Journal articles on the topic 'Diegetic'
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Castelvecchi, Stefano. "On “Diegesis” and “Diegetic”: Words and Concepts." Journal of the American Musicological Society 73, no. 1 (2020): 149–71. http://dx.doi.org/10.1525/jams.2020.73.1.149.
Full textNeumeyer, David. "Diegetic/Nondiegetic: A Theoretical Model." Music and the Moving Image 2, no. 1 (April 1, 2009): 26–39. http://dx.doi.org/10.5406/musimoviimag.2.1.0026.
Full textPascal, Marie. "L’écrit à l’écran : écriture, texte et lisibilité dans la transcréation québécoise." Canadian Journal of Film Studies 30, no. 1 (April 2021): 25–48. http://dx.doi.org/10.3138/cjfs-2019-0019.
Full textHunter, Aaron. "When is the now in the here and there? Trans-diegetic music in Hal Ashby’s Coming Home." Alphaville: Journal of Film and Screen Media, no. 3 (August 8, 2012): 36–48. http://dx.doi.org/10.33178/alpha.3.03.
Full textCiric, Marija. "Narration and film music diegetic and non-diegetic music in film." Kultura, no. 134 (2012): 129–40. http://dx.doi.org/10.5937/kultura1234129c.
Full textDykhoff, Klas. "Non-diegetic sound effects." New Soundtrack 2, no. 2 (September 2012): 169–79. http://dx.doi.org/10.3366/sound.2012.0037.
Full textSamuel, Kayode M., and Samuel A. Adejube. "What a sound! Diegetic and non-diegetic music in the films of Túndé Kèlání." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 8, no. 1-2 (March 11, 2022): 274–94. http://dx.doi.org/10.4314/ejotmas.v8i1-2.15.
Full textMcLean, James. "Time and relative dimensions in serialization: Doctor Who, serialization, fandom and the adaptation of a police box." Journal of Adaptation in Film & Performance 15, no. 1 (March 1, 2022): 113–30. http://dx.doi.org/10.1386/jafp_00072_1.
Full textMcLean, James. "Time and relative dimensions in serialization: Doctor Who, serialization, fandom and the adaptation of a police box." Journal of Adaptation in Film & Performance 15, no. 1 (March 1, 2022): 113–30. http://dx.doi.org/10.1386/jafp_00072_1.
Full textHave, Iben. "The ambiguous voices of Possum." Short Film Studies 6, no. 1 (April 1, 2016): 49–52. http://dx.doi.org/10.1386/sfs.6.1.49_1.
Full textTsybina, T. A. "The functions of film credits in the diegetic and non-diegetic space of a film." Pyatigorsk State University Bulletin, no. 1 (2021): 125–29. http://dx.doi.org/10.53531/25420747_2021_1_125.
Full textMilostivaya, Alexandra. "Undercover Reporting on Refugees in European Union: Diegetic Narration." SHS Web of Conferences 50 (2018): 01108. http://dx.doi.org/10.1051/shsconf/20185001108.
Full textHalskov, Andreas. "‘I just had a dream about it’: Subjectivity, sensitivity and sonic impressionism in Avondale Dogs." Short Film Studies 9, no. 1 (January 1, 2019): 39–42. http://dx.doi.org/10.1386/sfs.9.1.39_1.
Full textFeyersinger, Erwin. "Diegetic Short Circuits: Metalepsis in Animation." Animation 5, no. 3 (November 2010): 279–94. http://dx.doi.org/10.1177/1746847710386432.
Full textMazey, Paul. "Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music." Journal of British Cinema and Television 16, no. 4 (October 2019): 429–43. http://dx.doi.org/10.3366/jbctv.2019.0493.
Full textSmith, Jennifer. "Voices, Combat, and Music." Journal of Sound and Music in Games 2, no. 2 (2021): 42–62. http://dx.doi.org/10.1525/jsmg.2021.2.2.42.
Full textPronin, Alexander А. "The Diegetic Narrator in the Documentary-Portrait." Vestnik of Saint Petersburg University. Language and Literature 13, no. 3 (2016): 157–66. http://dx.doi.org/10.21638/11701/spbu09.2016.318.
Full textMitarcă, Monica. "Voice-over, music, diegetic sound and pornography." Porn Studies 2, no. 1 (January 2, 2015): 93–95. http://dx.doi.org/10.1080/23268743.2014.995952.
Full textRafferty, Barclay. "The new ‘Othello Music’: From the play text to opera, diegetic/non-diegetic soundtracks and popular music allusions." Journal of Adaptation in Film & Performance 8, no. 3 (December 1, 2015): 195–211. http://dx.doi.org/10.1386/jafp.8.3.195_1.
Full textZovko, Aljoša. "The Interplay of Silence, Diegetic Sound and Music in Contemporary German Cinema." Hum, no. 25 (February 4, 2022): 58–66. http://dx.doi.org/10.47960/2303-7431.25.2021.58.
Full textPigulak, Joanna. "Dźwięki reaktywne, dźwięki antycypujące. Z zagadnień funkcjonowania ścieżki dźwiękowej w grach wideo." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, no. 37 (March 31, 2021): 317–27. http://dx.doi.org/10.14746/i.2020.37.18.
Full textYang, Xiran, and Jonathan Webster. "To be continued: meaning-making in serialized manga as functional-multimodal narrative." Semiotica 2015, no. 207 (October 1, 2015): 583–606. http://dx.doi.org/10.1515/sem-2015-0066.
Full textLorek-Jezińska, Edyta. "Mimesis in Crisis: Narration and Diegesis in Contemporary Anglophone Theatre and Drama." Text Matters, no. 7 (October 16, 2017): 353–67. http://dx.doi.org/10.1515/texmat-2017-0019.
Full textSALNIKOVA, EKATERINA V. "Diegetic Invisible/Vanishing in Silent Cinema and its Origins." Art and Science of Television 18, no. 1 (2022): 49–78. http://dx.doi.org/10.30628/1994-9529-2022-18.1-49-78.
Full textLauridsen, Palle Schantz. "Genhør med dogme 95 [Dogme 95 reheard]." MedieKultur: Journal of media and communication research 26, no. 48 (May 17, 2010): 17. http://dx.doi.org/10.7146/mediekultur.v26i48.2116.
Full textHarder, M. Annette. "Insubstantial Voices: Some Observations on the Hymns of Callimachus." Classical Quarterly 42, no. 2 (December 1992): 384–94. http://dx.doi.org/10.1017/s0009838800016013.
Full textNina Penner. "Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical." Music and the Moving Image 10, no. 3 (2017): 3. http://dx.doi.org/10.5406/musimoviimag.10.3.0003.
Full textPurse, Lisa. "Affective Trajectories: Locating Diegetic Velocity in the Cinema Experience." Cinema Journal 55, no. 2 (2016): 151–57. http://dx.doi.org/10.1353/cj.2016.0008.
Full textWinters, B. "The Non-diegetic Fallacy: Film, Music, and Narrative Space." Music and Letters 91, no. 2 (April 26, 2010): 224–44. http://dx.doi.org/10.1093/ml/gcq019.
Full textDean, Robert. "Diegetic Musical Motifs in Ibsen'sA Doll's HouseandJohn Gabriel Borkman." Ibsen Studies 11, no. 01 (June 2011): 51–70. http://dx.doi.org/10.1080/15021866.2011.575644.
Full textDEAN, ROBERT. "Naturalizing the artifice: The integration of diegetic theatre music." Studies in Musical Theatre 5, no. 3 (January 20, 2012): 257–70. http://dx.doi.org/10.1386/smt.5.3.257_1.
Full textPoznin, Vitaliy F. "Metaphor in Cinema: Specifics of its Creation and Perception." Journal of Flm Arts and Film Studies 9, no. 4 (December 15, 2017): 60–70. http://dx.doi.org/10.17816/vgik9460-70.
Full textBrodahl, Greta. "Jean-Philippe Toussaint." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 2 (September 23, 2019): 214–36. http://dx.doi.org/10.1075/rro.17007.bro.
Full textKarkiewicz, Magdalena. "Metalepsa jako strategia narracyjna w dziełach literackich i filmowych (analiza zjawiska na wybranych przykładach)." Załącznik Kulturoznawczy, no. 2 (2015): 384–475. http://dx.doi.org/10.21697/zk.2015.2.23.
Full textSmith, Jennifer. "Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II." Soundtrack 11, no. 1 (August 1, 2020): 75–97. http://dx.doi.org/10.1386/ts_00006_1.
Full textKillander Cariboni, Carla. "La sceneggiatura teatrale inedita di “La Virtù di Checchina”." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 52, no. 2 (December 8, 2017): 282–300. http://dx.doi.org/10.1075/rro.52.2.11kil.
Full textLouw, S. "Die ontvanger en Die vuurtoring, ’n metadiëgetiese televisiedrama." Literator 13, no. 3 (May 6, 1992): 111–22. http://dx.doi.org/10.4102/lit.v13i3.780.
Full textVirginás, Andrea. "Embodied Genetics in Science-Fiction, Big-Budget to Low-Budget: from Jeunet’s Alien: Resurrection (1997) to Piccinini’s Workshop (2011)." Acta Universitatis Sapientiae, Film and Media Studies 8, no. 1 (September 1, 2014): 149–66. http://dx.doi.org/10.2478/ausfm-2014-0031.
Full textDebora, Natasya Abrinta, and Marti Fauziah Ariastuti. "Recounting Traumatic Events: Pragmatic and Multimodal Discourse Analysis in Audrie and Daisy (Pengisahan Kejadian Traumatis: Analisis Wacana Multimodal dan Pragmatik dalam Audrie dan Daisy)." MOZAIK HUMANIORA 20, no. 2 (November 10, 2021): 194. http://dx.doi.org/10.20473/mozaik.v20i2.17575.
Full textSmith, Jeff. "Bridging the Gap: Reconsidering the Border between Diegetic and Nondiegetic Music." Music and the Moving Image 2, no. 1 (April 1, 2009): 1–25. http://dx.doi.org/10.5406/musimoviimag.2.1.0001.
Full textStrykowski, Derek R. "The Diegetic Music of Berg’sLulu: When Opera and Serialism Collide." Journal of Musicological Research 35, no. 1 (January 2, 2016): 1–22. http://dx.doi.org/10.1080/01411896.2015.1082066.
Full textMilic, Sasa. "10.5937/kultura1442113m = Knowledge and the diegetic world of feature film." Kultura, no. 142 (2014): 113–34. http://dx.doi.org/10.5937/kultura1442113m.
Full textO'NEILL, JAMES, and FRAUKE HEIN. "Office Humour: Diegetic Explorations of Negotiated Algorithmic and Human Agency." Ethnographic Praxis in Industry Conference Proceedings 2019, no. 1 (November 2019): 23. http://dx.doi.org/10.1111/1559-8918.2019.01252.
Full textZavros, Demetris. "Encounters with ‘the same’ (but different): London Road and the politics of territories and repetitions in verbatim musical theatre." Studies in Musical Theatre 15, no. 3 (December 1, 2021): 219–35. http://dx.doi.org/10.1386/smt_00076_1.
Full textAxelson, Tomas. "Vernacular Meaning Making." Nordicom Review 36, no. 2 (October 1, 2015): 143–56. http://dx.doi.org/10.1515/nor-2015-0022.
Full textPoluliashina, Daria I. "REPRESENTATION OF IDENTITY CRISIS IN KSENIYA BUKSHA’S BOOK «OPENS INWARD»." Vestnik of Kostroma State University, no. 2 (2020): 198–203. http://dx.doi.org/10.34216/1998-0817-2020-26-2-198-203.
Full textWhite, Mimi. "Crossing Wavelengths: The Diegetic and Referential Imaginary of American Commercial Television." Cinema Journal 25, no. 2 (1986): 51. http://dx.doi.org/10.2307/1225459.
Full textVirginás, Andrea. "On the Role of Diegetic Electronic Screens in Contemporary European Films." Acta Universitatis Sapientiae, Film and Media Studies 15, no. 1 (October 1, 2018): 87–102. http://dx.doi.org/10.1515/ausfm-2018-0005.
Full textCarson, Robert. "Diegetic Labor History - Bisbee ’17 (Film, directed by Robert Greene, 2018)." Journal of the Gilded Age and Progressive Era 19, no. 1 (November 29, 2019): 171–73. http://dx.doi.org/10.1017/s1537781419000562.
Full textHarwood, Tracy, Tony Garry, and Russell Belk. "Design fiction diegetic prototyping: a research framework for visualizing service innovations." Journal of Services Marketing 34, no. 1 (December 19, 2019): 59–73. http://dx.doi.org/10.1108/jsm-11-2018-0339.
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