Relevant bibliographies by topics / Digital art Art criticism Art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Digital art Art criticism Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Digital art Art criticism Art"

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Frost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

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Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.
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van Ginhoven, Sandra, and Claartje Rasterhoff. "Art Markets and Digital Histories." Arts 8, no. 3 (2019): 105. http://dx.doi.org/10.3390/arts8030105.

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This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. Digital art history or historical research facilitated by computer-technology in general is omnipresent in academia and increasingly supported by an infrastructure of seminars, workshops, networks, journals and other platforms for sharing results, exchanging notes and developing criticism. As the wealth of historical and contemporary data is rapidly expanding and digital technologies are becoming integral to research in the humanities and social sciences, it is high time to refle
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Rochelle Gold. "Reparative Social Media: Resonance and Critical Cosmopolitanism in Digital Art." Criticism 59, no. 1 (2017): 123. http://dx.doi.org/10.13110/criticism.59.1.0123.

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Roose, Henk, Willem Roose, and Stijn Daenekindt. "Trends in Contemporary Art Discourse: Using Topic Models to Analyze 25 years of Professional Art Criticism." Cultural Sociology 12, no. 3 (2018): 303–24. http://dx.doi.org/10.1177/1749975518764861.

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In this article, we use topic modeling to systematically explore topics discussed in contemporary art criticism. Analyzing 6965 articles published between 1991 and 2015 in Frieze, a leading art magazine, we find a plurality of topics characterizing professional discourse on contemporary art. Not surprisingly, media- or genre-specific topics such as film/cinema, photography, sculpture/installations, etc. emerge. Interestingly, extra-artistic topics also characterize contemporary art criticism: there is room for articles on new digital technology and on art and philosophy; there is also growing
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Erol, Cansu Çelebi. "New approaches in art education: Moodle learning and content management system based art education." Global Journal of Arts Education 5, no. 2 (2015): 67. http://dx.doi.org/10.18844/gjae.v5i2.248.

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Become also used in the training of multimedia software, is the most important innovation in the field of education provided by emerging technologies. Graphics, text, many factors such as digital images and sound are located in multiple environments. All of them gained importance in our daily lives and lead new structures in education is inevitable. To make meaningful abstract information is necessary to take advantage of the interactive multimedia applications. It is stated that a lot of research, teaching methods that increase the motivation of students and courses appeal to different senses
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Kolokytha, Chara. "The Bibliography of Francophone Art Critics, a New History of Art Criticism in the Light of Digital Humanities." Visual Resources 33, no. 3-4 (2017): 419–22. http://dx.doi.org/10.1080/01973762.2017.1342946.

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Kristiyono, Jokhanan, Rachmah Ida, and Musta'in Mashud. "Counter-hegemony of the East Java Biennale art community against the domination of hoax content reproduction." Masyarakat, Kebudayaan dan Politik 33, no. 1 (2020): 26. http://dx.doi.org/10.20473/mkp.v33i12020.26-35.

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This research analyses and describes in detail how the digital biennale activities that are a part of the Indonesian Digital art community has become a form of criticism and silent resistance to the social hegemony. It refers to the ideology, norms, rules, and myths that exist in modern society in Indonesia, especially the reproduction of hoax content. Hoax refers to the logic people who live in a world of cyber media with all of its social implications. This phenomenon is a problem, and it is at the heart of the exploration of the art community in East Java Biennale. The critical social theor
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O'Reilly, Rachel. "Compasses, Meetings and Maps: Three Recent Media Works." Leonardo 39, no. 4 (2006): 334–39. http://dx.doi.org/10.1162/leon.2006.39.4.334.

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The article explores possible cultural approaches to new-media art aesthetics and criticism through an in-depth appraisal of recent works by three contemporary practitioners from Asia and the Pacific: Lisa Reihana, Vernon Ah Kee and Qiu Zhijie. Particular attention is paid to the issues of place, location and cultural practice in their work, issues currently under-examined in new-media art discourse. The analysis pays close attention to the operationality of the works, the influence of pre-digital aesthetic histories and the richly locative and virtual schemas of indigenous epistemologies that
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Bredemeier, Markus. "A higher degree of criticism about the effectiveness of bosentan for digital ulcers in scleroderma patients, as for interstitial disease, is also necessary: Comment on the article by Seibold et al." Arthritis & Rheumatism 62, no. 10 (2010): 3128–29. http://dx.doi.org/10.1002/art.27637.

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Reina-Rozo, Juan David. "Art, Energy and Technology: the Solarpunk Movement." International Journal of Engineering, Social Justice, and Peace 8, no. 1 (2021): 55–68. http://dx.doi.org/10.24908/ijesjp.v8i1.14292.

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The purpose of this text is to reflect on the ways that science fiction allows criticism on the modern technology path. Imagination has allowed us to think of some ends of the world, but it has been a privileged space. Creating other possible futures for our relationship with energy is essential. Corporate renewable energy projects are emerging in corners of the planet where green capitalism has not yet reached. In this way, the creation of alternatives to centralized and corporate models of energy generation, distribution and consumption must go through new potentialities of inhabiting new po
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Dissertations / Theses on the topic "Digital art Art criticism Art"

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Gould, Jason. "Minimalism and maximalism /." Online version of thesis, 2007. http://hdl.handle.net/1850/4626.

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Hermosilla, Abby L. "Virtual Elsewhere/s: Decolonizing Cyberspace in Skawennati's Digital Territories." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619431752147577.

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Agyeman, Cynthia A. "Artists' Perception of the Use of Digital Media in Painting." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443101832.

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Giaquinto, Kevin. "Digital Chaos| Exploring Relationships Between Technological Advancement and Visual Experience." Thesis, Rochester Institute of Technology, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1561428.

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<p> More so than any other time in history, humans are being exposed to an enormity of digital images every day. The internet, combined with accompanying technological advancements in cellular communication has created an exceptionally chaotic visual experience within the daily lives of millions of people. Through the use of digital photomontage, my artwork attempts to quantify and evaluate the impact that thousands of digital images may have on the emotional and psychological state of human beings. Concurrently, I am in interested exploring the mental repercussions of visual overload, specifi
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Cooper, Julie A. "Changing the Traditional High School Photography Curriculum: Integrating Traditional and Digital Technologies." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/art_design_theses/68.

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This thesis presents a photography curriculum for a beginning high school level photography class. It is designed as a teaching guide to structure a photography class that incorporates both film photography and digital photographic technology. One of the biggest challenges for teachers of photography is how to structure a curriculum with a limited number of enlargers and space in the darkroom, while incorporating digital technology with limited computer access for students. The curriculum presented here includes three major parts: a traditional photographic film component, a digital photogr
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Colman, Alison. "Net.aesthetics, net.history, net.criticism: Introducing net.art into a computer art and graphics curriculum." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1059151471.

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Kačinskas, Arūnas. "Kompiuterinės Tapybos Iliustracijos " Visuomenės komunikacija autobuse"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100907_094434-38316.

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Diplominio darbo idėja sukūrė asmeninė patirtis keliaujant viešuoju transportu (šiuo atveju - autobusu). Man didelį įspūdį paliko žmonių bendravimas ir komunikavimas tarpusavyje pvz.: kuomet pilnas autobusas žmonių tyli ir nebendrauja tarpusavyje ar kai koks nors vaikas, įsijungęs mobiliojo telefono melodijas, groja visame autobuse. Tai mane inspiravo sukurti kompiuterinės tapybos iliustracijas. Kurdamas kompiuterines iliustracijas pateikiu savo požiūrį į visuomenę, žmonių tarpusavio komunikavimą, bendravimą, kas šiame darbe man ir yra aktualiausia. Taip pat yra aktualu ir darbų vizualumas
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Benevičiūtė, Donata. "Paukščio akimis." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100928_084856-53244.

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Bakalauro darbą sudaro penkių darbų skaitmeninės spaudos kolekcija pavadinimu ,,Paukščio akimis“, šis darbas, tai tarsi dailės terapija sau, kuriame naudojant faktūrų ir linijų ritmikas, Adobe Photoshop CS4 programa, buvo kurtos daugiasluoksnės kompozicijos, kuriomis buvo norima atskleisti vidinės būsenos istoriją. Dailės terapijos tikslas - analizuoti savo meno kūrinius ir padėti sau ugdyti asmenybę. Yra manoma, kad kūrėjas norėdamas mokyti kurti kitus, visų pirma turi gerai pažinoti save. Aprašomajame darbe, taikant teorinę analizę darbams pagrįsti, buvo ieškota panašumų kitų autorių darbuo
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Daščioras, Sigitas. "Skaitmeninės tapybos darbų ciklas "Žvilgsnis į priekį, žingsnis atgal"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100903_083315-48135.

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Masinėje kultūroje vaizduojamas žmogaus kūnas dažniausiai atrodo labai įprastas ir fiziškas. Visuomenėje pastebima, kad tik skirtingos mokslo disciplinos tyrinėja tam tikrus kūno vaizdavimo metodus. Kūnas dažniausiai egzistuoja kaip, fiziologinis, anatominis, etnologinis, religinis ir estetinis. Diplominiame darbe „Žvilgsnis į priekį, žingsnis atgal” analizuojama moters, kaip stebimojo objekto raida tradiciniame mene, kine ir videomene. Pagrindinė, kylanti iš moters kaip žiūrimojo meno objekto sampratos problema yra, kaip galima konceptualizuoti realų žiūrovo žvilgsnio mechanizmą ir žiūrėjimo
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Jankauskaitė, Vita. "Internetas – Architektūros paveldo sklaidos įrankis: virtualus architektūros maršrutas po Žaliakalnį." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130614_134829-13022.

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Šiame amžiuje skaitmeninės technologijos daro vis didesnę įtaką visuomeniniame gyvenime. Internetas – kaip vienas iš technologijų amžiaus pavyzdžių, apima begales sričių, yra globalus ir jo pagalba informacija pasiekiama bei gaunama skirtinguose pasaulio taškuose. Internetas pasitelktas ir arhitektūros paveldo populiarinimui. Remiantis užsienio valstybių pavyzdžiais paveldo pristatymui internete iškristalizuoti šie būdai: architektūros muziejai, architektūros maršrutai, pažintiniai mietų puslapiai, virtualus 3D objektų atkūrimas, sukurtos duomenų bazės. Šie architektūros pristatymo būdai yra s
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Books on the topic "Digital art Art criticism Art"

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Forest, Fred. Un pionnier de l'art vidéo à l'art sur internet: Art sociologique, esthétique de la communication et art de la commutation. Harmattan, 2004.

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Hershman-Leeson, Lynn. Lynn Hershman Leeson: Seducing time : Preisträgerin des DAM DIGITAL ART AWARD IDDAAI 2010/11 : eine Ausstellung der Kunsthalle Bremen, 2. Juni bis 16. August 2012. Kunstverein in Bremen, 2012.

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A, Kittler Friedrich, ed. The digital Wunderkammer: 10 chapters on the Iconic Turn. Wilhelm Fink, 2011.

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Villaseñor, Arturo. A traves del espejo digital: Jaime Humberto Hermosillo. Cineteca Nacional, Consejo Nacional para la Cultura y las Artes, 2011.

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Digital art. Thames & Hudson, 2003.

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Digital art. 2nd ed. Thames & Hudson, 2008.

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Digital art: Its art and science. Prentice Hall, 2009.

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Art++. HYX, 2011.

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Digital art masters. Focal Press/Elsevier, 2009.

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Ltd, 3DTotal com. Digital art masters. Focal, 2005.

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Book chapters on the topic "Digital art Art criticism Art"

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Sirois, Guillaume. "Digital Media in the Visual Art World: A Renewed Relationship with the Market." In Rethinking Cultural Criticism. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7474-0_8.

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Zahn, Manuel. "Aesthetic Practice as Critique: The Suspension of Judgment and the Invention of New Possibilities of Perception, Thinking, and Action." In Post-Digital, Post-Internet Art and Education. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73770-2_11.

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AbstractFrom the perspective of media education theory and aesthetic education, this article discusses some considerations of aesthetic practice as media-critical practice. Media-critical practice is described as a reflexive-transformative practice with and in media and no longer as a distanced, self-reflexive and rational critique of media or media use. It first shows that in this perspective, subjects no longer (only) intentionally deal with media, but first and foremost become subjects in relation to medial apparatuses. In a second step I shall relate to contemporary artists of the so-called post-internet art. Their aesthetic practices have the potential to criticize (to question, reflect, or subvert) the entanglement of human beings into contemporary media-cultural environments.
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Taylor, Jeffrey. "Art history, art criticism, and the art press." In Visual Arts Management. Routledge, 2017. http://dx.doi.org/10.4324/9781315543666-12.

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Barrett, Terry. "About art criticism." In Criticizing Photographs. Routledge, 2020. http://dx.doi.org/10.4324/9781003085126-1.

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McIver Lopes, Dominic. "Digital Art." In The Blackwell Guide to the Philosophy of Computing and Information. Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757017.ch8.

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Stern, Nathaniel. "Interactive Art." In A Companion to Digital Art. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118475249.ch13.

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Frieling, Rudolf. "Participatory Art." In A Companion to Digital Art. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118475249.ch8.

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Falcão, Patrícia, and Tom Ensom. "Conserving Digital Art." In Museums and Digital Culture. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97457-6_11.

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Hupont, Isabelle, Eva Cerezo, Sandra Baldassarri, and Rafael Del-Hoyo. "Emotracking Digital Art." In Human-Computer Interaction. Advanced Interaction Modalities and Techniques. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07230-2_70.

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Zebracki, Martin. "Digital Public Art." In The Routledge Companion to Urban Media and Communication. Routledge, 2019. http://dx.doi.org/10.4324/9781315211633-33.

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Conference papers on the topic "Digital art Art criticism Art"

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Калашнік, О. В., С. Ю. Пірошенко та І. Б. Слоневська. "Культурогенез в новітньому гуманітарному дискурсі: від homo symbolicus до homo digitalis". У CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-69.

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Dorogova, Ludmila. "Social Aims of Art Criticism." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.51.

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Smolina, Maya. "THE EDUCATIONAL ASPECTS OF ART CRITICISM." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s7.13.

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Nekhvyadovich, L., K. Melekhova, A. Ibragimov, and G. Fradkinа. "Methodological Traditions of Art Criticism in the Development of Pedagogy of Art." In International Scientific and Practical Conference on Education, Health and Human Wellbeing (ICEDER 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/iceder-19.2020.19.

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Tan, Tele, Min Chew Lim, Mihai Lazarescu, and Ling Li. "Interactive Digital Art through Chameleon Art." In Annual International Conferences on Computer Games, Multimedia and Allied Technology. Global Science & Technology Forum (GSTF), 2008. http://dx.doi.org/10.5176/978-981-08-8227-3_cgat08-49.

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England, David, Jill Fantauzzacoffin, Thecla Schiphorst, Celine Latulipe, and Linda Candy. "Digital art." In CHI '13 Extended Abstracts on Human Factors in Computing Systems. ACM Press, 2013. http://dx.doi.org/10.1145/2468356.2468814.

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England, David, Jill Fantauzzacoffin, Nick Bryan-Kinns, Celine Latulipe, Linda Candy, and Jennifer Sheridan. "Digital art." In the 2012 ACM annual conference extended abstracts. ACM Press, 2012. http://dx.doi.org/10.1145/2212776.2212426.

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"Cover Art." In 2011 Workshop on Digital Media and Digital Content Management. IEEE, 2011. http://dx.doi.org/10.1109/dmdcm.2011.80.

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Lungu, D., and A. Stilman. "The art of criticism in technical communication." In International Conference on Professional Communication,Communication Across the Sea: North American and European Practices. IEEE, 1990. http://dx.doi.org/10.1109/ipcc.1990.111146.

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Dan, Luo. "Art education vocational curriculum study digital art." In Mechanical Engineering and Information Technology (EMEIT). IEEE, 2011. http://dx.doi.org/10.1109/emeit.2011.6023662.

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Reports on the topic "Digital art Art criticism Art"

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Dubois, Marie-Claude, and Miljana Horvat. State-of-the-Art of Digital Tools Used by Architects for Solar Design. IEA Solar Heating and Cooling Programme, 2010. http://dx.doi.org/10.18777/ieashc-task42-2010-0001.

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Campos Freire, F., and N. Alonso Ramos. Online digital social tools for professional self-promotion. A State of the Art review. Revista Latina de Comunicación Social, 2015. http://dx.doi.org/10.4185/rlcs-2015-1047en.

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Stephen Goss, Stephen Goss. Youth on the Move: Re-Storying Urban Communities with Public Art and Digital Media. Experiment, 2016. http://dx.doi.org/10.18258/8558.

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Parsons, Jean L., Jessica L. Ridgway, and Lauren Tofflemire. With a Theme, as a Team, for a Client: A Digital Textile Design Commissioned Art Project. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-471.

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Rysjedal, Fredrik. Frozen Moments in Motion. Universitetet i Bergen KMD, 2019. http://dx.doi.org/10.22501/kmd-ar.31524.

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What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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Baral, Aniruddha, Jeffery Roesler, and Junryu Fu. Early-age Properties of High-volume Fly Ash Concrete Mixes for Pavement: Volume 2. Illinois Center for Transportation, 2021. http://dx.doi.org/10.36501/0197-9191/21-031.

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High-volume fly ash concrete (HVFAC) is more cost-efficient, sustainable, and durable than conventional concrete. This report presents a state-of-the-art review of HVFAC properties and different fly ash characterization methods. The main challenges identified for HVFAC for pavements are its early-age properties such as air entrainment, setting time, and strength gain, which are the focus of this research. Five fly ash sources in Illinois have been repeatedly characterized through x-ray diffraction, x-ray fluorescence, and laser diffraction over time. The fly ash oxide compositions from the sam
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