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Books on the topic 'Digital forgery'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Autotestcon 2001 (37th 2001 Valley Forge, Pa.). 2001 IEEE Autotestcon proceedings: IEEE Systems Readiness Technology Conference : Revolutionary ideas in test : [August 20-23, 2001, Valley Forge Convention Center, Valley Forge, Pennsylvania]. IEEE, 2001.

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2

Potter, Whitney. Digital Temperature Control for the Blacksmith Forge. CreateSpace Independent Publishing Platform, 2010.

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3

Sen, D. Understanding Digital Music and Sound Forge 6. BPB Publications, 2004.

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4

Instant Sound Forge. CMP Books, 2004.

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5

Garrigus, Scott R. Sound Forge Power. Laxmi Publications, 2005.

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6

Cowhey, Peter F., and Jonathan D. Aronson. Data Privacy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190657932.003.0008.

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Chapter 8 lays out the political economic trade-offs in privacy protection designs and their implications for the types of privacy risks and constraints on innovations. To delve more deeply, it then contrasts the U.S. and EU approaches. This leads into an analysis of the protracted U.S.–EU disputes on privacy safeguards and the efforts to forge international agreements on privacy protection forged at the Organization for Economic Cooperation and Development and the Asia-Pacific Economic Cooperation. The most promising initiatives will require a significant role for global civil society in gove

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7

Erdogan, Nezih, and Ebru Kayaalp. Exploring Past Images in a Digital Age. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723442.

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Film archives are fast spreading around the world, and with them issues surrounding archival digitisation, artistic appropriation, and academic reinterpretation of film material that demand scholarly attention. Exploring Past Images in a Digital Age: Reinventing the Archive aims to fill this demand with a thought-provoking collection of original articles contributed by renowned scholars, archivists, and artists. It urges the reader to “forget” standard ways of thinking about film archives and come to grips with the challenges of analysing and recontextualising an area in transit from the analo

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8

Livingstone, Sonia, and Alicia Blum-Ross. Parenting for a Digital Future. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190874698.001.0001.

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In the decades it takes to bring up a child, parents face challenges that are both helped and hindered by the fact that they are living through a period of unprecedented digital innovation. Drawing on extensive research with parents both rich and poor, parenting toddlers to teenagers, this book reveals how digital technologies give parenting struggles a distinctive character, as parents determine how to forge new territory with little precedent, or support. It argues that, in late modernity, parents are both more burdened with responsibilities and yet increasingly charged with respecting and d

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9

Subramaniam, Mohan. The Future of Competitive Strategy. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14129.001.0001.

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How legacy firms can combine their traditional strengths with the power of data and digital ecosystems to forge a new competitive strategy for the digital era. How can legacy firms remain relevant in the digital era? In The Future of Competitive Strategy, strategic management expert Mohan Subramaniam explains how firms can leverage both their traditional strengths and the modern-day power of data and digital ecosystems to forge a new competitive strategy. Drawing on the experiences of a range of companies, including Caterpillar, Sleep Number, and Whirlpool, he explains how firms can benefit fr

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10

Hite, J. C., and Karen Hite. Digital Agency Hacker: Forget Theory! Tactical Wisdom from an INC 5000 Agency. Stepup Strategies, 2022.

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11

Cowhey, Peter F., and Jonathan D. Aronson. Creating an International Governance Regime for the Digital Economy. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190657932.003.0009.

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The concluding chapter lays out a strategy for creating an international governance regime for the digital economy. It identifies a core “club” of nations that could champion new digital trade agreements linked to stronger international agreements to advance a trusted digital environment—the Digital Economy Agreement. This agreement would revamp trade policy to adjust to the impact of the information and production disruption by improving rules for digital market integration and would create a foundation that simplifies and strengthens the ability to forge significant pacts advancing the goals

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12

Ginn, Peter. Slow Tech : The Perfect Antidote to Today's Digital World: Forge * Carve* Weave * Mould * Ignite. Haynes Publishing Group P.L.C., 2019.

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13

Schotter, Jesse. Matrices and Metaverses. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424776.003.0007.

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The final chapter examines post-War American fiction and the imaginative connection forged, in theory and in fiction, between hieroglyphs and code, computers, and electronic writing. It contends that the association of hieroglyphs with universal languages and mixtures of media gets passed down to the newest of new media, digital code. From the postmodern novels of Thomas Pynchon through the literary-inflected sci-fi of William Gibson and Neal Stephenson, from the Afro-Futurist works of Ishmael Reed to the mass market novels of Dan Brown, this pairing of hieroglyphs and digital code recurs acro

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14

Geoghegan, Bernard Dionysius. Code. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023630.

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In Code Bernard Dionysius Geoghegan reconstructs how Progressive Era technocracy as well as crises of industrial democracy and colonialism shaped early accounts of cybernetics and digital media by theorists including Norbert Wiener, Warren Weaver, Margaret Mead, Gregory Bateson, Claude Lévi-Strauss, Roman Jakobson, Jacques Lacan, Roland Barthes, and Luce Irigaray. His analysis casts light on how media-practical research forged common epistemic cause in programs that stretched from 1930s interwar computing at MIT and eugenics to the proliferation of seminars and laboratories in 1960s Paris. Thi

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15

Clark, Catherine E. Looking Back, Looking Forward. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681647.003.0007.

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The Vidéothèque de Paris, a video archive of the city’s past that opened in 1988, provides the opportunity to take stock of over a hundred years of putting pictures of Paris’s past at the heart of municipal policy and prestige. While its futuristic viewing pods, robots, and searchable databases seem to predict the future of the Internet, video-sharing platforms, and digital history, the Vidéothèque also reveals how the production and circulation of images are not just windows onto urban change but part and parcel of that history. Photographs shaped the historical imagination in the twentieth c

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16

Lienhard, John H. The Engines of Our Ingenuity. Oxford University Press, 2000. http://dx.doi.org/10.1093/oso/9780195135831.001.0001.

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Millions of people have listened to John H. Lienhard's radio program "The Engines of Our Ingenuity." In this fascinating book, Lienhard gathers his reflections on the nature of technology, culture, and human inventiveness. The book brims with insightful observations. Lienhard writes that the history of technology is a history of us--we are the machines we create. Thus farming dramatically changed the rhythms of human life and redirected history. War seldom fuels invention--radar, jets, and the digital computer all emerged before World War II began. And the medieval Church was a driving force b

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17

Schiller, Dan. Networked Production and Reconstructed Commodity Chains. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038761.003.0002.

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This chapter examines how networks led to the spatial restructuring of commodity chains during the 1970s. It shows how renewed intercapitalist competition, as Japan and Germany were rebuilt, as well as fluctuations in exchange rates and national policies—adopted to appease strong industrial working classes and to protect domestic capital—fed a new phase of capitalist globalization. In turn, capitalist globalization forged a variety of new links in commodity chains and radical changes in production and trade. The chapter also considers how the information and communications technology (ICT) ind

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18

Kendall, Tina. Entertained or Else. Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798765107621.

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This book considers the complex and often contradictory relations that are forged between boredom and everyday media use in the twenty-first century anddemonstrates how networked media have developed new technical means of capitalizing on boredom’s state of suspension to make it into a source of value creation. Focusing on the discursive, technological, and affective structures that encourage users to be entertaining and to remain entertained, the book analyses how boredom has been increasingly instrumentalized as both an individual mood and a wider structure of feeling that drives participati

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19

Funk, Kellen R. Law's Machinery. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197543962.001.0001.

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Abstract Law’s Machinery tells how Americans, in an age of industrialization, began to think of law as a tool, one that could be forged and reformed to fit their needs without regard to the traditional ways of litigating cases in court. By legislating a “code of practice,” innovators like New York attorney David Dudley Field and his associates across the elite American bar attempted to rebuild the practice of law from the ground up in the mid-nineteenth century. While many of their reforms proved futile or misguided over time, ultimately, the codifiers succeeded in making American law a machin

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20

Aguayo, Angela J. Documentary Resistance. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190676216.001.0001.

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The potential of documentary moving images to foster democratic exchange has been percolating within media production culture for the last century, and now, with mobile cameras at our fingertips and broadcasts circulating through unpredictable social networks, the documentary impulse is coming into its own as a political force of social change. The exploding reach and power of audio and video are multiplying documentary modes of communication. Once considered an outsider media practice, documentary is finding mass appeal in the allure of moving images, collecting participatory audiences that c

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21

Gregg, Ronald, and Amy Villarejo, eds. The Oxford Handbook of Queer Cinema. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190877996.001.0001.

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Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. Although many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement in the United States (dubbed by B. Ruby Rich the “new queer cinema”), films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms: cross-dressing, same-sex attraction, comedic drag performance; at some points, for example, in 1950s television, these were not undercurrents

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22

Marshall, Helen, Kim Wilkins, and Lisa Bennett. Story Thinking and the Real-world Applications of Sci-Fi and Fantasy Writing. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350359291.

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In the 21st century, the rapid advance of technology and the existential threat of climate breakdown mean the real world increasingly resembles something out of fiction, filled with ambiguity and uncertainty. Such challenges need imaginative, creative solutions. To find them, teams of experts must pool their knowledge, make new connections, and forge paths forward. InStory Thinking, award-winning authors Helen Marshall, Kim Wilkins, and Lisa Bennett show how the principles of science fiction and fantasy writing – which speculate about and imagine different futures, people, and worlds - can enr

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