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Journal articles on the topic 'Digital Audio'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Gómez Ortiz, María del Pilar, and Eduardo Vázquez Dompinguez. "Audio Digital (Características)." TEPEXI Boletín Científico de la Escuela Superior Tepeji del Río 6, no. 12 (2019): 96–98. http://dx.doi.org/10.29057/estr.v6i12.4088.

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Hoy en día la producción, desarrollo e intercambio de audios es algo muy cotidiano, es por ello que se han creado un sin número de formatos o contenedores, algunos de los cuales no solo agrupan datos de audio, sino de audio y video, por otro lado, no todos los audios se pueden escuchar usando el mismo reproductor. Considerando este uso constante de formatos de audio, presentamos un mapa mental a través del cual destacamos las propiedades del códe (algoritmo que codifica y decodifica datos), asociado a los distintos formatos, entre las características que se estarán destacando se encuentr

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2

Vernier, David C., and Michael McNabb. "Digital Audio." Computer Music Journal 10, no. 3 (1986): 10. http://dx.doi.org/10.2307/3680257.

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3

Stockham, Thomas G. "Digital audio." Journal of the Acoustical Society of America 91, no. 4 (1992): 2320. http://dx.doi.org/10.1121/1.403549.

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4

McNabb, Michael. "Digital Audio Magazine." Computer Music Journal 9, no. 4 (1985): 7. http://dx.doi.org/10.2307/3679618.

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5

Fielder, Louis D. "Digital audio limiter." Journal of the Acoustical Society of America 102, no. 5 (1997): 2475. http://dx.doi.org/10.1121/1.420422.

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6

Nicholson, Christie. "Digital Audio Player." Scientific American 301, no. 3 (2009): 72. http://dx.doi.org/10.1038/scientificamerican0909-72a.

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7

Forster, Edward C. "Digital audio broadcasting." IEE Review 38, no. 6 (1992): 216. http://dx.doi.org/10.1049/ir:19920087.

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8

Jang, Seong‐Cheol. "Digital audio equalizer." Journal of the Acoustical Society of America 96, no. 1 (1994): 616. http://dx.doi.org/10.1121/1.410399.

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9

Berkhout, P., and L. Eggermont. "Digital audio systems." IEEE ASSP Magazine 2, no. 4 (1985): 45–67. http://dx.doi.org/10.1109/massp.1985.1163755.

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10

Hakanen, Ernest A. "Digital audio broadcasting." Telecommunications Policy 15, no. 6 (1991): 491–96. http://dx.doi.org/10.1016/0308-5961(91)90003-t.

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11

Tewari, Tribhuwan Kumar. "Audio Watermarking Art of Hiding Copyright Information for Piracy Control." International Journal of Sensors, Wireless Communications and Control 10, no. 2 (2020): 276–89. http://dx.doi.org/10.2174/2210327909666190409124959.

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Background & Objective: Revolution in digital multimedia is a boon to music industries, music creators for decades as digital music can be created, stored replicated and transferred easily and efficiently. But digitalization of multimedia becomes a curse when the multimedia content is illegally and freely distributed, shared across the network online or offline. Countering the illegal copying and distribution of digital media is the driving force behind the evolution of copyright protection and digital watermarking techniques. Methods: This paper presents the problem of piracy and the over

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12

Metatla, Oussama, Fiore Martin, Adam Parkinson, Nick Bryan-Kinns, Tony Stockman, and Atau Tanaka. "Audio-haptic interfaces for digital audio workstations." Journal on Multimodal User Interfaces 10, no. 3 (2016): 247–58. http://dx.doi.org/10.1007/s12193-016-0217-8.

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13

Watanabe, Kaoru. "Digital Interface. (8). Digital Audio Interface." Journal of the Institute of Image Information and Television Engineers 51, no. 8 (1997): 1175–81. http://dx.doi.org/10.3169/itej.51.1175.

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14

Kim, Jason Seung-Min. "Digital entroping for digital audio reproductions." Journal of the Acoustical Society of America 122, no. 2 (2007): 707. http://dx.doi.org/10.1121/1.2771352.

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15

Huang, Xinchao, Zihan Liu, Wei Lu, Hongmei Liu, and Shijun Xiang. "Fast and Effective Copy-Move Detection of Digital Audio Based on Auto Segment." International Journal of Digital Crime and Forensics 11, no. 2 (2019): 47–62. http://dx.doi.org/10.4018/ijdcf.2019040104.

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Detecting digital audio forgeries is a significant research focus in the field of audio forensics. In this article, the authors focus on a special form of digital audio forgery—copy-move—and propose a fast and effective method to detect doctored audios. First, the article segments the input audio data into syllables by voice activity detection and syllable detection. Second, the authors select the points in the frequency domain as feature by applying discrete Fourier transform (DFT) to each audio segment. Furthermore, this article sorts every segment according to the features and gets a sorted

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16

Solomatova, Viktoriia. "The Specifics of Audio-visual Discourse in Digital Culture." Issues in Cultural Studies, no. 35 (December 27, 2019): 69–77. https://doi.org/10.31866/2410-1311.35.2019.188787.

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The purpose of the article is to identify the peculiarities and tendencies of the development of digital culture at the beginning of the 21st century; to define the specificity of works of art that are part of audio-visual artistic discourse and to characterize the use of modern digital technologies as a tool for their creation on the example of the audio-visual project “Virtual Colour Organ”. The research methodology is based on the use of historical and cultural method, which made it possible to study the historical dynamics of the development of digital culture. A chronological

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17

Strawn, John, and Ken C. Pohlmann. "Principles of Digital Audio." Computer Music Journal 10, no. 3 (1986): 89. http://dx.doi.org/10.2307/3680264.

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18

Ismail, Yassen, and Eman Ahmed. "Digital audio files reliability." JOURNAL OF EDUCATION AND SCIENCE 25, no. 3 (2012): 136–48. http://dx.doi.org/10.33899/edusj.2012.59218.

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19

Noll, P. "MPEG digital audio coding." IEEE Signal Processing Magazine 14, no. 5 (1997): 59–81. http://dx.doi.org/10.1109/79.618009.

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20

Nishio, Ayataka. "Digital audio recording apparatus." Journal of the Acoustical Society of America 102, no. 1 (1997): 18. http://dx.doi.org/10.1121/1.419789.

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21

Kontro, J., A. Koski, J. Sjoberg, and M. Vaananen. "Digital car audio system." IEEE Transactions on Consumer Electronics 39, no. 3 (1993): 514–21. http://dx.doi.org/10.1109/30.234629.

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22

Adamson, Tod M. "Digital audio signal processor." Journal of the Acoustical Society of America 91, no. 6 (1992): 3596. http://dx.doi.org/10.1121/1.402783.

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23

Barron, Ann. "Digital Audio in Multimedia." Educational Media International 32, no. 4 (1995): 190–93. http://dx.doi.org/10.1080/0952398950320403.

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24

Hopkins, John W. "Digital audio broadcasting system." Journal of the Acoustical Society of America 101, no. 6 (1997): 3233. http://dx.doi.org/10.1121/1.419378.

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25

Wylie, F. "Digital audio data compression." Electronics & Communication Engineering Journal 7, no. 1 (1995): 5–10. http://dx.doi.org/10.1049/ecej:19950103.

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26

Anderson, David J. "Digital audio compression system." Journal of the Acoustical Society of America 98, no. 3 (1995): 1265. http://dx.doi.org/10.1121/1.413454.

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27

Race, Deborah A., and Margaret G. Williams. "Digital Audio Feedback Technology." CIN: Computers, Informatics, Nursing 36, no. 2 (2018): 63–67. http://dx.doi.org/10.1097/cin.0000000000000418.

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28

Zölzer, Udo, and Julius O. Smith III. "DAFX—Digital Audio Effects." Journal of the Acoustical Society of America 114, no. 5 (2003): 2527. http://dx.doi.org/10.1121/1.1616923.

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29

Machida, Kazuhisa. "Digital audio disc recorder." Journal of the Acoustical Society of America 115, no. 2 (2004): 449. http://dx.doi.org/10.1121/1.1669249.

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30

McNally, G. "Digital audio in broadcasting." IEEE ASSP Magazine 2, no. 4 (1985): 26–44. http://dx.doi.org/10.1109/massp.1985.1163754.

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31

Liu, Shen-Chi. "Digital audio signal player." Journal of the Acoustical Society of America 127, no. 5 (2010): 3287. http://dx.doi.org/10.1121/1.3432273.

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32

Jurgen, R. K. "Broadcasting with digital audio." IEEE Spectrum 33, no. 3 (1996): 52–59. http://dx.doi.org/10.1109/6.485773.

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33

Zhou, Mang. "System of HD Digital Audio Decoder." Applied Mechanics and Materials 743 (March 2015): 355–58. http://dx.doi.org/10.4028/www.scientific.net/amm.743.355.

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This paper describes a audio system for high-definition(HD)digital audio decoding solution. The system is well aligned to decoding audio data stream Dolby True HD,DTS HDMaster, and support advanced audio processing Pro Logic® IIx, DTS Neo6. Discuss focuses on system construction and management of audio process by host MUC.

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34

Scott, Tom. "Digital Telecommunications for Digital Audio/Visual Production." SMPTE Journal 102, no. 7 (1993): 623–25. http://dx.doi.org/10.5594/j03771.

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35

Cortes-Rodriguez, Patricio, and Nicol Coccio. "Digital preservation of audio objects in Chile." Serie Bibliotecología y Gestión de Información 102 (December 27, 2018): 1–30. https://doi.org/10.5281/zenodo.3359342.

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The following is an updated overview of the experiences regarding the digital preservation of digital audio objects in Chile, based on the collection of information in public and private heritage centers. The evidence shows that these institutions generally follow the conceptual and management guidelines proposed by international organizations and experts in the area. However, the institutions are not aligned in their efforts to preserve their sound heritage. Therefore, there is a need to take action, share best practices, and coordinate work standards, among others things.

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36

A. Srinagesh, Venkateswarlu Sunkari,. "Efficient Deepfake Audio Detection Using Spectro-Temporal Analysis and Deep Learning." Journal of Electrical Systems 20, no. 5s (2024): 10–18. http://dx.doi.org/10.52783/jes.1829.

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With the advancement of deepfake technology, particularly in the audio domain, there is an imperative need for robust detection mechanisms to maintain digital security and integrity. Our research presents an "Enhanced Deepfake Audio Detection with Spectro-Temporal Deep Learning Approach," aimed at addressing the escalating challenge of distinguishing genuine audio from sophisticated deepfake manipulations. Our methodology leverages the ADD2022 dataset, which encompasses a wide range of audio clips, to train and evaluate a novel deep learning model. The core of our approach consists of a meticu

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37

Valenzuela Ramírez, Sandra Guadalupe. "Edición de Audio y sus conceptos." Ingenio y Conciencia Boletín Científico de la Escuela Superior Ciudad Sahagún 10, no. 19 (2023): 75–77. http://dx.doi.org/10.29057/escs.v10i19.9723.

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En la actualidad se puede disfrutar de diferentes tipos de música desde cualquier dispositivo y en cualquier lugar y es a traves de la digitalizacion del sonido en audio digital con diferentes formatos, canales de audio, tasa de muestreo asì como parametros de audio por medio de editores de audio libres y comerciales. Los audios digitales tambien han logrado la comunicaciòn efectiva al saber comunicar ideas como el storytelling que es el arte de contra historias que pueden ser escuchadas en diferente reproductores.

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38

Parker, Richard E., and Robert C. Davis. "Digital Audio, Networks, and Foreign Language Instruction." CALICO Journal 7, no. 2 (2013): 71–82. http://dx.doi.org/10.1558/cj.v7i2.71-82.

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This paper describes a system for the use of digital audio in foreign language instruction. The system consists of networked personal computers with digital audio adapters. The use of a digital audio adapter allows for the flexible manipulation of audio materials: natural sounding audio may be played, recorded, replayed, paused, and ordered under computer control with no distracting delays or distortion. In addition, audio can be coordinated with the display of text or graphics on the computer screen. Finally, the network allows for the central storage of the digital audio materials and comput

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39

Sembiring, Zulfikar. "PERBANDINGAN METODE LOW BIT CODINGDENGAN PHASE CODING PADA DIGITAL AUDIO WATERMARKING." JOURNAL OF INFORMATICS AND TELECOMMUNICATION ENGINEERING 1, no. 1 (2017): 1. http://dx.doi.org/10.31289/jite.v1i1.569.

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<p>Penggunaan file audio sebagai media distribusi informasi digital sangat populer sekarang ini karena semakin canggihnya perangkat keras maupun perangkat lunak yang dapat mengolah file audio digital tersebut. Ditambah lagi dengan semakin mudahnya akses internet dimana saja baik melalui perangkat mobile ataupun tidak. Karena semakin banyaknya penggunaan file audio digital oleh perorangan atau perusahaan misalnya dalam produksi musik, atau video klip maka semakin sulit untuk menentukan keaslian suatu file audio digital dan sulitnya mencegah tingkat tindak pencurian atau pembajakan yang sa

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40

Seok, Jong Won, and Jin Woo Hong. "Audio watermarking for copyright protection of digital audio data." Electronics Letters 37, no. 1 (2001): 60. http://dx.doi.org/10.1049/el:20010029.

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41

Chang, The-Nan, and Cheng-Min Jen. "Printed Digital Audio Broadcast Antennas." PIERS Online 4, no. 2 (2008): 157–60. http://dx.doi.org/10.2529/piers070701020355.

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42

Greenspun, Philip, and John Watkinson. "The Art of Digital Audio." Computer Music Journal 14, no. 1 (1990): 80. http://dx.doi.org/10.2307/3680121.

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43

Wallraff, Dean, and John Strawn. "Digital Audio Engineering, An Anthology." Computer Music Journal 10, no. 3 (1986): 90. http://dx.doi.org/10.2307/3680265.

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44

Drama, Ray. "BIAS Peak Digital Audio Editor." Computer Music Journal 21, no. 1 (1997): 77. http://dx.doi.org/10.2307/3681227.

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45

常, 宇航. "Audio Protection by Digital Watermarking." Service Science and Management 10, no. 06 (2021): 183–86. http://dx.doi.org/10.12677/ssem.2021.106025.

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46

Kutaragi, Ken, and Makoto Furuhashi. "Digital audio signal generating apparatus." Journal of the Acoustical Society of America 92, no. 4 (1992): 2287. http://dx.doi.org/10.1121/1.405184.

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47

Hans, M., and R. W. Schafer. "Lossless compression of digital audio." IEEE Signal Processing Magazine 18, no. 4 (2001): 21–32. http://dx.doi.org/10.1109/79.939834.

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48

Maeda, Yasuaki. "Digital audio signal reproducing apparatus." Journal of the Acoustical Society of America 98, no. 1 (1995): 24. http://dx.doi.org/10.1121/1.414422.

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49

Torazawa, Kenji, Satoshi Sumi, Seiji Murata, Shigekazu Minechika, and Yasuhiro Ishii. "Erasable digital audio disk system." Applied Optics 25, no. 22 (1986): 3990. http://dx.doi.org/10.1364/ao.25.003990.

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50

Woolfork, C. Earl. "WIRELESS DIGITAL AUDIO MUSIC SYSTEM." Journal of the Acoustical Society of America 132, no. 4 (2012): 2770. http://dx.doi.org/10.1121/1.4757781.

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