Academic literature on the topic 'Digital humanities, art history, cultural heritage'

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Journal articles on the topic "Digital humanities, art history, cultural heritage"

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Marsili, Giulia, and Lucia Maria Orlandi. "Digital Humanities and Cultural Heritage Preservation." Studies in Digital Heritage 3, no. 2 (2020): 144–55. http://dx.doi.org/10.14434/sdh.v3i2.27721.

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 The development of Information Technology and Digital Humanities has brought numerous significant changes to the Cultural Heritage domain. The Digital Humanities has become a dynamic and fertile research field, and new projects and opportunities are constantly flourishing. The BYZART project perfectly fits this context. This project is coordinated by the Department of History and Cultures of the University of Bologna, embracing a wide consortium of partners from Bulgaria, Greece and Italy. It aims at enhancing Byzantine and Post-Byzantine artistic and cultural heritage within the Europe
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Trocchianesi, Raffaella, and Letizia Bollini. "Design, Digital Humanities, and Information Visualization for Cultural Heritage." Multimodal Technologies and Interaction 7, no. 11 (2023): 102. http://dx.doi.org/10.3390/mti7110102.

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In this essay, we are interested in investigating some of the possible relations between design and digital humanities. In particular, we analyze the contribution that communication and interface design can bring to digital humanities. In a scene currently characterized by a heterogeneous set of activities and humanistic, technological, and cultural studies, the involvement of design seems confined to the development of digital instruments in accessing, exploring, and manipulating cultural data. How can design and the humanities work in an interdisciplinary way in order to shape new digital me
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Dombrowski, Quinn, Anna Kijas, and Sebastian Majstorovic. "DIGITAL CULTURAL HERITAGE UNDER ATTACK: SAVING UKRAINIAN CULTURAL HERITAGE ONLINE (SUCHO)." Text and Image: Essential Problems in Art History, no. 1 (2022): 6–12. http://dx.doi.org/10.17721/2519-4801.2022.1.01.

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Cultural heritage is at the heart of Russia’s war on Ukraine, still underway five months after the invasion on February 24, 2022. Statements from the Kremlin indicate that the fundamental goal of Putin’s regime is to undermine and eliminate the distinct and distinctive Ukrainian national identity, culture, and language – three concepts that are manifested through cultural heritage. During a war with such an agenda, internationally recognized frameworks such as the 1954 Hague Convention can be subverted, turning the blue shield symbol meant to protect cultural property into a target. While prac
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Federici, Angelica, and Joseph Chandler Williams. "Digital Humanities for Academic and Curatorial Practice." Studies in Digital Heritage 3, no. 2 (2020): 117–21. http://dx.doi.org/10.14434/sdh.v3i2.27718.

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The Digital Humanities have challenged all disciplines of Art History to engage with new interdisciplinary methodologies, learn new tools, and reevaluate their role within academia. In consequence, art historians occupy a new position in relation to the object of study. Museums have been equally transformed. The possibilities of creating virtual realities for lost/inaccessible monuments poses a new relationship between viewer and object in gallery spaces. Digital Humanities interventions in museums even allow us to preserve the memory of endangered global heritage sites that cease to exist or
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Na, Zhang, Sharul Azim Sharudin, and Tao Tao Xiong. "Digital Exploration and Mapping of Miao Embroidery in Guizhou, China from the Perspective of Cultural Genes." Journal of Advanced Research in Applied Sciences and Engineering Technology 54, no. 1 (2024): 250–59. https://doi.org/10.37934/araset.54.1.250259.

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As an intangible cultural heritage of China and a traditional handicraft in Guizhou Province, Miao embroidery has a long history and unique cultural background. However, the current research on embroidery is mostly biased towards protection and restoration and lacks design application and innovation. From the perspective of cultural genes, this paper integrates the multidisciplinary knowledge of "art-technology-humanities" through the mixed research methods combining quantitative and qualitative, and uses the basic methods of computer colour extraction and optical colorimetry, HSV digital colo
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Münster, Sander, and Melissa Terras. "The visual side of digital humanities: a survey on topics, researchers, and epistemic cultures." Digital Scholarship in the Humanities 35, no. 2 (2019): 366–89. http://dx.doi.org/10.1093/llc/fqz022.

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Abstract Although the digital humanities have traditionally been conceived as a text-based discipline, both digital visualization techniques as well as visual analysis are increasingly used for research in various humanities disciplines. Since there are several overlaps in epistemic cultures of visually oriented and digitally supported research in art and architectural history studies, museology, and archaeology, as well as cultural heritage, we introduce ‘visual digital humanities’ as novel ‘umbrella’ term to cover research approaches in the digital humanities that are dependent on both consu
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Efrat, Liron, and Giovanna Graziosi Casimiro. "Transformative Heritage." Culture Unbound 14, no. 2 (2022): 133–52. http://dx.doi.org/10.3384/cu.3965.

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In this paper, we analyze some of the platforms and technologies that influence the manner in which we interact and experience historical sites and heritage. Acknowledging that history is a constructed narration of the past, this paper demonstrates how contemporary technologies have agency in reconstructing histories in the present via digital platforms. By comparing online platforms for digital heritage production like Google Heritage with Augmented Reality (AR) and Mixed Reality (MR) platforms, we demonstrate how digital heritage may undergo a process recontextualization or decontextualizati
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Islam, Sharif, Andreas Weber, and Erzsébet Tóth-Czifra. "From Green Deal to Cultural Heritage: FAIR Digital Objects and European Common Data Spaces." Research Ideas and Outcomes 8 (August 25, 2022): e93815. https://doi.org/10.3897/rio.8.e93815.

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This talk outlines a vision for <u>Common European Data Spaces</u>, proposed by the European Commission, where FAIR principles (Wilkinson et al. 2016) and FAIR Digital Objects (FDOs) (De Smedt et al. 2020, Schwardmann 2020) can play a role in bringing together research infrastructures, data aggregators and other stakeholders working with curated objects in museums, herbaria, libraries and archives. The organisations and stakeholders involved represent a wide range of disciplines and data types including biodiversity, ecology, anthropology, archaeology, cultural history, digital storytelling, a
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Constantopoulos, Panos. "Leveraging Digital Cultural Memories." Digital Presentation and Preservation of Cultural and Scientific Heritage 6 (September 30, 2016): 37–42. http://dx.doi.org/10.55630/dipp.2016.6.3.

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The penetration of ICT in the management and study of material culture and the emergence of digital cultural repositories and linked cultural data in particular are expected to enable new paths in humanities research and new approaches to cultural heritage. Success is contingent upon securing information trustworthiness, long-term preservation, and the ability to re-use, re-combine and re-interpret digital content. In this perspective, we review the use in the cultural heritage domain of digital curation and curation-aware repository systems; achieving semantic interoperability through ontolog
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Altenhöner, Reinhard, Ina Blümel, Franziska Boehm, et al. "NFDI4Culture - Consortium for research data on material and immaterial cultural heritage." Research Ideas and Outcomes 6 (July 31, 2020): e57036. https://doi.org/10.3897/rio.6.e57036.

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Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural re
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Dissertations / Theses on the topic "Digital humanities, art history, cultural heritage"

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Eriksson, Elin. "Museet i en digital värld : En visuell analys av Nationalmuseums digitaliserade verksamheter." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-448612.

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Digital technology has changed the nature of how humans live as a society with lives orbiting a digital core of internet, smartphones, social media etc. There is now not only a physical world but a digital one too. This far-reaching transformation also applies to cultural institutions to digitize their activities, a result of responding to the expectations of a contemporary audience. The aim of this study is to examine the digitization of art- and cultural heritage in a digital world. The essay examines the digital activities of the Swedish National Museum of fine art that has developed before
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Coughlin, Depcinski Melanie Nichole. "Cruising for Culture: Mass Tourism and Cultural Heritage on Roatàn Island, Honduras." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4458.

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This thesis examines the relationship between mass tourism and heritage tourism in the construction and perpetuation of histories and identities of local stakeholders on Roatàn Island, Honduras. I explore how identity is constructed by and through the tourism industry, and how much of the agency in forming identity and telling cultural stories resides in the hands of key stakeholders involved in the development of tourism on the island. Local cultural stories that focus on the people who live and have lived on the island for centuries are becoming increasingly silenced by a more commoditized,
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Figueroa, Alejandro J. "The Clash of Heritage and Development on the Island of Roatán, Honduras." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3104.

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The present study examines the spatial relationship between archaeological sites on the island of Roatán, Honduras and their topographical and biophysical location, as well as how these relationships are and continue to be impacted by the island's current socioeconomic context. Despite several studies and explorations conducted on the island's history, archaeology, and geography since the early twentieth century, little is known of its place and role within the larger cultural and socioeconomic spheres of interaction in this region: Mesoamerica and the Intermediate Area. Previous archaeologica
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MAFRICI, NOEMI. "Planning a Monumental London in the Early Nineteenth Century. Projects, administrative machine, time and people around Regent Street." Doctoral thesis, Politecnico di Torino, 2018. http://hdl.handle.net/11583/2711803.

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The thesis is on the transformation of Regent Street in London in the early nineteenth century. Regent Street was conceived within the London Metropolitan Improvements, and its design and execution are considered a different model from every other street. Within its history, Regent Street suffered several transformations, adjustments and at last complete rebuilding. Currently, even if the street has been completely rebuilt, the original Regent Street perspectives left a sign that remains not only in the plan but also in the image and the imaginary of the city as part of Cultural Heritage. In
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Hahne, Ylva. "Den blinda röda fläcken : Menstruation i svenska museisamlingar." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-453333.

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Denna studie undersöker förekomsten av kulturarv rörande menstruation i svenska museisamlingar samt i vilka samband de har deltagit i utställningar eller på annat sätt exponerats för allmänheten. Undersökningen ämnar även ta reda på om tabu relaterat till menstruation påverkat insamlingen och exponeringen av de såkallade ”menstruationsföremålen”. Det empiriska materialet utgörs av en enkätundersökning utskickad till vad som kan sägas vara det allmänna museiväsendet i Sverige bestående av centralmuseum, regionala museum, kommunala museum, stadsmuseum samt ytterligare tre
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Gomez, Norberto Jr. "The Art of Perl: How a Scripting Language (inter)Activated the World Wide Web." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/472.

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In 1987, computer programmer and linguist Larry Wall authored the general-purpose, high-level, interpreted, dynamic Unix scripting language, Perl. Borrowing features from C and awk, Perl was originally intended as a scripting language for text-processing. However, with the rising popularity of the Internet and the advent of Tim Berners-Lee’s World Wide Web (Web), in the 1990s, Perl soon became the glue-language for the Internet, due in large part to its relationship to the Hypertext Transfer Protocol (HTTP) and the Common Gateway Interface (CGI). Perl was the go-to language for on the fly prog
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Cristina, Castellano. "La construction du sens dans les expositions muséales. Études de cas à Chicago et à Paris." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2011. http://tel.archives-ouvertes.fr/tel-00655492.

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Dans cette thèse, j'ai montré les processus de négociation identitaire, les discours hégémoniques et les structures du sentiment qui opèrent au sein des expositions qui traitent le multiculturalisme et le métissage. J'ai étudié des expositions produites par des musées nationaux en France et aux États-Unis. Mes études de cas ont été développées au Musée National d'Art Mexicain de Chicago et au Musée du quai Branly à Paris entre 2006 et 2009. Mon analyse montre les processus qui interviennent dans la mise en scène d'un discours muséal complexe. L'étude place au centre de ses hypothèses trois dim
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Parks, Stephen R. "Consuming Digital Debris in the Plasticene." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5438.

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Claims of customization and control by socio-technical industries are altering the role of consumer and producer. These narratives are often misleading attempts to engage consumers with new forms of technology. By addressing capitalist intent, material, and the reproduction limits of 3-D printed objects’, I observe the aspirational promise of becoming a producer of my own belongings through new networks of production. I am interested in gaining a better understanding of the data consumed that perpetuates hyper-consumptive tendencies for new technological apparatuses. My role as a designer focu
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Tremblay, Johanne. "Aux pieds du grand escalier : ce que donne à voir l'attribution par le ministère de la Culture et de la Communication d'un label de "qualité" sur les opéras (nationaux) de région en France." Phd thesis, Université d'Avignon, 2011. http://tel.archives-ouvertes.fr/tel-00671908.

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Cette thèse concerne la labellisation de cinq opéras de région, en France, entre 1996 et 2006 : l'Opéra National de Lorraine, l'Opéra National de Montpellier, l'Opéra National de Lyon, l'Opéra National de Bordeaux, et l'Opéra National du Rhin. L'étude porte sur une forme qui englobe obligatoirement d'autres formes artistiques quasi autonomes et professionnalisées (orchestre, ballet, choeur) et sur les changements en cours dans l'économie de ces organisations traditionnellement sous tutelle municipale repositionnées au coeur d'une gouvernance multiscalaire et mises au défi de faire croître leur
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Blake, Greyory. "Good Game." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5377.

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This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of t
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Books on the topic "Digital humanities, art history, cultural heritage"

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Getty Art History Information Program., ed. Research agenda for networked cultural heritage. Getty Art History Information Program, 1996.

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Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2017 Florence. Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-502-9.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging &amp; the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Mon
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Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2018 Florence. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging &amp; the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Mon
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Kraaz, Sarah Mahler, and Charlotte de Mille, eds. The Bloomsbury Handbook of Music and Art. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501377747.

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This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns st
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Cultural Heritage Ethics. Open Book Publishers, 2014.

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Champion, Erik Malcolm, ed. Virtual Heritage: A Concise Guide. Ubiquity Press, 2021. http://dx.doi.org/10.5334/bck.

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Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage. Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed in Minecraft; they propose mixed rea
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Weller, Matthias, Nicolai B. Kemle, Thomas Dreier, and Karolina Kuprecht, eds. Raubkunst und Restitution – Zwischen Kolonialzeit und Washington Principles. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748911579.

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The collection of the contributions of the 13th Heidelberger Kunstrechtstag deals under the general theme „Looted Art and Restitution“ with fundamental issues of restitution law, the protection of cultural property, art law and art procedural law as well as provenance research. Topics of this year: The art collector and the art law; Provenance – History and perspectives of a new paradigm in humanities and cultural studies; Works of art in the crosshair of the persecution of the Jews in the National Socialism; Why a “Restatement of Restitiution for Nazi-Confiscated Art?“ on the example of escap
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Panja, Shormishtha, and Babli Moitra Saraf, eds. Performing Shakespeare in India. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9789356407770.

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This book is envisaged as an intervention in the ongoing explorations in social and cultural history, into questions of what constitutes Indianness for the colonial and the postcolonial subject and the role that Shakespeare plays in this identity formation.Performing Shakespeare in Indiapresents studies of Indian Shakespeare adaptations on stage, on screen, on OTT platforms, in translation, in visual culture and in digital humanities and examines the ways in which these construct Indianness. Shakespeare in India has had multiple local interpretations in different media and equally wide-ranging
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Burchmore, Alex, ed. Material Selves. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350416475.

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What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questi
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Book chapters on the topic "Digital humanities, art history, cultural heritage"

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Champion, Erik, and Anna Foka. "Art History, Heritage Games, and Virtual Reality." In The Routledge Companion to Digital Humanities and Art History. Routledge, 2020. http://dx.doi.org/10.4324/9780429505188-21.

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Menaguale, Olivia. "Digital Twin and Cultural Heritage – The Future of Society Built on History and Art." In The Digital Twin. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21343-4_34.

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Breathnach, Ciara, and Tiziana Margaria. "Digital Humanities and Cultural Heritage in AI and IT-Enabled Environments." In Lecture Notes in Computer Science. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-73741-1_1.

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AbstractThis track is the first output in Digital Humanities within AISoLA and, while its contributions span a range of diverse topics and approaches, it provides a good representation of the state of the art in the field, stemming from the interdisciplinary collaborations in the DBDIrl project and from the Great Leap COST Action that started in September 2023. It also underpins an ambitious research agenda arising from these collaborations, which aims to foster further international work on data interoperability.The papers discuss the challenges faced by both computing and historical sciences
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Kangas, Reeta E. "The State of the Art: Surveying Digital Russian Art History." In The Palgrave Handbook of Digital Russia Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42855-6_31.

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AbstractWith the growing interest in digital humanities, the methodology of digital art history is in some respects lagging behind the trend. Given the prospects of the new digital image analysis, computer vision, and visualization methods, a number of questions have arisen as to how exactly the new digital methods can and should be applied to art history. Furthermore, when trying to apply these digital methods to the analysis of Russian art, one encounters a whole new set of questions and challenges. In this chapter, I examine current and potential applications of digital methods to the analy
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Tummers, Anna, Arie Wallert, Robert G. Erdmann, et al. "Case Study 2: The New York Malle Babbe (‘Mad Barbara’): Original, Studio Work or Forgery?" In Cultural Heritage Science. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-59489-2_4.

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AbstractQuite a few of the most innovative and best-known paintings by Frans Hals exist in several variants. Attributing some of these versions or imitations is a notoriously difficult challenge. A case in point is the Malle Babbe painting at the Metropolitan Museum in New York, which has a rich attribution history: it has been called an original Frans Hals, a work by one of his sons, an early imitation with a forged signature and even a modern forgery (Fig. 4.1). This case study sheds new light on its attribution by comparing its style, technique and materials in depth to the well-known origi
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Gao, Siran. "Research on the Ecological Value of Installation Art in the Digital Living Protection of Intangible Cultural Heritage." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-440-2_108.

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Barbuti, Nicola, Annalisa Di Zanni, Paolo Russo, and Altheo Valentini. "Community-Based Co-creation of Soft Skills for Digital Cultural Heritage, Arts and Humanities: The Crowddreaming Method." In Co-creating in Schools Through Art and Science. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72690-4_3.

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Stones, Alison. "Some Illustrated French Documents (13th and early 14th centuries) and their Cultural Contexts." In Illuminierte Urkunden Beiträge aus Diplomatik Kunstgeschichte und Digital Humanities / Illuminated Charters Essays from Diplomatic Art History and Digital Humanities/9783412512385. Böhlau Verlag, 2019. http://dx.doi.org/10.7788/9783412512385.233.

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Münster, Sander, Fabrizio Ivan Apollonio, Ina Bluemel, et al. "Scholarly Community." In Handbook of Digital 3D Reconstruction of Historical Architecture. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-43363-4_4.

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AbstractThis chapter provides an overview of the scholarly communities in which the digital 3D reconstruction is used as a method. (Visual) digital humanities—besides digital heritage and humanities disciplines such as digital art history or digital archaeology—marks the disciplinary space in which 3D reconstruction in the humanities is discussed and methodologically anchored. The chapter describes whether the method of digital 3D reconstruction can be considered an individual scholarly field and how it would be determined.
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Penco, Sara. "Smarticon: a Digital Eco-System for Cultural Heritage. Iconographic Convergences in Art and in World Religions." In Proceedings e report. Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.33.

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The recovery of the history of humanity goes through the comprehension of ancient testimonies handed down to us in artistic representations. The innovative tool par excellence is the technologies. Smarticon is an Italian patent for method in charge of studying historical analysis (originated from the morphology of the concept), of examining the phenomenology analysis (which results in the typology and exceeds it) and to the comparative research (which allows to arrive at the hermeneutics ). The comprehension of the transitory meaning of each event is entrusted to the historian who, by recompos
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Conference papers on the topic "Digital humanities, art history, cultural heritage"

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Tanabayeva, Anar, Samal Sagnaikyzy, and Marzhan Alikbayeva. "THE PATTERN OF THE �PERFECT MAN� IN SUFISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs07.19.

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In the history of culture, one of the most important periods in the study of the problem of the nature and formation of the �perfect man� was the historical stratum of medieval Islamic culture, in which the Sufi discourse played an important role. Sufism as a religious and mystical direction in Islam is actualized in the light of the study of the classical cultural heritage of the peoples of the East and modern socio-cultural processes. Sufism played a significant role in the development of medieval Islamic culture and made its unique contribution to the concept of the �perfect man�. The Sufi
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Tsai, Naomi, and Javier Gastón-Greenberg. "Decoding Cultural Narratives through Project-Based Learning." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-029.

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We at Educurious have collaborated with the United States Library of Congress to develop a freely available Ethnic Studies project-based curricular series that uses cultural expression as a lens to navigate complex factors that have shaped diverse identities in the United States, encompassing migration, colonization, imperialism, and the experiences of indigenous and black communities globally. The objective is to facilitate students' comprehension of various groups' origins and efforts to preserve cultural heritage, evolve expressions of identity, and transform society. The project proposes a
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Wei, Hui. "The Inquiry in to Life Through the Art of Chinese Penjing." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-068.

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This research aims to explore the encounters and coexistence of Confucianism, Taoism, and Buddhism existentialism, along with aesthetic philosophies, as the framework. Additionally, it involves comparative reflections with Western aesthetics to examine the convergence, fusion, symbiosis, and development of various schools of Chinese penjing across different temporal contexts—Sui-Tang, Song, Yuan, Ming, Qing, modern, and beyond China's borders. The study seeks to interpret the plant species, design aesthetics, and aesthetic sentiments of Chinese penjing under indigenous philosophies. It aims to
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Hong, Luo, Kang Xinyan, Li Sheng, and Zhou Yangmengliu. "Studying Tian Hock Keng's architectural heritage through the lens of interaction through digital design." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003222.

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The history of human civilization has formed a large number of precious architectural heritage, which reflects a country's achievements in engineering technology, social development, culture, art, etc. This architectural heritage also covers the concepts of architectural design planning. However, with the changes in the environment and the influence of human activities, cultural heritage is inevitably eroded and destroyed. The distribution of architectural cultural heritage is wide and large, and the resources for architectural protection are given priority to projects with higher value, and i
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Cortés Meseguer, Luis, Jorge García-Valldecabres, and Pablo Ariel Escudero. "The blue domes of Valencia: the challenge of their digitisation." In HEDIT 2024 - International Congress for Heritage Digital Technologies and Tourism Management. Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/hedit2024.2024.17822.

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The blue domes are perhaps the architectural element that best defines Valencian architecture. These structures, present in numerous historic and religious buildings, beautify the urban landscape and represent the region’s rich cultural and artistic heritage. However, despite their importance, no clear strategic plan exists for their enhancement and conservation. Creating a specialised digital repository for the blue domes of Valencia is an urgent necessity. This repository should include a comprehensive typological classification, documenting each dome's architectural and stylistic characteri
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Panarotto, Federico, Ludovica Galeazzo, and Gianlorenzo Dellabartola. "Integration of Historical Sources, HGIS and HBIM for Cultural Heritage Sites: The Digital Reconstruction of the Islands in the Venice Lagoon." In HEDIT 2024 - International Congress for Heritage Digital Technologies and Tourism Management. Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/hedit2024.2024.17727.

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Starting from the 16th century, when the city of Venice began to systematically structure its water territory, the over sixty islands that shape the lagoon became an integral and fundamental component of its urban space. Today, much of this heritage site has disappeared or, in some cases, it is in a state of complete abandonment. This circumstance prevents citizens or visitors from fully grasping the history and major events that characterised the lagoon complex past as well as the reasons that led to its current decline. Venice’s Nissology (VeNiss) is a project that aims at representing this
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Zhao, Yuting, and Wei Bu. "An Interactive Aesthetic Study of a Digital Display APP for Chinese Copper Chisel Paper Cutting Cultural Gene." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005330.

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This paper discusses the study of interactive aesthetics of the cultural digital display application of traditional Chinese folk art copper chisel paper cutting. The main reasons for selecting Foshan copper chisel paper-cutting as the research object are as follows: firstly, copper chisel paper-cutting is the first batch of national intangible cultural heritage, which has a history of 800 years, and has high historical research value and cultural protection value; secondly, the scarcity of raw materials and the fault line of the inheritors have caused copper chisel paper-cutting to be nearly e
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Lin, Jieru, and Eakachat Joneurairatana. "Application of Virtual Technology in the Renovation of Ancient architectures Based on Kano Model: The Example of Yongtai Ningyuanzhuang." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004971.

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As an ancient civilization with a long history, China has a rich variety of unique ancient architectures. Ancient architectures as an important form of expression to carry history and art, showing a long history and cultural achievements. With the continuous development of science and technology,the traditional process of protecting ancient architecture no longer meets the needs for the successful application of digital technology to usher in the digital era, and virtual technology, in which to showcase unique advantages, Taking Ningyuan zhuang in Yongtai, Fujian Province as the research objec
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Cmeciu, Doina, and Camelia Cmeciu. "VIRTUAL MUSEUMS - NON-FORMAL MEANS OF TEACHING E-CIVILIZATION/CULTURE." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-108.

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Considered repositories of objects(Cuno 2009), museums have been analysed through the object-oriented policies they mainly focus on. Three main purposes are often mentioned: preservation, dissemination of knowledge and access to tradition. Beyond these informative and cultural-laden functions, museums have also been labeled as theatres of power, the emphasis lying on nation-oriented policies. According to Michael F. Brown (2009: 148), the outcome of this moral standing of the nation-state is a mobilizing public sentiment in favour of the state power. We consider that the constant flow of natio
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Chooi, Don. "Bear Bodies in Motion: A creative approach in telling a story of bigger, gay male bodies of colour through artistic means as practice-led research." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.80.

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In 2020, I created a body of work that paid attention to the concerns of body image representation of the gay male. The work was shown in a local exhibition in Auckland, called ‘Bear Bodies in Motion’, and it aimed as a critique on the anxieties of body image, especially in the gay bear subculture where there are considerable levels of stigma and shaming of bigger male bodies – made more profound towards bodies of colour. In an attempt at subversion, the creative work, portrayed the bigger body as energetic and aesthetically potent. It combined photography with digital painting and the result
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