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Books on the topic 'Digital-born'

Author: Grafiati
Published: 11 December 2022
Last updated: 26 January 2023

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1

Urs, Gasser, ed. Born digital: Understanding the first generation of digital natives. Basic Books, 2008.

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2

Palfrey, John. Born digital: Understanding the first generation of digital natives. Basic Books, 2008.

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3

Serageldin, Ismail. Born digital: The new Bibliotheca Alexandrina. Library of Alexandria, 2006.

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4

Richard, Ovenden, Redwine Gabriela, and Donahue Rachel, eds. Digital forensics and born-digital content in cultural heritage collections. Council on Library and Information Resources, 2010.

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5

Tseng, Yuen-Hsien, Marie Katsurai, and Hoa N. Nguyen, eds. From Born-Physical to Born-Virtual: Augmenting Intelligence in Digital Libraries. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-21756-2.

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6

Libraries, Association of Research, ed. Managing born-digital special collections and archival materials. Association of Research Libraries, 2012.

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7

Jaillant, Lise, ed. Archives, Access and Artificial Intelligence. Bielefeld University Press / transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839455845.

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Digital archives are transforming the Humanities and the Sciences. Digitized collections of newspapers and books have pushed scholars to develop new, data-rich methods. Born-digital archives are now better preserved and managed thanks to the development of open-access and commercial software. Digital Humanities have moved from the fringe to the center of academia. Yet, the path from the appraisal of records to their analysis is far from smooth. This book explores crossovers between various disciplines to improve the discoverability, accessibility, and use of born-digital archives and other cultural assets.
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8

Center, Link Art. Born Digital. Lulu Press, Inc., 2014.

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9

WIGLEY. Born Digital. Whitefox Publishing Limited, 2021.

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10

WIGLEY. Born Digital : Story Distracted Generat: Born Digital. Whitefox Publishing Limited, 2022.

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11

Ries, Thorsten, and Gábor Palko. Born-Digital Archives. Springer, 2022.

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12

Born Digital: Understanding the First Generation of Digital Natives. Basic Books, 2008.

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13

Palfrey, John, and Urs Gasser. Born Digital: How Children Grow up in a Digital Age. Basic Books, 2016.

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14

author, Gasser Urs, ed. Born digital: How children grow up in a digital age. Basic Books, 2016.

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15

Ryan, Heather, and Walker Sampson. No-Nonsense Guide to Born-Digital Content. Facet Publishing, 2018.

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16

No-Nonsense Guide to Born Digital Content. Facet Publishing, 2018.

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17

Ryan, Heather, and Walker Sampson. No-Nonsense Guide to Born-Digital Content. Facet Publishing, 2018.

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18

Morris, Daniel. Not Born Digital: Poetics, Print Literacy, New Media. Bloomsbury Publishing Plc, 2018.

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19

Hurcombe, Edward. Social News: How Born-Digital Outlets Transformed Journalism. Springer International Publishing AG, 2022.

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20

Not Born Digital: Poetics, Print Literacy, New Media. Bloomsbury Publishing Plc, 2016.

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21

Gibson, Richard Hughes. Paper Electronic Literature: An Archaeology of Born-Digital Materials. University of Massachusetts Press, 2021.

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22

Gibson, Richard Hughes. Paper Electronic Literature: An Archaeology of Born-Digital Materials. University of Massachusetts Press, 2021.

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23

Gibson, Richard Hughes. Paper Electronic Literature: An Archaeology of Born-Digital Materials. University of Massachusetts Press, 2021.

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24

Kaplan, Zachary. Born-Digital Art Institution: The Medium in the Post-Medium Condition. Sternberg Press, 2016.

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25

Jaillant, Lise. Archives, Access, and Artificial Intelligence: Working with Born-Digital and Digitised Archival Collections. Columbia University Press, 2021.

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26

Nelson, Naomi, Seth Shaw, Nancy Deromedi, et al. SPEC Kit 329: Managing Born-Digital Special Collections and Archival Materials (August 2012). Association of Research Libraries, 2012. http://dx.doi.org/10.29242/spec.329.

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27

Jaillant, Lise. Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections. Transcript Verlag, 2021.

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28

Steele, Catherine Knight. Digital Black Feminism. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479808373.001.0001.

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Black women are at the forefront of some of this century’s most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But Black women’s relationship with technology began long before the advent of Twitter or Instagram. To truly “listen to Black women,”Steele points to the history of Black feminist technoculture in the U.S. to decenter white supremacy and patriarchy in the future of technology. Using the virtual beauty shop as a metaphor, Digital Black Feminism walks readers through the technical skill, communicative expertise, and entrepreneurial acumen of Black women’s labor—born of survival strategies and economic necessity—both on- and offline. Digital Black Feminism positions Black women at the center of our discourse about the past, present, and future of technology, offering a through line from the writing of early twentieth-century Black women to the bloggers and social media mavens of the twenty-first century. The blogosphere provided Black feminist writers a unique space to draft principles for a new generation of Black feminist thought, while other online communities offer practical lessons on the praxis of digital Black feminism. Steele makes connections between the letters, news articles, and essays of Black feminist writers of the past and a digital archive of blog posts, tweets, and Instagram stories of some of the most well-known Black feminist writers of our time. As Black feminist writers’ work now reaches its widest audience online, Steele offers hopefulness and caution on Black feminism becoming a product for sale in the digital marketplace.
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29

Born reading: Bringing up bookworms in a digital age -- from picture books to ebooks and everything in between. Touchstone Books, 2014.

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30

Bird, Betsy, and Jason Boog. Born Reading: Bringing up Bookworms in a Digital Age -- from Picture Books to EBooks and Everything in Between. Touchstone, 2014.

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31

Publishing, May Birthday Gift. Badass Digital Agents Are Born in May: Notebook Birthday Gift / University Graduation Gift / Lined Notebook / Journal Gift, 110 Pages, 6x9, Soft Cover, Matte Finish. Independently Published, 2020.

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32

Huisa Veria, Elizabeth, ed. Advanced Notes in Information Science, volume 1. ColNes Publishing, 2022. http://dx.doi.org/10.47909/anis.978-9916-9760-0-5.

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This book was born in the classroom, written by undergraduate and postgraduate thesis students from different universities around the world. The authors address diverse topics such as digital humanities, library information services, information asymmetry, digital preservation, D-Space, editorial processes, scientific communication, social media metrics (altmetrics), scientometrics, virtual reality, artificial intelligence; but the common thread is the technological and communicative process around information in current contexts. Among the contributions are the review and updating of the state of the art of the aforementioned topics in society.
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33

Gray, Joanne Elizabeth. Google Rules. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190072070.001.0001.

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Google Rules traces the rise of Google through its legal, commercial, and political negotiations over copyright. The first part of the book shows how the public interest suffers in a digital copyright policy debate dominated by powerful industry stakeholders. The second part explores Google’s contributions to digital copyright and the copyright policies that Google enforces across its own platforms. Increasingly, Google self-regulates and negotiates with media and entertainment companies to privately devise copyright rules. Google then deploys algorithmic regulatory technologies to enforce those rules. Google’s private copyright rule-making and algorithmic enforcement limits transparency and accountability in digital copyright governance and privileges private interest and values over the public interest. Today, Google reigns over a technological and economic order that features empowered private actors and rapidly changing technological conditions. How to effectively regulate Google—in an evolving technological environment and in order to achieve public interest outcomes—is one of the most pressing policy questions of our time. Google Rules provides several strategies for taking up this challenge. While the parameters may be narrowly set upon one firm and one area of intellectual property law, ultimately, the book is a contribution to a much broader conversation about a new generation of monopolistic companies, born from the technological developments of the digital age, and the social, political, and economic influence they have acquired in contemporary society.
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34

Yaneva, Albena. Crafting History. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751820.001.0001.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? This book provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, the book traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. It addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.
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35

Porfírio, Luciana Cristina, and Iara Santana dos Santos. Ensinando com tecnologias digitais nos primeiros anos escolares. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-426-5.

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The study sought to investigate the limits and possibilities of the use of TDIC as pedagogical resources for the teaching and learning process in the early years of elementary school from a broad literature focused on its use as a tool for teaching work in which the importance of using TDIC in the early years of elementary school and in the initial and continuing training of teachers. To this end, the methodology used in the research were bibliographic sources of qualitative nature from the socialhistorical cultural perspective, i.e., one that seeks to understand a given phenomenon from a given context, establishing a dialogical relationship between the individual, the society and their historical and cultural processes. It presents a descriptive account of the methodological process developed, by which it could be concluded that the TDIC is already part of people’s daily lives and the school has the cultural function of teaching the so-called digital students - those born in the midst of the TDIC culture. From the mobilized literature it was also evident that, although the TDIC are used to enhance teaching and learning, there is a lack in the teacher’s curriculum training courses and also in the school’s infrastructure to the insertion and integration of those technologies in the school culture.
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36

Goward, Samuel N., Laura E. P. Rocchio, Darrel L. Williams, et al. Landsat’s Enduring Legacy: Pioneering Global Land Observations from Space. ASPRS, 2017. http://dx.doi.org/10.14358/asprs.1.57083.101.7.

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After more than 15 years of research and writing, the Landsat Legacy Project Team, in collaboration with the American Society for Photogrammetry and Remote Sensing (ASPRS), published an account of monitoring the Earth’s lands for a half-century with Landsat. Born of technologies that evolved from the Second World War, Landsat not only pioneered global land monitoring but in the process, drove innovation in digital imaging technologies and encouraged the development of global imagery archives. Access to this imagery led to early breakthroughs in natural resources assessments, particularly for agriculture, forestry, and geology. The technical Landsat remote sensing revolution was not simple or straightforward. Early conflicts between civilian and defense satellite remote sensing users gave way to disagreements over whether the Landsat system should be a public service or a private enterprise. The failed attempts to privatize Landsat nearly led to its demise. Only the combined engagement of civilian and defense organizations ultimately saved the Landsat program from the brink of collapse. With the emergence of 21st century Earth system science research, the full value of the Landsat concept and its continuous 50-year global archive has been recognized and embraced. Discussion of Landsat’s future continues but its heritage will not be forgotten. This innovative satellite system’s vital history is captured in this notable volume on Landsat’s Enduring Legacy.
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37

Rensmann, Thilo, ed. Small and Medium-Sized Enterprises in International Economic Law. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780198795650.001.0001.

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While international trade and investment is still dominated by larger multinational enterprises (MNEs), small and medium-sized enterprises (SMEs) are increasingly reaching out beyond their traditional domestic habitat. A significant number of SMEs today are engaged in transboundary trade and investment and in the wake of the digital revolution the phenomenon of ‘born global’ SMEs can be increasingly observed. In addition, many SMEs enter the global economy indirectly via global value chains. International economic law, with its traditional focus on MNEs and their interests, is only slowly waking up to this new reality. At the same time, it is increasingly recognized that the internationalization of SMEs provides the key to creating more sustainable and inclusive global economic growth. The 2015 UN Sustainable Development Goals, for example, expressly call for the facilitation of increased access for SMEs to international trade and investment. This book undertakes a first attempt at systematically analysing the interaction between SMEs and international economic law. The analysis covers a broad spectrum of international trade and investment law focusing on issues of particular interest to SMEs, such as trade in services, government procurement, and trade facilitation. Salient regional and transregional developments are taken into account, including the implications of the TPP and the TTIP negotiations for SMEs. Close attention is also devoted to the concern of many states that further liberalization of international trade and investment would unduly restrict the regulatory space necessary to protect and promote the legitimate interests of domestic SMEs.
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38

Contreras, Ayana. Energy Never Dies. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252044069.001.0001.

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Black Chicago in the post–civil rights era was constantly refreshed by an influx of newcomers from the American South via the Great Migration. Chicago was a beacon, disseminating a fresh, powerful definition of Black identity primarily through music, art, and entrepreneurship and mass media. This book uses ruminations on oft-undervalued found ephemeral materials (like a fan club pamphlet or a creamy-white Curtis Mayfield record) and a variety of in-depth original and archival interviews to unearth tales of the aspiration, will, courage, and imagination born in Black Chicago. It also questions what vestiges of our past we choose to value in this digital age. These stories serve as homespun folktales of hope to counter darker popular narratives about the South and West Sides of the city. They also express the ongoing quest for identity and self-determination, a quest that fueled the earlier Black Arts Movement, and is again at the heart of the Black Arts renaissance currently blossoming in Black Chicago, from genre-spanning musicians like Chance the Rapper, Noname, the Juju Exchange, and Makaya McCraven, and from visual artists like Theaster Gates and Kerry James Marshall, and up-and-comers like Brandon Breaux. Meanwhile, many of the creative giants of previous generations are struggling (Ebony magazine and the groundbreaking DuSable Museum among them). But this text asserts that energy never dies, and creativity will live on beyond this juncture, regardless of the outcome.
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39

Shimshon-Santo, Amy, and Genevieve Kaplan. Et Al.: New Voices in Arts Management. Illinois Open Publishing Network, 2022. http://dx.doi.org/10.21900/pww.15.

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Et Al. imagines kaleidoscopic possibilities for the stewardship of culture and land as decolonizing practices. Culture and the arts can enhance society by strengthening our connections to each other and to the earth. This arts management book was born during a racial reckoning and accelerated by a global pandemic. What exactly is the business of no-business-as-usual? The ethical challenge for arts management is far more complex than asking how to get things done; we must also ask who gets to do things, where, and with what resources? Our task is to generate cultures that refuse to annihilate themselves or each other, much less the planet. Et Al. contributes to the conversation about arts and cultural management by providing rare, behind-the-scenes insights on justice-centered arts management praxis — ideas tied to action. The book makes space for people to publicly reflect, write, and share insights about their own ideas and ways of working. Its polyphonic voices speak to pragmatic strategies for arts management across cultures, genres, and spaces. Its stories are told from the perspective of individuals and families, micro businesses, artist collectives, and civic institutions. As a digital publication, the platform lends itself to multi-media knowledge objects; the experiences documented within it include ethnographies, qualitative social research, personal and communal manifestos, dialogues between peers, visual essays, videos, and audio tracks. This open source, multimedia book is structured into six streams which are numbered for their exponential powers: Stream¹ : Center is Everywhere; Stream² : Gathering Community; Stream³ : Honoring Histories; Stream⁴ : Shifting Research; Stream⁵ : Forging Paths; Stream⁶ : Generative Practice. The book discusses imaginative ways of generating cultural equity in praxis, and is an invitation for further imagination, conversation, and connection. Et Al. presents an interactive landscape for readers, thinkers, and creators to engage with multimedia and intergenerational essays by Amy Shimshon-Santo, Genevieve Kaplan, Gerlie Collado, Abraham Ferrer, Julie House, Britt Campbell, Delia Xóchitl Chávez, Sean Cheng, Yvonne Farrow, Allen Kwabena Frimpong, Kayla Jackson, Erika Karina Jiménez Flores, Cobi Krieger, Loreto Lopez, Cynthia Martínez Benavides, Christy McCarthy, Janice Ngan, Cailin Nolte, Michaela Paulette Shirley, Robin Sukhadia, Katrina Sullivan, and Tatiana Vahan.
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40

The Man in the Cat-Hair Suit: And other true stories. William R. Greene, 2011.

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41

The Man in the Cat-Hair Suit: And other true stories. William R. Greene, 2011.

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42

The Man in the Cat-Hair Suit: And other true stories. William R. Greene, 2011.

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43

The Man in the Cat-Hair Suit: And other true stories. William R. Greene, 2011.

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