Relevant bibliographies by topics / Diction of poetry of scardness

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Academic literature on the topic 'Diction of poetry of scardness'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Diction of poetry of scardness"

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Herthalia, Regina Ayu, and Maharani Intan Andalas. "Diksi Diksi dalam Kumpulan Puisi Sarinah Karya Esha Tegar." Jurnal Sastra Indonesia 8, no. 2 (August 28, 2019): 157–63. http://dx.doi.org/10.15294/jsi.v8i2.26998.

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ABSTRACT Literary works is one form of art in which language is used as a medium, one of them is poetry. Language in poetry is free and solid regarding the licencia poetica, yet it still contains various aspects of life as the poet’s idea. In order to convey his ideas, the poet uses diction on poetry. The usage of dictions on poetry are able to reveal many things, for example, a city. The description of a city through diction within literary works are often depicted through Indonesian poetry. One of those poetry collections which potray a city through diction usage is Sarinah Poetry Collection by Esha Tegar Putra. This research present the usage of dictions within Sarinah Poetry Collection by Esha Tegar Putra. The problems being discussed are (1) how does the diction interpret a city within the Sarinah Poetry Collection by Esha Tegar Putra (2) how is the relation between the diction and other poetry elements contain in Sarinah Poetry Collection by Esha Tegar and (3) how does the meaning contained within Sarinah Poetry Collection by Esha Tegar Putra related to the diction which intepreted city. The approach used in this research is stylictica with qualitative method. The data were obtained from fifteen poems written in Sarinah Poetry Collection by Esha Tegar Putra. The result of this study showed that within this Sarinah Poetry Collection are carried diction in form of nouns, verbs, dictions with connotative and dennotative meaning, and diction in form of basic words also words that have undergone morphological processes. The usage of the diction based on the word type and the meaning type is aiming more valid interpretation about city, such as name of the places and facilities provided in the city. Based on the form, the usage of the diction within Sarinah Poetry Collection is working as the element to strengthen the atmosphere withi the poems. the diction contained in this poem are related to other poetry elements such as tone, imagery and figure of speech, so that they could bring a whole unity meaning of the poem. The diction being used by the poet is functioning to reinforce the meaning and the atmosphere, so that the depiction about a trip, traffic jam, bustle, poverty, environmental matters and injustice that represent a city is clearly present. Keywords: Diction, Poetry Collection, Sarinah, Stylistic
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HUGHES, GEOFFREY. "THE DICTION OF POETRY: AN OVERVIEW." English Studies in Africa 42, no. 1 (January 1999): 69–80. http://dx.doi.org/10.1080/00138399908691279.

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Siti Maryam & Agus Supriatna, Ibna Ul Izzati,. "The Ability of Using Diction in Junior High School Students’ Poetry." Alinea: Jurnal Bahasa, Sastra, dan Pengajaran 2, no. 1 (April 16, 2019): 36. http://dx.doi.org/10.35194/alinea.v2i1.444.

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This article discusses students' ability in using word choices (diction) on the poetry of students of SMP Negeri 3 Cianjur. The method used in this research is descriptive qualitative method. The techniques used are test and questionnaire. The population of the study is 25 students of class VIII-4. This study concludes that the students’diction ability is 78 (it can be categorized as good). In terms of diction aspects, formal aspect has very good criteria, synonymy has good criteria, and polysemy has sufficient criteria. Obstacles experienced by students in writing poetry that includes diction aspect and its problem solving.Keywords: diction, formal aspect, polysemy, synonymy.
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Mustari, Mustari. "Erotic Narration of Syair Lebai Guntur." ELS Journal on Interdisciplinary Studies in Humanities 1, no. 3 (September 25, 2018): 309–20. http://dx.doi.org/10.34050/els-jish.v1i3.5048.

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The text of Syair Lebay Guntur contained in the Syair Lebay Guntur text by Raja Ali Haji records the traces of the 'disgraceful' behavior of some Malay people in the past who practiced "Cina Buta" marriages. It is aiming to find muhallil or a proponent to reconcile a couple (wife and husband) who had divorced by triple divorce. Because the problem raised in the poetry is a matter of muhallil, inevitably, its diction appears to be erotic in every verses of the poetry. This study employed the theory of diction and language style with stylistic analysis of Malay to uncover two raised problems they are (1) Can erotic diction contained in SLG be categorized as vulgar pornography? (2) How to interpret the erotic diction? The findings show that the erotic diction in Syair Lebai Guntur poem cannot be categorized as pornography diction, but it rather as a diction adapted to the poem's theme of the practice of "Cina Buta" marriage. The diction considered as an allusion that is intended as teaching values which is not need to be copied by anyone to avoid a disgrace.
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Suskandiati, Suskandiati. "ANALISIS STILISTIKA KUMPULAN PUISI ”DERU CAMPUR DEBU” KARYA CHARIL ANWAR." EDU-KATA 5, no. 2 (August 31, 2019): 129–38. http://dx.doi.org/10.52166/kata.v4i2.1014.

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The purpose of this study was to describe (1) the diction, (2) prosody, and (3) the use of stylistic collection of poems "Mixed roar of Dust" by Chairil this Anwar.Penelitian using qualitative methods that are deskriptif.Objek this study were 1) structure, diction, figure of speech, prosody, stylistics and 2) the meaning or message contained in the poetry of Chairil Anwar. This research data is lines and verses that contain 1) the structure, diction, figure of speech, prosody, and style, as well as 2) the meaning and the message or thought that would be submitted by the poet. Data collection techniques are engineering documentation. Techniques and procedures analysis using three grooves: data reduction, data presentation, and drawing conclusions. The results showed that one characteristic of poetry Chairil Anwar is the powers that be in the choice of words. Every word he created capable of causing a strong imagination, and evoke a different impression, able to liven up the atmosphere, with vivid, so it emits a deep compassion for peniklmatnya. In addition, the strength in diction, characteristic lies in the poetry and literary.
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Das, Shruti. "Écriture Feminine and the Poetry of Langston Hughes." Literary Studies 34, no. 01 (September 2, 2021): 202–12. http://dx.doi.org/10.3126/litstud.v34i01.39540.

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This paper attempts to locate Hughes’s poetic diction as Ecriture feminine since like feminist poetry the diction of his poetry is rebellious and questions the hierarchical structure of society where White people hold more power and promote the idea of racial superiority. His desire to express the angst of the Blacks finds currency in the definition and explication of feminine writing. The focus of this paper will be on analysis of the poetry of Langston Hughes in the light of ecriture feminine in order to show how Hughes counters hegemony’s repressive rhetoric, challenges the loss of agency through the language of the dominant class and recreates another symbolic order.
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Ho-Gyong Seong. "Poetic Diction and Characteristics of Ssanghwajeom." Korean Classical Poetry Studies 41, no. ll (November 2016): 81–109. http://dx.doi.org/10.32428/poetry.41..201611.81.

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Huda, Ghea Febian. "ANALYSIS OF CHILDREN POETRY WRITING SKILLS ON CLASS V STUDENTS SDN 181 PEKANBARU." JURNAL PAJAR (Pendidikan dan Pengajaran) 4, no. 5 (September 26, 2020): 987. http://dx.doi.org/10.33578/pjr.v4i5.8102.

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This study aims to determine the poetry writing skills of students in class V SDN 181 Pekanbaru based on aspects of theme, imagination, diction, and performance. Because of the lack of students 'poetry writing skills due to students' lack of skill in expressing ideas and thoughts. therefore by analyzing we can find out which aspects are not mastered by students. The study was conducted in class V odd semester of 2019. The sample in this study was saturated sampling. The assessment instrument used was a poetry writing skills test using a poetry writing assessment descriptor. The data obtained from poetry writing skills seen from 4 aspects, namely theme, imagination, diction and presentation, it can be concluded that the poetry writing skills of children who are categorized as highly skilled there are 5 (3.67%), then 9 (6.57%) skilled categories , and 103 (75.18%) were categorized as quite skilled, while students who were categorized as less skilled were 20 (14.60%) as a whole. Over all poetry writing skills class V SND 181 Pekanbaru obtain the average value of 64 categorized enough.
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Intaraporn, Weerawat. "Aesthetics of Khlong in Thai Poetry: Convention and Creativity." MANUSYA 9, no. 3 (2006): 73–87. http://dx.doi.org/10.1163/26659077-00903005.

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This paper aims to illustrate the beauty of khlong (Thai poetry) creatively written and transmitted from the past to the present through a study of the preservation and creation of aesthetics in relation to euphony, and diction, as well as the imitation of words used by previous poets with new meaning in Thai poetry. From the study, it is found that Thai poets of each era have both followed and adapted the traditional style of composition. In terms of euphony, poets from the past to the present put an emphasis on tones at the end of each line, play on different tone levels, and use internal rhymes as seen in both alliteration and assonance. As for diction, puns, either homophones or homonyms and repeated words are employed. Regarding word formation, even though it is obviously seen that poets have imitated the same words employed by poets of previous generations, they have also adapted and developed them to suit the individuality of each poet for the unique aesthetics of both diction and concept. It can be said that the creation of melodious and witty khlongis congruent with the nature of the Thai language since khlong is Thai in its origin and this in itself enhances the effectiveness of Thai poets in making use of the dominant characteristics of the Thai language in the composition of their poetic works from the past to the present.
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Fernández-Delgado, José-Antonio. "Greek Genealogical Epic: Vitality of Its Formulaic Diction." AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 41, no. 1 (December 20, 2019): 1–16. http://dx.doi.org/10.1163/17246172-40010011.

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Abstract One aspect of the Greek epic that has yet to be thoroughly explored is the possibility of differentiating, in the midst of formulaic wording, the different genres that from the point of view of Greek literature comprise, for example, the telling of heroic deeds (Iliad, Odyssey), gnomic-paraenetic poetry (Works and Days), or the stories of genealogies, be they divine (Theogony), or heroic (Ehoiai). However, each of these forms of poetic expression had available a specific formulaic apparatus apart from the other much more abundant and more visible, the epic one, shared among the different genres. Thus has it been pointed out on some occasions, although the critics have scarcely pursued the consequences. Here my proposal consists of investigating the dynamics of the formulaic diction of oral poetry of the genealogical type, based on information provided in this regard by the Hesiodic poems of the Theogony, and above all, of the Catalogue of Women.
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Dissertations / Theses on the topic "Diction of poetry of scardness"

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Ben, Hassen Nadia. "Vers une poétique du sacré dans la littérature tunisienne : de l'intertexte du Coran et du Hadith à la découverte de la dimension littéraire du "sacré" dans un corpus d'oeuvres d'expression arabe et française." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20139.

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Cette thèse s’inscrit dans une optique comparatiste et interdisciplinaire qui étudie les traits spécifiques du « sacré » tel qu’il se manifeste dans un corpus bilingue, en ayant recours conjointement à des théories littéraires et exégétiques. À travers cette étude de l’intertexte du Coran et du hadith dans la littérature tunisienne d’expression française et arabe, nous avons pu souligner l’importance de trois dimensions intertextuelles majeures qui contribuent pleinement à l’élaboration d’une poétique du « sacré » à savoir : la mystique, la rythmique et le mythe. Notre thèse déconstruit les idées reçues qui font perdurer la séparation entre la littérature et le sacré en démontrant la pertinence de la relecture des textes « sacrés » par les auteurs. Ceux-ci semblent en effet, avoir intuitivement accédé à la déconstruction de plusieurs mythes inscrits dans l’ « impensable » islamique. Leur apport est plus que pertinent en ce moment, où l’Islam se propage plus par ces mythes que par l’essence de ses textes
In this thesis we aim to study what defines the sacredness in a comparative and interdisciplinary perspective as it manifests itself by a bilingual corpus. We had resorted to both literary and exegetical theories. Through this study of intertext of Qur’ân and Hadith in the tunisian literature which uses french and arabic-language we had emphasized the importance of three major dimensions in interextuality that contribute fully to devise the poetry in the « sacredness » : mystic, rhythmics and myth. Our thesis deconstructs preconceived ideas that keep the separation between the literature and sacredness by showing the importance of reviewing the sacred texts beyond doubt. The Authors seem to have intuitively deconstruct many myths of the « unthinkable » islamic thought. What they brought has considerable merit while Islam is becoming known more by its myths than by the essence of its texts
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Zurcher, Andrew Elder. "Legal diction and the law in the poetry of Edmund Spenser." Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621258.

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Kesarwani, Vaibhav. "Automatic Poetry Classification Using Natural Language Processing." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37309.

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Poetry, as a special form of literature, is crucial for computational linguistics. It has a high density of emotions, figures of speech, vividness, creativity, and ambiguity. Poetry poses a much greater challenge for the application of Natural Language Processing algorithms than any other literary genre. Our system establishes a computational model that classifies poems based on similarity features like rhyme, diction, and metaphor. For rhyme analysis, we investigate the methods used to classify poems based on rhyme patterns. First, the overview of different types of rhymes is given along with the detailed description of detecting rhyme type and sub-types by the application of a pronunciation dictionary on our poetry dataset. We achieve an accuracy of 96.51% in identifying rhymes in poetry by applying a phonetic similarity model. Then we achieve a rhyme quantification metric RhymeScore based on the matching phonetic transcription of each poem. We also develop an application for the visualization of this quantified RhymeScore as a scatter plot in 2 or 3 dimensions. For diction analysis, we investigate the methods used to classify poems based on diction. First the linguistic quantitative and semantic features that constitute diction are enumerated. Then we investigate the methodology used to compute these features from our poetry dataset. We also build a word embeddings model on our poetry dataset with 1.5 million words in 100 dimensions and do a comparative analysis with GloVe embeddings. Metaphor is a part of diction, but as it is a very complex topic in its own right, we address it as a stand-alone issue and develop several methods for it. Previous work on metaphor detection relies on either rule-based or statistical models, none of them applied to poetry. Our methods focus on metaphor detection in a poetry corpus, but we test on non-poetry data as well. We combine rule-based and statistical models (word embeddings) to develop a new classification system. Our first metaphor detection method achieves a precision of 0.759 and a recall of 0.804 in identifying one type of metaphor in poetry, by using a Support Vector Machine classifier with various types of features. Furthermore, our deep learning model based on a Convolutional Neural Network achieves a precision of 0.831 and a recall of 0.836 for the same task. We also develop an application for generic metaphor detection in any type of natural text.
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Gaudern, Mia Rose. "The etymological poetry of W.H. Auden, J.H. Prynne, and Paul Muldoon." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:3402e823-5179-4f72-97f9-cb428afe6784.

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This thesis investigates the roles played by etymology in the work of three late modernist poet-critics: W. H. Auden, J. H. Prynne, and Paul Muldoon. The relationship between poetry and etymology has a long history, but the advent of modern linguistics at the beginning of the twentieth century brought about a change in this relationship. Structuralism developed a more comprehensive condemnation of the etymological fallacy – the view that historical forms and meanings are relevant to current ones - that both isolated etymology as an abstract field of study and undermined its scientific validity. One reaction to this state of affairs has been to re-evaluate etymological discourse itself as poetic or rhetorical. But it is the tension created by what Paula Blank has called 'the quasi-disciplinarity of etymological desire' that motivates Auden, Prynne, and Muldoon's concerns with linguistic historicity. Etymological poetry encourages, even necessitates, very close reading. While this thesis accepts the challenge to read arguably too closely, it also examines the limits of such an approach and its implications for the relationship between poetry and criticism. The first three chapters consider how Auden, Prynne, and Muldoon invoke etymologies in their own criticism, and how etymology affects the ways their poetry may be said to communicate. The second three develop these analyses into new interpretations of commonly debated aspects of their work: Auden's landscape poetry, Prynne's lyricism, and Muldoon's onomastics. It is argued that the fact of obsolescence is key to the etymological poetic; obsolete forms and meanings make poetry difficult, but in the process they intimate that a truer way of representing the world may be (re)discovered. All three poet-critics confront and absorb the consequences of etymological obscurity. Their preoccupation with the history of words is self-consciously and unavoidably pedantic, and it is this pedantry that plays the most significant role in the poetic power they accord to etymology.
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Dutournier, Céline. "La poésie hors du livre : étude sur les médiations orales de la poésie en France de 1945 aux années 60." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040228.

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Les années 1945-1960 correspondent en France à un moment important de réoralisation de la poésie : celle-ci est diffusée à la radio, à la télévision, sur disques, dans les cabarets. Les théâtres voient quant à eux se développer, en plus des spectacles poétiques, des tentatives de poèmes scéniques. La « question du livre » et de ses dehors se révèle ainsi centrale dans l’imaginaire et les débats poétiques de cette époque : il s’agit tantôt de repenser les modes de communication du poème, d’ouvrir le domaine poétique au grand public, d’explorer les possibilités offertes par les nouvelles techniques d’enregistrement et de diffusion des sons, tantôt d’user de l’espace médiatique comme d’un lieu de performance poétique. Ce travail, qui rassemble un grand nombre d’archives écrites et audiovisuelles, dresse un état des lieux de ces médiations orales de la poésie de 1945 aux années 1960 en France et propose, à travers l’étude détaillée de diverses formes de « poèmes hors du livre », de réévaluer la place et le rôle de ces pratiques dans l’histoire de la poésie du XXe siècle
Between 1945 and 1960, French poetry tended to re-explore its oral roots with radio and television broadcasting, recording and live performance. Theatres developed, aside from poetical performances, some attempts for staged poems. The “question of the book” in its relation to other media turned out to be central in the poetical imagination and debates of the time: some endeavoured to rethink the communication modes of poems, to open the poetical field to a wider public, to explore the possibilities offered by new recording and sound broadcasting techniques, others tried to use the media as a poetical performance space. This dissertation, which collects many written and audiovisual archives, surveys the oralisation of French poetry between 1945 and the 1960s and attempts to reassess, through the detailed study of diverse forms of “poems outside the book”, the importance and the role of those practices in twentieth century poetry history
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Nogueira, Érico. "Verdade, contenda e poesia nos Idílios de Teócrito." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-06112012-125428/.

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Partindo da Teogonia e dos Trabalhos e dias de Hesíodo, modelos de poética fundada na verdade, e do conceito de sabedoria humana, como aparece na Apologia de Sócrates de Platão, o presente trabalho estuda a relação entre verdade e poesia nos Idílios de Teócrito fundamento de seu programa poético , e a elocução contenciosa ou competitiva que a veicula. Ao que se segue tradução em verso de todos os idílios hexamétricos autênticos do autor.
Starting from Hesiods Theogony and Works and days, models of a truth-based poetics, and from the concept of human wisdom as it stands in Platos Apology of Socrates, this work focuses on the so-called reciprocal conditioning of truth and poetry in Theocritus Idylls the very basis of his poetic program as well on the quarrelsome or competitive diction which conveys it. There follows a versetranslation of all the true Theocritean Idylls written in hexameters.
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Ferreira, Lorena Vita. "Renato Gonda : uma poética rumo ao nada /." São José do Rio Preto : [s.n.], 2006. http://hdl.handle.net/11449/94184.

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Orientador: Rogério Elpidio Chociay
Banca: Nelson Luis Ramos
Banca: Kenia Maria de Almeida Pereira
Resumo: Esta dissertação tem por objetivo investigar a dicção poética de Renato Gonda (1959- ) em seu livro AD NADA (1994). Nesta obra encontramos breves e condensadas manifestações poéticas - "101 haikais ou quase" (assim os denomina o próprio sujeito lírico). A confluência de registros poéticos datados e consagrados imprime uma informação estética diversificada, característica freqüente na cena literária contemporânea brasileira. Em relação ao conteúdo, os poemas de AD NADA apresentam um caráter niilista que impulsiona seu sujeito lírico a reconsiderar/questionar as concepções absolutas presentes na nossa existência, tal como a noção de Deus, imposta ao homem, principalmente, pela metafísica e teologia ocidental. Repensar tais conceitos é repensar também a linguagem automatizada e ter a possibilidade de criar uma outra que desestabilize os discursos cristalizados e estereotipados que subjugam a condição humana. A partir dessas perspectivas, analisaremos e interpretaremos a configuração do niilismo na obra para, então, verificarmos como esse posicionamento frente ao mundo influencia o fazer poético do eu-lírico e a sua relação com a palavra poética.
Abstract: This thesis is aimed at investigating the poetic diction of Renato Gonda (1959- ) in AD NADA, a work which contains his brief poetic manifestations: "101 haikais ou quase" (101 haikus or almost), as the author himself calls them. The confluence of dated and consecrated poetic registers imparts a diversified aesthetic information, a frequent characteristic found in the contemporary Brazilian literary scene. As for theme, the poems of Ad Nada present a nihilistic character which leads their lyric subject to reconsider or to call in question the absolute conceptions present in our life, such as the notion of God, imposed to man mainly by western metaphysics or theology. To rethink such concepts is also to rethink automatized language and have the possibility of creating another one, which destabilizes the crystallized and stereotyped discourses which subjugate human condition. On the basis of such perspectives, nihilism will be analyzed and interpreted in the work at hand in order to verify how this positioning before the world influences the poetical work of the lyric self and its relationship with the poetic word.
Mestre
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Ferreira, Lorena Vita [UNESP]. "Renato Gonda: uma poética rumo ao nada." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/94184.

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Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-08-30Bitstream added on 2014-06-13T18:30:52Z : No. of bitstreams: 1 ferreira_lv_me_sjrp.pdf: 944969 bytes, checksum: 76d1c3f452f6109d87388865cd9e8a63 (MD5)
Esta dissertação tem por objetivo investigar a dicção poética de Renato Gonda (1959- ) em seu livro AD NADA (1994). Nesta obra encontramos breves e condensadas manifestações poéticas - “101 haikais ou quase” (assim os denomina o próprio sujeito lírico). A confluência de registros poéticos datados e consagrados imprime uma informação estética diversificada, característica freqüente na cena literária contemporânea brasileira. Em relação ao conteúdo, os poemas de AD NADA apresentam um caráter niilista que impulsiona seu sujeito lírico a reconsiderar/questionar as concepções absolutas presentes na nossa existência, tal como a noção de Deus, imposta ao homem, principalmente, pela metafísica e teologia ocidental. Repensar tais conceitos é repensar também a linguagem automatizada e ter a possibilidade de criar uma outra que desestabilize os discursos cristalizados e estereotipados que subjugam a condição humana. A partir dessas perspectivas, analisaremos e interpretaremos a configuração do niilismo na obra para, então, verificarmos como esse posicionamento frente ao mundo influencia o fazer poético do eu-lírico e a sua relação com a palavra poética.
This thesis is aimed at investigating the poetic diction of Renato Gonda (1959- ) in AD NADA, a work which contains his brief poetic manifestations: “101 haikais ou quase” (101 haikus or almost), as the author himself calls them. The confluence of dated and consecrated poetic registers imparts a diversified aesthetic information, a frequent characteristic found in the contemporary Brazilian literary scene. As for theme, the poems of Ad Nada present a nihilistic character which leads their lyric subject to reconsider or to call in question the absolute conceptions present in our life, such as the notion of God, imposed to man mainly by western metaphysics or theology. To rethink such concepts is also to rethink automatized language and have the possibility of creating another one, which destabilizes the crystallized and stereotyped discourses which subjugate human condition. On the basis of such perspectives, nihilism will be analyzed and interpreted in the work at hand in order to verify how this positioning before the world influences the poetical work of the lyric self and its relationship with the poetic word.
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Zulu, E. S. Q. "Themes, diction and form in the poetry of C. S. Z. Ntuli." 1994. http://hdl.handle.net/10500/17880.

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This dissertation deals with the poetry of C.S.Z. Ntuli, with specific reference to themes, diction and form. The introductory chapter deals with the aim of study, the author's biographical background, the development of modern Zulu poetry, the state of critical studies in modern Zulu poetry, the scope of study and the method of approach. Chapter 2 examines the main themes manifest in the poetry of Ntuli. Chapter 3 is devoted to diction, with particular reference to imagery, compound words, ideophones and deideophonic derivatives. Comment is also made on ways in which these amplify the theme in selected poems. Chapter 4 discusses outstanding formal features and techniques including stanza formation, refrains, alliteration, parallelism, linking and rhythm. Chapter 5 concludes the study by giving observations about the quality of Ntuli's contribution to modern Zulu poetry, and by exploring some possibilities regarding future studies on the poetry of Ntuli
African Languages
M. A. (African languages)
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Books on the topic "Diction of poetry of scardness"

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Poetic diction: A study in meaning. Middletown, Conn: Wesleyan University Press, 1987.

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Barfield, Owen. Poetic diction: A study in meaning. 2nd ed. Middletown, Conn: Wesleyan University Press, 1987.

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Piers Plowman: A glossary of legal diction. Cambridge [Cambridgeshire]: D.S. Brewer, 1988.

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Donald, Davie. Purity of diction in English verse: And, Articulate energy. London: Penguin Books, 1992.

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La diction épique en débat: Un commentaire linguistique d'Odyssée XXIV 205-412. Amsterdam: Adolf M. Hakkert, 2006.

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6

Homer's winged words: The evolution of early Greek epic diction in the light of oral theory. Leiden: Brill, 2009.

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7

Taming the chaos: English poetic diction theory since the Renaissance. Detroit, Mich: Wayne State University Press, 1998.

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8

Hanʼguk hyŏndae siŏ ŭi tʻansaeng: The birth of Korean modern poetic diction. Sŏul: Somyŏng Chʻulpʻan, 2009.

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9

Hanʼguk hyŏndae siŏ ŭi tʻansaeng: The birth of Korean modern poetic diction. Sŏul: Somyŏng Chʻulpʻan, 2009.

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Hanʼguk hyŏndae siŏ ŭi tʻansaeng: The birth of Korean modern poetic diction. Sŏul: Somyŏng Chʻulpʻan, 2009.

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Book chapters on the topic "Diction of poetry of scardness"

1

Lester, G. A. "Old English Poetic Diction." In The Language of Old and Middle English Poetry, 47–66. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24561-1_4.

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Lester, G. A. "Middle English Poetic Diction." In The Language of Old and Middle English Poetry, 88–106. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24561-1_6.

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Whitworth, Michael H. "Rhythm, Form, and Diction in Modernist Poetry." In A Companion to Modernist Poetry, 4–19. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch1.

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"Diction." In The Craft of Poetry, 170. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1hztrbd.127.

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"1 La diction du mal: Baudelaire." In The Revolting Body of Poetry, 33–74. Brill | Rodopi, 2016. http://dx.doi.org/10.1163/9789004324572_003.

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"The Varieties of Formulaic Diction." In Routledge Revivals: Turkic Oral Epic Poetry (1992), 187–234. Routledge, 2018. http://dx.doi.org/10.4324/9781351123785-15.

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Arthos, John. "The Elements of Stock Diction." In The Language of Natural Description in Eighteenth-Century Poetry, 1–7. Routledge, 2020. http://dx.doi.org/10.4324/9781003017899-1.

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Prieto, Julio. "Doing Poetry with Science." In Geopolitics, Culture, and the Scientific Imaginary in Latin America, 230–53. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401483.003.0012.

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This chapter examines three models of relation between science and poetry that propose different strategies to overcome the two great divides of the modern world-system: the divide between natural and human sciences and that between Western “sciences” and non-Western knowledges and epistemologies. Focusing on the work of three Latin American poets—Severo Sarduy, Néstor Perlongher and Jorge Eduardo Eielson—and drawing on Bruno Latour’s reflection on “hybrids” (1991), the chapter analyzes three modes of “science diction”—appropriation, infiltration and mediation.
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Gaudern, Mia. "Lyric Diction in J. H. Prynne." In The Etymological Poetry of W. H. Auden, J. H. Prynne, and Paul Muldoon, 126–52. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850458.003.0006.

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Pearls That Were is an anomaly in Prynne’s oeuvre; it whole-heartedly adopts a Romantic lyric diction that is only used in a fragmentary way elsewhere in his poetry. Such a characteristic diction—a ‘lightness ready-made’, as Prynne once wrote—raises questions of inheritance, and there are many echoes of the Romantic poets in the collection. This chapter considers the different ways in which sustained and fragmentary lyricism (in both poetry and criticism) can avoid the manoeuvre that Clifford Siskin termed the ‘lyric turn’, which exploits a ‘lightness ready-made’. Instead, Prynne reclaims this diction by giving it back its historical weight.
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10

Arthos, John. "The Interchange of Scientific Language and Poetic Diction." In The Language of Natural Description in Eighteenth-Century Poetry, 67–88. Routledge, 2020. http://dx.doi.org/10.4324/9781003017899-5.

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