Relevant bibliographies by topics / Digital dystopia

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Digital dystopia'

Author: Grafiati
Published: 2 June 2025
Last updated: 19 July 2025

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Journal articles on the topic "Digital dystopia"

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Tirole, Jean. "Digital Dystopia." American Economic Review 111, no. 6 (2021): 2007–48. http://dx.doi.org/10.1257/aer.20201214.

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Autocratic regimes, democratic majorities, private platforms, and religious or professional organizations can achieve social control by managing the flow of information about individuals’ behavior. Bundling the agents’ political, organizational, or religious attitudes with information about their prosocial conduct makes them care about behaviors that they otherwise would not. The incorporation of the individuals’ social graph in their social score further promotes soft control but destroys the social fabric. Both bundling and guilt by association are most effective in a society that has weak t
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Williams, Granville. "Digital dystopia." Index on Censorship 27, no. 4 (1998): 186–92. http://dx.doi.org/10.1080/03064229808536405.

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Olds, Jacqueline. "Digital Dystopia." American Scientist 99, no. 4 (2011): 344. http://dx.doi.org/10.1511/2011.91.344.

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Andreichykova, O. A. "PROBLEMS AND CLASSIFICATION OF MODERN DYSTOPIA (Ukrainian and World Literature)." Writings in Romance-Germanic Philology, no. 2(51) (December 19, 2023): 4–19. http://dx.doi.org/10.18524/2307-4604.2023.2(51).296816.

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The article examines the specific features of modern dystopia, the themes and issues of the genre. The object of research is modern dystopian novels of the World and Ukrainian literature. In contrast to the 20th century, the concepts of critical, feminist, digital, national (in the context of multiculturalism) dystopia were included in the literary circulation of dystopia researchers of the 21st century. Specific groups and their genre subspecies are distinguished. The article also notes that the relevance of dystopia is primarily related to socio-cultural and geopolitical catastrophes and des
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HUSSAIN, ADIL, and Khursheed Ahmad Qazi. "Catatonia and Automatism in T.S. Eliot's Poetry." Criterion: An International Journal in English 14, no. 5 (2023): 289–96. https://doi.org/10.5281/zenodo.14878963.

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T.S. Eliot wrote in the context of a world waking to new and ugly realities of the war and the consequent crisis of a post-human world. Scofield’s inquiry into Eliot’s deployment of masks has provided enough scope for his poetry to be considered in terms of enactments. Scofield also examines Eliot’s exploration of the tension between the fragmented identities/personas and the nostalgia and the “etch” of the characters to stick to a fixed past. Eliot’s poetry escapes meaning, or is “destitute of meaning,” to use his words. The disillusionment of p
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Artamonov, Denis S. "Internet meme as a way of representing reality: between dystopia and myth." Digital Scholar: Philosopher`s Lab 5, no. 1 (2022): 14–21. https://doi.org/10.32326/2618-9267-2022-5-1-14-21.

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The article considers the phenomenon of In-ternet memes in the context of the mytholo-gization of ideas about reality. The author fo-cuses on Internet memes of dystopian con-tent and speaks about dystopia as an object representing the reality surrounding a person. He considers the Internet meme as a commu-nication phenomenon of digital culture. The Internet meme has a complex structure and reflects the views of Internet users on the agenda, their worldview, social and political system of society. In the article, the author contrasts the understanding of the meme within the framework of evoluti
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Penner, Regina V. "Dystopia in memes or memes in dystopia? Reflections on digital culture." Digital Scholar: Philosopher`s Lab 5, no. 1 (2022): 49–56. https://doi.org/10.32326/2618-9267-2022-5-1-49-56.

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The article continues reflections on the plan for the representation of dystopia in memes. The article proposes to refer to memes not only through the plan of expression, but rather consider them as an integral part of digital reality and culture. By referring to the works of media researchers, such as N. Couldry and A. Hepp with the concept of “mediatization” and J. van Dijk with the concept of “connection”, the idea is introduced that media (primarily digital media) are no longer indifferent conductors of information. On the contrary, by means of algorithms that are obtained on the basis of
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Hofacker, Charles F., and Daniela Corsaro. "Dystopia and utopia in digital services." Journal of Marketing Management 36, no. 5-6 (2020): 412–19. http://dx.doi.org/10.1080/0267257x.2020.1739454.

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Vanteevsky, M. M. "Ideological Role and Substantive Features of Dystopian Narratives in Russian Mass Culture." Moscow University Bulletin. Series 12. Political Science, no. 5, 2024 (October 15, 2024): 40–53. https://doi.org/10.55959/msu0868-4871-12-2024-2-5-40-53.

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Over the past few years, a fairly large number of authors have appeared (I.S. Tehlikidi, E.N. Verkin, V.O. Bogdanova, D.S. Zakharov, D.A. Danilov, Ya.M. Wagner) who use the dystopian genre for the socio-political construction of the future, and also use the methods of dystopia and heterotopia to represent modernity or certain aspects of the historical past. The article examines the evolution of the dystopian genre and the current state of this direction, the basis of which is not individual signs and distinctive features, but the concept of ‘dystopian narratives’. In the dystopias of the secon
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Parycek, Peter, Bettina Rinnerbauer, and Judith Schossböck. "Democracy in the digital age: digital agora or dystopia." International Journal of Electronic Governance 9, no. 3/4 (2017): 185. http://dx.doi.org/10.1504/ijeg.2017.088224.

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Dissertations / Theses on the topic "Digital dystopia"

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Davis, Megan S. "A R(EVOLUTION) OF ENVIRONMENTAL ETHICS: YOUNG-ADULT DYSTOPIAN FICTION AS A VEHICLE FOR ECOCRITICAL AWARENESS." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/787.

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Prominent within various scientific journals, news media outlets, and online publications are conversations surrounding what is dubbed “climate anxiety.” This wide-stemmed social unrest is caused, in large part, by the unrelenting, consistent data from the scientific community reporting rising sea levels, species extinction, and “record-breaking” heatwaves as well as an increasing average of global temperatures, that seem to top the next every year for the past decade. However, an underlying thread to these reports remains largely consistent. Unless serious regard is given to our natural surro
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Jones, II Warren. "Inverse Intuition: Repurposing as a Method to Create New Artifacts, to Invent new Practices, and to Produce new Knowledge." Doctoral diss., University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5953.

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This dissertation argues that Digital Natives, rather than employing novel ways of thinking (such as those suggested by Walter Ong's concept of Second Orality), are in fact employing a way of thinking that has always existed: repurposing. Ruth Oldenziel discusses how, historically, women used “a kind of mental quality” enabling them to re-use objects in novel ways to accomplish more of life's tasks. My research led me to investigate how a wide variety of people, especially historically marginalized people, used this kind of mental quality. This dissertation explores repurposing's real world us
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Foberg, Karin, and Gustaf Sand. "Nyliberal utopi eller estetisk dystopi? -En multimodal kritisk diskursanalys av svenska visionsbilder." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-80982.

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Visionsbilder över byggprojekt har under de senaste decennierna blivit en vanlig typ av platsmarknadsföring. Visionsbilder kallas även för renderingar och är ett slags digitala collage som försöker övertyga publiken om platsens förmåga att fungera. Till skillnad från fotografier är renderingar sammansatta av visuella element som aktivt valts ut av producenten. Visionsmaterial innefattar en maktdimension då materialet ligger till grund för politiska beslut gällande kommunalt finansierade projekt. Det finns i dagsläget inga studier på visionsbilder ur ett kommunikationsperspektiv i en svensk kon
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Bowser, Alexander Jon. "Bad pixels challenges of microbudget digital cinema." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4852.

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Bad Pixels is a feature-length, microbudget, digital motion picture, produced, written, and directed by Alexander Jon Bowser as part of the requirements for earning a Master of Fine Arts in Film and Digital Media from the University of Central Florida. The materials contained herein serve as a record of the microbudget filmmaking experience. This thesis documents the challenges confronted by a first-time feature filmmaker; an evaluation of both the theory and application of a dynamic microbudget approach to digital content creation. From script development to digital distribution, the thesis a
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Books on the topic "Digital dystopia"

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Strüver, Anke, and Sybille Bauriedl, eds. Platformization of Urban Life. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459645.

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The increasing platformization of urban life needs critical perspectives to examine changing everyday practices and power shifts brought about by the expansion of digital platforms mediating care-services, housing, and mobility. This book addresses new modes of producing urban spaces and societies. It brings both platform researchers and activists from various fields related to critical urban studies and labour activism into dialogue. The contributors engage with the socio-spatial and normative implications of platform-mediated urban everyday life and urban futures, going beyond a rigid techno
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Cline, Ernest. Ready Player One: A novel. Edited by Julian Pavia. Crown Publishers, 2011.

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Gadeikienė, Danutė, ed. Oazė: Žaidimas prasideda. Alma littera, 2018.

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Cline, Ernest. Ready Player One. Broadway Paperbacks, 2011.

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Fernandez, Jose. Digital Dystopia. Lulu Press, Inc., 2010.

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Brady, , MAC, Loretta L. C. Technology Touchpoints: Parenting in the Digital Dystopia. Rowman & Littlefield Publishers, Incorporated, 2022.

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Helbing, Dirk. Next Civilization: Digital Democracy and Socio-Ecological Finance - How to Avoid Dystopia and Upgrade Society by Digital Means. Springer, 2021.

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Hu, Tung-Hui. Digital Lethargy. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14336.001.0001.

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The exhaustion, disappointment, and listlessness experienced under digital capitalism, explored through works by contemporary artists, writers, and performers. Sometimes, interacting with digital platforms, we want to be passive—in those moments of dissociation when we scroll mindlessly rather than connecting with anyone, for example, or when our only response is a shrugging “lol.” Despite encouragement by these platforms to “be yourself,” we want to be anyone but ourselves. Tung-Hui Hu calls this state of exhaustion, disappointment, and listlessness digital lethargy. This condition permeates
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Morandi. Digital Humanities: Utopias and Dystopias. Wiley & Sons, Incorporated, John, 2016.

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Digital Dystopias of Black Mirror and Electric Dreams. McFarland & Company, Incorporated Publishers, 2020.

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Book chapters on the topic "Digital dystopia"

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Dholakia, Nikhilesh, Norbert Mundorf, and Ruby Roy Dholakia. "Digital Utopia vs. Disinformation Dystopia: Digital Media at a Crossroads." In Marketing – Eine Bilanz. Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-39035-8_11.

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Marmaras, Ilias. "Banoptikon Video Game: Walk-through a Dystopia." In The Digital Transformation of the Public Sphere. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-50456-2_20.

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Schnellbächer, Wolfgang, and Daniel Weise. "Utopia Versus Dystopia: A Brief Look at the Decades Ahead." In Jumpstart to Digital Procurement. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51984-1_15.

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Kellner, Douglas. "Kubrick’s 2001 and Vision of Techno-Dystopia." In Technology and Democracy: Toward A Critical Theory of Digital Technologies, Technopolitics, and Technocapitalism. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-31790-4_9.

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Rasmussen, Nina Vindum. "European Co-productions in a Digital Single Market: EUtopia or Dystopia?" In European Film and Television Co-production. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97157-5_6.

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Feenberg, Andrew, Armen Khatchatourov, and Pierre-Antoine Chardel. "Wait a minute, dystopia has not arrived yet? - Digital Identities and the Ability to Act Collectively, an Interview with Andrew Feenberg." In Digital Identities in Tension. John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119629610.ch4.

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Jha, Amrit Kumar, and Vipanchi Mishra. "Youth and Technology: Leveraging Emotional Intelligence to Resist from Falling into Digital Dystopia." In International and Cultural Psychology. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-46349-5_14.

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Parrilli, Davide M. "Informational Privacy for Service Design." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-76926-9_3.

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AbstractThis chapter delves into informational privacy within the context of service design, set against the backdrop of the surveillance era driven by digitalization and servitization. It critiques “surveillance capitalism”, highlighting its biases and conceptual flaws, while adopting the perspective of a surveillance society where citizens actively engage in surveillance culture. The chapter redefines privacy for the digital age, focusing on informational privacy, which aligns with EU data protection laws and Alan Westin's influential 1967 definition. By contrasting privacy utopia and dystopia through the lens of Panopticon and Foucault’s panopticism, the authors introduce privacy scenarios and potential threats in service design. The chapter concludes by proposing a nuanced definition of privacy tailored for service design, emphasizing its practical implications.
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Brott, Simone. "Iconic dystopias and moral law." In Digital Monuments. Routledge, 2019. http://dx.doi.org/10.4324/9780429259647-15.

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Rust, Holger. "Schluss: Dystopie digitaler Schockstarre." In Virtuelle Bilderwolken. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-11886-0_8.

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Conference papers on the topic "Digital dystopia"

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Suhr, Cecilia. "Me, Myself and I in Dystopia." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483779.

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Бахтияров, Р. А. "NEW TECHNOLOGIES AND DIGITAL EASEL PAINTINGS BY OLGA MICHIE AND THE “GROM” ART GROUP (“DWELLING OF THE FUTURE” EXHIBITION, RUSSIAN MUSEUM, 2023–2024)." In Искусство и дизайн: история и практика. Crossref, 2024. http://dx.doi.org/10.54874/9785605162995.2024.9.03.

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Опыт рассмотрения выставки «Жилище будущего», проходившей в Русском музее в 2023–2024 гг., позволил обозначить проблему особого раздела современного искусства, связанного с визуальным проектированием образа будущего с использованием новых технологий. Анализ концепции выставки и содержания представленных на ней крупноформатных цифровых работ арт-группы «ГрОМ» и отдельных произведений, демонстрирующих интерьеры помещений различного функционального назначения, показал значение новых техник и технологий в раскрытии сложного многозначного содержания проекта. Показано, что актуальная тема возможных
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Prudente, Celso, Rogerio de Almeida, and Ricardo Alexino Ferreira. "The artefacts of black Brazilian cinema: from aesthetics to content and their media supports without dystopian perspectives." In 2022 Third International Conference on Digital Creation in Arts, Media and Technology (ARTeFACTo). IEEE, 2022. http://dx.doi.org/10.1109/artefacto57448.2022.10061263.

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Chernyakhovskaya, Yulia Sergeevna. "The crisis of ideal political construction in the modern world and the problem of restoring the project in the development strategy of states." In 6th International Conference “Futurity designing. Digital reality problems”. Keldysh Institute of Applied Mathematics, 2023. http://dx.doi.org/10.20948/future-2023-9.

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The article deals with the issue of the growing crisis of strategic design in the modern world. The author draws attention to the fact that the rejection of the installation for the implementation of Large Projects, which gradually occurred in the USSR in 1970-1980, resulting in the destruction of the Union State, more broadly launched crisis phenomena in the intellectual sphere all over the world. As a result, first of all, the Western world abandoned the project optimistic vision of the future, dystopian projects began to take the place of certain optimistic visions of the future in the inte
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Rockell, Kim. "Noh, Zen and Now." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.4-3.

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As part of the broader research project ‘Linking Japan to the world through the Performing Arts’ [JP20K01193], this paper explores the symbolic worldview evoked by the Japanese Noh theatre, Zen Buddhism, together with a contemporary iteration of Noh, set in cyberspace. This research draws on historical sources, and ethnomusicological perspectives gained through firsthand experience in learning to perform traditional Noh in Japan, and in producing contemporary, educational English language Noh-style plays in Fukushima and Tokyo between 2018–2021. I consider the complex semiotic resources combin
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Wagner, Christiane. "Redesigning Media Living Spaces." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/x5f0bruz.

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Challenges in media living spaces relate to the (de)construction of Western knowledge exploring utopian visual and digital structures. Embedded in the principle of utopia is the critical intention to discuss the social context that embodies sustainable values. The goal is to demonstrate that the aesthetic aspects of design performances and media images do not form autonomous discourses when political activity is considered a socially conscious part of this reality. The sensitive aspects of the media images and design performances include the content and political subject. The process involves
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Ribeiro, Clarissa. "Data-Phantoms: Impossible Nests (Memories Post Extinction)." In 28th International Symposium on Electronic Art. Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-79-full-ribeiro-data-phantoms.

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Recent studies show that in ‘anthropogenic landscapes’ birds have been forgetting how to sing and build nests since their parents die earlier and their communities are forced to be fragmented. Dialoguing with the Sub-theme “Symbiotic Imaginaries: Inventing Worlds,” the work “Data-Phantoms: Impossible Nests (Memories Post Extinction)” (2022) explores the phantasmagoric aspect of raw data coming from ‘nature traces’ of six (6) bird species declared extinct in nature along sequential morphogenetic transformations from numbers’ lists (birdsongs used as primary data), to geometrically complex and i
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