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Journal articles on the topic 'Digital dystopia'

Author: Grafiati

Published: 2 June 2025

Last updated: 19 July 2025

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1

Tirole, Jean. "Digital Dystopia." American Economic Review 111, no. 6 (2021): 2007–48. http://dx.doi.org/10.1257/aer.20201214.

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Autocratic regimes, democratic majorities, private platforms, and religious or professional organizations can achieve social control by managing the flow of information about individuals’ behavior. Bundling the agents’ political, organizational, or religious attitudes with information about their prosocial conduct makes them care about behaviors that they otherwise would not. The incorporation of the individuals’ social graph in their social score further promotes soft control but destroys the social fabric. Both bundling and guilt by association are most effective in a society that has weak t

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Williams, Granville. "Digital dystopia." Index on Censorship 27, no. 4 (1998): 186–92. http://dx.doi.org/10.1080/03064229808536405.

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Olds, Jacqueline. "Digital Dystopia." American Scientist 99, no. 4 (2011): 344. http://dx.doi.org/10.1511/2011.91.344.

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Andreichykova, O. A. "PROBLEMS AND CLASSIFICATION OF MODERN DYSTOPIA (Ukrainian and World Literature)." Writings in Romance-Germanic Philology, no. 2(51) (December 19, 2023): 4–19. http://dx.doi.org/10.18524/2307-4604.2023.2(51).296816.

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The article examines the specific features of modern dystopia, the themes and issues of the genre. The object of research is modern dystopian novels of the World and Ukrainian literature. In contrast to the 20th century, the concepts of critical, feminist, digital, national (in the context of multiculturalism) dystopia were included in the literary circulation of dystopia researchers of the 21st century. Specific groups and their genre subspecies are distinguished. The article also notes that the relevance of dystopia is primarily related to socio-cultural and geopolitical catastrophes and des

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HUSSAIN, ADIL, and Khursheed Ahmad Qazi. "Catatonia and Automatism in T.S. Eliot's Poetry." Criterion: An International Journal in English 14, no. 5 (2023): 289–96. https://doi.org/10.5281/zenodo.14878963.

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T.S. Eliot wrote in the context of a world waking to new and ugly realities of the war and the consequent crisis of a post-human world. Scofield’s inquiry into Eliot’s deployment of masks has provided enough scope for his poetry to be considered in terms of enactments. Scofield also examines Eliot’s exploration of the tension between the fragmented identities/personas and the nostalgia and the “etch” of the characters to stick to a fixed past. Eliot’s poetry escapes meaning, or is “destitute of meaning,” to use his words. The disillusionment of p

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Artamonov, Denis S. "Internet meme as a way of representing reality: between dystopia and myth." Digital Scholar: Philosopher`s Lab 5, no. 1 (2022): 14–21. https://doi.org/10.32326/2618-9267-2022-5-1-14-21.

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The article considers the phenomenon of In-ternet memes in the context of the mytholo-gization of ideas about reality. The author fo-cuses on Internet memes of dystopian con-tent and speaks about dystopia as an object representing the reality surrounding a person. He considers the Internet meme as a commu-nication phenomenon of digital culture. The Internet meme has a complex structure and reflects the views of Internet users on the agenda, their worldview, social and political system of society. In the article, the author contrasts the understanding of the meme within the framework of evoluti

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Penner, Regina V. "Dystopia in memes or memes in dystopia? Reflections on digital culture." Digital Scholar: Philosopher`s Lab 5, no. 1 (2022): 49–56. https://doi.org/10.32326/2618-9267-2022-5-1-49-56.

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The article continues reflections on the plan for the representation of dystopia in memes. The article proposes to refer to memes not only through the plan of expression, but rather consider them as an integral part of digital reality and culture. By referring to the works of media researchers, such as N. Couldry and A. Hepp with the concept of “mediatization” and J. van Dijk with the concept of “connection”, the idea is introduced that media (primarily digital media) are no longer indifferent conductors of information. On the contrary, by means of algorithms that are obtained on the basis of

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Hofacker, Charles F., and Daniela Corsaro. "Dystopia and utopia in digital services." Journal of Marketing Management 36, no. 5-6 (2020): 412–19. http://dx.doi.org/10.1080/0267257x.2020.1739454.

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Vanteevsky, M. M. "Ideological Role and Substantive Features of Dystopian Narratives in Russian Mass Culture." Moscow University Bulletin. Series 12. Political Science, no. 5, 2024 (October 15, 2024): 40–53. https://doi.org/10.55959/msu0868-4871-12-2024-2-5-40-53.

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Over the past few years, a fairly large number of authors have appeared (I.S. Tehlikidi, E.N. Verkin, V.O. Bogdanova, D.S. Zakharov, D.A. Danilov, Ya.M. Wagner) who use the dystopian genre for the socio-political construction of the future, and also use the methods of dystopia and heterotopia to represent modernity or certain aspects of the historical past. The article examines the evolution of the dystopian genre and the current state of this direction, the basis of which is not individual signs and distinctive features, but the concept of ‘dystopian narratives’. In the dystopias of the secon

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Parycek, Peter, Bettina Rinnerbauer, and Judith Schossböck. "Democracy in the digital age: digital agora or dystopia." International Journal of Electronic Governance 9, no. 3/4 (2017): 185. http://dx.doi.org/10.1504/ijeg.2017.088224.

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Schoßböck, Judith. "Democracy in the Digital Age: Digital Agora or Dystopia." International Journal of Electronic Governance 9, no. 1 (2017): 1. http://dx.doi.org/10.1504/ijeg.2017.10008576.

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Langoday, Yohanes Redan, Johar Amir, and Andi Agussalim Aj. "Decoding Digital Dystopia: Simulacra, Hyperreality, and Control in The Matrix Franchise Film Series as A Critique of Contemporary Society." Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia 7, no. 1 (2025): 18–38. https://doi.org/10.26499/bahasa.v7i1.1227.

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This study analyzes the representation of digital dystopia in The Matrix film series through Jean Baudrillard’s simulacra theory and Tom Moylan’s critical dystopia framework. Using qualitative analysis of key scenes and dialogues, the research traces the evolution of control mechanisms from physical oppression to psychological and biological manipulation. The franchise progresses through four stages of simulacra: reflection of reality (counterfeit), concealment (production), autonomous simulation, and hyperreality. Findings reveal how digital capitalism weaponizes narratives, eroding critical

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Herrera, Linda. "Citizenship under Surveillance: Dealing with the Digital Age." International Journal of Middle East Studies 47, no. 2 (2015): 354–56. http://dx.doi.org/10.1017/s0020743815000100.

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The world is not sliding, but galloping into a new transnational dystopia … The Internet, our greatest tool of emancipation, has been transformed into the most dangerous facilitator of totalitarianism we have ever seen. The Internet is a threat to human civilization.

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Gruenwald, Oskar. "The Dystopian Imagination." Journal of Interdisciplinary Studies 25, no. 1 (2013): 1–38. http://dx.doi.org/10.5840/jis2013251/21.

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This essay seeks to exploe the nature and effects of the new Post-Industrial Revolution as epitomized by the digital universe, the fusion of synthetic biology and cybenetics, and the promise of genetics, engendering new hopes of a techno-utopian future of material abundance, new virtual worids, human-like robots, and the ultimate conquest of nature. Central to this prefect is the quest for transcending human limitattons by changing human nature itself, consciously directing evolution toward a posthuman or transhuman stage. Less well understood is the utopia-dystopia syndrome illuminated by ttw

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Bailey Jr., Charles W. "Strong Copyright + DRM + Weak Net Neutrality = Digital Dystopia?" Information Technology and Libraries 25, no. 3 (2006): 116. http://dx.doi.org/10.6017/ital.v25i3.3344.

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Three critical issues—a dramatic expansion of the scope, duration, and punitive nature of copyright laws; the ability of Digital Rights Management (DRM) systems to lock-down digital content in an unprecedented fashion; and the erosion of Net neutrality, which ensures that all Internet traffic is treated equally—are examined in detail and their potential impact on libraries is assessed. How legislatures, the courts, and the commercial marketplace treat these issues will strongly influence the future of digital information for good or ill.

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Dydrov, Artur A. "Dispersion of dystopia: destroying monuments." Digital Scholar: Philosopher`s Lab 5, no. 1 (2022): 65–69. https://doi.org/10.32326/2618-9267-2022-5-1-65-69.

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The article fixes the answers to the funda-mental remarks about Artur A. Dydrov’s article “Distopia on the Internet: What's new have memes given to the genre?” The object of critical analytics embraced mainly memes as an actual form of representation of dystopia and a modern phenomenon of culture and communication. It should be noted that the authors have not practically discussed dysto-pia as a subject of the designated publication. The papers describe the language of the digi-tal age and specific language formats, among which memes have a titular position. An anal-ysis of the critical conten

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Diglin, Greg. "Living the Orwellian Nightmare: New Media and Digital Dystopia." E-Learning and Digital Media 11, no. 6 (2014): 608–18. http://dx.doi.org/10.2304/elea.2014.11.6.608.

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Hosap, Witthaya, Chaowanan Khundam, Patibut Preeyawongsakul, Varunyu Vorachart, and Frédéric Noël. "The Influence of Light and Color in Digital Paintings of Environmental Issues on Emotions and Cognitions." Informatics 10, no. 1 (2023): 26. http://dx.doi.org/10.3390/informatics10010026.

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This study aimed to examine the use of light and color in digital paintings and their effect on audiences’ perceptions of environmental issues. Five digital paintings depicting environmental issues have been designed. Digital painting techniques created black-and-white, monochrome, and color images. Each image used utopian and dystopian visualization concepts to communicate hope and despair. In the experiment, 225 volunteers representing students in colleges were separated into three independent groups: the first group was offered black-and-white images, the second group was offered monochroma

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Ivanov, Andrey G. "From dystopias to memes: comparisons and preliminary conclusions." Digital Scholar: Philosopher`s Lab 5, no. 1 (2022): 28–38. https://doi.org/10.32326/2618-9267-2022-5-1-28-38.

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The relevance of understanding new forms of expression of reaction to events and processes taking place in society and their comparison with already proven forms have encouraged the focus, respectively, on dystopias and memes. The article defines the concepts of “dystopia” and “meme” and provides exam-ples of the growing connection between uto-pian and meme culture, which is found in re-cent publications and projects. Further, the study suggests a consistent comparison be-tween the selected concepts within the framework of the main sections of philosophi-cal knowledge (ontology, gnoseology, ax

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Briant, Emma. "ETHICS IN DYSTOPIA? DIGITAL ADAPTATION AND US MILITARY INFORMATION OPERATIONS." Journal of Intelligence, Conflict, and Warfare 5, no. 3 (2023): 136–40. http://dx.doi.org/10.21810/jicw.v5i3.5183.

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On November 22, 2022, Dr. Emma Briant, Associate Professor at Bard College (United States of America) presented on Ethics in Dystopia? Digital Adaptation and U.S. Military Information Operations. The presentation was followed by a question-and-answer period with questions from the audience and CASIS-Vancouver executives. They key points discussed were: 1) the need for enhancing digital literacy skills so that one can be resilient in the face of online information that conveys an existential threat; 2) the competition between the different forms of media prevailing today, and its impact on the

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Alexander, Phoenix. "Spectacles of Dystopia: Lauren Beukes and the Geopolitics of Digital Space." Safundi 16, no. 2 (2015): 156–72. http://dx.doi.org/10.1080/17533171.2015.1028181.

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STROEVA, OLESYA V. "THE FATE OF DYSTOPIAS AND NEOLIBERAL VALUES IN MODERN SERIAL PRODUCTION." Art and Science of Television 16, no. 4 (2020): 11–29. http://dx.doi.org/10.30628/1994-9529-2020-16.4-11-29.

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The genre of dystopia is not among the most highly rated, since its character is usually critical and not entertaining. This is why the phenomenon of a growing number of dystopia remakes in the entertainment media industry is of scientific interest. Traditionally, dystopia was aimed at actualizing political problems related to the interaction between a state and a person. Apparently, contemporary totalitarianism is acquiring new features and is no longer a specific organization of state power in a particular country, but is associated with globalization, the development of macro-businesses and

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POPESCU, Veronica Tatiana. "A Palimpsestuous Interpretation of Ramin Bahrani’s Fahrenheit 451." Studia Universitatis Babeș-Bolyai Philologia 69, no. 3 (2024): 29–46. http://dx.doi.org/10.24193/subbphilo.2024.3.02.

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A Palimpsestuous Interpretation of Ramin Bahrani’s Fahrenheit 451. Drawing on a poststructuralist approach to adaptation as an instance of intertextuality (Stam 2000) and Linda Hutcheon’s metaphorical description of adaptations as palimpsests (2006), this paper will analyse the ways in which Ramin Bahrani, director and co-writer of the script of Fahrenheit 451 (2018, HBO), rewrote Ray Bradbury’s dystopian novel by the same name, leaving only traces of the source text visible in his appropriation. Supposedly reimagining Bradbury’s text for a new generation of viewers, digital natives of the onl

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Bryant, Antony. "What the Web Has Wrought." Informatics 7, no. 2 (2020): 15. http://dx.doi.org/10.3390/informatics7020015.

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In 1989, Sir Tim Berners-Lee proposed the development of ‘a large hypertext database with typed links’, which eventually became The World Wide Web. It was rightly heralded at the time as a significant development and a boon for one-and-all as the digital age flourished both in terms of universal accessibility and affordability. The general anticipation was that this could herald an era of universal friendship and knowledge-sharing, ushering in global cooperation and mutual regard. In November 2019, marking 30 years of the Web, Berners-Lee lamented that its initial promise was being largely und

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Sakamoto, Jun. "Reconsidering the Possibilities of Digital Citizenship and Pedagogy: Beyond the “Post-Truth” Dystopia." Educational Studies in Japan 17 (2023): 97–110. http://dx.doi.org/10.7571/esjkyoiku.17.97.

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Kis, Norbert. "The power of virtuality as a challenge for governments: A post-state dystopia." Central and Eastern European eDem and eGov Days 335 (March 17, 2022): 107–14. http://dx.doi.org/10.24989/ocg.v335.8.

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This study presumes that the giant technology corporations that dominate the Internet are becoming a historical power factor competing with governments. The so-called netocracy has already reached a level of influencing people that may have a real threat to the survival of governments and states. It analyses info-technology revolution as a trend and phenomenon that shape state power, the “new separation of powers”, which state governments have to face. Netocrats behind internetbased intelligent applications are becoming more efficient and successful power structures than the states. It is dubi

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Sturm, Damion. "Fans as e-participants? Utopia/dystopia visions for the future of digital sport fandom." Convergence: The International Journal of Research into New Media Technologies 26, no. 4 (2020): 841–56. http://dx.doi.org/10.1177/1354856520907096.

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Media technologies and digital practices are reshaping and redefining the future of sport fandom. This article points to some of the utopian and dystopic transformations for fandom presented by (post)television, digital/social media and the anticipated virtual technologies of the future. Specifically, three distinct phases of fan participation are charted around existing and futuristic visions of technology-as-sport. First are the current televisual technologies that attempt to engage and retain traditionally “passive” viewers as spectators through pseudo-participatory perspectives that will c

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Fink, Lior, Jianhua Shao, Yossi Lichtenstein, and Stefan Haefliger. "The ownership of digital infrastructure: Exploring the deployment of software libraries in a digital innovation cluster." Journal of Information Technology 35, no. 3 (2020): 251–69. http://dx.doi.org/10.1177/0268396220936705.

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Boundary resources have been shown to enable the arm’s-length relationships between platform owners and third-party developers that underlie digital innovation in platform ecosystems. While boundary resources that are owned by open-source communities and small-scale software vendors are also critical components in the digital infrastructure, their role in digital innovation has yet to be systematically explored. In particular, software libraries are popular boundary resources that provide functionality without the need for continued interaction with their owners. They are used extensively by c

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Mikander, Pia, Katarina Rejman, Jenny Högström, and Anna Slotte. "Democratic education online." Utbildning & Demokrati – tidskrift för didaktik och utbildningspolitk 34, no. 1 (2025): 49–70. https://doi.org/10.48059/uod.v34i1.2338.

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Education plays a key role in democracy. Nonetheless, while Finnish teachers are positive about educating for democracy, they feel that they lack the right resources to achieve this and tend to exhibit a passive approach to participation. The study contributes to the discussion on democratic education through teachers’ reflections on remote education. Through an analysis of teacher interviews conducted in Swedish-medium schools in Finland during 2021, we asked how teachers framed questions of democracy in the context of remote teaching. Our thematic analysis discusses teachers’ views of democr

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Fikriyah, Binta Ulfatul, Andre Noevi Rahmanto, Mahendra Wijaya, and Dita Angelia Dwi Hastuti. "Utopia or Dystopia: The Dichotomy of “The Social Dilemma” Documentary in Shaping Public Perception." Komunikator 16, no. 2 (2024): 196–207. http://dx.doi.org/10.18196/jkm.23019.

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Today's technology industry faces numerous issues, including scandals, data theft, consumer complaints, technology addiction, fake news, political polarization, and hacking. These problems are raised in the Netflix docudrama The Social Dilemma. This research discusses how algorithms and social media platform design can manipulate user behavior in both utopian and dystopian ways. It analyzes these dynamics through economic, political, sociocultural, and media perspectives, using Christian Fuchs' critical theory approach with critical discourse analysis and semiotics. The findings show that algo

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Vanya Goyal. "AI and Indian Dystopias: Cultural Disruption and Ethical Dilemmas in Asur and Ok Computer." Voice of Creative Research 7, no. 1 (2025): 35–45. https://doi.org/10.53032/tvcr/2025.v7n1.05.

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This paper seeks to explore the intersection of artificial intelligence (AI) and cultural disruption in Indian dystopian narratives, with a focus on the shows Asur and Ok Computer. Both series offer compelling insights into how AI reshapes societal structures, ethical paradigms, and human identities in a rapidly evolving technological landscape, particularly in the post-COVID context. Asur blends mythology and technology to depict a chilling dystopia where AI tools like facial recognition and behavioural analysis become weapons for moral and ideological battles. The show critiques the ethical

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Wigley, Mark. "Anthony Vidler in Reverse." October, no. 187 (2024): 93–119. http://dx.doi.org/10.1162/octo_a_00511.

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Abstract This essay in memory of Anthony Vidler explores the ways in which his obsessive mode of thinking and writing was primarily historiographic and ultimately autobiographical as it reversed itself towards the future. Vidler was not a historian who wrote but a writer who over time produced the effect of being a historian. He was a scholar in reverse, a trained architect and insightful architectural critic fixated on the ongoing legacy, from Plato to the latest digital zealots, of utopian dreams of an idealized architecture that would incubate an equitable society and the dystopian effects

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Barrett, Jenni. "Choose your future: a feminist perspective on Construction 4.0 as techno-utopia or digital dystopia." Proceedings of the Institution of Civil Engineers - Management, Procurement and Law 173, no. 4 (2020): 153–57. http://dx.doi.org/10.1680/jmapl.20.00003.

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Vollmeyer, Johanna. "Diasporas in the post-digital age ‐ capitalism + digitalization = dystopia: Sibylle Berg’s novel GRM." Journal of Global Diaspora 3, no. 1 (2022): 107–23. http://dx.doi.org/10.1386/gdm_00027_1.

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Sibylle Berg’s novel GRM: Brainfuck (2019) deals with profound structural changes that are directly linked to the growing digitalization and datafication of our world. Together with a strong neo-liberalism, this has provoked severe grievances, which have in turn led to important migratory movements. Berg lays this situation out thanks to the characters of the novel ‐ most of them are migrants or have a migrant background. They have experienced different kinds of discrimination and social exclusion that hinder their integration into the host society. The frustrated yearning of many migrants for

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Willmetts, Simon. "Digital Dystopia: Surveillance, Autonomy, and Social Justice in Gary Shteyngart's Super Sad True Love Story." American Quarterly 70, no. 2 (2018): 267–89. http://dx.doi.org/10.1353/aq.2018.0017.

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Fernández-Fernández, José-Luis. "Towards Digital Humanism, from a common denominator for Cyber Ethics and Artificial Intelligenge (AI) Ethics." Disputatio. Philosophical Research Bulletin 10, no. 17 (2021): 107–30. https://doi.org/10.5281/zenodo.5136269.

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From an express option in favour of the human, the article is structured as a response to the following research question: Could we identify a common ethical denominator that could serve as a proposal for a Digital Humanism: for a situation in which humanity, freeing itself from avoidable suffering, manages to deploy its potential to achieve sustainable economic development and technical and political progress capable of giving rise to human flourishing? All of this, within the framework of the Cyber Society and placing the person and his or her dignity at the centre of the whole process relat

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Agozie, Divine Quase, Muesser Nat, and Sampson Abeeku Edu. "Investigating the Antecedents and Role of Usage Fatigue on Online Commerce Usage Decrease." International Journal of E-Business Research 16, no. 4 (2020): 1–17. http://dx.doi.org/10.4018/ijebr.2020100101.

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The internet has made the digital ecosystem a viable commerce destination, but has also made it a content and media dystopia. Illegal access to user information and the frequent data breaches have sparked interest in privacy protection behaviour. Privacy focused technologies have emerged to provide personalized privacy assurance. It is as if a digital civil war is underway, and the online commerce industry is the collateral damage. The study investigates the antecedents and influence of usage fatigue on online commerce usage decrease. Structural equation modelling is used to analyze responses

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James, Hutson1* Andrew Smith2. "AI Satire and Digital Dystopia: The Dor Brothers Crafting Imperfection and Political Commentary in Contemporary Video Art." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) II, no. V (2024): 163–72. https://doi.org/10.5281/zenodo.13766474.

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<strong>Abstract</strong> <em>The Dor Brothers' AI-generated video content exemplifies an inflection point in digital creativity, where technological limitations are repurposed as aesthetic tools. Drawing on recent interviews with Yonatan Dor, this article explores the innovative techniques of the brothers, such as masking visual imperfections with retro filters and embracing the unpredictability of AI outputs. Through generating numerous clips and meticulously editing selections, they create a unique aesthetic that juxtaposes surrealism with a gritty realism, often reminiscent of early CCTV o

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LAWRENCE, BRUCE B. "DALE F. EICKELMANAND JON W. ANDERSON, ED., New Media in the Muslim World: The Emerging Public Sphere (Bloomington and Indianapolis: Indiana University Press, 1999). Pp. 199. $39.95 cloth, $15.95 paper." International Journal of Middle East Studies 33, no. 1 (2001): 167–69. http://dx.doi.org/10.1017/s0020743801471066.

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The debate about the Internet revolution has been marked by a double dystopia. One comes from the Scandinavian cybernauts who are far more extensively wired than their West European, or even North American, counterparts. In “Digital Arrogance,” the Swedish media scholar Andreas Kitzmann laments that the global expansion of multimedia technology and cyber-culture “is motivated not by the promise of human emancipation and enlightenment but by fantasies of power and complete control.” The South Asian cultural critic Ziauddin Sardar is even more harsh. “Cyberspace is social engineering of the wors

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Maliutina, Nataliia. "Tropika gatunkowa, fabularna, sfery bohaterów w najnowszej prozie postrealistów polskich." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 58, no. 1 (2023): 379–86. http://dx.doi.org/10.36770/bp.792.

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The monograph by Dariusz Piechota analyses some images, motifs, and types of characters that go back to Polish prose of the second half of the 19th century as well as modernism. The book deals with the global problems of civilization that have determined the consciousness of modern society. The author demonstrates that addressing specific topical issues (ecology and climate change, diseases, and destruction of personal identification under the influence of pop culture and the digital age) acquires genre characteristics in post-realist prose. Traditional genres (soap operas, family sagas, melod

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Van Otterlo, Martijn. "Automated Experimentation in Walden 3.0. : The Next step in Profiling, Predicting, Control and Surveillance." Surveillance & Society 12, no. 2 (2014): 255–72. http://dx.doi.org/10.24908/ss.v12i2.4600.

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Big data technologies are increasingly able to automatically gather data, experiment with action strategies, observe results of such strategies, and learn from their effects. When privacy issues are framed as “control over information” it becomes apparent that some areas in the digital world might be heading to what I call Walden 3.0; communities of interest that are influenced and controlled by measurement and experimentation. Instead of bringing forward Orwell’s 1984 dystopia in the privacy domain as is typically done, I sketch how current developments might be better studied in the context

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Brock, Maria, and Tina Askanius. "Raping turtles and kidnapping children: Fantasmatic logics of Scandinavia in Russian and German anti-gender discourse." Nordic Journal of Media Studies 5, no. 1 (2023): 95–114. http://dx.doi.org/10.2478/njms-2023-0006.

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ABSTRACT This study examines the social, political, and fantasmatic logics involved in the production of contemporary discourses about Scandinavia as a symbolic site and imagined place of sexual and moral decay and as a gender dysphoric dystopia by actors in the global anti-gender movement. Empirically, we draw on a rich digital archive of multi-modal media texts from an ongoing research project on anti-gender movements in Russia and Germany – two countries which provide particularly poignant examples of sites in which this mode of anti-gender propaganda is currently on the rise. In the analys

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Gil, Javier, Pablo Martínez, and Jorge Sequera. "The neoliberal tenant dystopia: Digital polyplatform rentierism, the hybridization of platform-based rental markets and financialization of housing." Cities 137 (June 2023): 104245. http://dx.doi.org/10.1016/j.cities.2023.104245.

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Marenko, Betti. "Hybrid Animism: The Sensing Surfaces Of Planetary Computation." New Formations 104, no. 104 (2021): 183–97. http://dx.doi.org/10.3898/newf:103-104.08.2021.

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This article proposes to examine animism through the perspective provided by a notion of immanent matter drawn on process philosophy (Spinoza, Deleuze and Guattari), and quantum physics (Bohm, Rovelli). It then deploys this perspective to illuminate how planetary computation - the impact of digital media technologies on a planetary scale - is rewiring the cognitive, affective, perceptual capacities of the human. The article puts forward the notion of hybrid animism, as a speculative and imaginative philosophical fiction ('philoso-fiction') to grasp planetary computation as a sensorial pan-affe

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Marenko, Betti. "Hybrid Animism: The Sensing Surfaces Of Planetary Computation." New Formations 104, no. 104 (2021): 183–97. http://dx.doi.org/10.3898/newf:104-105.08.2021.

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Abstract:

This article proposes to examine animism through the perspective provided by a notion of immanent matter drawn on process philosophy (Spinoza, Deleuze and Guattari), and quantum physics (Bohm, Rovelli). It then deploys this perspective to illuminate how planetary computation - the impact of digital media technologies on a planetary scale - is rewiring the cognitive, affective, perceptual capacities of the human. The article puts forward the notion of hybrid animism, as a speculative and imaginative philosophical fiction ('philoso-fiction') to grasp planetary computation as a sensorial pan-affe

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Drinkall, Jacquelene. "Capitalist Telepathics, Psychic Debt and the Search for Collective Intelligence." TOPIA: Canadian Journal of Cultural Studies 45 (October 1, 2022): 133–64. http://dx.doi.org/10.3138/topia-45-002.

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The current state of capitalist digital telepathics, or what I will call telepathy 3.0, presents a serious threat to the prospects of human freedom (Žižek 2020) . Notably, the capitalist race to develop telepathics by Mark Zuckerberg’s Facebook/Meta, Elon Musk’s Neuralink and others represents an intensification of surveillance capitalism (Zuboff 2019 : 206). Through an examination of tech-sector marketing literature and industry critics this article examines contemporary development of Brain Computer Interfaces (BCIs), Neural Interfaces (NIs) and intensified social networks, revealing the exp

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Mathers, Alex. "Universal basic income and cognitive capitalism: A post-work dystopia in the making?" Capital & Class 44, no. 3 (2019): 325–43. http://dx.doi.org/10.1177/0309816819852748.

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The rise of the gig economy and the prospect of increased automation has led to renewed calls for the implementation of a Universal Basic Income scheme from a variety of spokespeople on the left, including notable journalists, academics and politicians. Weeks, Mason, Srnicek and Williams and others suggest that such a re-orientation of welfare distribution would not only mitigate the effects of these tectonic changes to the nature of labour, but it might in fact facilitate a break away from neoliberal capitalism and towards a post-work condition. Building upon the work of Universal Basic Incom

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Seller, Merlin. "Ever-Lockdown: Waiting through Times of Playbour and Pandemic in Animal Crossing." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 14, no. 1 (2021): 100–116. http://dx.doi.org/10.31165/nk.2021.141.635.

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Animal Crossing: New Horizons’ (Nintendo 2020) huge popularity has previously been attributed to escapism prompted by the singularity of lockdown life (Frushtick 2020; Zhu 2020), resonating with analyses which have been quick to frame lockdown as a radical historical caesura in experiences of work and leisure (Harari 2020; Krastev 2020). However, Adam Chmielewski and Fernanda Bruno argue that lockdown can be seen in relation to continuities in neoliberalism’s alienation, isolation and hyperconnected domestic digital labour (2020; 2020) - a condition of prolonged and displaced anxiety I term ‘e

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Power, Michael. "Theorizing the Economy of Traces: From Audit Society to Surveillance Capitalism." Organization Theory 3, no. 3 (2022): 263178772110522. http://dx.doi.org/10.1177/26317877211052296.

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This essay is a conversation between Shoshana Zuboff’s theory of surveillance capitalism, Mikkel Flyverbom’s conceptualization of the hyper-visibility afforded by digital architectures, and my own ‘analog’ theory of accounting dynamics in the ‘audit society’. Drawing upon trends in accounting practice and research I develop a number of inflection points which define theoretical tensions between the concepts of audit society and surveillance capitalism. These tensions suggest that theoretical innovation is required in the face of: the accelerating constitution of organizations by platforms and

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Özdemir, Görkem. "Mislim." Maska 38, no. 213 (2023): 19–25. http://dx.doi.org/10.1386/maska_00144_1.

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It is my one and a half year in this city. Quite naturally I met with people from different ways of life and backgrounds within this relatively short time span; I attended live concerts, festivals, film screenings, theatre and dance performances, public happenings etc. However, I think my perception is still unblemished in terms of prejudices toward the cultural scene in Ljubljana. In general, I think it is getting harder and harder to focus our attention on a single thing, but rather we get washed under unfiltered information from many directions, for the benefit of few. Being a multitasker i

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