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1

Horovitz, Israel. La Marelle: Didascalies. Paris: L'Avant-scène, 1993.

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2

Les didascalies de Jean Tardieu. Paris, France: L'Harmattan, 2001.

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3

Gallèpe, Thierry. Didascalies: Les mots de la mise en scène. Paris: L'Harmattan, 1997.

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4

Esposito, Edoardo. Eduardo De Filippo: Discours et théâtralité : dialogues, didascalies et registres dramatiques. Paris, France: Harmattan, 2004.

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5

Monique, Martinez Thomas, ed. Didascalias: Hacia una nueva interpretación de las didascalias. Ciudad Real: Ñaque Editora, 2010.

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6

Didascalias del Teatro Caminito. Buenos Aires?]: Diego Kehrig Editor, 2013.

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7

Lagarde, Paul Anton de, ed. Didascalia Apostolorum Syriace. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463215842.

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8

Pagliai, Morena. Didascalie teatrali tra Otto e Novecento. Firenze: Franco Cesati, 1994.

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9

Magrelli, Valerio. Didascalie per la lettura di un giornale. Torino: G. Einaudi, 1999.

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10

Gibson, Margaret Dunlop, ed. The Didascalia Apostolorum in Syriac. Cambridge: Cambridge University Press, 2011. http://dx.doi.org/10.1017/cbo9780511732126.

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11

Lorenza, Mochi Onori, Vodret Adamo Rossella, and Italy. Soprintendenza per i beni artistici e storici di Roma., eds. La Galleria nazionale d'arte antica: Regesto delle didascalie. Roma: Palombi, 1989.

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12

The Didascalia apostolorum: An English version. Turnhout, Belgium: Brepols Publishers, 2009.

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13

Giuliani, Luigi, and Victoria Pineda. «Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII). Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-304-5.

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La edición de las didascalias escénicas es uno de los pasos más delicados de la labor del crítico textual, sobre todo en el caso de las acotaciones del teatro de los siglos XVI y XVII, cuyos textos nos han llegado de manera azarosa en versiones manipuladas por compañías de actores. Este volumen aborda la ecdótica de las didascalias desde distintas perspectivas: la semiótica, la estemmática, la transmisión manuscrita e impresa, la evolución de la escritura dramatúrgica, la historia del teatro, la praxis editorial pasada y presente, la traducción y la mirada comparatista hacia textos del Siglo de Oro español y los teatros nacionales inglés, francés, portugués y holandés.
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14

Raffaelli, Sergio. La lingua filmata: Didascalie e dialoghi nel cinema italiano. Firenze: Casa editrice le lettere, 1992.

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15

Bartolomei, Girolamo. Didascalia cioè dottrina comica libri tre (1658-1661). Edited by Sandro Piazzesi. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-490-9.

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La composizione di azioni con soggetti sacri e profani e il riutilizzo di fabulae antiche, declinate secondo il principio dell’utilità morale dei temi trattati, caratterizza la ricerca letteraria di Girolamo Bartolommei che si cimentò nelle forme della scrittura lirica, epica, drammaturgica e musicale, richiamando ‘i benigni lettori’ delle sue opere alla funzione etica e sociale della poesia. La sua Didascalia cioè dottrina comica (stampata a Firenze nel 1658 e ristampata nel 1661), di cui presentiamo l’edizione critica, si rende interessante per la peculiarità della proposta teorica, riconducibile alle ragioni del teatro d’accademia, tesa a dimostrare ai giovani letterati, procedendo da questioni di poetica generale fino agli ‘abbozzi di commedie di mezzo’ da lui stesso composti, come solo l’ ‘onestà’ e il decoro di una ‘ben ordinata commedia’ potessero risollevare le sorti dell’arte comica dal degrado in cui era caduta.
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16

Teatro de palabras: Didascalias en la escena española del siglo XVI. Lleida: Edicions de la Universitat de Lleida, 2001.

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17

Scienziati e pastori: Poesia didascalica fra Sette e Ottocento. Milano: LED, Edizioni Universitarie di Lettere Economia e Diritto, 2013.

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18

Dalla parola all'azione: Forme della didascalia drammaturgica, 1900-1930. Pisa: Edizioni ETS, 2012.

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19

Tabares, Vivian Martínez. Didascalias urgentes de una espectadora interesada: Aproximaciones al teatro cubano de hoy. La Habana: Editorial Letras Cubanas, 1996.

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20

Nicolai, Eric. Hermeneutical principles in the Didascalion of Hugh of St. Victor. Romae: Pontificium Aethenaum Sanctae Crucis, 1996.

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21

The Kanonarion by John, monk and deacon, and Didascalia patrum. Rome: Pontificio Istituto orientale, 2006.

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22

Ercolani, Andrea. Il passagio di parola sulla scena tragica: Didascalie interne e struttura delle rheseis. Stuttgart: Verlag J.B. Metzler, 2000.

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23

Miracula rerum: Strategie semiologiche del genere didascalico negli Astronomica di Manilio. Pisa: ETS, 2002.

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24

Curi, Fausto. Piccolo (e molto didascalico) viatico per un'introduzione alla poesia di Sanguineti. Modena: Mucchi, 2011.

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25

Piccolo (e molto didascalico) viatico per un'introduzione alla poesia di Sanguineti. Modena: Mucchi, 2011.

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26

Calcante, Cesare Marco. Miracula rerum: Strategie semiologiche del genere didascalico negli Astronomica di Manilio. Pisa: ETS, 2002.

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27

A parte: Per una storia linguistica della didascalia teatrale in Italia. Roma: ItaliaAteneo, 2013.

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28

The Qurʼān's legal culture: The Didascalia Apostolorum as a point of departure. Tübingen, Germany: Mohr Siebeck, 2013.

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29

Sala, Giancarlo. Piero Chiara e la sua sentenziosa affabulazione allegorico-picaresca: Intendimenti artistici, didascalici e iniziatici. Poschiavo (CH): Menghini, 1996.

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30

Missinato, Marcello. Valcellina: Luogo d'incanti /cfotographie di Marcello Missinato ; testi di Giosue Chiaradia ; didascalie di Girogio Zoccoletto ; traduzioni di Gilles Watson. Treviso, Italy: Vanello, 2000.

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31

Convegno internazionale di studi sul cinema (4th 1997 Udine, Italy). Scrittura e immagine: La didascalia nel cinema muto : atti del IV Convegno internazionale di studi sul cinema, Udine 20-22 marzo 1997. [Udine]: Dipartimento di storia e tutela dei beni culturali, Università degli studi di Udine, 1998.

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32

Convegno italiano di studi scandinavi (7th 1986 Florence, Italy). La didascalia nella letteratura teatrale scandinava: Testo drammatico e sintesi scenica : atti del VII Convegno italiano di studi scandinavi, Firenze 21-22-23 maggio 1986. Roma: Bulzoni, 1987.

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33

Thierry, Gallepe. Didascalies: Les mots de la mise en scène. L'Harmattan, 2000.

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34

Monique, Martinez Thomas, Thomasseau Jean-Marie, and Université de Toulouse-Le Mirail. Centre de recherche sur la péninsule ibérique à l'époque contemporaine., eds. Jouer les didascalies: Théâtre contemporain espagnol et français. Toulouse: Presses universitaires du Mirail, 1999.

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35

Teresa, Mantero, ed. Analysis I: Didascalica. Genova: Università di Genova, Facoltà di lettere, Dipartimento di archeologia, filologia classica e loro tradizioni, 1987.

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36

Didascalia Apostolorum Syriace. Gorgias Pr Llc, 2010.

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37

Didascalias urgentes de una espectadora interesada. Letras Cubanas, 1995.

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38

Funk, F. X. von 1840-1907., ed. Didascalia et constitutiones apostolorum. Paderbornae: In libraria Ferdinandi Schoeningh, 1987.

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39

Florence, Fix, and Toudoire-Surlapierre Frédérique, eds. La didascalie dans le théâtre du XXe siècle: Regarder l'impossible. Dijon: Editions universitaires de Dijon, 2007.

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40

Florence, Fix, and Toudoire-Surlapierre Frédérique, eds. La didascalie dans le théâtre du vingtième siècle: Regarder l'impossible. Dijon: Ed. universitaires de Dijon-Université de Bourgogne, 2007.

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41

The Didascalia Apostolorum in English Cambridge Library Collection Religion. Cambridge University Press, 2011.

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42

Poeti del Cinquecento. Tomo I. Poeti lirici, burleschi, satirici e didascalici. Riccardo Ricciardi Editore (Milano-Napoli), 2001.

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43

Hofreiter, Christian. Dissenting Readings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198810902.003.0003.

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This chapter presents and discusses criticisms of the Jewish Scriptures by Marcion and the Marcionites, by Ptolemy, Celsus, and other pagan critics of Christianity, and by the authors of the Didascalia Apostolorum and Pseudo-Clementines. The criticisms demonstrate that violent, warlike texts in the Old Testament were seen as problematic by a number of authors in late antiquity. Some of the critics attempted to address the hermeneutical challenge either by positing two different gods (Marcion) or by denying that the Old Testament is true in its entirety (Ptolemy, the Didascalia Apostolorum, the Pseudo-Clementines); others did not attempt to solve the hermeneutical dilemma but rather sought to highlight it, in an attempt to discredit Christianity altogether. Some of these later pagan critics raised pertinent moral concerns; however, as far as we can tell, none of them did so specifically with respect to herem, apart from Celsus.
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44

Blidstein, Moshe. Early Christian Attitudes Towards Death Defilement. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791959.003.0004.

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Chapter 4 turns to an area in which the idea of purity was nominally rejected: purification from death defilement, commonly practiced throughout the ancient world. Christian writers spoke of death defilement in a polemic context, characterizing purification from contact with corpses and tombs as a Jewish preoccupation, which Christians should not practice. It is quite unclear, however, to what extent Christian death impurity practice was in fact different from that of pagans or Jews. A close reading of the texts in their historical contexts, especially the Didascalia Apostolorum, indicates that Christian purity discourse in this area is better understood as constructing Christian identity, rather than reflecting contemporary practice.
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45

Gibson, Margaret Dunlop. Didascalia Apostolorum in Syriac: Edited from a Mesopotamian Manuscript with Various Readings and Collations of Other MSS. University of Cambridge ESOL Examinations, 2011.

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46

Blidstein, Moshe. Dietary and Sexual Purity in Jewish-Christian Communities. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198791959.003.0008.

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Chapter 8 is dedicated to texts providing information on Jewish-Christian communities, especially the 26th chapter of the Didascalia Apostolorum, the Pseudo-Clementines, and sources on the Elchasites. These sources show that baptism had a purificatory role quite similar to that which it received in other communities with a focus on purification from sexual sin. Other purificatory washings were practiced as well, mostly as purification from genital emissions or from sexual relations. Demons were frequently invoked to explain the workings of impurity. As all of these ideas and practices existed also in other Christian communities, none of them individually are unique to Jewish-Christians. Nevertheless, the combination of all of them together created a purity discourse with a specific flavor, which was not simply of retaining Jewish custom but of a different conceptualization of purity and defilement.
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47

Dalla Prosa Ai Versi: Forme, Usi, Contesti Della Poesia Didascalica Grammaticale Tra XII e XIII Sec. con l'editio Princeps Del de Voce. Lang AG International Academic Publishers, Peter, 2014.

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48

Scrittura e immagine: La didascalia nel cinema muto : Atti del IV Convegno internazionale di studi sul cinema, Udine 20-22 marzo 1997. Forum, 1998.

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