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Dissertations / Theses on the topic 'Digital art Art criticism Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Gould, Jason. "Minimalism and maximalism /." Online version of thesis, 2007. http://hdl.handle.net/1850/4626.

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2

Hermosilla, Abby L. "Virtual Elsewhere/s: Decolonizing Cyberspace in Skawennati's Digital Territories." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619431752147577.

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3

Agyeman, Cynthia A. "Artists' Perception of the Use of Digital Media in Painting." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443101832.

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4

Giaquinto, Kevin. "Digital Chaos| Exploring Relationships Between Technological Advancement and Visual Experience." Thesis, Rochester Institute of Technology, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1561428.

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<p> More so than any other time in history, humans are being exposed to an enormity of digital images every day. The internet, combined with accompanying technological advancements in cellular communication has created an exceptionally chaotic visual experience within the daily lives of millions of people. Through the use of digital photomontage, my artwork attempts to quantify and evaluate the impact that thousands of digital images may have on the emotional and psychological state of human beings. Concurrently, I am in interested exploring the mental repercussions of visual overload, specifi

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5

Cooper, Julie A. "Changing the Traditional High School Photography Curriculum: Integrating Traditional and Digital Technologies." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/art_design_theses/68.

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This thesis presents a photography curriculum for a beginning high school level photography class. It is designed as a teaching guide to structure a photography class that incorporates both film photography and digital photographic technology. One of the biggest challenges for teachers of photography is how to structure a curriculum with a limited number of enlargers and space in the darkroom, while incorporating digital technology with limited computer access for students. The curriculum presented here includes three major parts: a traditional photographic film component, a digital photogr

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Colman, Alison. "Net.aesthetics, net.history, net.criticism: Introducing net.art into a computer art and graphics curriculum." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1059151471.

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7

Kačinskas, Arūnas. "Kompiuterinės Tapybos Iliustracijos " Visuomenės komunikacija autobuse"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100907_094434-38316.

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Diplominio darbo idėja sukūrė asmeninė patirtis keliaujant viešuoju transportu (šiuo atveju - autobusu). Man didelį įspūdį paliko žmonių bendravimas ir komunikavimas tarpusavyje pvz.: kuomet pilnas autobusas žmonių tyli ir nebendrauja tarpusavyje ar kai koks nors vaikas, įsijungęs mobiliojo telefono melodijas, groja visame autobuse. Tai mane inspiravo sukurti kompiuterinės tapybos iliustracijas. Kurdamas kompiuterines iliustracijas pateikiu savo požiūrį į visuomenę, žmonių tarpusavio komunikavimą, bendravimą, kas šiame darbe man ir yra aktualiausia. Taip pat yra aktualu ir darbų vizualumas

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Benevičiūtė, Donata. "Paukščio akimis." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100928_084856-53244.

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Bakalauro darbą sudaro penkių darbų skaitmeninės spaudos kolekcija pavadinimu ,,Paukščio akimis“, šis darbas, tai tarsi dailės terapija sau, kuriame naudojant faktūrų ir linijų ritmikas, Adobe Photoshop CS4 programa, buvo kurtos daugiasluoksnės kompozicijos, kuriomis buvo norima atskleisti vidinės būsenos istoriją. Dailės terapijos tikslas - analizuoti savo meno kūrinius ir padėti sau ugdyti asmenybę. Yra manoma, kad kūrėjas norėdamas mokyti kurti kitus, visų pirma turi gerai pažinoti save. Aprašomajame darbe, taikant teorinę analizę darbams pagrįsti, buvo ieškota panašumų kitų autorių darbuo

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9

Daščioras, Sigitas. "Skaitmeninės tapybos darbų ciklas "Žvilgsnis į priekį, žingsnis atgal"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100903_083315-48135.

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Masinėje kultūroje vaizduojamas žmogaus kūnas dažniausiai atrodo labai įprastas ir fiziškas. Visuomenėje pastebima, kad tik skirtingos mokslo disciplinos tyrinėja tam tikrus kūno vaizdavimo metodus. Kūnas dažniausiai egzistuoja kaip, fiziologinis, anatominis, etnologinis, religinis ir estetinis. Diplominiame darbe „Žvilgsnis į priekį, žingsnis atgal” analizuojama moters, kaip stebimojo objekto raida tradiciniame mene, kine ir videomene. Pagrindinė, kylanti iš moters kaip žiūrimojo meno objekto sampratos problema yra, kaip galima konceptualizuoti realų žiūrovo žvilgsnio mechanizmą ir žiūrėjimo

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10

Jankauskaitė, Vita. "Internetas – Architektūros paveldo sklaidos įrankis: virtualus architektūros maršrutas po Žaliakalnį." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130614_134829-13022.

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Šiame amžiuje skaitmeninės technologijos daro vis didesnę įtaką visuomeniniame gyvenime. Internetas – kaip vienas iš technologijų amžiaus pavyzdžių, apima begales sričių, yra globalus ir jo pagalba informacija pasiekiama bei gaunama skirtinguose pasaulio taškuose. Internetas pasitelktas ir arhitektūros paveldo populiarinimui. Remiantis užsienio valstybių pavyzdžiais paveldo pristatymui internete iškristalizuoti šie būdai: architektūros muziejai, architektūros maršrutai, pažintiniai mietų puslapiai, virtualus 3D objektų atkūrimas, sukurtos duomenų bazės. Šie architektūros pristatymo būdai yra s

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11

Mercader, Antoni. "De la pràctica artística a la comunicació audiovisual i multimèdia." Doctoral thesis, Universitat Pompeu Fabra, 2000. http://hdl.handle.net/10803/7517.

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Les formes d'aparellament i els episodis de contagi entre la pràctica artística i l'audiovisual i el multimèdia en el context de canvi de la societat cultural dels darrers trenta anys són els objectius d'aquesta tesi. La seva gènesi es troba en la formalització hipermèdia (textos, imatges, sons i vídeos) d'aquesta i en la voluntat d'articular, organitzar i regular el marc referencial i metodològic, així com el corpus epistemològic, de manera ramificada.<br/><br/>Sota una ordenació sincrònica i interactiva dels procediments d'interrogar-se pel què (detecció), de veure on i què ha suposat (anàli

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12

Gehring, Trey D. "Musclebound." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent149304150341196.

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13

Leopold, Amanda A. "Dealing with the Digital: Literary Media, Mediated Narratives, and Sketchy Politics." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1495718816858325.

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14

Benson, Martin L. "Beginner's Mind." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2365.

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My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, witho

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15

Schappelle, Laura Scott. "Art criticism through storytelling." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3587.

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Thesis (M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Dept. of Curriculum and Instruction. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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16

Sweet, David. "Michael Fried's art criticism." Thesis, University of Essex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397731.

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17

Bowman, Matthew. "October and the expanded field of art and art criticism." Thesis, University of Essex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540093.

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18

Charlesworth, J. J. "Art criticism : the mediation of art in Britain 1968-76." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1803/.

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This thesis studies the changes in the nature of critical writing on contemporary art, in the context of the British art world across a period from 1968 to around 1976. It examines the major shifts in the relationship between the artistic production of the period and the forms of writing that addressed it, through those publications that sought to articulate a public discourse on art in a period where divergent accounts regarding the criteria of artistic value, and the terms of critical discourse, came increasingly into conflict. This thesis takes as its main subject a number of publication ve

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19

Willis-Fisher, Linda Salome Richard A. "A survey of the inclusion of aesthetics, art criticism, art history, and art production in art teacher preparation programs." Normal, Ill. Illinois State University, 1991. http://wwwlib.umi.com/cr/ilstu/fullcit?p9203045.

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Thesis (Ed. D.)--Illinois State University, 1991.<br>Title from title page screen, viewed December 21, 2005. Dissertation Committee: Richard A. Salome (chair), Jack Hobbs, Noreen Michael, Marilyn P. Newby, Fred A. Taylor. Includes bibliographical references (leaves 112-115) and abstract. Also available in print.

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20

Holder, John Frans Patrick. "Immersive, digital, expressive, art." Thesis, University of East London, 2011. http://roar.uel.ac.uk/3137/.

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Ever since I can remember I have been obsessed with alternate realities of one form or another: be it creating a graphical fantasy computer game in the mid 1980's; or as an engineer in rooms full of mainframe computers with their invisible layers of data being interrogated and processed, to more recently creating places that people would explore and spend time in Virtually', such as three dimensional social environments and rich-media websites. Despite a background in creative design and computing as engineer, designer, and media creative, my artistic mind always seems to be thinking in abstra

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21

Puchyr, Donna Conklin. "The effectiveness of art criticism on pre-school children's art vocabulary." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1991.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2751. Abstract precedes thesis as [3] preliminary leaves. Typescript. Includes bibliographical references (leaves 39-45).

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22

Clark, Toby. "Representations of Russian Art in American Art History and Criticism 1917-1939." Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522624.

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This dissertation examines the critical reception and historical construction of Russian art in the United States between 1917 and 1939. The study focuses on two main types of Russian art; that of the Russian avant-garde, and that of artists who emigrated to the United States and achieved a high level of critical visibility and commercial success there during the 1920s. The discussion of the Russian emigre artists concentrates on the treatment of their work in the American curatorial system and art market. It examines the critical strategies used to promote these artists, particularly in the w

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23

Morozova, Ekaterina. "American art criticism and the crisis of art history writing : 1962-1967." Thesis, Open University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413811.

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24

Estrada-Berg, Victoria. "Art Criticism and the Gendering of Lee Bontecou's Art, ca. 1959 - 1964." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc5587/.

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This thesis identifies and analyzes gendering in the art writing devoted to Lee Bontecou's metal and canvas sculptures made from the 1959 - 1964. Through a careful reading of reviews and articles written about Bontecou's constructions, this thesis reconstructs the context of the art world in the United States at mid-century and investigates how cultural expectations regarding gender directed the reception of Bontecou's art, beginning in 1959 and continuing through mid-1960s. Incorporating a description of the contemporaneous cultural context with description of the constructions and an analysi

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25

Finch, James. "The art criticism of David Sylvester." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/60419/.

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The English art critic and curator David Sylvester (1924-2001) played a significant role in the formation of taste in Britain during the second half of the twentieth century. Through his writing, curating and other work Sylvester did much to shape the reputations of, and discourse around, important twentieth century artists including Francis Bacon, Alberto Giacometti, Henry Moore and René Magritte. At the same time his career is of significant sociohistorical interest. On a personal level it shows how a schoolboy expelled at the age of fifteen with no qualifications went on to become a CBE, a

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26

Bergman, John. "IMMERSIVE GALLERY OF DIGITAL ART." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223228.

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27

Kavanaugh, Anya. "Effectiveness of Digital Response Art." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/905.

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This study looks at the effectiveness of digital media to create response art and deepen attunement with adolescent clients as well as develop self-awareness in the therapist. An arts- based qualitative heuristic self-study was used to analyze data gathered over a six-week period. The subject was the researcher/therapist and the data was gathered during the second-year practicum while working with adolescents at a non-public school. Data was gathered through a process of creating two post-session response artworks using video, animation, or digital drawing and a written reflection for each art

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Rogers, Dorienne B. "A Model for the Integration of Art Criticism into the Secondary Art Classroom." UNF Digital Commons, 1990. http://digitalcommons.unf.edu/etd/313.

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This study identifies, explains, and develops a practical model of teaching art criticism within a traditional secondary art curriculum. The approach to teaching art criticism uses the discipline-based art education format described in the Getty publication of 1985, a composite art critical format including B. Bloom, E. Feldman, K. Hamblen, and E. Kaelin, is accomplished through a process model curriculum developed by L. Stenhouse, and uses K. Gentle's curriculum design as the basis of the Curriculum Model Diagram. The project provides lessons that are intended to help junior high school, and

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Yoshida, Hisayo. "A Cross Cultural Analysis of Japanese Art Critical Writings and American Art Critical Writings." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408539349.

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30

Waelder, Laso Pau. "Selling and collecting art in the network society: Interactions among contemporary art new media and the art market." Doctoral thesis, Universitat Oberta de Catalunya, 2016. http://hdl.handle.net/10803/399029.

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Aquesta tesi explora i analitza les interaccions actuals entre art, nous mitjans i el mercat de l'art, i també les transformacions que es produeixen en el reconeixement de l'art digital, l'estructura del mercat de l'art i els rols de l'espectador i el col·leccionista. La tesi es divideix en tres parts. La primera part analitza les maneres en què l'art de nous mitjans s'ha definit ell mateix com un món de l'art específic, i les polèmiques que exemplifiquen la seva separació del món de l'art contemporani. La segona part analitza les motivacions i les expectatives dels artistes que treballen amb

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31

Heron, Julie. "The art of homecoming." University of Ballarat, 2002. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14603.

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This project is concerned with exploring a particular cluster of ideas and stories concerning Homecoming, most notably the presence of the Woman Who Waits for the traveller to return. Underlying the storied aspects of the visual work are the deeper intentions of soulfulness, personal therapy and social interaction. Although profoundly autobiographical, the metaphoric images I have produced are not only a means to touch others but are inclusive of a broader experience than simply my own. Throughout the following exegesis I draw on the disciplines of psychology, sociology, mythology and history,

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32

Carpenter, Kenneth Erwin. "A veritable psychology : Walter Pater's art criticism." Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323598.

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33

Jeppesen, Travis. "Towards a 21st century expressionist art criticism." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1812/.

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This thesis explores the following questions: What might a 21st century expressionist art criticism consist of? How does such a mode of “art writing” relate to oppositional strategies often employed by certain artists challenging the boundaries traditionally separating art from writing? What role does the body play in such a model of writing? What role might fiction play in an expressionist art criticism? The intended outcome is to render a new model of writing “in the expanded field,” to borrow Rosalind Krauss’s phrase. The essays and pieces of writing comprising this dissertation have been o

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34

Andersen, Evan. "An analysis of the art image interchange cycle within fine art museums /." Online version of thesis, 2010. http://hdl.handle.net/1850/11981.

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35

Lam, Yui-yim Margaret. "Realm of media art." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947382.

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36

Fagan, Nicholas R. "TRANSFORMATION." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492025790423863.

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Nordby, Wernø Johanne. "Engaged encounters : fiction as art writing - a practical investigation of the borders of art criticism." Thesis, Konstfack, Institutionen för Interdisciplinära Studier (IS), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2859.

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The thesis project Engaged Encounters has been a multi-part investigation into art criticism. Its main components are one of practice and one of theory: a fiction text – Transatlantic Journeys – which I am publishing as a small book in an edition of 200 and exhibiting at Konstfack´s Spring Show, and the present reflective essay. In the essay, I identify the central elements of the current «crisis of art criticism» and ask what impact experimental writing modes can have on the practice and its alleged crisis. I give an account of fields of contemporary writing where the text is acting with or t

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Christiansen, Lauren. "Redefining exhibition in the digital age /." This body of writing is available online with supplemental images, 2010. http://exhibitioninthedigitalage.tumblr.com/.

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Ho, Yi Hsing Joan, and 何懿行. "Art and the Taiping Rebellion." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hdl.handle.net/10722/194565.

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This thesis aims to point out primarily the layered meanings behind Taiping art. It will provide an overview of the art made by the Taipings, and thereafter show how different political parties in post-Taiping China have manipulated the images and values of the Taipings to their advantage. A discussion of each party’s ideology will also be included. The contextual approach adopted by this thesis intends to illustrate the relationship between art and the Taiping Rebellion over time. The visual materials discussed in this thesis are the murals and wood engravings of the Taipings, a series of pa

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Choe, Nancy Sunjin. "An Exploration of the Qualities and Features of Digital Art Media in Art Therapy." Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/19.

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Through the lens of a participatory design (PD) approach, this study explored to find qualifying features and qualities of digital art materials, specifically art apps on iPads for art therapy use. The study comprised of two phases: 1) a questionnaire/interview of four art therapists using iPads with clients and 2) four separate focus groups with 15 art therapist and art therapist trainee participants involving multiple stages of cyclic feedback. The focus groups engaged in art directives with nine art making apps identified by the researcher and questionnaire respondents as potentially useful

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Basnett, Brian David. "Brian Basnett's sculpture thesis." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1413285691.

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Brou, Philip Edmond III. "Close encounters." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1413285876.

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Kohrman, Charles Patrick III. "How people felt." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407160459.

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O'Brien, Seamus Liam. "Happiness." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407412388.

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Sprengelmeyer, Robert J. Hobbs Jack A. "Students' written art criticism as measured by a content analysis instrument." Normal, Ill. : Illinois State University, 1989. http://www.mlb.ilstu.edu/articles/dissertations/8918624.PDF.

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Thesis (Ed. D.)--Illinois State University, 19893.<br>Title from title page screen, viewed Oct. 13, 2004. Dissertation Committee: Jack A. Hobbs (chair), Marilyn P. Newby, Robert M. Steinman, Patricia H. Klass. Includes bibliographical references (leaves 72-73) and abstract. Also available in print.

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Spens, Janet McKenzie. "The art of Arthur Boyd." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/14489.

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Arthur Boyd (1920-1999) presents art historians with an exceptionally complex critical dimension in terms of his position in twentieth century painting. Although he is considered to be one of the most distinguished Australian painters of the century, in terms of the originality and accomplishment exhibited over five decades (the other being Sir Sidney Nolan O.M,.R.A.), Boyd has been, to date, ill-served by contemporary historians. The earlier definitive publication, by Franz Philipp was published in London as early as 1967. There was subsequently a relatively brief study by Dr Ursula Hoff (198

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Vishnevsky, Nathania Anne. "Selected species: experiments in art and science." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1382710786.

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48

Coyne, Mary L. "Correcting perspectives| Jan Dibbets and an optical conceptualism." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523353.

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<p> This thesis provides a revisionist history of Dutch artist Jan Dibbets's early practice. Jan Dibbets has not yet, been credited in art historical scholarship for his contributions in foregrounding visual experience within Conceptual practice. This thesis offers an additional narrative by suggesting a comparison between his early practice and the work being produced by European artists working in a tradition of visual perception. By studying the contemporary reception of Dibbets's work and Perceptual Abstraction, I argue how traditional art historical boundaries have obstructed a possible r

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Repetto, Sarah Finer. ""These images may be in your city next"| Reception issues in the art of Kara Walker." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1526946.

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<p> This thesis analyzes the reception of the work of contemporary artist Kara Walker and the critical debates it has engendered. Walker's work has received a mixed reception over the past twenty years: while she has won prestigious awards and received international acclaim, her work also enrages many African American artists and scholars who accuse her of perpetuating racist ideologies and insensitively mocking the history of suffering endured by slaves. I trace three major points within the critical reception of the artist's work: a letter writing campaign in 1997 initiated by the artist Bet

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Walker, Nancy J. "The Fox in the Mirror| Bertha Lum and American Japonisme." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1570862.

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Abstract:

<p> The introduction of Japanese art and culture to the Western world prompted a powerful response from an entire generation of artists, writers, and musicians, including a gifted American artist named Bertha Lum. Lum travelled to Japan in the early 1900s to train with Japanese masters in the design, cutting, and printing of woodblock prints. Lum was a passionate exponent of <i> Japonisme,</i> and a study of her work illuminates how this phenomenon manifested itself in American art and culture.</p><p> In cultural and artistic terms, <i>Japonisme</i> emerged as a selective interpretation of

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