Relevant bibliographies by topics / Die schwarze Spinne (Gotthelf)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Die schwarze Spinne (Gotthelf)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Die schwarze Spinne (Gotthelf)"

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Helfer, Martha B. "Arachnid Aesthetics: Gotthelf’s Die schwarze Spinne." MLN 131, no. 3 (2016): 662–78. http://dx.doi.org/10.1353/mln.2016.0044.

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Gallagher, David. "The Transmission of Ovid’s Arachne Metamorphosis in Jeremias Gotthelf’s Die Schwarze Spinne." Neophilologus 92, no. 4 (September 1, 2007): 699–711. http://dx.doi.org/10.1007/s11061-007-9071-y.

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Graeme, R. "Die schwarze Spinne. Heinrich Sutermeiste." Opera Quarterly 16, no. 4 (January 1, 2000): 683–86. http://dx.doi.org/10.1093/oq/16.4.683.

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Rankin, Jamie. "Spider in a Frame: The Didactic Structure of "Die schwarze Spinne"." German Quarterly 61, no. 3 (1988): 403. http://dx.doi.org/10.2307/406441.

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Hahl, Werner. "Klaus Lindemann, Jeremias Gotthelf, Die Schwarze Spinne. Zur biedermeierlichen Deutung von Geschichte und Gesellschaft zwischen den Revolutionen." Arbitrium 3, no. 2 (1985). http://dx.doi.org/10.1515/arbi.1985.3.2.184.

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Dissertations / Theses on the topic "Die schwarze Spinne (Gotthelf)"

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Bartlett, Keith Alan. "Space and symbolism in the Restauration Novelle : with particular reference to Jeremias Gotthelf's 'Die Schwarze Spinne', Adalbert Stifter's 'Der Hochwald' and Franz Grillparzer's 'Der Arme Spielmann'." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35089.

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The study looks at symbolism, especially the symbolism of space and visuality, in three Restauration Novellen. Gotthelf's Die Schwarze Spinne presents a religious dilemma in spatial form. Specific motifs such as changing shape and absence of position become consistent correlates of evil. If the godless characters are foreigners who have abandoned their former homes, the Christian ones affirm and restore existing space, remaining where they were born. This contrast relates to the over-riding concept of "Neu-gier" in the Novelle. Gotthelf's ultimate rejection of anything new is given spatial form and placed within its ethical, political and religious contexts. As in Gotthelf's Novelle, the landscape described in the frame of Stifter's Der Hochwald creates spatial norms which embody ethical values. By contrast, the remainder of Novelle - dealing with Clarissa's love for Ronald and the Swedish sacking of her father's castle - portrays deviations. These two strands of plot also run in parallel, with the fall of the castle emerging as an allegory of Clarissa's loss of innocence. In observing this disaster through a telescope she witnesses her own moral downfall. But the castle also appears as a "dice", the ultimate symbol of fate. The question of responsibility is therefore never resolved. In Grillparzer's Der Arme Spielmann the elements of place, position and movement have narrative functions. Above all they develop the antithesis between Jakob and "das Volk". This antithesis possesses a moral dimension, with absence of movement generally conveying an allegiance to the past. While covert forms of "theatrical" symbolism sustain the opposition of Jakob and society, the description of the festival also creates a network of analogies between them. The narrative is also sustained on various, conflicting levels concurrently, presenting a world which is dialectical - simultaneously discordant and harmonious. This all-pervasive relationship finds its ultimate expression in Jakob's room.
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2

Wozniak, JOLANTA. "TIERSYMBOLE IM REALISMUS. DIE SCHWARZE SPINNE, DER SCHIMMELREITER UND EFFI BRIEST ALS BEISPIELE DER CHIFFRIERTEN WIRKLICHKEIT DES 19. JAHRHUNDERTS." Thesis, 2008. http://hdl.handle.net/1974/1431.

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This thesis analyses the role of animal symbolism as a reflection on the zeitgeist of the 19th century. The three works Die schwarze Spinne (1842) by Jeremias Gotthelf, Der Schimmelreiter (1888) by Theodor Storm and Effi Briest (1895) by Theodor Fontane show how animals are used to convey what the stylistic restrictions of the epoch do otherwise not allow for. The first chapter analyses the animal image of the “black spider.” The picture is a powerful tool to highlight patriarchal fear, local legends and beliefs of a small community in contemporaneous Switzerland. The second chapter represents the allusions of animals such as a horse or a cat, which represent suppressed human motions. Used in this way, they express the pessimism and alienation of humankind that is read as social criticism. The third chapter demonstrates an example of the virtuous character of a dog through which the deep crisis of the society and humanity at that time is mirrored. The use of the animal figures in Realism proves a deep connection of humankind to nature. The imagery generates new perspectives on the crisis of the era, for which religious dilemmas, isolation and alienation of the individual in society are characteristic.
Thesis (Master, German) -- Queen's University, 2008-09-15 11:26:19.721
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Books on the topic "Die schwarze Spinne (Gotthelf)"

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Michael, Masanetz, ed. Die schwarze Spinne. Frankfurt am Main: Suhrkamp, 2007.

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2

Gotthelf, Jeremias. Die schwarze Spinne. Frankfurt am Main: Suhrkamp, 2007.

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3

Freund-Spork, Walburga. Jeremias Gotthelf: Die schwarze Spinne. Stuttgart: Reclam, 2003.

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4

Schneider, Hansjörg. Die schwarze Spinne: Nach der Erzählung von Jeremias Gotthelf. Kreuzlingen/Bern: Edition Erpf, 1988.

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Urs, Widmer. Die schwarze Spinne: Nach der Erzählung von Jeremias Gotthelf ; Sommernachtswut : ein Theater. Frankfurt am Main: Verlag der Autoren, 1998.

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6

Erläuterungen zu Jeremias Gotthelf: Die schwarze Spinne : Elsi, die seltsame Magd : Der Besenbinder von Rychiswyl : Das Erdbeeri-Mareili. 3rd ed. Hollfeld: C. Bange, 1991.

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7

Schneider, Hansjörg. Die schwarze Spinne. Kreuzlingen/Bern: Erpf, 1988.

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8

Zobel, Klaus. Unerhörte Begebenheiten: Interpretationen und Analysen zu drei Novellen des 19. Jahrhunderts : Conrad Ferdinand Meyer, "Der Schuss von der Kanzel" : Achim v. Arnim, "Der tolle Invalide auf dem Fort Ratonneau" : Jeremias Gotthelf, "Die schwarze Spinne". Northeim: Drei-A-Verlag, 1994.

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9

Gotthelf, Jeremias. Die schwarze Spinne: Erzählung. [Bern]: Benteli, 1998.

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10

Gotthelf, Jeremias. Die schwarze Spinne: Erzählung. München]: Goldmann, 1995.

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Book chapters on the topic "Die schwarze Spinne (Gotthelf)"

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Hoffmann, Volker. "Gotthelf, Jeremias: Die schwarze Spinne." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6510-1.

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Hahl, Werner. "Die schwarze Spinne — ein Dokument des literarischen Kulturkampfs." In Jeremias Gotthelf — der »Dichter des Hauses«, 240–74. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03499-1_9.

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Hahl, Werner. "Rituale und Tabuverletzungen in der erzählten Welt der Schwarzen Spinne." In Jeremias Gotthelf — der »Dichter des Hauses«, 221–39. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03499-1_8.

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Hahl, Werner. "Rhetorisch-ritualisierendes Erzählen in der Schwarzen Spinne 2. Textanalysen und Interpretation." In Jeremias Gotthelf — der »Dichter des Hauses«, 186–220. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03499-1_7.

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Hahl, Werner. "Rhetorisch-ritualisierendes Erzählen in der Schwarzen Spinne. 1. Problemstellung und texttheoretischer Exkurs." In Jeremias Gotthelf — der »Dichter des Hauses«, 157–85. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03499-1_6.

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6

"II. Rache und (falsche) Versprechen: Jeremias Gotthelfs Die schwarze Spinne (1842)." In Rache im Realismus, 59–86. transcript-Verlag, 2018. http://dx.doi.org/10.14361/9783839446355-004.

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