Relevant bibliographies by topics / Digital funeral

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Digital funeral'

Author: Grafiati
Published: 6 July 2021
Last updated: 1 February 2022

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Journal articles on the topic "Digital funeral"

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Alexis-Martin, Becky. "Sensing the deathscape: Digital media and death during COVID-19." Journal of Environmental Media 1, no. 2 (August 1, 2020): 11.1–11.8. http://dx.doi.org/10.1386/jem_00032_1.

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Across cultures, death has traditionally encompassed diverse material and ritual assemblages. Funeral practices are a unifying element of death, presenting an opportunity for communal memorialization of the deceased. These practices are environmentally embedded, spanning traditional graveyards and floral memorials, to contemporary green burials and body farms. However, COVID-19 has disrupted socio-environmental practices, due to disease transmission concerns that have manifested new constraints to funerary space. Here, I contemplate the digital deathscape during COVID-19 through three vignettes: the first considers Hart Island mass-burial drone footage and the emergence of a necropticon. The second vignette considers the emergence of domestic deathscapes and their significance to digitally broadcast (DB) funerals. The third vignette, Billy’s funeral, gives interview-based insights into the porous domestic deathscape of a DB funeral guest, Samantha. All three vignettes contemplate the experience of remotely sensing the deathscape and the scenarios that arise when traditionally hidden or ‘in-place’ death rituals arise ‘out-of-place’.
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Favro, Diane, and Christopher Johanson. "Death in Motion: Funeral Processions in the Roman Forum." Journal of the Society of Architectural Historians 69, no. 1 (March 1, 2010): 12–37. http://dx.doi.org/10.1525/jsah.2010.69.1.12.

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Scientifically accurate, three-dimensional digital representations of historical environments allow architectural historians to explore viewsheds, movement, sequencing, and other factors. Using real-time interactive simulations of the Roman Forum during the mid-Republic and the early third century CE, Diane Favro and Christopher Johanson examine the visual and sequential interrelationships among audience, actors, and monuments during funeral rituals. Death in Motion: Funeral Processions in the Roman Forum presents a hypothetical reconstruction of the funeral of the Cornelii family in the early second century BCE and argues that the conventional understanding of the staging of the funeral oration may be incorrect. It then reviews the imperial funerals of the emperors Pertinax and Septimius Severus to compare the ways that later building in the Roman Forum altered the ritual experience, controlled participant motion, and compelled the audience to submit to an imperial program of viewing.
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Han, Gil-Soo. "Funeral Capitalism: Commodification and Digital Marketing of Funeral Services in Contemporary Korea." Korean Studies 40, no. 1 (2016): 58–77. http://dx.doi.org/10.1353/ks.2016.0002.

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Enari, Dion, and Byron William Rangiwai. "Digital innovation and funeral practices: Māori and Samoan perspectives during the COVID-19 pandemic." AlterNative: An International Journal of Indigenous Peoples 17, no. 2 (May 15, 2021): 346–51. http://dx.doi.org/10.1177/11771801211015568.

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The COVID-19 worldwide pandemic has caused the world to stop. It has disrupted traditional funeral processes for Māori and Samoan peoples. Their collective ways of mourning were particularly affected, as social distance restrictions and travel bans meant they were unable to physically gather in large numbers. Despite the disruption caused by COVID-19, digital innovation has meant these groups have been able to remain socially connected, at a physical distance. This cohort has also been able to maintain collective interconnectivity with their family and friends during times of grief. Through the digital space, funerals are still able to be a communal time of mourning, support and comfort. As insider researchers, we present our stories, chants and oratory during times of sorrow, while centring our collective digital resilience.
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Kneese, Tamara. "Mourning the Commons: Circulating Affect in Crowdfunded Funeral Campaigns." Social Media + Society 4, no. 1 (January 2018): 205630511774335. http://dx.doi.org/10.1177/2056305117743350.

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This article focuses on the role of circulated affect in crowdfunded funeral campaigns, which have attracted little scholarly attention so far. This study is based on content analysis of online campaigns ( N = 50) and qualitative interviews ( N = 10) with campaign supporters and initiators. Its aim is to connect crowdfunded funeral campaigns to the larger digital-sharing economy. The findings of the study suggest that in order to gather sufficient funds to cover funeral costs, individuals share emotionally evocative narratives and images with their social networks and an imagined Internet audience with the expectation of attracting compassion. The study shows that political movements, media coverage, and sharing on social media platforms are integral to the success of campaigns for socially marginal individuals. The article contributes to the growing study of crowdwork and finds persistent structural inequalities in crowdfunding campaigns, thereby contesting the ethos of the digital commons.
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Jouan, P., P. Sadzot, D. Laboury, and P. Hallot. "EXPERIENCE AND ATMOSPHERE OF THE BUILT HERITAGE IN DIGITAL ENVIRONMENT." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 329–37. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-329-2021.

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Abstract. The digital documentation of heritage places produces accurate 3D restitution of their geometry in a virtual environment and can be related to multiple semantic layers to archive, represent, preserve and transmit the knowledge gathered along their lifecycle. The combination of high-density point clouds with other sources of information advises virtual reconstitutions of historical states of a place’s physical realm. The cultural significance of the built heritage lies in the values associated with its tangible and intangible dimensions. Apart from aspects of values related to historical sites’ physical attributes, 3D models can support the representation of intangible elements influencing visitors’ perception of their Genius Loci and supporting new interpretations about their cultural significance. In this framework, 3D animation, rendering, and simulation technologies allow recreating aspects of a place’s atmosphere, like the simulation of lighting conditions and the user’s immersive experience of a heritage site into a virtual environment. This paper focuses on the light perception recreated in a funeral chapel of the Theban Tomb environment by considering the strong spiritual dimension in the conception of funeral sites in ancient Egypt during the New Kingdom period (1550–1069 BC). We investigate the potential of 3D simulation and animation technologies to represent hypotheses about original lighting conditions in such sites. The proposed research is based on the case study of Sennefer’s tomb chapel, also referred to as TT96A, located on the western bank of the Nile, opposite modern Luxor.
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Micoli, L. L., S. Gonizzi Barsanti, G. Caruso, and G. Guidi. "DIGITAL CONTENTS FOR ENHANCING THE COMMUNICATION OF MUSEUM EXHIBITION: THE PERVIVAL PROJECT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 487–93. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-487-2019.

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<p><strong>Abstract.</strong> The PERVIVAL project aims at developing an interactive system with the preliminary function of explaining a complex museum collection in a simple and immediate way and allowing the visitor to better understand the museum collection he is about to see. In particular, the interactive system aims at enhancing the understanding of the collections of funeral furnishings of Egyptians, which are characterized by a multiplicity of objects of rich symbolism and connected to each other through complex funeral rituals. The idea is to explain the religious creed of ancient Egyptians through the objects placed in the tomb, having in this way a double benefit: enlightening the rituals and placing the objects back in their primary function. In this way, the knowledge of the visitor is not only enlarged through the description of something that is described on papyruses or inscriptions (hence, not comprehensible) but also the proper function of every single object will be explained through the connection among them, as a function of amulets or goods necessary to travel through the <i>World of the Dead</i>. The connection between the different objects allows a much greater understanding of the exposed collection that would be perceived in this way not as a set of single isolated pieces, but as a harmonious set of complementary elements between they represent a specific historical-cultural context.</p>
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Wardani, R., and M. J. Husada. "Digital Self-Learning: Engaging Students in Studying Salat Al-Janazah (The Islamic Funeral Prayer) Based-on Digital Self-Learning." Journal of Physics: Conference Series 1413 (November 2019): 012036. http://dx.doi.org/10.1088/1742-6596/1413/1/012036.

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van Ryn, Luke, James Meese, Michael Arnold, Bjorn Nansen, Martin Gibbs, and Tamara Kohn. "Managing the consumption of death and digital media: The funeral director as market intermediary." Death Studies 43, no. 7 (January 9, 2019): 446–55. http://dx.doi.org/10.1080/07481187.2018.1522387.

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Masséglia, Jane. "Rome's Walking Dead: Resurrecting a Roman Funeral at the Ashmolean Museum." Journal of Classics Teaching 17, no. 33 (2016): 31–34. http://dx.doi.org/10.1017/s2058631016000088.

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The Ashmolean Latin Inscriptions Project (AshLI) is a three-year collaboration between the universities of Warwick and Oxford, and the Ashmolean Museum. Its remit comprises, aside from photographing, cataloguing and translating the Museum's collection of more than 350 Latin-inscribed objects, a wide-ranging programme of public- and schools-engagement: as well as the epigraphers (inscriptions specialists), imaging experts and digital encoders, Professor Alison Cooley's team also includes a PGCE-qualified Classics teacher and blogger, and a trained podcast producer. Their aim is to tell stories of Roman life, using inscriptions as a starting point, through INSET days, free teaching resources, short films and regular podcasts made available through the project's blog ‘Reading, Writing, Romans’. In 2015, the team organised the first in a series of large-scale, direct public engagement events, when it staged a Roman funeral procession in the Ashmolean Museum.
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Dissertations / Theses on the topic "Digital funeral"

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Garrison, John. "The Contemporary Uncanny: An Architecture for Digital Postmortem." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617109466087914.

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Andersson, Cornelia. "Digitala begravningar : En etnologisk studie om upplevelsen av att delta i en direktsänd ritual." Thesis, Uppsala universitet, Institutionen för kulturantropologi och etnologi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-447996.

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The purpose of this study is to investigate how people act during and experience the feeling of participating in a digital funeral, in order to increase the understanding of how online rituals function. Through interviews with five people who have participated in digital funerals and based on ritual theory and Sara Ahmed’s phenomenological understanding of emotions, I investigate the following questions: How does it feel to participate in the elements of a digital funeral? How do funeral rituals function in a digital funeral? How can participants actively engage in a digital funeral?  The results of the study show that the experience of participating in a digital funeral does not correspond with the participants expectations and conceptions of what a funeral is. It also shows that the digital funeral and the physical funeral is the same ritual but communicated in two different ways which leads to two different experiences. This leads to the participants feeling disoriented and makes the funeral ritual, with the purpose for the participants to part from the deceased, to not fully have the wanted effect.
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Lee, Joon Seong. "Digital Spirituality and Governmentality: Contextualizing Cyber Memorial Zones in Korea." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1153929122.

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Caswell, Glenys. "A sociological exploration of funeral practices in three Scottish sites tradition, personalisation and the reflexive individual /." Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources, 2009. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=33523.

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Marcelino, Carolina, Helder Gama Mota, Jessica Garida Soares, and Joana Barbosa Taborda e. Silva. "Ambar business plan disrupting the funerary industry." Master's thesis, 2017. http://hdl.handle.net/10362/27848.

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Death is the only certainty in life. However, the topic is avoided at all costs until the moment we are directly confronted with it. Instead of easiness in a difficult moment, we are faced with an overly dispersed process of looking for a funeral home that will rush through the funeral’s arrangements, often compromising transparency. Most people are not well-prepared; hence everything needs to be decided immediately. Ambar aims to digitally disrupt, empower and connect industry players with its clients, enabling the comparison of at- and pre-need funeral services, providing legal counselling and storing key information in a one-stop platform.
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McLawhorn, Tracy Elizabeth. "A Critical Edition of Donne's "The Indifferent," "Love's Usury," "The Will," "The Funerall," "The Primerose," and "The Dampe" and a Digital Edition of "To his Mistress Going to Bed"." Thesis, 2013. http://hdl.handle.net/1969.1/149398.

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This dissertation presents an edition of six poems from John Donne’s Songs and Sonets—“The Indifferent,” “Love’s Usury,” “The Will,” “The Funerall,” “The Primerose,” and “The Dampe”—and a digital edition of one additional poem, “To His Mistress Going to Bed.” Using the methodologies of The Variorum Edition of the Poems of John Donne, I have also adopted the edition’s principal goal—to recover and present Donne’s exact texts to the extent that this is possible. For each poem, I have selected a copy-text and emended it in accordance with the Variorum’s principles. A textual introduction for each poem explains how the copy-text was chosen and traces the circulation of the text in all seventeenth-century artifacts. I have also provided a textual apparatus for each poem, which, in addition to recording the texts collated, emendations to the copy-text, imperfections in the sources, and indentation patterns in the sources, also notes all verbal variants and variants of punctuation. Finally, I have created a stemma charting the transmissional history for each poem and giving a visual representation of how the textual artifacts relate to each other. The other major component of my dissertation, a digital edition of “To His Mistress Going to Bed,” is meant to serve as a prototype for what might usefully be done with Donne’s poems in a digital medium. While the actual digital edition of this poem cannot be fully represented on paper, my chapter on this edition outlines the process I used to create it and describes its major features. The digital edition itself can be found at .
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Books on the topic "Digital funeral"

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Flowers after the funeral: Reflections on the post-9/11 digital age. Lanham, Md: Scarecrow Press, 2003.

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Hartung, Sharon. Your Digital Undertaker: Exploring Death in the Digital Age in Canada. Canada: 1-FriesenPress (www.friesenpress.com), 2019.

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Cumiskey, Kathleen M., and Larissa Hjorth. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190634971.003.0008.

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The concluding chapter revisits our major themes and highlights next steps for exploring mobile-emotive practices and loss. We also seek to provide a set of propositions for future areas of study. We explore the limits of funeral decorum through understanding selfies at funerals, virtual veneration, and the challenges of a new kind of public mourning. We discuss further the crux of our book: how the personal nature of mobile devices positions them to uniquely play a role in bereavement. We examine digital legacies and the impact of the increasingly likelihood that we will be co-present at the moment of death for some, thanks to live mobile media broadcasting. We conclude with an analysis of shifting cultural understandings of death and imagine a mobile-emotive afterlife.
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Pinocchio (Audiofy Digital Audiobook Chips). Audiofy/Sound Room, 2002.

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Taylor, Sarah McFarland. Ecopiety. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479810765.001.0001.

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This bookanalyzes diverse representations of environmental moral engagement in contemporary mediated popular culture. It identifies and explores intertwining, co-constitutive, yet contrary stories of what the author terms “ecopiety” and “consumopiety” as they flow across multiple media platforms. The way these stories compete and conflict, vying for space as contested narratives in the public imagination, constitutes a central inquiry of the book. Drawing together theoretical insights from cultural studies, media studies, environmental humanities, and religious studies, the book offers a critical reading of primary source data drawn from such areas as the marketing of green consumer products, “greenwashed” corporate advertising, environmental mobile device applications, eco-themed reality television, the marketing of eco-funerals, Internet sharing of environmental tattoos, “green” fashion guides, and the media strategies of green hiphop activism. Taylor makes the case that a detailed, multichannel, cross-platform approach to cultural analysis is critical to understanding the kind of important “work” taking place as mediated popular culture plays an integral role in the “greening” of American moral sensibilities. Ecopiety delves into the complex and contested processes of remaking our world and rescripting the future in the digital age—a time when storytelling processes themselves are shaping and being shaped by new media outlets and digital sharing technologies.
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Cumiskey, Kathleen M., and Larissa Hjorth. Haunting Hands. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190634971.001.0001.

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From natural disasters to private funerals, digital media are playing a central role in the documentation and commemoration of shared significant events and individual loss experiences. Yet few studies have fully engaged with the increasing role mobile media play in making meanings related to traumatic events across different individual and collective contexts. Haunting Hands provides the first in-depth study into understanding the role of mobile media in memorialization and bereavement as a cultural and social practice. Throughout the chapters in this book, we explore how mobile devices are both expanding upon older forms of memory-making and creating new channels for affective cultures whereby the visual, textual, oral, and haptic manifest in new ways. Encompassing everything from phones to tablets, mobile media are not only playing a key role in how we represent and remember life, but also in how we negotiate the increasingly integral role of the digital within rituals in and around death. Haunting Hands posits how, during times of distress, mobile media can assist, accompany, and at times augment the disruptive terrain of loss. The book expands upon debates in the area of online memorialization in that the mobile device itself takes prominence, not only for its communicative or social function, but also for the ways in which it can contain as well as generate an intimate space within it. In this way, the device becomes an important companion for mobile-emotive grief as the bereaved engage with emotionally charged digital content in solitary, sometimes secretive, and sometimes shared ways.
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Book chapters on the topic "Digital funeral"

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Arnold, Michael, Martin Gibbs, Tamara Kohn, James Meese, and Bjorn Nansen. "The funeral as a site of innovation." In Death and Digital Media, 98–123. Routledge, 2017. http://dx.doi.org/10.4324/9781315688749-6.

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"Digital Inheritance and Hi-Tech Funeral Rites." In Online Afterlives. The MIT Press, 2020. http://dx.doi.org/10.7551/mitpress/12553.003.0004.

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Samson, Audrey. "Digital data funerals." In Residues of Death, 91–106. Routledge, 2019. http://dx.doi.org/10.4324/9780429456404-9.

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Berry, Jason. "After the Flood." In City of a Million Dreams, 298–326. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469647142.003.0015.

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Hurricane Katrina devastated New Orleans in 2005, killing over 1,000 people and displacing over 1 million. As the rebuilding process began, musicians, Mardi Gras Indians, and Social Aid and Pleasure Club members began trickling back. Culture prevailed as politics failed. The life force of music and memory, determined to survive, came back to the shattered city. The hurricane wasn’t the only devastating force: the city had undertaken many urban development projects in Tremé throughout the second half of the 20th century, demolishing historical areas and displacing people. New Orleans has also long suffered from government corruption, and several politicians were arrested throughout the 2000s. Yet hope and vibrancy abound. The 2014 funeral for Larry Bannock, Big Chief of the Golden Starhunters, drew a large gathering of black Indians in a magnificent cultural spectacle. Amidst much political and social controversy, Mayor Mitch Landrieu removed the Robert E. Lee statue from the city in 2017. As New Orleans begins its fourth century, it faces issues of gun violence, poverty, and gentrification, but opportunities from a flourishing digital economy, resurgent music scene, and cultural mecca as well. It is still the vibrant, diverse society composed of people whose roots lie across the world, whose resilience has been a rudder through the storms and violent upheavals throughout the centuries.
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Edmondson, Jonathan. "Reconstructing the Texts of Funerary Inscriptions from Augusta Emerita for the CIL II Mérida Project with the Aid of New Technologies." In Epigraphy in the Digital Age, 55–70. Archaeopress Publishing Ltd, 2021. http://dx.doi.org/10.2307/j.ctv1xsm8s5.10.

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Conference papers on the topic "Digital funeral"

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Kamil, P. I., A. J. Pratama, and A. Hidayatulloh. "Did we really #prayfornepal? Instagram posts as a massive digital funeral in Nepal earthquake aftermath." In THE 5TH INTERNATIONAL SYMPOSIUM ON EARTHHAZARD AND DISASTER MITIGATION: The Annual Symposium on Earthquake and Related Geohazard Research for Disaster Risk Reduction. Author(s), 2016. http://dx.doi.org/10.1063/1.4947419.

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Alayón González, José Javier, Mariolly Dávila Cordido, and Odart Graterol Prado. "Reconstrucción de una pirámide borrada. Análisis de la Capilla Mortuoria encargada por Lucie Delgado-Chalbaud en Caracas, Venezuela, 1951." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1081.

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Resumen: Este trabajo analiza, por diversos medios, el proyecto de la capilla mortuoria con dos tumbas para el expresidente militar Carlos Delgado-Chalbaud y su padre. El encargo, no realizado, fue el único que, tras varias tentativas, pudo ejecutarse en Caracas, Venezuela. Le Corbusier archivó este proyecto como un “Monument”, y dentro de su trayectoria solo estuvo precedido por otro de carácter funerario dedicado al Mariscal F. Foch en la Porte Maillot de París y, posteriormente, diseñará su propia tumba en Cap Martin. Esto convierte al proyecto de Caracas, prácticamente desconocido, en un caso singular dentro de las tipologías funeraria y religiosa. La reconstrucción planteada se sustenta en la documentación conservada, el análisis histórico de las fuentes documentales, el empleo de la perspectiva clásica y las herramientas digitales para aportar precisiones y avances sobre estudios previos. En paralelo, la comparación con propuestas formales similares, enmarca el objeto de estudio dentro del legado del arquitecto. La pirámide ejemplifica la relación entre hombre y naturaleza, el “juego jugado por el hombre con los elementos cósmicos”, el papel de la forma, y de las trazas reguladoras en un período en el que su racionalismo purista se abre a interpretaciones más expresivas de la forma. En el fondo de esta investigación subyace el interés por comprender el proceso proyectual de Le Corbusier y su idea de arquitectura en torno a los años 50, al tiempo que se reconstruye un proyecto prácticamente borrado. Abstract: By several methods, this work analyzes the project for the mausoleum with two tombs for the former military president Carlos Delgado Chalbaud and his father. The unrealized commission was the only work that could have built in Caracas, Venezuela. Le Corbusier archive this project categorized as a “Monument” and in his career, it was only preceded by another funerary project dedicated to Mariscal F. Foch located in Porte Maillot in Paris, France. Only there was another funeral project: his own grave at Cap Martin. This makes this virtually unknown project in Caracas, a singular case framed within the funeral and religious categories. The proposed reconstruction is based on the preserved documentation, historical analysis of various documentary sources, the use of classical perspective and digital tools to provide clarifications and progress on previous studies. Parallel, comparisons with similar previous and subsequent formal proposals frames the object of study in its entire legacy. The pyramid illustrates the relationship between man and nature “the game played by the man with the cosmic elements”, in a period in which his purist rationalism opens to a more expressive performances in form. In the background of this research lays an interest in understanding the design process of Le Corbusier and his idea of architecture around the 50’s, while a virtually erased project is restored. Palabras clave: Le Corbusier; capilla; Caracas; análisis; reconstrucción; pirámide. Keywords: Le Corbusier; mausoleum; Caracas; analysis; reconstruction; pyramid. DOI: http://dx.doi.org/10.4995/LC2015.2015.1081
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Reports on the topic "Digital funeral"

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Evans, Julie, Kendra Sikes, and Jamie Ratchford. Vegetation classification at Lake Mead National Recreation Area, Mojave National Preserve, Castle Mountains National Monument, and Death Valley National Park: Final report (Revised with Cost Estimate). National Park Service, October 2020. http://dx.doi.org/10.36967/nrr-2279201.

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Vegetation inventory and mapping is a process to document the composition, distribution and abundance of vegetation types across the landscape. The National Park Service’s (NPS) Inventory and Monitoring (I&M) program has determined vegetation inventory and mapping to be an important resource for parks; it is one of 12 baseline inventories of natural resources to be completed for all 270 national parks within the NPS I&M program. The Mojave Desert Network Inventory & Monitoring (MOJN I&M) began its process of vegetation inventory in 2009 for four park units as follows: Lake Mead National Recreation Area (LAKE), Mojave National Preserve (MOJA), Castle Mountains National Monument (CAMO), and Death Valley National Park (DEVA). Mapping is a multi-step and multi-year process involving skills and interactions of several parties, including NPS, with a field ecology team, a classification team, and a mapping team. This process allows for compiling existing vegetation data, collecting new data to fill in gaps, and analyzing the data to develop a classification that then informs the mapping. The final products of this process include a vegetation classification, ecological descriptions and field keys of the vegetation types, and geospatial vegetation maps based on the classification. In this report, we present the narrative and results of the sampling and classification effort. In three other associated reports (Evens et al. 2020a, 2020b, 2020c) are the ecological descriptions and field keys. The resulting products of the vegetation mapping efforts are, or will be, presented in separate reports: mapping at LAKE was completed in 2016, mapping at MOJA and CAMO will be completed in 2020, and mapping at DEVA will occur in 2021. The California Native Plant Society (CNPS) and NatureServe, the classification team, have completed the vegetation classification for these four park units, with field keys and descriptions of the vegetation types developed at the alliance level per the U.S. National Vegetation Classification (USNVC). We have compiled approximately 9,000 existing and new vegetation data records into digital databases in Microsoft Access. The resulting classification and descriptions include approximately 105 alliances and landform types, and over 240 associations. CNPS also has assisted the mapping teams during map reconnaissance visits, follow-up on interpreting vegetation patterns, and general support for the geospatial vegetation maps being produced. A variety of alliances and associations occur in the four park units. Per park, the classification represents approximately 50 alliances at LAKE, 65 at MOJA and CAMO, and 85 at DEVA. Several riparian alliances or associations that are somewhat rare (ranked globally as G3) include shrublands of Pluchea sericea, meadow associations with Distichlis spicata and Juncus cooperi, and woodland associations of Salix laevigata and Prosopis pubescens along playas, streams, and springs. Other rare to somewhat rare types (G2 to G3) include shrubland stands with Eriogonum heermannii, Buddleja utahensis, Mortonia utahensis, and Salvia funerea on rocky calcareous slopes that occur sporadically in LAKE to MOJA and DEVA. Types that are globally rare (G1) include the associations of Swallenia alexandrae on sand dunes and Hecastocleis shockleyi on rocky calcareous slopes in DEVA. Two USNVC vegetation groups hold the highest number of alliances: 1) Warm Semi-Desert Shrub & Herb Dry Wash & Colluvial Slope Group (G541) has nine alliances, and 2) Mojave Mid-Elevation Mixed Desert Scrub Group (G296) has thirteen alliances. These two groups contribute significantly to the diversity of vegetation along alluvial washes and mid-elevation transition zones.
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Journal articles
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