Relevant bibliographies by topics / Diego Velazquez

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Diego Velazquez'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Diego Velazquez"

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Castillo-Ojugas, A. "Trapeziometacarpal osteoarthrosis in a painting by Diego velazquez." Arthritis & Rheumatism 34, no. 1 (1991): 127–28. http://dx.doi.org/10.1002/art.1780340131.

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Makatsariya, N. A. "About the image of mother with child in fine arts. Part II. Renaissance." Obstetrics, Gynecology and Reproduction 14, no. 3 (2020): 400–410. http://dx.doi.org/10.17749/2313-7347/ob.gyn.rep.2020.158.

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The article highlights aspects of the topic a mother and a child in fine arts of the Renaissance. Paintings by Dutch artists Robert Campen and Jan Van Eyck, Italian paintings by Leonardo da Vinci, Michelangelo, Sandro Botticelli, Raphael, as well as paintings by Diego de Silva y Velazquez, Peter Paul Rubens and Rembrandt are presented.
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Barrett, Miriam. "Diego Velazquez (1599–1660). Portrait of Juan Calabazas (Calabacillas) (1637–9)." British Journal of Psychiatry 193, no. 2 (2008): 95. http://dx.doi.org/10.1192/bjp.193.2.95.

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Silantieva, M. "Diego Velázquez's Kings, Buffoons and Philosophers in the Context of His Religious Paintings: the View from Russia (Philosophical-Anthropological Analysis)." MGIMO Review of International Relations, no. 2(35) (April 28, 2014): 271–84. http://dx.doi.org/10.24833/2071-8160-2014-2-35-271-284.

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The article is dedicated to the analysis of philosophic anthropology of the great Spanish artist of the 17th century Diego Velazquez. This anthropology is considered through the prism of the problems that set the life of contemporary Russia and its "reflections" in the present-day Russian artists' works. At that Velazquez's philosophical anthropology is reconstructed on the basis of his works. As a consequence, significant part of attention is paid to the method that allows performing such reconstruction. The author proceeds from the belief according to which not only written texts can be cons
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BOYDAŞ, Okan, and Gülin YILDIRIM. "Jan Van Eyck, Diego Velazquez Ve Eduoard Manet’nin Eserlerinde Ayna Kullanımına Dair Bir İnceleme." Social Mentality And Researcher Thinkers Journal 60, no. 60 (2022): 1074–81. http://dx.doi.org/10.29228/smryj.62758.

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Zhdanov, S. S., and I. V. Gauzer. "MYTH-IMAGES OF SPANISH PAINTERS IN WORKS BY P.G. ANTOKOLSKY." Culture and Text, no. 53 (2023): 92–104. http://dx.doi.org/10.37386/2305-4077-2023-2-92-104.

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The paper deals with myth-images of Spanish painters Diego Velazquez and Pablo Picasso in texts by P.G. Antokolsky with regard to relation of these images with the Spanish myth of Russian culture as well as with the tradition of representing the Spanish paintings personosphere in Russian literature. Ambivalence of author’s interpreting the images of painters characterized with some elements of the ‘black legend’ is stated. Relation between the images of the Spanish painters and the motif of immortal arts is determined. The myth-image of Picasso that is highly significant for Antokolsky is also
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Gauzer, Irina V. "CODE OF SPANISH PAINTING IN RUSSIAN CULTURE (BASED ON THE RUSSIAN FICTION OF THE XIX - EARLY XX CENTURIES)." Interexpo GEO-Siberia 5 (July 8, 2020): 3–10. http://dx.doi.org/10.33764/2618-981x-2020-5-3-10.

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The paper deals with reception of the Spanish pictural images presented in the Russian fiction of the XIX - early XX centuries. The material of the study are works by I.A. Goncharov, A.F. Pisemsky, N.S. Leskov, N.D. Khvoshchinskaya, N.A. Leykin, L.N. Andreev, A.T. Averchenko. The analysis results show that the theme of the Spanish painting in the Russian fiction is focused on images of two painters - Bartolome Murillo and Diego Velazquez. What is more, with time there is a shift of contexts in which the writers put the images of the Spanish painters and their masterpieces. If in the middle of
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jafari, hamideh. "Foucault’s doctrines and principles on art with an emphasis on the works of Diego Velazquez, Rene Margritte and Francisco Goya." Rahpooye Honar 4, no. 2 (2019): 19–28. http://dx.doi.org/10.29252/rahpooyesoore.4.2.19.

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Lizán, Pilar, and Maria Jesús Sánchez. "La Seccion de Arte de la Biblioteca del Centro de Estudios Historicos de Madrid." Art Libraries Journal 15, no. 3 (1990): 33–35. http://dx.doi.org/10.1017/s0307472200006866.

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The Art Section of the Library of the Centre for Historical Studies in Madrid inherited part of the art library of the former Centro de Estudios Históricos (CEH) and the entire collection of the Instituto de Historia del Arte y Arqueologia ‘Diego Velazquez’. The Art Section is particularly well endowed with monographs on painting from the 15th to the 18th centuries, and on silver, and with guides and catalogues relating to regional art. The collection of periodicals is one of the best of its kind in Madrid. Other notable holdings include the manuscripts of the Catálogos Monumentales Nacionales
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Kofman, Andrej. "Hernan Cortes. The first relation letter to the Emperor. The Spaniards in the island of Cozumel. Commented translation." Latinskaia Amerika, no. 3 (2022): 6. http://dx.doi.org/10.31857/s0044748x0018838-0.

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The first publication in Russian of the first letter of Hernan Cortes to Emperor Charles V with an introduction, comments and notes by the translator. Published in two articles. The introduction outlines the special situation in the creation of this letter. The formal captain-general of the expedition to Mexico, the governor of Cuba, Diego Velasquez, decided at the last moment to replace the commander-in-chief; Cortes, appointed by him earlier, refused to obey the order and arbitrarily left Cuba at the head of the expedition, thereby placing himself outside the law. These circumstances determi
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Dissertations / Theses on the topic "Diego Velazquez"

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McKinzey, Joan C. (Joan Connie). "Conversations with the Master: Picasso's Dialogues with Velazquez." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc277908/.

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This thesis investigates the significance of Pablo Picasso's lifelong appropriation of formal elements from paintings by Diego Velazquez. Selected paintings and drawings by Picasso are examined and shown to refer to works by the seventeenth-century Spanish master.
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Miller, Olivia Nicole. "The Spanish royal hunting portrait from Velazquez to Goya /." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/9131.

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Pelissier, Sophie. "Des variations et influences thematiques autour de l'oeuvre de diego velazquez dans la peinture hispanique depuis 1957." Montpellier 3, 1998. http://www.theses.fr/1998MON30043.

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Les peintres espagnols contemporains ont tisse des relations a la fois complexes et singulieres avec l'art de leur passe, trouvant leur inspiration dans "l'oeuvre-source" de diego velazquez en particulier. Apres avoir evoque le mythe velazquien qui a le pouvoir d'influencer la societe de consommation, on constatera que le travail de reactualisation mene par pablo picasso autour des menines en 1957 a genere un phenomene pictural de "retour" aux formes d'hier, encore accentue par les jeux citationnistes propres au postmodernisme artistique. En cette fin de millenaire ou l'on vit des avancees tec
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Sanborn, Colin C. "Destierro and Desengaño: The Disabled Body in Golden Age Spanish Portraiture." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1556624266868137.

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Vidal, Carlos 1964. "Invisualidade da pintura : história de uma obsessão (de Caravaggio a Bruce Nauman)." Doctoral thesis, 2009. http://hdl.handle.net/10451/2409.

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Tese de doutoramento, Belas-Artes (Pintura), Universidade de Lisboa, Faculdade de Belas-Artes, 2010<br>Um resumo deste estudo deve, em primeiro lugar, justificar o seu título: Invisualidade da Pintura: História de uma Obsessão (de Caravaggio a Bruce Nauman). Pretende-se uma definição da pintura que permita ou revele um seu denominador comum à videosfera (mas também à escultura ao cinema e ao teatro, áreas abordadas nesta investigação). Esse denominador comum define ou redefine a natureza, ou a marca e a existência, das duas disciplinas em causa (vídeo e pintura, em primeiro lugar, com su
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Soares, Stela Maria dos Santos 1970, and Tomás Maia. "O espaço pictural em Heidegger." Master's thesis, 2009. http://hdl.handle.net/10451/1979.

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Tese de Mestrado, Pintura, Universidade de Lisboa, Faculdade de Belas Artes, 2009<br>The present essay tries to put forward a pictorial space perception in Heidegger’s thinking, taking as an object of study several of the author’s texts. In a first stage, we approach Heidegger’s thought on creation, where the conception of truth appears as original opening and disclosure, to then discover that it is through the artwork that its “thingness” manifests itself and where the essence of the creative act comes together in let-be the Being and in the making as to let-be the work of art. We also look i
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Books on the topic "Diego Velazquez"

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Lopez-Rey, Jose. Velazquez. Taschen, 1996.

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1944-, Andersen-Bergdoll Greta, Newman Richard 1951-, and Davidhazy Andrew, eds. Examining Velazquez. Yale University Press, 1988.

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Bonaventura, Bassegoda i. Hugas, and Velázquez Diego 1599-1660, eds. Collected writings on Velazquez. CEEH, 2008.

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1599-1660, Velázquez Diego, ed. Velazquez, the complete paintings. Ludion, 2008.

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1599-1660, Velázquez Diego, Mordkova Tatyana, and Tabaniukhina Yelena, eds. Diego Velázquez. Parkstone, 1996.

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1599-1660, Velázquez Diego, and Esler Philip Francis, eds. Visuality and biblical text: Interpreting Velázquez' Christ with Martha and Mary as a test case. L.S. Olschki, 2004.

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Elena, Ragusa, ed. Velázquez. Rizzoli, 2006.

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López-Rey, José. Velázquez: Painter of painters : the complete works. Taschen, 1997.

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1599-1660, Velázquez Diego, and Pouillon Christian, eds. Velázquez. H.N. Abrams, 1987.

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Unamuno, Miguel de. El Cristo de Velázquez: Poema. Editorial Espasa Calpe, 1994.

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Book chapters on the topic "Diego Velazquez"

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Benninga, Sara. "The Age of Allegory." In Connecting & Sharing: The Book of Selected Readings 2023. International Visual Literacy Association, 2023. http://dx.doi.org/10.52917/ivlatbsr.2023.012.

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This paper examines the uses of allegory in early modern and contemporary art. I discuss allegory as a poetic and visual means, creating a multiplicity of meanings, and positing the image as a ruin. Referencing previous discussions of allegory by Walter Benjamin (1963, 2010), Peter Burke (1997), Craige Owens (1980), among others, I discuss the reliance of allegory on iconographical precedents and its fragmentary nature. These points are exemplified through paintings from the 17th century, by Peter Paul Rubens and Diego Velazquez, and contemporary artworks by Joseph Beuys and Francis Alÿs.
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Field, J. V. "The Professionals Move In." In The invention of Infinity. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198523949.003.0011.

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Abstract The very fact that someone of Daniele Barbaro’s social standing should write a treatise on perspective makes it clear, as do the actual contents of the treatise, that mathematical matters such as the use of perspective in paintings and stage sets were considered suitable topics of conversation in patrician circles as well as in learned ones. There is much other evidence to confirm that this was so, though Barbaro’s treatise was also read by practitioners: for instance, Diego Velazquez (1599-1660) owned a copy of it. Another part of mathematics suitable for conversational discussion wa
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Conference papers on the topic "Diego Velazquez"

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Čihorić, Dragan. "Fani Politeo Vučković u Ženi danas." In XVII. Dani Cvita Fiskovića: Žene u/o umjetnosti. Sveučilište u Zagrebu, Filozofski fakultet, Odsjek za povijest umjetnosti, 2024. http://dx.doi.org/10.17234/9789533791654.10.

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U radu se analiziraju odabrani tekstovi marksističke povjesničarke umjetnosti Fani Politeo Vučković (1911. – 1942.) koja je između 1935. i 1939. u idejno suglasje dovela svoj pogled na suvremenu likovnu umjetnost i elemente nove, objedinjavajuće, narodnofrontovske politike. U tekstovima objavljenim u beogradskom časopisu Žena danas (1935. – 1940.), vješto manipulirajući parametrima ranog modernizma, u tom je smislu analizirala karijere Suzanne Valadon i Berthe Morisot. Promjene nakon pada Druge Španjolske republike, u proljeće 1939., izmijenit će interesni profil Žene danas. Akcenat će se vrat
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