Academic literature on the topic 'Digital content production'

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Journal articles on the topic "Digital content production"

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Ojanperä, Sanna, Mark Graham, and Matthew Zook. "The Digital Knowledge Economy Index: Mapping Content Production." Journal of Development Studies 55, no. 12 (2019): 2626–43. http://dx.doi.org/10.1080/00220388.2018.1554208.

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Li, Yan. "Impact of Artificial Intelligence on Creative Digital Content Production." Journal of Digital Art Engineering and Multimedia 6, no. 2 (2019): 121–32. http://dx.doi.org/10.29056/idaem.2019.12.05.

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Li, Yan. "Impact of Artificial Intelligence on Creative Digital Content Production." Journal of Digital Art Engineering and Multimedia 6, no. 2 (2019): 121–32. http://dx.doi.org/10.29056/jdaem.2019.12.05.

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Galembeck, Eduardo. "Dissemination of digital educational content: experiences with the Digital Library of Sciences (BDC), YouTube and App stores." Revista de Ensino de Bioquímica 17 (September 13, 2019): 104. http://dx.doi.org/10.16923/reb.v17i0.884.

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The publication of online digital content is a practice that is growing in importance in the academic world. The dissemination of academic production in an accessible way, in media that go beyond the specialized journals, is a powerful way of approximating the universities with the general public. Committed in the production of digital content aimed at Teaching Biochemistry since the end of the 90s, I had the opportunity to try different ways of disseminating these contents. In this presentation will be traced a timeline of the development of the technologies we use in the publication of digit
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Cáceres Navarro, Dick Ronald. "La inclusión del público en la producción del contenido digital de los medios de comunicación." Cultura 33 (December 30, 2019): 15–23. http://dx.doi.org/10.24265/cultura.2019.v33.02.

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Sullivan, Elaine A., and Lisa M. Snyder. "Digital Karnak:." Journal of the Society of Architectural Historians 76, no. 4 (2017): 464–82. http://dx.doi.org/10.1525/jsah.2017.76.4.464.

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Archaeologists, historians, and art historians are increasingly turning to three-dimensional computer modeling to create dynamic visualizations of ancient monuments and urban spaces, but the resulting 3-D content is not always accepted as scholarship and integrated into discipline-specific dialogue. In Digital Karnak: An Experiment in Publication and Peer Review of Interactive, Three-Dimensional Content, Elaine A. Sullivan and Lisa M. Snyder propose a reconceptualization of computer modeling as a new means and form of knowledge production, offer a framework for peer review and publication of 3
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Anamova, R. R., and A. V. Ripetskiy. "GRAPHIC DISCIPLINES AND DIGITAL PRODUCTION INTERDISCIPLINARY CONNECTIONS." Spravochnik. Inzhenernyi zhurnal, no. 273 (December 2019): 51–58. http://dx.doi.org/10.14489/hb.2019.12.pp.051-058.

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In the article it is considered a topical issue of identification and ordering graphic disciplines and digital production (additive) technologies interdisciplinary connections. It is proposed to include these interdisciplinary connections in the course work program content for graphic disciplines in the technical universities. A new analytical model of the educational process for graphic disciplines is developed. Based on this model interdisciplinary connections with digital production (additive) technologies knowledge area are formulated.
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Miersch, P., R. Jochem, and T. Bui Thi Thanh. "Digitale Lernumgebungen*/Digital learning resource. Learning 4.0 in SMEs." wt Werkstattstechnik online 108, no. 11-12 (2018): 840–44. http://dx.doi.org/10.37544/1436-4980-2018-11-12-100.

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Forscher der Technischen Universität Berlin entwickeln einen Assistenten, der das Erstellen von digitalen Weiterbildungsinhalten ermöglicht. Dabei soll der Umgang mit neuen Technologien gefördert werden. Die Bedarfe von Mitarbeitern in kleinen und mittleren Unternehmen (KMU) werden eine wesentliche Rolle spielen, denn meist fehlt in den Unternehmen das Know-how beim Erstellen und Umsetzen didaktischer Konzepte.   In order to broaden the range of professional trainings offered in production industries, the Technische Universität Berlin develops an assistant enabling the application of
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Abdul Ghani, Zulkiple. "Nurturing Islamic Media Content in Digital Environment." Ulum Islamiyyah 32 (December 2, 2020): 42–54. http://dx.doi.org/10.33102/uij.vol32no.183.

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Today, in the globalized world, new media technologies including social media platforms have dramatically changed the nature of human communications. Old and new media platforms have to some extend converged and allowed the circulation of content to reach global audiences. Media content in various forms has been transmitted to the Muslim society through oral communication, written materials as well as printing, broadcast and new media technologies. Ideally, Muslim culture is derived from the culture of knowledge and communication. As understood from the notion of ‘ilm (knowledge) and iqra’ (re
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Rodríguez Miranda, Carla, and Ornela Carboni. "Communications Policies and the Production of Audiovisual Content in Argentina." Latin American Perspectives 45, no. 3 (2018): 44–54. http://dx.doi.org/10.1177/0094582x18766912.

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The introduction of digital terrestrial television and the passage of the Audiovisual Communications Services Act in Argentina in 2009 led to a series of competitions to stimulate the production of new content and help dismantle the prevailing center-periphery logic in Argentine television. An examination from the perspective of the political economy of communications of these efforts in 2011–2013 indicates that they were small steps in the right direction. Further progress will require a stable source of funding, a stronger role for public televisión, and new strategies for capturing viewers.
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Dissertations / Theses on the topic "Digital content production"

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Martínez, Javier Rodriguez-Borlado. "A study of emerging opportunities for digital print production of user-generated content /." Online version of thesis, 2008. http://hdl.handle.net/1850/7745.

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Barros, Regiany De Almeida. "La téléphonie mobile. Regards croisés entre la France et le Brésil sur la diffusion de contenus à propos du développement durable." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030015.

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Cette thèse étudie la relation entre production médiatique et pratique citoyenne dans l’industrie des applications mobiles (et notamment dans celles portant sur le développement durable) développées en France, au Brésil, et parallèlement aux États-Unis entre 2009 et 2011. Elle cherche à cerner les contributions « réelles ou potentielles » du téléphone mobile, objet technique intégré dans l’espace public et désormais mis au service de l’intérêt général. Dans ce cadre, le thème du développement durable a été sélectionné en tant qu’espace de discussion, dans la mesure où il illustre la notion de
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Möller, Ferreira Susan. "An Alternative view of ICTs use by older people in human-computer interaction: similarities, digital content creation and perceived well-being." Doctoral thesis, Universitat Pompeu Fabra, 2015. http://hdl.handle.net/10803/310946.

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Within Human-Computer Interaction, older people (60+) are often characterized as a heterogeneous group of consumers of digital content that use ICTs in a limited way due to age-related changes in functional abilities. By drawing on an ethnographical study of ICTs use by approximately 220 older people over a 5-year period in Spain and on two rapid ethnographical studies, in Denmark and Brazil, with around 180, this dissertation presents an alternative view of ICTs use by older people. The results portray older people as creative digital content creators, provide qualitative evidence of how the
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Pinheiro, Elton Bruno Barbosa. "Mutações da cultura midiática radiofônica: a nova práxis na produção de conteúdos digitais." Universidade Federal da Paraí­ba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/4469.

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Made available in DSpace on 2015-05-07T14:46:40Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1217561 bytes, checksum: 80486693555edadcee476e93fee10422 (MD5) Previous issue date: 2012-03-23<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The question of content production for the communication media inserted in the scanning process and, consequently, the actual process of technological convergence issues are largely unexplored in the academic world. Accordingly, we set for digital radio, our object of study, the following problem: the media culture of radio mutat
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Rodrigues, Kamila Rios da Hora. "FrAMC-i: Um framework de apoio à produção de conteúdo multimídia complementar interativo." Universidade Federal de São Carlos, 2014. https://repositorio.ufscar.br/handle/ufscar/293.

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Made available in DSpace on 2016-06-02T19:03:59Z (GMT). No. of bitstreams: 1 6447.pdf: 5392666 bytes, checksum: 6368d9dd4f5d4af844fe595173c0dbe2 (MD5) Previous issue date: 2014-08-27<br>Financiadora de Estudos e Projetos<br>The television is the medium of information and entertainment most utilized by Brazilians. Despite its great reach, this vehicle, which should be an instrument to promote social inclusion, often causes the opposite effect. The manner some television programs are produced, in particular movies and series, combined with the lack of prior knowledge about certain subjects and
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Sousa, Maria Pires Marques Gomes de. "Experiência televisiva em Portugal : atitudes e expectativas face à televisão digital terrestre." Master's thesis, Instituto Superior de Economia e Gestão, 2011. http://hdl.handle.net/10400.5/10248.

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Mestrado em Marketing<br>A experiência televisiva em Portugal está a mudar. Com efeito, a passagem da era analógica para a era digital faz com que as potencialidades oferecidas pela televisão aproximem a experiência televisiva da navegação na Internet. A passagem para a era digital é marcada pelo switch-off da televisão analógica agendado, a nível europeu, para o ano de 2012. Este trabalho pretende por um lado, perceber quais serão as novas formas de consumo de televisão por parte dos telespectadores e por outro, tentar antecipar como é que as operadoras nacionais de televisão de sinal aberto
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Angeluci, Alan César Belo [UNESP]. "Produção de conteúdos na era digital: a experiência do Roteiro do dia." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/89518.

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Made available in DSpace on 2014-06-11T19:24:05Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-06-28Bitstream added on 2014-06-13T19:30:37Z : No. of bitstreams: 1 angeluci_acb_me_bauru.pdf: 1188160 bytes, checksum: 71be51f189e78a6b48d86686b8776ed1 (MD5)<br>Este trabalho estuda a chegada de mudanças na produção dos conteúdos informativos para Televisão Pública, a partir da implantação do Sistema Brasileiro de Televisão Digital Terrestre - SBTVD-T em 2007. O foco na Televisão Pública ajuda a resgatar a importância dos canais públicos, e sua vocação na execução de projetos que buscam a
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Gambardella, Massimiliano. "Are telecommunication and media converging ? : the change in the production and distribution model of audio-video contents." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100009/document.

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Dans ces dernières années nous assistons à l’émergence de nouvelles licences, les Creative Commons (CC), qui dérivent du monde du logiciel libre et qui ont pour but de partager les œuvres artistiques (vidéos, musique, etc.) entre les utilisateurs. Cette thèse est consacrée à l’étude des vidéos qu'utilisent ces licences. En particulier cette thèse se concentre sur trois aspects de la production de vidéos sous licences CC : les choix judicieux du degré d'ouverture de la licence, la stratégie de financer et de mener l’innovation et le chemin qui détermine le succès des projets. Tout d’abord, pour
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Almeida, Filho Otávio Nascimento de. "A dimensão técnica nas expressões hipermidiáticas." Pontifícia Universidade Católica de São Paulo, 2006. https://tede2.pucsp.br/handle/handle/4872.

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Made available in DSpace on 2016-04-26T18:16:05Z (GMT). No. of bitstreams: 1 Otavio Nascimento de Almeida Filho.pdf: 24961337 bytes, checksum: a36878a154273ee6f15e1fb3971e157e (MD5) Previous issue date: 2006-12-15<br>The objective of this investigation is to help us to understand the technical dimension present in hipemediatic expressions, consubstanciated in mediatic products. This dimension is present in publications in the web, CD-Roms, DVDs, and includes productions of an artistic and educational character that use supports which possess a digital nature. It aims, thus, at dimens
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Ekström, Josefin, and Stina Almqvist. ""Jag längtar fortfarande till att få träffa kunderna live" : En studie om förändringar i en rekryteringsprocess." Thesis, Högskolan i Halmstad, Akademin för hälsa och välfärd, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-45217.

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Denna studie har ägnats åt ett rekryteringsföretag samt dess rekryteringsprocess. Syftet med föreliggande studie är att utveckla en förståelse för hur anställda på rekryteringsföretaget upplever för- och nackdelar i förändringar av rekryteringsprocessen som gjorts med anledning av distansarbetet som införts vid Covid-19. En kvalitativ forskningsmetod har använts genom sju semistrukturerade intervjuer. Studien har präglats av en hermeneutisk tolkningsprocess och den insamlade empirin har analyserats med en tematisk analysmetod. Respondenterna var på något vis involverade i rekryteringsprocessen
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Books on the topic "Digital content production"

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Coleman, Josephine F. Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865.

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Technology and workflows for multiple channel content distribution: Infrastructure implementation strategies for converged production. Focal, 2009.

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Cianci, Philip J. Technology and workflows for multiple channel content distribution: Infrastructure implementation strategies for converged production. Focal, 2009.

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International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (2nd 2006 Leeds, UK). Second International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2006 : Leeds, UK, 13-15 December 2006 : proceedings. IEEE Computer Society, 2005.

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International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (2nd 2006 Leeds, UK). Second International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2006 : Leeds, UK, 13-15 December 2006 : proceedings. IEEE Computer Society, 2005.

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International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (2nd 2006 Leeds, UK). Second International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2006 : Leeds, UK, 13-15 December 2006 : proceedings. IEEE Computer Society, 2005.

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Spain) International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (3rd 2007 Barcelona. Proceedings Third International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2007 : Barcelona, Spain 28-30 November 2007. IEEE Computer Society, 2007.

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Nesi, Paolo, Jaime Delgado, and Kia Ng, eds. AXMEDIS 2008. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-811-6.

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The AXMEDIS International Conference series aims to explore all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, protection and rights management, to address the latest developments and future trends of the technologies and their applications, impacts and exploitation. The AXMEDIS events offer venues for exchanging concepts, requirements, prototypes, research ideas, and findings which could contribute to academic research and also benefit business and industrial communities. In the Internet as well as i
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Delgado, Jaime, Kia Ng, Paolo Nesi, and Pierfrancesco Bellini, eds. AXMEDIS 2007 Conference Proceedings. Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-678-5.

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The AXMEDIS International Conference series has been established since 2005 and is focused on the research, developments and applications in the cross-media domain, exploring innovative technologies to meet the challenges of the sector. AXMEDIS2007 deals with all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, interoperability, protection and rights management. It addresses the latest developments and future trends of the technologies and their applications, their impact and exploitation within academi
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Deuze, Mark, and Mirjam Prenger, eds. Making Media. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462988118.

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Making Media uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, med
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Book chapters on the topic "Digital content production"

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Hiki, Haruo. "Content Production from Digital Archives." In Content Production Technologies. John Wiley & Sons, Ltd, 2005. http://dx.doi.org/10.1002/0470865237.ch2.

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Coleman, Josephine F. "Practitioners and content production." In Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865-4-4.

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Volino, Marco, Armin Mustafa, Jean-Yves Guillemaut, and Adrian Hilton. "Light Field Video for Immersive Content Production." In Real VR – Immersive Digital Reality. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41816-8_2.

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Muñoz-Arteaga, Jaime, José E. Guzmán Mendoza, Héctor Cardona Reyes, and Ricardo Mendoza-González. "Collaborative Content Production Model to Reduce Digital Divide." In Communications in Computer and Information Science. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-37386-3_12.

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Coleman, Josephine F. "Keeping radio local in the digital age." In Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865-5-5.

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Herold, Anna. "Digital Single Market for Audiovisual Content: Utopia or Win-Win for All?" In European Film and Television Co-production. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97157-5_15.

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de Boer, Victor, Roeland J. F. Ordelman, and Josefien Schuurman. "Practice-Oriented Evaluation of Unsupervised Labeling of Audiovisual Content in an Archive Production Environment." In Research and Advanced Technology for Digital Libraries. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24592-8_4.

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Coleman, Josephine F. "Framing community radio research." In Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865-2-2.

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Coleman, Josephine F. "Radio – a social technology." In Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865-1-1.

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Coleman, Josephine F. "Sites and sounds of community radio." In Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865-3-3.

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Conference papers on the topic "Digital content production"

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Mendoza, José Eder Guzmán, Jaime Muñoz Arteaga, Javier Álvarez Rodríguez, and Cesar Alberto Collazos Ordoñez. "A Model for Collaborative Content Production in Digital Literacy Context." In the XV International Conference. ACM Press, 2014. http://dx.doi.org/10.1145/2662253.2662446.

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Tirakoat, Suwich. "Optimized Motion Capture System for Full Body Human Motion Capturing Case Study of Educational Institution and Small Animation Production." In 2011 Workshop on Digital Media and Digital Content Management. IEEE, 2011. http://dx.doi.org/10.1109/dmdcm.2011.53.

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Zhou, Chengxiong, Lanxiang Zhao, and Zhuojun Liu. "Credit Risk and Policy of Digital Content Production Online Trading." In 2009 International Conference on Business Intelligence and Financial Engineering (BIFE). IEEE, 2009. http://dx.doi.org/10.1109/bife.2009.136.

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Abedi, Ahmed Abd Zaid. "The Analytical Content Of The Financial Status Of Oil Production Enterprise." In International Conference on Finance, Entrepreneurship and Technologies in Digital Economy. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.03.14.

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De Felice, Giuliano. "Living Heritage — A living lab for digital content production focused on cultural heritage." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743765.

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Fetscherin, Marc, and Christoph Lattemann. "Motives and Willingness to Pay for Digital Music." In 2007 3rd International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution. IEEE, 2007. http://dx.doi.org/10.1109/axmedis.2007.41.

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Erner, Michael, Bernhard Feiten, and Volker Presse. "Overarching QoS Makes the Digital Distribution Market Happen." In Third International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'07). IEEE, 2007. http://dx.doi.org/10.1109/axmedis.2007.10.

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Medina, Alicia Garcia. "The New Hybrid Library. Audiovisual and Digital Resources." In Third International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'07). IEEE, 2007. http://dx.doi.org/10.1109/axmedis.2007.32.

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Brandenburg, Karlheinz. "Digital Entertainment: Media Technologies for the Future." In 2006 Second International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'06). IEEE, 2006. http://dx.doi.org/10.1109/axmedis.2006.23.

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Allasia, Walter, Francesco Gallo, Filippo Chiariglione, and Fabrizio Falchi. "An Innovative Approach for Indexing and Searching Digital Rights." In Third International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'07). IEEE, 2007. http://dx.doi.org/10.1109/axmedis.2007.17.

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Reports on the topic "Digital content production"

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Díaz de Astarloa, Bernardo, Nanno Mulder, Sandra Corcuera-Santamaría, et al. Post Pandemic Covid-19 Economic Recovery: Enabling Latin America and the Caribbean to Better Harness E-commerce and Digital Trade. Edited by Marcee Gómez. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003436.

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This report shows that Latin America and the Caribbean faces critical policy challenges going forward. It must accelerate the digital transformation to allow businesses and consumers to adapt to a new normal and leverage pandemic recovery to create stronger economies, and also tackle long-standing barriers to adopting digital technologies and bridging digital divides. These have impeded sustained and equitable economic growth even before the pandemic struck. This crisis should be a wake-up call for governments, the private sector, civil society, and international development partners to come t
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Basco, Ana Inés, and Cecilia Lavena. América Latina en movimiento: Competencias y habilidades para la Cuarta Revolución Industrial en el contexto de pandemia. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003292.

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Los acelerados procesos de cambio tecnológico y productivo, evidente en el desarrollo de economías cada vez más basadas en servicios y en la expansión de las plataformas digitales como espacios de interacción, se vio atravesado por la pandemia global por COVID-19. En este marco, los países latinoamericanos enfrentan el desafío de acceder a nuevos mercados e incrementar el comercio, la productividad laboral y el valor agregado de las exportaciones, tanto dentro de la propia región como con el resto del mundo. Este documento busca entender en este contexto los cambios en materia de adopción tecn
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Basco, Ana Inés, and Cecilia Lavena. América Latina en movimiento: Competencias y habilidades para la Cuarta Revolución Industrial en el contexto de pandemia: Resumen ejecutivo. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003302.

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Los acelerados procesos de cambio tecnológico y productivo, evidente en el desarrollo de economías cada vez más basadas en servicios y en la expansión de las plataformas digitales como espacios de interacción, se vio atravesado por la pandemia global por COVID-19. En este marco, los países latinoamericanos enfrentan el desafío de acceder a nuevos mercados e incrementar el comercio, la productividad laboral y el valor agregado de las exportaciones, tanto dentro de la propia región como con el resto del mundo. Este documento busca entender en este contexto los cambios en materia de adopción tecn
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