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Books on the topic 'Digital content production'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Coleman, Josephine F. Digital Innovations and the Production of Local Content in Community Radio. Routledge, 2021. http://dx.doi.org/10.4324/9781003050865.

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Technology and workflows for multiple channel content distribution: Infrastructure implementation strategies for converged production. Focal, 2009.

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Cianci, Philip J. Technology and workflows for multiple channel content distribution: Infrastructure implementation strategies for converged production. Focal, 2009.

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4

International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (2nd 2006 Leeds, UK). Second International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2006 : Leeds, UK, 13-15 December 2006 : proceedings. IEEE Computer Society, 2005.

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International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (2nd 2006 Leeds, UK). Second International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2006 : Leeds, UK, 13-15 December 2006 : proceedings. IEEE Computer Society, 2005.

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International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (2nd 2006 Leeds, UK). Second International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2006 : Leeds, UK, 13-15 December 2006 : proceedings. IEEE Computer Society, 2005.

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7

Spain) International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (3rd 2007 Barcelona. Proceedings Third International Conference on Automated Production of Cross Media Content for Multi-channel Distribution: AXMEDIS 2007 : Barcelona, Spain 28-30 November 2007. IEEE Computer Society, 2007.

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8

Nesi, Paolo, Jaime Delgado, and Kia Ng, eds. AXMEDIS 2008. Firenze University Press, 2008. http://dx.doi.org/10.36253/978-88-8453-811-6.

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The AXMEDIS International Conference series aims to explore all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, protection and rights management, to address the latest developments and future trends of the technologies and their applications, impacts and exploitation. The AXMEDIS events offer venues for exchanging concepts, requirements, prototypes, research ideas, and findings which could contribute to academic research and also benefit business and industrial communities. In the Internet as well as i

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Delgado, Jaime, Kia Ng, Paolo Nesi, and Pierfrancesco Bellini, eds. AXMEDIS 2007 Conference Proceedings. Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-678-5.

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The AXMEDIS International Conference series has been established since 2005 and is focused on the research, developments and applications in the cross-media domain, exploring innovative technologies to meet the challenges of the sector. AXMEDIS2007 deals with all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, interoperability, protection and rights management. It addresses the latest developments and future trends of the technologies and their applications, their impact and exploitation within academi

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Deuze, Mark, and Mirjam Prenger, eds. Making Media. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462988118.

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Making Media uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, med

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Ranieri, Maria, ed. Risorse educative aperte e sperimentazione didattica. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-194-2.

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The book proposes an open and collaborative approach to the production of digital teaching contents and to teachers' professional development. Starting from an initial excursus on the undertakings of the Open Educational Resources movement and on the value of collaboration in and among schools, it deals with the topic of teacher training as a back-up to innovation processes, with particular reference to multimedia whiteboards. The theoretical reflection is integrated with the results of the AMELIS biennial project, carried out alongside a network of schools within the Innovascuola (2008-10) fr

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Rice, John. Creating Digital Content : Video Production for Web, Broadcast, and Cinema. McGraw-Hill Professional Publishing, 2001.

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Rice, John. Creating Digital Content : Video Production for Web, Broadcast, and Cinema. McGraw-Hill Professional Publishing, 2001.

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14

Cianci, Philip J. Technology and Workflows for Multiple Channel Content Distribution: Infrastructure Implementation Strategies for Converged Production. Taylor & Francis Group, 2016.

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15

Jackson, Wallace. Android Studio New Media Fundamentals: Content Production of Digital Audio/Video, Illustration and 3D Animation. Apress, 2015.

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16

(Editor), Bill Cope, and Robin Freeman (Editor), eds. Digital Rights Management and Content Development: Technology drivers across the book production supply chain, from creator to consumer. Common Ground Pub, 2001.

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Kia, Nag, Badii Atta, Bellini Pierfrancesco, and University of Leeds, eds. Axmedis 2006: Proceedings of the 2nd international Conference on automated production of cross media content for multi-channel distribution ... Firenze University Press, 2006.

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18

DVD Authoring with Adobe Encore DVD: A Professional Guide to Creative DVD Production and Adobe Integration. Focal Press, 2004.

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19

Duffy, Brooke Erin. Questioning Media Identity in the Digital Age. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037962.003.0001.

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This book explores the notions of remaking and remodeling the magazine by focusing on how women's magazines are evolving from objects into brands in the digital age, along with its implications for both producers and consumers of content. It considers how “traditional” media industries are transforming in a digital era of media, and more specifically, how producers are confronting vexing questions about the identity of the women's magazine. The book highlights three identity constructions: organizational identity, professional identity, and gender identity. It also discusses the implications f

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Hong, Yu. Recasting the Media System. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040917.003.0006.

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This chapter argues that the 2008 global economic crisis and the economic restructuring that followed have accelerated state-led digitization, corporation, and capital accumulation within the state media system. After contextualizing media reforms as part of the state’s cultural-system reform program, the chapter examines the case of digital TV, tracing the bumpy process of using convergence as a cover to corporatize cable networks and content production while revealing the leading role of state-owned digital media companies exemplified by Shanghai Media Group and Zhejiang Wasu in this process

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Metzger, Miriam J. Broadcasting versus Narrowcasting. Edited by Kate Kenski and Kathleen Hall Jamieson. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199793471.013.62.

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This chapter explores the question of the continuing relevance of “mass media” due to recent technological changes in the media landscape. The chapter traces the history of media content production, distribution, and consumption from broadcasting to narrowcasting, and considers recent trends toward “hyperpersonalization” afforded by digital networked media. The chapter examines what these changes mean for politics and for political communication theory, and concludes by posing some questions about the future of mass media that serve as a call for research into the changing nature, circumstance

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Metzger, Miriam J. Broadcasting versus Narrowcasting. Edited by Kate Kenski and Kathleen Hall Jamieson. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199793471.013.62_update_001.

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This chapter explores the question of the continuing relevance of “mass media” due to recent technological changes in the media landscape. The chapter traces the history of media content production, distribution, and consumption from broadcasting to narrowcasting, and considers recent trends toward “hyperpersonalization” afforded by digital networked media. The chapter examines what these changes mean for politics and for political communication theory, and concludes by posing some questions about the future of mass media that serve as a call for research into the changing nature, circumstance

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23

Endreß, Alexander, and Hubert Wandjo, eds. Musikwirtschaft im Zeitalter der Digitalisierung. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783845276939.

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How does one deal with the digitalisation of an industry when practice is overtaking itself so quickly, as the music industry has experienced in the past twenty years? On the one hand, by questioning the causes of change and, on the other hand, by describing and reflecting on practice. Both are done in this book. The music industry is understood as a complex system based on the division of labour, in which artist development, content production, content marketing and rights management go hand in hand. Special attention is therefore paid to these operative fields of action. The practice-oriente

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Florini, Sarah. Beyond Hashtags. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479892464.001.0001.

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In a culture dominated by discourses of “colorblindness” but still rife with structural racism, digital and social media have become a resource for Black Americans navigating a society that simultaneously perpetuates and obscures racial inequality. Though the Ferguson protests made such Black digital networks more broadly visible, these networks did not coalesce in that moment. They were built over the course of years through much less spectacular, though no less important, everyday use, including mundane social exchanges, humor, and fandom. This book explores these everyday practices and thei

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Régnier, Philippe. Toward a New Political Economy of Critical Editions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0010.

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This chapter analyzes the political economy of digital critical editions and the development of research networks, as well as the ecological environment and the concrete human resources in digital critical edition. The first part builds on the scope of scholarly editing's “political economy in a pre-digital era,” and describes the human resources context that has followed the migration of critical edition to the digital world. Meanwhile, the second part discusses the impacts of collaborative work, human networks, open software ideology, and resource sharing on the new political economy of digi

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Thomas, Pradip Ninan. The Politics of Digital India. Edited by Adrian Athique, Vibodh Parthasarathi, and S. V. Srinivas. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199494620.001.0001.

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Transforming India into a digital state has been an objective of successive governments in India. However, the digital, by its very nature, is a capricious, multi-dimensional entity. Its operationalization across multiple sectors in India has highlighted the fact that the digital compact with publics in India is a two-edged sword. On the one hand, devices such as mobile phones have enabled access and efficiencies, and on the other, they have increased the scope for surveillance capitalism and the expansion of governmentality. The digital is at the same time a resource, commodity, and process t

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Dowd, Cate. Digital Journalism, Drones, and Automation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190655860.001.0001.

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Advances in online technology and news systems, such as automated reasoning across digital resources and connectivity to cloud servers for storage and software, have changed digital journalism production and publishing methods. Integrated media systems used by editors are also conduits to search systems and social media, but the lure of big data and rise in fake news have fragmented some layers of journalism, alongside investments in analytics and a shift in the loci for verification. Data has generated new roles to exploit data insights and machine learning methods, but access to big data and

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Petersson, Sonya, ed. Digital Human Sciences: New Objects – New Approaches. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbk.

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The ongoing digitization of culture and society and the ongoing production of new digital objects in culture and society require new ways of investigation, new theoretical avenues, and new multidisciplinary frameworks. In order to meet these requirements, this collection of eleven studies digs into questions concerning, for example: the epistemology of data produced and shared on social media platforms; the need of new legal concepts that regulate the increasing use of artificial intelligence in society; and the need of combinatory methods to research new media objects such as podcasts, web ar

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Barradas Jorge, Nuno. ReFocus: The Films of Pedro Costa. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474444538.001.0001.

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This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa’s filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa’s creative output in settings such as film f

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Lund, Cornelia. Sculpting Image and Sound. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.40.

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Digital technology increasingly has offered new possibilities of combining audio and visual elements, be it in live performances, installations, or videos. The Canadian artist and musician Herman Kolgen plays the different genres like a virtuoso, exploring overarching themes in audiovisual performances as well as audiovisual installations. This chapter offers a case study that takes Kolgen’s work as an example of artistic production that pushes its investigation of audiovisual combinations in different directions by its flexible use of analog and digital media formats. The chapter first discus

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Kant, Tanya. Making it Personal. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190905088.001.0001.

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The encounter of “personalized experiences”—targeted advertisements, tailored information feeds, and “recommended” content, among other things—is now a common and somewhat inescapable component of digital life. More often than not however, “you” the user are not primarily responsible for personalizing your web engagements: instead, with the help of your search, browsing, and purchase histories, your “likes,” your click-throughs, and a multitude of other data you produce as you go about your day, your experience can “conveniently”—and computationally—be personalized on your behalf. This book ex

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Apollon, Daniel, Claire Bélisle, and Philippe Régnier. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0001.

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This introductory chapter argues that the future of the traditional forms of culture, knowledge, and scholarship appears to be at risk, as the world becomes digital and new generations consider computers, mobile appliances, and the Internet as extensions of their body that are essential for living. The book provides a survey of critical editing confronted with the digital world that is organized in three parts. The first one discusses the historical context and the main challenges that researchers, teachers, and the public readers meet with the integration of digital tools and medium in the ac

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33

bell, adam patrick, ed. The Music Technology Cookbook. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197523889.001.0001.

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The Music Technology Cookbook is a practitioner-oriented collection of lesson plans outlining step-by-step music-making activities with music technology. Featuring fifty-six lessons by forty-nine authors from around the world, The Music Technology Cookbook covers a broad range of music technology topics including: composition (with digital audio workstations such as Ableton, Soundtrap, GarageBand); production skills such as recording, editing, and equalization; creating multimedia (ringtones, soundscapes, audiobooks, sonic brands, jingles); beatmaking; DJing; programming (Minecraft, Scratch, S

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34

Perry, Seth. American Bible Bindings and Formats. Edited by Paul C. Gutjahr. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190258849.013.43.

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This chapter offers an overview of the history and historiography of some of the nonverbal aspects of American Bibles, focusing on format, bindings, and paper. These features of Bibles have evolved both materially and symbolically, owing to changing technologies, economic considerations, aesthetic preferences, and, crucially, a tension between two opposed ideals regarding the Bible’s physical presence. Americans with various stakes in Bible production have shared a sense that Bibles should be both materially impressive and widely accessible. The changing forms of Bibles make particularly legib

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El-Ariss, Tarek. Leaks, Hacks, and Scandals. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691181936.001.0001.

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In recent years, Arab activists have confronted authoritarian regimes both on the street and online, leaking videos and exposing atrocities, and demanding political rights. This book situates these critiques of power within a pervasive culture of scandal and leaks and shows how cultural production and political change in the contemporary Arab world are enabled by digital technology, yet emerge from traditional cultural models. Focusing on a new generation of activists and authors from Egypt and the Arabian Peninsula, the book connects WikiLeaks to The Arabian Nights, Twitter to mystical revela

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Hilmes, Michele, Matt Hills, and Roberta Pearson. Transatlantic Television Drama. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190663124.001.0001.

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A tide of high-quality television drama is sweeping the world. The new transnational television series has developed not only global appeal but innovative new modes of production, distribution, and reception. Nowhere is the transnational exchange of television drama more vital than between Britain and the United States, where it builds on more than sixty years of import, adaptation, coproduction, and fandom. This edited volume explores the transatlantic flow of television drama, focusing on key programs, industry strategies, critical debates, and audience reception, from an international roste

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Collins, Karen. Implications of Interactivity. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0011.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. This chapter explores concepts of interactivity as they relate to sound production in video games. A guiding assumption of the chapter is that interactivity is a definitive paper of new digital aesthetics in general and gaming in particular. And yet, the question of interactivity has not been addressed with sufficient stringency in scholarly research. At the heart of the chapter are these questions: What makes interactive sound different from noninteractive s

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Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different exam

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39

Rossoukh, Ramyar D., and Steven C. Caton, eds. Anthropology, Film Industries, Modularity. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022190.

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From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries

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40

Hachad, Naïma. Revisionary Narratives. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620221.001.0001.

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Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. It analyzes auto/biographical and testimonial acts in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater performance, and digital media, situating them within specific sociopolitical and cultural contexts of production and consumption. Part One begins by tracing the rise of a feminist consciousness in prison narratives pro

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41

Sepúlveda, Jovanny, ed. Enfoques multidisciplinares en Ingeniería, tecnología e innovación. CUA - Medellin, 2020. http://dx.doi.org/10.52441/ing202002.

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El propósito del presente libro es el de contribuir al desarrollo de la ciencia y la tecnología en países de América Latina desde un enfoque inclusivo y sostenible. Las investigaciones aportan elementos para la sostenibilidad, la repetitividad de la iniciativa científica, así como criterios e indicadores para la medición de resultados y futuros impactos en la aplicación de nuevas tecnologías y herramientas para mejorar procesos en la estructura gubernamental, en la sociedad y la empresa en particular. El libro ha sido estructurado en trece capítulos, uno por cada tema de investigación abordado

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Sepúlveda, Jovanny. Estrategia y gestión organizacional. CUA - Medellin, 2020. http://dx.doi.org/10.52441/ciadcon202004.

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Aspectos como la globalización, la competitividad y la digitalización de procesos, hacen que las organizaciones se transformen y busquen más y mejores alternativas para sobrevivir, es así como las instituciones educativas, con el objetivo de ser pertinentes a las necesidades del entorno, le apuestan a la investigación como una herramienta de gestión que identifica y fortalece acciones desde la fundamentación y la comprensión de ámbitos internacionales para contextualizarlos a las necesidades nacionales y locales. La Corporación Universitaria Americana con la firme convicción de aportar a la so

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Sepúlveda, Jovanny. Emociones y liderazgo en el desempeño laboral y el emprendimiento. CUA - Medellin, 2020. http://dx.doi.org/10.52441/ciadcon202003.

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Es un enorme agrado presentar esta obra, producto de las disertaciones de expertos en áreas de ingeniería, humanidades y ciencias sociales, ciencias económicas, administrativas y contables, pedagogía, neuropsicología, comportamiento y aprendizaje; quienes de forma magistral han concentrado constructos de forma interdisciplinar para generar conocimiento de vanguardia aplicado a dichas áreas. Además de apreciar el trabajo de esta compilación, debo precisar que el mismo proporciona información sucinta de un sinnúmero de acontecimientos del quehacer organizacional, lo que permite al lector y lo in

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