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Books on the topic 'Digital Culture Resistance'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Crawford, Garry, and Stefan Lawrence. Digital Football Cultures: Fandom, Identities and Resistance. Taylor & Francis Group, 2018.

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Crawford, Garry, and Stefan Lawrence. Digital Football Cultures: Fandom, Identities and Resistance. Taylor & Francis Group, 2018.

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3

Bailey, Moya. Misogynoir Transformed: Black Women's Digital Resistance. New York University Press, 2022.

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Bailey, Moya. Misogynoir Transformed: Black Women’s Digital Resistance. NYU Press, 2021.

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5

Hands, Joss. @ Is for Activism: Dissent, Resistance and Rebellion In a Digital Culture. Pluto Press, 2010.

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6

Hands, Joss. @ is for Activism: Dissent, Resistance and Rebellion in a Digital Culture. Pluto Press, 2011.

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Hands, Joss. @ Is for Activism: Dissent, Resistance and Rebellion in a Digital Culture. Pluto Press, 2010.

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8

Aguayo, Angela J. Documentary Resistance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190676216.001.0001.

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The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into its own as a political force of social change. The exploding reach and power of audio and video are multiplying documentary modes of communication. Once considered an outsider media practice, documentary is finding mass appeal in the allure of moving images, collecting participatory audiences that c

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9

Mendes, Kaitlynn, Jessica Ringrose, and Jessalynn Keller. Digital Feminist Activism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190697846.001.0001.

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In recent years, feminists have turned to digital technologies and social media platforms to dialogue, network, and organize against contemporary sexism, misogyny, and rape culture. The emergence of feminist campaigns such as #MeToo, #BeenRapedNeverReported, and Everyday Sexism are part of a growing trend of digital resistances and challenges to sexism, patriarchy, and other forms of oppression. Although recent scholarship has documented the ways digital spaces are often highly creative sites where the public can learn about and intervene in rape culture, little research has explored girls’ an

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10

Florini, Sarah. Beyond Hashtags. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479892464.001.0001.

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In a culture dominated by discourses of “colorblindness” but still rife with structural racism, digital and social media have become a resource for Black Americans navigating a society that simultaneously perpetuates and obscures racial inequality. Though the Ferguson protests made such Black digital networks more broadly visible, these networks did not coalesce in that moment. They were built over the course of years through much less spectacular, though no less important, everyday use, including mundane social exchanges, humor, and fandom. This book explores these everyday practices and thei

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11

Jansson, André, and Paul C. Adams, eds. Disentangling. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197571873.001.0001.

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After the rapid rise of digital networking in the 2000s and 2010s, we are now seeing a rise of interest in how people can disentangle their lives from the increasingly pervasive networks of digital communications. This edited volume contributes to the turn toward digital disconnection research by bringing together an interdisciplinary group of authors with expertise in various forms and philosophies of disentangling. By “disentangling” we mean disconnection not just from media but from a digitalized world, a world in which places and landscapes are increasingly structured around digital connec

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12

Sundara Rajan, Mira T. The Moral Rights of Authors and Artists. 2nd ed. Oxford University Press, 2025. https://doi.org/10.1093/law/9780198791850.001.0001.

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Abstract Moral rights protect the rights of authors and artists to be acknowledged as the creators of their works, and to protect their creations from harm. As part of the bundle of rights conferred on authors by copyright laws around the world, moral rights have acquired a new importance in our technological era. While affirming the basic human dignity of authors and artists everywhere, moral rights also respond to a growing public need for the accuracy and integrity of information. Nevertheless, the discourse surrounding copyright law in the digital environment has largely neglected moral ri

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13

Dushakova, Irina, Natalia Dushakova, Alexandra Ippolitova, Maria Kaspina, and Irina Kopchenova, eds. Digital Jewish Studies: Exploring Jewish Communities in the Online Space. Institute of Slavic Studies, Russian Academy of Sciences; SEFER Center for University Teaching of Jewish Civilization, 2022. http://dx.doi.org/10.31168/0470-1.

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The collection of articles is focused on the research of the interaction of Jewish communities with the digital space: self-presentation and external presentation in social media, the transfer of religious practices online, adaptation to the limitations in communication since the beginning of the pandemic, the formation of a system of opinion leaders in the digital space, Slavic-Jewish contacts and conflicts in social networks and forums, etc. The collection includes a translation into Russian of H. Campbell’s classic work on the development of the Jewish Internet, a review of methodological a

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14

Tawil-Souri, Helga, and Dina Matar, eds. Producing Palestine. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755654291.

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Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence. Its representation is so overridden with conflicting claims and associations that it remains inaccessible, even to Palestinians. Producing Palestine addresses the creative labour of producing Palestine, particularly in technological and media spaces that are defined by their porousness and by their intermediality – crossing genres of popular culture and disciplinary boundaries. It offers sixteen ‘cases’ which collectively conceptualize, engage in, and invite readers t

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15

Farquhar, Keith. Headspace App. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450412.

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Headspace App was an exhibition of seventeen works by Farquhar at Cabinet Gallery, London, from 1 September – 10 November 2018. It consisted of a collection of mixed media works and adapted found objects inspired by Farquhar’s daily life in Edinburgh, such as the commute on public transport, the use of meditation apps, visits to the municipial sauna, childcare, shopping and visits to the gym. Farquhar employs painterly, sculptural and moving-image processes, together with conceptual strategies, to advance the artistic potential of the readymade object. The works explore the impact of contempor

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16

Smith, Paul, Alexander Monea, and Maillim Santiago, eds. Amazon. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9798881809775.

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Amazon is everywhere. In our mailboxes, in delivery vans clogging our streets, in an increasing portion of our air traffic, in our grocery stores, on our televisions, in our smart home devices, and in the infrastructure powering many of the websites we visit. Amazon’s tendrils touch the majority of online retail transactions in the United States and in many other countries. As Amazon changes the face of capitalist business, it is also changing global culture in multiple ways. This book brings together some of the most important analyses of Amazon’s pioneering business practices and how they in

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17

Kant, Tanya. Making it Personal. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190905088.001.0001.

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The encounter of “personalized experiences”—targeted advertisements, tailored information feeds, and “recommended” content, among other things—is now a common and somewhat inescapable component of digital life. More often than not however, “you” the user are not primarily responsible for personalizing your web engagements: instead, with the help of your search, browsing, and purchase histories, your “likes,” your click-throughs, and a multitude of other data you produce as you go about your day, your experience can “conveniently”—and computationally—be personalized on your behalf. This book ex

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18

Early, Jaye. Confessional Video Art and Subjectivity. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350400238.

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This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society.In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Analysing a diverse selection

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