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Books on the topic 'Digital Art and Concrete Poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Digitale Wortbilder =: Digital word-pictures. Reichenberger, 1987.

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2

Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart. De Gruyter, 2010.

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3

Digital art and meaning: Reading kinetic poetry, text machines, mapping art, and interactive installations. University of Minnesota Press, 2011.

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4

Experiência neoconcreta: Momento-limite da arte. Cosac Naify, 2007.

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5

Sackner, Ruth. Ruth and Marvin Sackner archive of concrete and visual poetry. [R. and M. Sackner], 1986.

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6

Miccini, Eugenio. Poesie in azione. Giubbe rosse, 2001.

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7

Miccini, Eugenio. Poesie in azione. Giubbe rosse, 2001.

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8

Harpe, Gerhard. Human chrysalis. Quarry Press, 1988.

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9

Eugen, Gomringer. Zur Sache der Konkreten. Erker, 1988.

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10

Eugen, Gomringer. Zur Sache der Konkreten: Eine Auswahl von Texten und Reden über Künstler und Gestaltungsfragen 1958-2000. Edition Splitter, 2000.

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11

Chopin, Henri. Henri Chopin. the gallery, 1998.

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12

Art? Skill? Technique?: Ulises Carrión's cultural strategies and communication tactics : five reports. José Maria Lafuente Ediciones La Bahía, 2014.

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13

Earthquakes and explorations: Language and painting from cubism to concrete poetry. University of Toronto Press, 1997.

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14

Heck, Thomas F., and Carola Dahmen. Unerhört: Konkrete und visuelle Poesie Aachen '98. Shaker, 1999.

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15

Wortdesign: Eugen Gomringer und die Bildende Kunst. Iudicium, 2001.

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16

Gappmayr, Heinz. Opus, Heinz Gappmayr: Gesamtverzeichnis der visuellen und theoretischen Texte, 1991-1997 = catalogue raisonné of the visual and theoretical texts 1991-1997. Chorus, 1997.

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17

Tom, Phillips. Human documents: Tom Phillips's art of the page : an exhibition selected from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry [at the] Kamin Gallery, Van Pelt-Dietrich Library, May 10-July 9, 1993. Edited by Traister Daniel and Kamin Gallery. University of Pennsylvania, 1993.

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18

Museu de Arte Moderna de São Paulo, ed. Concreta '56: A raiz da forma = Concret '56 : the root of form. Museu de Arte Moderna de São Paulo, MAM, 2006.

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19

C, Sprott Julien, ed. Images of a complex world: The art and poetry of chaos. World Scientific, 2005.

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20

Tom, Phillips. Tom Phillips: Selections from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, November 17, 1990 - January 13, 1991. North Carolina Museum of Art, 1990.

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21

Josten, Jennifer, and Mauricio Marcin. Artecorreo. Museo de la Ciudad de México, 2011.

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22

Huidobro, Vicente. Salle XIV: Vicente Huidobro y las artes plásticas. Museo Nacional Centro de Arte Reina Sofía, 2001.

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23

1942-, Lipman Joel, Byrne David 1952-, and Melnicove Mark, eds. Found poems. Nightboat Books, 2011.

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24

Mencía, María. From visual poetry to digital art: Image-sound-text : convergent media and the development of new media languages. Chelsea College of Art & Design, 2003.

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25

Alphabet city zoo: Making pictures with the a-b-c. Melbournestyle Books, 2014.

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26

Menezes, Philadelpho. Poética e visualidade: Uma trajetória da poesia brasileira contemporânea. Editora da Unicamp, 1991.

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27

Kac, Eduardo. Luz & letra: Ensaios de arte, literatura e comunicação. Contra Capa, 2004.

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28

Remixthebook. University of Minnesota Press, 2011.

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29

Concrete Poetry: Post-War Public Art. September Publishing, 2019.

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30

Phipps, Simon. Concrete Poetry: Post-War Modernist Public Art. September Publishing, 2018.

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31

Phipps, Simon. Concrete Poetry: Post-War Modernist Public Art. September Publishing, 2018.

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32

Kac, Eduardo, John Cayley, Friedrich W. Block, et al. P0Es1S: The Aesthetics Of Digital Poetry. Hatje Cantz Publishers, 2004.

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33

(Editor), Bob Grumman, and Crag Hill (Editor), eds. Writing to Be Seen: An Anthology of Later 20th Century Visio-Textual Art. Light and Dust, 2001.

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34

Josef, Linschinger, ed. Poesie: Konkret, visuell, konzeptuell. Ritter, 1997.

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35

Poesie: Konkret, visuell, konzeptuell. Ritter, 1997.

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36

1960-, Block Friedrich W., Heibach Christiane, and Wenz Karin, eds. P0es1s: Ästhetik digitaler Poesie = the aesthetics of digital poetry. Hatje Cantz, 2004.

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37

W, Block Friedrich, Heibach Christiane, and Wenz Karin, eds. The aesthetics of digital poetry =: P0es1s. äesthetik digitaler poesie. Hatje Cantz, 2004.

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38

Perrot, Arnaud. 3D Printing of Concrete: State of the Art and Challenges of the Digital Construction Revolution. Wiley & Sons, Incorporated, John, 2019.

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39

3D Printing of Concrete: State of the Art and Challenges of the Digital Construction Revolution. Wiley & Sons, Incorporated, John, 2019.

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40

1940-, Acconci Vito, and Mayer Bernadette, eds. 0 to 9: The complete magazine : 1967-1969. Ugly Duckling Presse, 2006.

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41

(Contributor), Sol Lewitt, Adrian Piper (Contributor), Vito Acconci (Editor), and Bernadette Mayer (Editor), eds. 0 To 9 (Lost Literature). Ugly Duckling Presse/Lost Literature Series, 2006.

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42

Pichler, Michalis. New York Garbage Flag Profile. Christoph Kellerrevolver Verlag, 2006.

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43

0 to 9: The complete magazine : 1967-1969. Ugly Duckling Presse, 2007.

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44

Center for Book Arts (New York, N.Y.), ed. The Altered page: Selections from the Ruth and Marvin Sackner archive of concrete and visual poetry : Book Arts Gallery, February 6-March 26, 1988. Center for Book Arts, 1988.

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45

MS. Junius 11: The origins of English poetry, a masterpiece of Anglo-Saxon art; Bodleian Library Digital Texts 1 (Bodlein Digital Texts). Bodleian Library, University of Oxford, 2005.

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46

Muir, Bernard J. MS. Junius 11: The origins of English poetry, a masterpiece of Anglo-Saxon art; Bodleian Library Digital Texts 1 (Bodleian Digital Texts). Bodleian Library, University of Oxford, 2007.

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47

Museo Nacional Centro de Arte Reina Sofía., ed. Salle XIV: Vicente Huidobro y las artes plásticas : Museo Nacional Centro de Arte Reina Sofía, abril-junio, 2001. Museo Nacional Centro de Arte Reina Sofía, 2001.

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48

Traister, Daniel. Human documents: Tom Philips's art of the page : An exhibition selected from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry. University of Pennsylvania, 1993.

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49

Shakespeare, William. Macbeth (Audiofy Digital Audiobook Chips). Audiofy/Naxos, 2002.

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50

Kaduri, Yael, ed. The Oxford Handbook of Sound and Image in Western Art. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199841547.001.0001.

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Abstract:

This book examines different kinds of analogies, mutual influences, integrations, and collaborations of the audio and the visual in different art forms. The contributions, written by key theoreticians and practitioners, represent state-of-the-art case studies in contemporary art, integrating music, sound, and image with key figure of modern thinking constitute a foundation for the discussion. It thus emphasizes avant-garde and experimental tendencies, while analyzing them in historical, theoretical, and critical frameworks. The book is organized around three core subjects, each of which consti

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