Academic literature on the topic 'Digital Audio'

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Journal articles on the topic "Digital Audio"

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Gómez Ortiz, María del Pilar, and Eduardo Vázquez Dompinguez. "Audio Digital (Características)." TEPEXI Boletín Científico de la Escuela Superior Tepeji del Río 6, no. 12 (2019): 96–98. http://dx.doi.org/10.29057/estr.v6i12.4088.

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Hoy en día la producción, desarrollo e intercambio de audios es algo muy cotidiano, es por ello que se han creado un sin número de formatos o contenedores, algunos de los cuales no solo agrupan datos de audio, sino de audio y video, por otro lado, no todos los audios se pueden escuchar usando el mismo reproductor.
 Considerando este uso constante de formatos de audio, presentamos un mapa mental a través del cual destacamos las propiedades del códe (algoritmo que codifica y decodifica datos), asociado a los distintos formatos, entre las características que se estarán destacando se encuentr
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Vernier, David C., and Michael McNabb. "Digital Audio." Computer Music Journal 10, no. 3 (1986): 10. http://dx.doi.org/10.2307/3680257.

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Stockham, Thomas G. "Digital audio." Journal of the Acoustical Society of America 91, no. 4 (1992): 2320. http://dx.doi.org/10.1121/1.403549.

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McNabb, Michael. "Digital Audio Magazine." Computer Music Journal 9, no. 4 (1985): 7. http://dx.doi.org/10.2307/3679618.

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Fielder, Louis D. "Digital audio limiter." Journal of the Acoustical Society of America 102, no. 5 (1997): 2475. http://dx.doi.org/10.1121/1.420422.

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Nicholson, Christie. "Digital Audio Player." Scientific American 301, no. 3 (2009): 72. http://dx.doi.org/10.1038/scientificamerican0909-72a.

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Forster, Edward C. "Digital audio broadcasting." IEE Review 38, no. 6 (1992): 216. http://dx.doi.org/10.1049/ir:19920087.

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Jang, Seong‐Cheol. "Digital audio equalizer." Journal of the Acoustical Society of America 96, no. 1 (1994): 616. http://dx.doi.org/10.1121/1.410399.

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Berkhout, P., and L. Eggermont. "Digital audio systems." IEEE ASSP Magazine 2, no. 4 (1985): 45–67. http://dx.doi.org/10.1109/massp.1985.1163755.

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Hakanen, Ernest A. "Digital audio broadcasting." Telecommunications Policy 15, no. 6 (1991): 491–96. http://dx.doi.org/10.1016/0308-5961(91)90003-t.

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Dissertations / Theses on the topic "Digital Audio"

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Buonviri, Nathan. "Audio-OnlyTest [Digital File]." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/254227.

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Music Education<br>Ph.D.<br>The purpose of this study was to determine how pitch and rhythm aspects of melodic memory are affected by aural distractions when melodic stimuli are presented both visually and aurally, as compared to aurally only. The rationale for this research is centered on the need for improved melodic memory skills of students taking melodic dictation, and the possibility that temporary visual imagery storage of target melodies might enhance those skills. The participants in this study were undergraduate and graduate music majors (n=41) at a large northeastern university. All
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Buonviri, Nathan. "Audio-VisualTest [Digital File]." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/254228.

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Music Education<br>Ph.D.<br>The purpose of this study was to determine how pitch and rhythm aspects of melodic memory are affected by aural distractions when melodic stimuli are presented both visually and aurally, as compared to aurally only. The rationale for this research is centered on the need for improved melodic memory skills of students taking melodic dictation, and the possibility that temporary visual imagery storage of target melodies might enhance those skills. The participants in this study were undergraduate and graduate music majors (n=41) at a large northeastern university. All
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Gartenlaub, Arie Gal. "Hi fi digital audio tape to SUN workstation transfer system for digital audio data." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 1994. http://handle.dtic.mil/100.2/ADA282550.

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Tu, Ronghui. "Semi-fragile digital audio watermarking." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26432.

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The digital information has brought many changes to our life in recent decades. With the rapid growth of digital information, a lot of new techniques are coming into being. Digital watermarking is one of them. This thesis presents a semi-fragile audio watermarking scheme which can be applied to content authentication or copyright verification. The major contribution of this thesis is the introduction and implementation of a unified copyright verification and content authentication algorithm for audio signal. In our approach, we embed the watermark in the discrete wavelet domain of an audio by
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Hella, Vegard. "Digital Audio Restoration : Denoising phonograph recordings." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for elektronikk og telekommunikasjon, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-23521.

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This master&apos;s thesis realize an audio noise reduction tool by use of digital signal processing. The tool is used to restore phonograph recordings. The recordings are restored on behalf of Ringve Museum, Norway&apos;s national museum of music and musical instruments. Sometimes the noise can be louder than the actual audio. In the view of a museum or library institution, this makes them less valuable as they are not presentable to the general public. A common restoration environment will include multiple tools. We will only specialize in one of them reducing broadband, stationary and additi
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Hlaváček, Ondřej. "Business models of digital audio distribution." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-7907.

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This thesis considers current status of recording industry divided into two parts -- music and audiobooks, either in the whole world and Czech Republic. Used technologies, payment systems and business models are examined alongside with fresh information from recording industry. The models part describes an ideal business model, which incorporates current trends and creates a vision of the business in the future. Applied part adjusts this model according to real world factors into a model usable in the Czech Republic. A final SWOT analysis describes all strengths, weaknesses, opportunities and
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Lin, Xiao. "High quality audio coding." Thesis, University of Southampton, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357991.

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Janiszewski, Marcin Józef. "Audio effects unit." Master's thesis, Universidade de Aveiro, 2011. http://hdl.handle.net/10773/6237.

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Mestrado em Engenharia Electrónica e Telecomunicações<br>O objectivo principal da presente tese de mestrado centrou-se no desenho e construção de uma unidade de efeitos de áudio (Audio Effects Unit -AEU), cuja função consiste em processar sinais áudio em tempo real. O propósito central foi desenvolver uma unidade de processamento áudio genérica, cuja função de processamento, implementada no domínio digital, pode ser facilmente especificada pelo utilizador via uma aplicação de software implementada num computador. A primeira etapa deste projecto consistiu na implementação completa do hardware
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Bengtsson, Fredrik, and Rikard Berglund. "Digital compensation of distortion in audio systems." Thesis, Linköping University, Department of Electrical Engineering, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-56392.

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<p>The advancements of computational power in low cost FPGAs are giving the opportunityto implement real-time compensation of loudspeakers and audio systems. The need for expensive commercial audio systems is reduced when the fidelity ofmuch cheaper audio systems easily can be improved by real-time compensation. The topic of this thesis is to investigate and evaluate methods for digital compensationof distortion in audio systems. More specifically, a VHDL module isimplemented to, when necessary, alleviate the problem of drastically deterioratingfidelity of the bass appearing when the input pow
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Ligeti, Agnes. "Coverage optimization in digital audio broadcasting network." Licentiate thesis, KTH, Signaler, sensorer och system, 1997. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-712.

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Books on the topic "Digital Audio"

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Coulter, Doug. Digital audio processing. CMP Books, 2000.

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Bennett, Christopher L. Digital Audio Theory. Focal Press, 2020. http://dx.doi.org/10.4324/9780429297144.

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Hoeg, Wolfgang, and Thomas Lauterbach, eds. Digital Audio Broadcasting. John Wiley & Sons, Ltd, 2009. http://dx.doi.org/10.1002/9780470746202.

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Godsill, Simon J., and Peter J. W. Rayner. Digital Audio Restoration. Springer London, 1998. http://dx.doi.org/10.1007/978-1-4471-1561-8.

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Xiang, Yong, Guang Hua, and Bin Yan. Digital Audio Watermarking. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4289-8.

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Hoeg, Wolfgang, and Thomas Lauterbach, eds. Digital Audio Broadcasting. John Wiley & Sons, Ltd, 2001. http://dx.doi.org/10.1002/0470871431.

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Hoeg, Wolfgang, and Thomas Lauterbach, eds. Digital Audio Broadcasting. John Wiley & Sons, Ltd, 2001. http://dx.doi.org/10.1002/0470841702.

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McNally, G. W. Digital audio editing. British Broadcasting Corporation, 1985.

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Rumsey, Francis. Digital audio operations. Focal Press, 1991.

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Sams, Howard W. Digital audio dictionary. Prompt Publications, 1999.

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Book chapters on the topic "Digital Audio"

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Hartmann, William M. "Digital Audio." In Principles of Musical Acoustics. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_20.

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Raggi, Emilio, Keir Thomas, Trevor Parsons, Andy Channelle, and Sander van Vugt. "Digital Audio." In Beginning Ubuntu Linux. Apress, 2010. http://dx.doi.org/10.1007/978-1-4302-3040-3_16.

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Raggi, Emilio, Keir Thomas, and Sander van Vugt. "Digital Audio." In Beginning Ubuntu Linux. Apress, 2011. http://dx.doi.org/10.1007/978-1-4302-3627-6_16.

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Stanković, Srdjan, Irena Orović, and Ervin Sejdić. "Digital Audio." In Multimedia Signals and Systems. Springer US, 2012. http://dx.doi.org/10.1007/978-1-4614-4208-0_2.

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Maz, Andrew. "Digital Audio." In Music Technology Essentials. Focal Press, 2023. http://dx.doi.org/10.4324/9781003345138-4.

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Zizza, Keith. "Digital Audio." In Game Audio Fundamentals. Focal Press, 2023. http://dx.doi.org/10.4324/9781003218821-4.

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Beauchamp, James W., and Robert C. Maher. "Digital Audio." In Encyclopedia of Acoustics. John Wiley & Sons, Inc., 2007. http://dx.doi.org/10.1002/9780470172544.ch165.

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Thomas, Keir, and Jaime Sicam. "Digital Audio." In Beginning Ubuntu Linux. Apress, 2008. http://dx.doi.org/10.1007/978-1-4302-0649-1_18.

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Stanković, Srdjan, Irena Orović, and Ervin Sejdić. "Digital Audio." In Multimedia Signals and Systems. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-23950-7_2.

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Talbot-Smith, Michael. "Digital audio." In Broadcast Sound Technology. Routledge, 2023. http://dx.doi.org/10.4324/9781003460510-15.

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Conference papers on the topic "Digital Audio"

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Lostanlen, Vincent, and Lucie Bouchet. "Rebound Effects Make Digital Audio Unsustainable." In 2024 IEEE 5th International Symposium on the Internet of Sounds (IS2). IEEE, 2024. http://dx.doi.org/10.1109/is262782.2024.10704126.

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Kraetzer, Christian, Andrea Oermann, Jana Dittmann, and Andreas Lang. "Digital audio forensics." In the 9th workshop. ACM Press, 2007. http://dx.doi.org/10.1145/1288869.1288879.

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Jones, G. "DAB goes digital [digital audio broadcasting]." In IEE Seminar on Broadcasting Spectrum: The Issues. IEE, 2005. http://dx.doi.org/10.1049/ic:20050007.

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Chatziioannou, Vasileios. "Digital synthesis of impact sounds." In the Audio Mostly 2015. ACM Press, 2015. http://dx.doi.org/10.1145/2814895.2814908.

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Fujimoto, Shoji, Toshitaka Yamato, Masatsugu Kamimura, and Tatsuo Ito. "Advanced Digital Audio Amplifier." In International Congress & Exposition. SAE International, 1990. http://dx.doi.org/10.4271/900050.

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Renney, Nathan, and Benedict R. Gaster. "Digital Expression and Representation of Rhythm." In AM'19: Audio Mostly. ACM, 2019. http://dx.doi.org/10.1145/3356590.3356843.

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Wanderley, Marcelo, Travis West, Josh Rohs, Eduardo Meneses, and Christian Frisson. "The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts." In AM '21: Audio Mostly 2021. ACM, 2021. http://dx.doi.org/10.1145/3478384.3478397.

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Scott, Tom. "Digital Telecommunications for Digital Audio/Visual Production." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1992. http://dx.doi.org/10.5594/m00718.

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Armitage, Jack, and Andrew McPherson. "Bricolage in a hybrid digital lutherie context." In AM'19: Audio Mostly. ACM, 2019. http://dx.doi.org/10.1145/3356590.3356604.

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RuiMin Hu, Yong Zhang, and Haojun Ai. "Digital audio compression technology and AVS audio standard research." In 2005 International Symposium on Intelligent Signal Processing and Communication Systems. IEEE, 2005. http://dx.doi.org/10.1109/ispacs.2005.1595520.

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Reports on the topic "Digital Audio"

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Bradbury, Jack W. A Digital Audio Storage and Web Access System. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada420505.

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Bell, B. A., G. N. Stenbakken, D. R. Flynn, et al. Evaluation of a copy prevention method for digital audio tape systems. National Bureau of Standards, 1988. http://dx.doi.org/10.6028/nbs.ir.88-3725.

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Trifon, Maria, Alin Savu, Bogdan Pălici, Cristian Georgescu, and Dinu Ion. Music streaming practices. Spotify usage in Romania. National Institute for Cultural Research and Training, 2025. https://doi.org/10.61789/pub.cdi.psm.en25.

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This publication provides an overview of music streaming practices, taking the use of the Spotify platform in Romania as a case study. Given that streaming has become the dominant form of cultural consumption nowadays (Arditi, 2021), analyzing the consumption trends and preferences recorded in Spotify charts in Romania becomes relevant. Spotify is a popular digital music streaming service that provides users with access to a vast library of songs, podcasts and other audio content from various artists and creators around the world.
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Donaghey, S., S. Berman, and N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, 2016. http://dx.doi.org/10.34074/emed.035.

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More Than a War: Remembering 1914-1918 presents a creative juxtaposition of digital platforms—a combination of audio, video, archival images, soundscapes, and social media, among others—to tell the stories from 1914–1918 a century later. Led by Sara Donaghey, Sue Berman and Nina Seja, the transmedia project brings together staff and students from Unitec Institute of Technology’s Department of Communication Studies and Auckland Libraries to provide a unique oral contribution to recording the history of Aotearoa New Zealand in The First World War.
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Trifon, Maria, Alin Savu, Bogdan Pălici, Cristian Georgescu, and Dinu Ion. Practici de streaming muzical. Utilizarea Spotify în România. Institutul Național pentru Cercetare și Formare Culturală, 2025. https://doi.org/10.61789/pub.cdi.psm25.

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Această publicație oferă o imagine de ansamblu asupra practicilor de streaming de muzică, luând ca studiu de caz utilizarea platformei Spotify în România. Având în vedere că streaming-ul a devenit forma dominantă de consum cultural în prezent (Arditi, 2021), analizarea tendințelor și preferințelor de consum înregistrate în topurile Spotify din România devine relevantă. Spotify este un serviciu digital popular de streaming de muzică, care oferă utilizatorilor acces la o bibliotecă vastă de melodii, podcasturi și alte tipuri de conținut audio de la diverși artiști și creatori din întreaga lume.
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Pikilnyak, Andrey V., Nadia M. Stetsenko, Volodymyr P. Stetsenko, Tetiana V. Bondarenko, and Halyna V. Tkachuk. Comparative analysis of online dictionaries in the context of the digital transformation of education. [б. в.], 2021. http://dx.doi.org/10.31812/123456789/4431.

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The article is devoted to a comparative analysis of popular online dictionaries and an overview of the main tools of these resources to study a language. The use of dictionaries in learning a foreign language is an important step to understanding the language. The effectiveness of this process increases with the use of online dictionaries, which have a lot of tools for improving the educational process. Based on the Alexa Internet resource it was found the most popular online dictionaries: Cambridge Dictionary, Wordreference, Merriam–Webster, Wiktionary, TheFreeDictionary, Dictionary.com, Glos
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Panchenko, Liubov F., Tetiana A. Vakaliuk, and Kateryna V. Vlasenko. Augmented reality books: concepts, typology, tools. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/4414.

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The article discussed the usage of augmented reality books in educational process. The object of research is augmented reality books. The subject of the study is the concepts and classification of augmented reality books; digital story making tools that emphasize child-teacher co-operation; difficulties in augmented reality using. The methods of research are: the analysis of publications about the issue; the analysis of digital tools capabilities; systematization and generalization of research information. In the article the facet classification for augmented books is proposed; the main facets
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Carpenter, Grace. Shenandoah National Park: Acoustic monitoring report, 2016?2017. National Park Service, 2023. http://dx.doi.org/10.36967/2300465.

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This report presents acoustical data gathered by the Natural Sounds and Night Skies Division (NSNSD) at Shenandoah National Park (SHEN) in August?September of 2016 and January?March of 2017. Data were collected at four sites (Figure 1) to provide park managers with information about the acoustical environment, sources of noise , and the existing ambient sound levels within the park. In these deployments, sound pressure level (SPL) was measured continuously every second by a calibrated sound level meter. Other equipment included an anemometer to collect wind speed and a digital audio recorder c
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McMeekin, Sharon, and Amy Currie. Digital Preservation Competency Audit Toolkit 2nd Edition. Digital Preservation Coalition, 2025. https://doi.org/10.7207/dpccat25-02.

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McMeekin, Sharon, and Amy Currie. DPC Competency Audit Toolkit Guide. Digital Preservation Coalition, 2022. http://dx.doi.org/10.7207/dpccat22-01.

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