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Books on the topic 'Diction of poetry of scardness'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Poetic diction: A study in meaning. Middletown, Conn: Wesleyan University Press, 1987.

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2

Barfield, Owen. Poetic diction: A study in meaning. 2nd ed. Middletown, Conn: Wesleyan University Press, 1987.

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3

Piers Plowman: A glossary of legal diction. Cambridge [Cambridgeshire]: D.S. Brewer, 1988.

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4

Donald, Davie. Purity of diction in English verse: And, Articulate energy. London: Penguin Books, 1992.

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5

La diction épique en débat: Un commentaire linguistique d'Odyssée XXIV 205-412. Amsterdam: Adolf M. Hakkert, 2006.

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6

Homer's winged words: The evolution of early Greek epic diction in the light of oral theory. Leiden: Brill, 2009.

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7

Taming the chaos: English poetic diction theory since the Renaissance. Detroit, Mich: Wayne State University Press, 1998.

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8

Hanʼguk hyŏndae siŏ ŭi tʻansaeng: The birth of Korean modern poetic diction. Sŏul: Somyŏng Chʻulpʻan, 2009.

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9

Hanʼguk hyŏndae siŏ ŭi tʻansaeng: The birth of Korean modern poetic diction. Sŏul: Somyŏng Chʻulpʻan, 2009.

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10

Hanʼguk hyŏndae siŏ ŭi tʻansaeng: The birth of Korean modern poetic diction. Sŏul: Somyŏng Chʻulpʻan, 2009.

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11

Kou chuan shi shi shi xue: Ranpile "Jiangge'er" cheng shi ju fa yan jiu = Oral poetics : formulaic diction of Arimpil's Jangar singing. Nanning Shi: Guangxi ren min chu ban she, 2000.

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12

Schubert, Franz. Schubert in English: "the songs usually included in volume 1 of standard editions, translated into singable English verse. 2nd ed. Knebworth, Herts: Able Publishing, 1996.

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13

Schubert, Franz. Schubert's complete song texts: With international phonetic alphabet transcriptions, word for word translations and commentary. Geneseo, N.Y. (Box 384, Geneseo 14454): Leyerle Publications, 1996.

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14

1925-, Glass Beaumont, ed. Schubert's complete song texts. Geneseo, N.Y: Leyerle, 1996.

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15

Maximilian, Schochow, Schochow Lilly, and Bodendorff Werner, eds. Franz Schubert: Die Texte seiner einstimmig und mehrstimmig komponierten Lieder und ihre Dichter. 2nd ed. Hildesheim: G. Olms, 1997.

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16

1964-, SanGregory Paul, Healey Derek 1936-, Chen Chin-Chin 1964-, Huang Zi 1904-1938, Li Qingzhu, Huang Youdi 1912-2010, Li Yinghai, and Liu Wenjin, eds. Traditional and modern Chinese art songs. Geneseo, N.Y: Leyerle, 2009.

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17

Fussell, Edwin S. Lucifer in Harness: American Meter, Metaphor, and Diction. Princeton University Press, 2015.

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18

Fussell, Edwin S. Lucifer in Harness: American Meter, Metaphor, and Diction. Princeton University Press, 2016.

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19

Fussell, Edwin S. Lucifer in Harness: American Meter, Metaphor, and Diction. Princeton University Press, 2015.

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20

Greenway, William. Poetry of Personality: The Poetic Diction of Dylan Thomas. Lexington Books/Fortress Academic, 2016.

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21

Poetry of Personality: The Poetic Diction of Dylan Thomas. Lexington Books/Fortress Academic, 2014.

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22

Reece, Steve. Homer's Winged Words: The Evolution of Early Greek Epic Diction in the Light of Oral Theory. Ebsco Publishing, 2009.

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23

Quayle, Thomas. Poetic Diction: A Study of Eighteenth Century Verse (Bcl1-Pr English Literature). Reprint Services Corp, 1997.

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24

Donald, Davie. Purity of Diction in English Verse and Articulate Energy. Carcanet Press Ltd., 2007.

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25

Understanding French Verse: A Guide for Singers. Oxford University Press, USA, 2005.

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26

Abd, Muhammad. Ibda al-dalalah fi al-shir al-Jahili: Madkhal lughawi uslubi. Dar al-Maarif, 1988.

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27

Janko, Richard. Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction (Cambridge Classical Studies). Cambridge University Press, 2007.

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28

Greenbie, Marjorie Latta Barstow. Wordsworth's Theory of Poetic Diction: A Study of the Historical and Personal Background of the Lyrical Ballads (Yale Studies in English, 57.). Ams Pr Inc, 1988.

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29

Gaudern, Mia. The Etymological Poetry of W. H. Auden, J. H. Prynne, and Paul Muldoon. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850458.001.0001.

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This book defines, analyses, and theorises a late modern ‘etymological poetry’ that is alive to the past lives of its words, and probes the possible significance of them both explicitly and implicitly. Close readings of poetry and criticism by Auden, Prynne, and Muldoon investigate the implications of their etymological perspectives for the way their language establishes relationships between people, and between people and the world. These twin functions of communication and representation are shown to be central to the critical reception of etymological poetry, which is a category of ‘difficult’ poetry. However resonant poetic etymologising may be, critics warn that it shows the poet’s natural interest in language degenerating into an unhealthy obsession with the dictionary. It is unavoidably pedantic, in the post-Saussurean era, to entertain the idea that a word’s history might have any relevance to its current use. As such, etymological poetry elicits the closest of close readings, thus encouraging readers to reflect not only on its own pedantry, obscurity, and virtuosity, but also on how these qualities function in criticism. As well as presenting a new way of reading three very different late modern poet-critics, this book addresses an understudied aspect of the relationship between poetry and criticism. Its findings are situated in the context of literary debates about difficulty and diction, and in larger cultural conversations about the workings of language as a historical event.

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30

Miquel, Sobrer Josep, and Colomer Edmon, eds. The Singer's anthology of 20th century Spanish songs. New York: Pelion Press, 1987.

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31

Barbarous Antiquity: Reorienting the Past in the Poetry of Early Modern England. University of Pennsylvania Press, 2014.

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32

Admussen, Nick. Genre Occludes the Creation of Genre. Edited by Carlos Rojas and Andrea Bachner. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199383313.013.30.

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This chapter argues that one of the strongest influences on contemporary Chinese prose poetry is Bing Xin’s 1955 translation of Rabindranath Tagore’s poetry collectionGitanjali. By declining to reproduce the music of Tagore’s Bengali original, and suppressing the Biblical diction of his English version, Bing Xin created a version of his odes to the “religion of man” that implicitly opposes his insistence on poetry’s untranslatability. Instead, she argues that rejecting culturally specific prosodies allows her to faithfully reproduce the content of Tagore’s poetry. This paradigm exalts prose as a transparent, modern, and realist way to write; when it is used to render the subjective, passionate occasions ofGitanjali, the result is a mode of writing that treats transcendental feelings as concretely as it does the objects of daily life. The chapter ends with a call to study generic origins outside the bounds of the genres in question.

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33

Ziogas, Ioannis. Law and Love in Ovid. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198845140.001.0001.

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In classical scholarship, the presence of legal language in love poetry is commonly interpreted as absurd and incongruous. Ovid’s legalisms have been described as frivolous, humorous, and ornamental. This book challenges this widespread, but ill-informed view. Legal discourse in Latin love poetry is not incidental, but fundamental. Inspired by recent work in the interdisciplinary field of law and literature, the book argues that the Roman elegiac poets point to love as the site of law’s emergence. The Latin elegiac poets may say ‘make love, not law’, but in order to make love, they have to make law. Drawing on Agamben, Foucault, and Butler, the book explores the juridico-discursive nature of Ovid’s love poetry, constructions of sovereignty, imperialism, authority, biopolitics, and the ways in which poetic diction has the force of law. The book is methodologically ambitious, combining legal theory with historically informed closed readings of numerous primary sources. It aims to restore Ovid to his rightful position in the history of legal humanism. The Roman poet draws on a long tradition that goes back to Hesiod and Solon, in which poetic justice is pitted against corrupt rulers. Ovid’s amatory jurisprudence is examined vis-à-vis Paul’s letter to the Romans. The juridical nature of Ovid’s poetry lies at the heart of his reception in the Middle Ages, from Boccaccio’s Decameron to Forcadel’s Cupido iurisperitus. The current trend to simultaneously study and marginalize legal discourse in Ovid is a modern construction that this book aims to demolish.

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34

Crowley, Lara M. Manuscript Matters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.001.0001.

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Manuscript Matters illuminates responses to some of John Donne’s most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers’ exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers—men and women who shared in Donne’s political, religious, and social contexts—offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study’s findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artifacts containing Donne’s works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne’s satiric, lyric, and religious poetry, as well as his prose paradoxes and problems—refocusing modern interpretation through an early modern lens.

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