4, no. 2 (2021): 249–53. http://dx.doi.org/10.30827/tn.v4i2.21075.

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In Memory and Utopia, Manus O’Dwyer offers a new insight into Valente’s poetics. Contrary to the view that Valente detached his verse from any kind of social or political commitment, O’Dwyer claims that the notions of void and self-negation are key to understand his desire to make his lines reach a broad community and recover the memory of the dead. The author delineates Valente’s poetic career on the basis on the identification between desolation and the Francoist dictatorship. Valente’s verse points at a new nothingness, but not with the selfish aim to enjoy an isolation from reality. Quite

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Ralston, Tyler. "Horror on the Periphery of Modernity:The Invention of the Baixada Fluminense and the Legendary Tenório Cavalcanti." Americas 76, no. 2 (2019): 267–98. http://dx.doi.org/10.1017/tam.2019.1.

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The 1950s stand out as the “Golden Years” in the collective memory of many Brazilians. Sandwiched between the authoritarian periods of the Estado Novo dictatorship led by Getúlio Vargas (1937–45) and a military dictatorship (1964–85), the decade was a time of great optimism for the country's future. Many hoped that the country would enjoy a lasting democratic system accompanied by the ever-increasing trappings of modernity. Indeed, a surge of economic growth and industrial development during Vargas's return as a democratically elected president (1951–54), followed by a massive industrializatio

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Ryan, Lorraine. "Memory, Transnational Justice, and Recession in Contemporary Spain." European Review 25, no. 2 (2016): 295–306. http://dx.doi.org/10.1017/s1062798716000351.

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The 2007 Law of Historical Memory, which aimed to excise the spatial remnants of Francoism from the Spanish landscape, and to recognise Republican victimhood, was blatantly inadequate, and left victims in the same legal position as before.1In the immediate aftermath of the law, the Spanish state institutionally divorced itself from the recuperation of Republican memory by closing down the Office for Victims of the War and Dictatorship,2and reducing the funding devoted to historical memory from 6.5 to 2.5 million in 2011. This article will examine the subsequent transnationalisation of Republic

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Contreras López, Daniela. "Reclaiming memory: social reconstruction through performance and theatre in post-dictatorship Chile." Research in Drama Education: The Journal of Applied Theatre and Performance 20, no. 3 (2015): 288–91. http://dx.doi.org/10.1080/13569783.2015.1059269.

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Antonelli, Mirta Alejandra. "State Terrorism, Clandestine Language: Notes on the Argentine Military Dictatorship." PMLA/Publications of the Modern Language Association of America 124, no. 5 (2009): 1794–99. http://dx.doi.org/10.1632/pmla.2009.124.5.1794.

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Today the argentine judiciary dispenses ritual punishment as it condemns the oppressors of the last military dictatorship (1976–83) in the name of historical truth. Human rights organizations and movements have contributed immeasurably to this end. More than two decades have passed since the historic military-juntas trial (1985), and over the years successive state policies have proved that traumatic memory is a contested site, subject in this postdictatorial democracy to both debate and governmental intervention.

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González, José M. "Spanish Literature and the Recovery of Historical Memory." European Review 17, no. 1 (2009): 177–85. http://dx.doi.org/10.1017/s1062798709000647.

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This article analyses the recovery of the historical memory of the Spanish Civil War in the last decade, after so many years of silence, forgetfulness and oblivion. Four points are developed: first, how this recovery is achieved by the civil society in general and by the Association for the Recovery of Historical Memory in particular. Secondly, there is a brief allusion to the quarrel between historians and philosophers about the place of memory and remembrance for the construction of the history of Spain. Thirdly, a reference to the recent Historical Memory Law is made, and finally there is a

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Pinto Barragán, Manuel. "Reivindicación irredenta de la memoria histórica femenina: lucha desde la prisión contra las dictaduras." Revista Internacional de Culturas y Literaturas, no. 23 (2020): 74–86. http://dx.doi.org/10.12795/ricl.2020.i23.05.

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La obra de Dulce Chacón, La voz dormida (2002), apareció en el panorama literario español visibilizando los testimonios de las mujeres presas durante la dictadura franquista. La ficción de la novela propone compensar el déficit de conocimientos históricos sobre ese período y enfatizar el papel de la mujer en la lucha contra el régimen. Este estudio analiza algunos hechos históricos que aparecen en la obra de ficción y como la autora los utiliza como materia diegética para integrarlos en la memoria histórica de la lucha femenina contra los regímenes políticos.

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Bergero, Adriana J. "The Spanish Past in Transnational Films. The ‘Otherlands’ of Memory." European Review 22, no. 4 (2014): 632–41. http://dx.doi.org/10.1017/s1062798714000428.

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Translated by Chase RaymondBased on the work of theoreticians prevalent in the field of Memory Studies (Rothberg, Nora, Radstone, Aguilar, Faber, de Diego, Gómez López-Quiñones and Labanyi), this article analyses the films The Devil Backbone and Pan’s Labyrinth by the Mexican director Guillermo Del Toro as examples of a memory-formation that is deeply entrenched within Spain’s current political, legal and cultural debates on the Spanish Civil War, the Francoist dictatorship and the political immunity institutionalised by the Transition’s pact of silence. At the same time, as emerging from ‘oth

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Serpente, Alejandra. "Diasporic constellations: The Chilean exile diaspora space as a multidirectional landscape of memory." Memory Studies 8, no. 1 (2014): 49–61. http://dx.doi.org/10.1177/1750698014552408.

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Engaging with debates about the future of the discipline of memory studies, this essay explores recent calls to pay attention to ‘transnational discourses’ of cultural memory, in this case how the diaspora space forged by the presence of Chilean exiles living in the United Kingdom has produced new mobile memory landscapes for remembering and commemorating the afterlife of the dictatorship (1973–1990) beyond the confines of the field of the ‘politics of memory’ in the Southern Cone. In particular, it discusses how the second-generation Chilean narratives presented here reflect both the location

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Weise-Pötschke, Saskia. "Visitor Books and Memory – Evaluating the Bautzner Straße Dresden Memorial Site's Significance for Former Stasi Prisoners’ Individual Memories." Journal of Nationalism, Memory & Language Politics 15, no. 1 (2021): 16–29. http://dx.doi.org/10.2478/jnmlp-2021-0009.

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Abstract Memorial sites document aspects of history. Thus, they represent a historical past deemed relevant by the initiators in the public sphere. The former Stasi detention center and district administration in Dresden Bautzner Straße is a memorial site that is dedicated to a critical representation of the communist dictatorship in East Germany. This does, however, not tell much about the historical site's meaning to the visitors. In order to get an impression of the visitors’ spontaneous reactions and thoughts, I systematically examine and categorize the memorial site's visitor books. Throu

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Munoz-Chereau, Bernardita. "Girl Protagonists of Chilean Dictatorship Novels for the Young." International Research in Children's Literature 14, no. 1 (2021): 22–38. http://dx.doi.org/10.3366/ircl.2021.0375.

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Narratives for children about Augusto Pinochet's dictatorship in Chile (1973–89) written by the sons and daughters of that era constitute a recognised genre. For the most part the genre features boy characters who not only have voice and choice, but also unrealistically win the fight against the oppressors. This paper examines two of the rare works with girl protagonists, paying attention to how their voices are constructed: Mariana Osorio Gumá's Tal vez vuelvan los pájaros [Maybe the birds will return] (Mexico, 2013) and Matilde by Carola Martínez Arroyo (Argentina, 2016). I apply Deleuze's t

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Pritchett, Kay, and Joan Ramon Resina. "Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy." Hispania 85, no. 2 (2002): 258. http://dx.doi.org/10.2307/4141059.

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Fuentes Vega, Alicia. "The politics of memory, tourism and dictatorship: revisiting Franco’s Valley of the Fallen." Journal of Tourism History 9, no. 1 (2017): 70–91. http://dx.doi.org/10.1080/1755182x.2017.1348545.

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Nair, Parvati. "Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy." Hispanic Research Journal 4, no. 3 (2003): 286–87. http://dx.doi.org/10.1179/hrj.2003.4.3.286.

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Janz, N. "German military cementries in Europe as memory places in the democracy and dictatorship." Bulletin of the South Ural State University Series «Social Sciences and the Humanities» 17, no. 2 (2017): 58–64. http://dx.doi.org/10.14529/ssh170208.

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Page, Joanna. "Memory and the spectator in post-dictatorship Argentina: misreading D'Angiolillo's Potestad." Studies in Hispanic Cinema 2, no. 1 (2005): 15–27. http://dx.doi.org/10.1386/shci.2.1.15/1.

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Graham-Jones, Jean. "Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)." Latin American Theatre Review 43, no. 1 (2009): 214–16. http://dx.doi.org/10.1353/ltr.2009.0003.

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Achugar, Mariana. "Constructing the past and constructing themselves: the Uruguayan military's memory of the dictatorship." Critical Discourse Studies 6, no. 4 (2009): 283–95. http://dx.doi.org/10.1080/17405900903181051.

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Hanley, Jane. "Memory, War, and Dictatorship in Recent Spanish Fiction by Women, by Sarah Leggott." Journal of Iberian and Latin American Research 21, no. 3 (2015): 424–26. http://dx.doi.org/10.1080/13260219.2015.1135853.

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Campisi, Christina. "Memory, Action, and Art in the Shadow of Chile's Late-20th Century Dictatorship." Journal of Latin American and Caribbean Anthropology 15, no. 1 (2010): 256–60. http://dx.doi.org/10.1111/j.1935-4940.2010.01085.x.

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Brenda Werth. "Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (review)." Theatre Journal 62, no. 2 (2010): 313–14. http://dx.doi.org/10.1353/tj.0.0354.

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Hepworth, Andrea. "From Survivor to Fourth-Generation Memory: Literal and Discursive Sites of Memory in Post-dictatorship Germany and Spain." Journal of Contemporary History 54, no. 1 (2017): 139–62. http://dx.doi.org/10.1177/0022009417694429.

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The transition of the memory of twentieth-century conflicts from survivor to cultural memory has become inevitable with the passing of the survivor generation. This article examines the role of different generations in the retrieval and commemoration of the traumatic past in Germany and Spain by focusing on two main areas: firstly, it analyzes the debates surrounding the Holocaust Memorial in Berlin and the ongoing review of form and function of existing memorial sites in the city, as well as ongoing vandalism and trivialization of these sites. Secondly, it examines recent debates and protests

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Sánchez León, Pablo. "Overcoming the Violent Past in Spain, 1939–2009." European Review 20, no. 4 (2012): 492–504. http://dx.doi.org/10.1017/s1062798712000063.

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Although part of a wider cultural and political phenomenon in world democracies, the revival movement on memory from traumatic past events has in the case of Spain strong contextual bearings. Drawing on the concept of ‘regimes of memory’, this article discusses two successive patterns of supply and demand of discourse and policies on memory from the end of the 1936–1939 Civil War to the beginning of the twenty-first century. Describing the rhetoric of ‘total victory’ under Franco's dictatorship, and later of ‘collective and shared guilt’ under democracy, it outlines a dialectics between hegemo

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Tandeciarz, Silvia R. "Citizens of Memory: Refiguring the Past in Postdictatorship Argentina." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 151–69. http://dx.doi.org/10.1632/pmla.2007.122.1.151.

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If, as Angel Rama claims in The Lettered City, the city dictates everything one must think, forcing its inhabitants to repeat its discourse, how might shifts in the city's contours affect the construction of civil society? How might urban designs that facilitate the work of recollection help inform conceptions of citizenship for historical actors emerging from dictatorship? These are the questions cultural practitioners in Argentina address through interventions in the Buenos Aires cityscape that honor victims of state terrorism (1976–83). By analyzing three memorial sites that illuminate the

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Ladisch, Virginie, and Christalla Yakinthou. "Cultivated Collaboration in Transitional Justice Practice and Research: Reflections on Tunisia’s Voices of Memory Project." International Journal of Transitional Justice 14, no. 1 (2020): 80–101. http://dx.doi.org/10.1093/ijtj/ijz037.

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ABSTRACT∞ The Voices of Memory project started with a fairly simple premise: to highlight women’s life experiences under dictatorship. What started as a one-week workshop in 2017 evolved into a collaborative process of co-creation – the Voices of Memory project – using creative means of expression to help raise awareness of the impact of repression on Tunisian women. A formative principle, and primary contribution of this project, was a fully collaborative methodology. In this article, we reflect on and make explicit an approach we adopted intuitively and experimentally, drawing also on best p

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