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Journal articles on the topic 'Digital humanities, art history, cultural heritage'

Author: Grafiati

Published: 11 March 2023

Last updated: 31 July 2025

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1

Marsili, Giulia, and Lucia Maria Orlandi. "Digital Humanities and Cultural Heritage Preservation." Studies in Digital Heritage 3, no. 2 (2020): 144–55. http://dx.doi.org/10.14434/sdh.v3i2.27721.

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 The development of Information Technology and Digital Humanities has brought numerous significant changes to the Cultural Heritage domain. The Digital Humanities has become a dynamic and fertile research field, and new projects and opportunities are constantly flourishing. The BYZART project perfectly fits this context. This project is coordinated by the Department of History and Cultures of the University of Bologna, embracing a wide consortium of partners from Bulgaria, Greece and Italy. It aims at enhancing Byzantine and Post-Byzantine artistic and cultural heritage within the Europe

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Trocchianesi, Raffaella, and Letizia Bollini. "Design, Digital Humanities, and Information Visualization for Cultural Heritage." Multimodal Technologies and Interaction 7, no. 11 (2023): 102. http://dx.doi.org/10.3390/mti7110102.

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In this essay, we are interested in investigating some of the possible relations between design and digital humanities. In particular, we analyze the contribution that communication and interface design can bring to digital humanities. In a scene currently characterized by a heterogeneous set of activities and humanistic, technological, and cultural studies, the involvement of design seems confined to the development of digital instruments in accessing, exploring, and manipulating cultural data. How can design and the humanities work in an interdisciplinary way in order to shape new digital me

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Dombrowski, Quinn, Anna Kijas, and Sebastian Majstorovic. "DIGITAL CULTURAL HERITAGE UNDER ATTACK: SAVING UKRAINIAN CULTURAL HERITAGE ONLINE (SUCHO)." Text and Image: Essential Problems in Art History, no. 1 (2022): 6–12. http://dx.doi.org/10.17721/2519-4801.2022.1.01.

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Cultural heritage is at the heart of Russia’s war on Ukraine, still underway five months after the invasion on February 24, 2022. Statements from the Kremlin indicate that the fundamental goal of Putin’s regime is to undermine and eliminate the distinct and distinctive Ukrainian national identity, culture, and language – three concepts that are manifested through cultural heritage. During a war with such an agenda, internationally recognized frameworks such as the 1954 Hague Convention can be subverted, turning the blue shield symbol meant to protect cultural property into a target. While prac

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Federici, Angelica, and Joseph Chandler Williams. "Digital Humanities for Academic and Curatorial Practice." Studies in Digital Heritage 3, no. 2 (2020): 117–21. http://dx.doi.org/10.14434/sdh.v3i2.27718.

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The Digital Humanities have challenged all disciplines of Art History to engage with new interdisciplinary methodologies, learn new tools, and reevaluate their role within academia. In consequence, art historians occupy a new position in relation to the object of study. Museums have been equally transformed. The possibilities of creating virtual realities for lost/inaccessible monuments poses a new relationship between viewer and object in gallery spaces. Digital Humanities interventions in museums even allow us to preserve the memory of endangered global heritage sites that cease to exist or

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Na, Zhang, Sharul Azim Sharudin, and Tao Tao Xiong. "Digital Exploration and Mapping of Miao Embroidery in Guizhou, China from the Perspective of Cultural Genes." Journal of Advanced Research in Applied Sciences and Engineering Technology 54, no. 1 (2024): 250–59. https://doi.org/10.37934/araset.54.1.250259.

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As an intangible cultural heritage of China and a traditional handicraft in Guizhou Province, Miao embroidery has a long history and unique cultural background. However, the current research on embroidery is mostly biased towards protection and restoration and lacks design application and innovation. From the perspective of cultural genes, this paper integrates the multidisciplinary knowledge of "art-technology-humanities" through the mixed research methods combining quantitative and qualitative, and uses the basic methods of computer colour extraction and optical colorimetry, HSV digital colo

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Münster, Sander, and Melissa Terras. "The visual side of digital humanities: a survey on topics, researchers, and epistemic cultures." Digital Scholarship in the Humanities 35, no. 2 (2019): 366–89. http://dx.doi.org/10.1093/llc/fqz022.

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Abstract Although the digital humanities have traditionally been conceived as a text-based discipline, both digital visualization techniques as well as visual analysis are increasingly used for research in various humanities disciplines. Since there are several overlaps in epistemic cultures of visually oriented and digitally supported research in art and architectural history studies, museology, and archaeology, as well as cultural heritage, we introduce ‘visual digital humanities’ as novel ‘umbrella’ term to cover research approaches in the digital humanities that are dependent on both consu

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Efrat, Liron, and Giovanna Graziosi Casimiro. "Transformative Heritage." Culture Unbound 14, no. 2 (2022): 133–52. http://dx.doi.org/10.3384/cu.3965.

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In this paper, we analyze some of the platforms and technologies that influence the manner in which we interact and experience historical sites and heritage. Acknowledging that history is a constructed narration of the past, this paper demonstrates how contemporary technologies have agency in reconstructing histories in the present via digital platforms. By comparing online platforms for digital heritage production like Google Heritage with Augmented Reality (AR) and Mixed Reality (MR) platforms, we demonstrate how digital heritage may undergo a process recontextualization or decontextualizati

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Islam, Sharif, Andreas Weber, and Erzsébet Tóth-Czifra. "From Green Deal to Cultural Heritage: FAIR Digital Objects and European Common Data Spaces." Research Ideas and Outcomes 8 (August 25, 2022): e93815. https://doi.org/10.3897/rio.8.e93815.

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This talk outlines a vision for <u>Common European Data Spaces</u>, proposed by the European Commission, where FAIR principles (Wilkinson et al. 2016) and FAIR Digital Objects (FDOs) (De Smedt et al. 2020, Schwardmann 2020) can play a role in bringing together research infrastructures, data aggregators and other stakeholders working with curated objects in museums, herbaria, libraries and archives. The organisations and stakeholders involved represent a wide range of disciplines and data types including biodiversity, ecology, anthropology, archaeology, cultural history, digital storytelling, a

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Constantopoulos, Panos. "Leveraging Digital Cultural Memories." Digital Presentation and Preservation of Cultural and Scientific Heritage 6 (September 30, 2016): 37–42. http://dx.doi.org/10.55630/dipp.2016.6.3.

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The penetration of ICT in the management and study of material culture and the emergence of digital cultural repositories and linked cultural data in particular are expected to enable new paths in humanities research and new approaches to cultural heritage. Success is contingent upon securing information trustworthiness, long-term preservation, and the ability to re-use, re-combine and re-interpret digital content. In this perspective, we review the use in the cultural heritage domain of digital curation and curation-aware repository systems; achieving semantic interoperability through ontolog

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Altenhöner, Reinhard, Ina Blümel, Franziska Boehm, et al. "NFDI4Culture - Consortium for research data on material and immaterial cultural heritage." Research Ideas and Outcomes 6 (July 31, 2020): e57036. https://doi.org/10.3897/rio.6.e57036.

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Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural re

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Zhukova, Olga. "Russian Philosophical and Cultural Studies as Expert Knowledge: Concept, Practice, Institute." Polylogos 7, no. 3 (25) (2023): 0. http://dx.doi.org/10.18254/s258770110028093-4.

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The article substantiates the interdisciplinary synthesis of philosophy and cultural studies in a wide field of Russian studies. This paper presents the author’s approach to the study in philosophy of Russian culture, history and art as a constellation of creative experience in Russia’s intellectual and social history. The article proves both the need to develop new methodological approaches to the study of the cultural heritage of Russia and institutional (organizational) research models in this subject area. The fulfillment of these conditions is designed to ensure, on the one hand, the grow

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Mutibwa, Daniel H., Alison Hess, and Tom Jackson. "Strokes of serendipity: Community co-curation and engagement with digital heritage." Convergence: The International Journal of Research into New Media Technologies 26, no. 1 (2018): 157–77. http://dx.doi.org/10.1177/1354856518772030.

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This article explores the potential that community-led digital engagement with heritage holds for stimulating active citizenship through taking responsibility for shared cultural heritage and for fostering long-lasting relationships between local community heritage groups and national museums. Through the lens of a pilot project titled Science Museum: Community-in-Residence, we discovered that – despite working with community groups that were already loyal to and enjoyed existing working ties with the Science Museum in London, United Kingdom – this undertaking proved challenging owing to a ran

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Ehrenreich, Robert M., Michael Haley Goldman, and Jane E. Klinger. "Bringing Together the Digital with Research, Teaching, and Conservation." Digital Humanities in the Nordic and Baltic Countries Publications 3, no. 3 (2020): 124–31. http://dx.doi.org/10.5617/dhnbpub.11227.

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The United States Holocaust Memorial Museum recognizes the increasing importance and use of Digital Humanities (DH) in Holocaust research, teaching, and conservation. To that end, the Museum instituted the Material Culture and the Holocaust Initiative (MCHI) in 2018 to explore the state-of-the-art approaches in material-culture research that could create new opportunities for Holocaust scholars, teachers, and conservators. MCHI requires large-scale collaboration to bring in a wide range of expertise from across the institution and beyond. MCHI explores the nexus of historical knowledge, techni

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Zabalueva, Olga. "Multimedia Historical Parks and the Heritage-based “Regime of Truth” in Russia." Culture Unbound 14, no. 2 (2022): 83–106. http://dx.doi.org/10.3384/cu.3975.

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This article focuses on the 2013–2016 exhibitions in Moscow Manege which were later transformed into a network of entertainment centres (“historical parks”) Russia––my (hi)story. The exhibitions are built on multimedia technologies and include no authentic artefacts/museum objects. There is a growing network of such centres all over Russia, all organized in a similar manner, appealing to the visitor’s emotions and creating a relation of affect through the unravelling of a nationalistic historical narrative. Claimed to present “the objective picture of the Russian history” the exhibitions are f

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Hakobyan, Heghine. "Access to Resources and Preservation of the Cultural Heritage of Old Believers in North America: a Case Study of an Online Bibliography." Z Badań nad Książką i Księgozbiorami Historycznymi 17, no. 4 (2024): 695–704. http://dx.doi.org/10.33077/uw.25448730.zbkh.2023.824.

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This article discusses the history of the development and significance of the “Old Believers Bibliography in North America”, a digital resource dedicated to the documentation and preservation of the cultural legacy of Old Believers in North America. It addresses how this comprehensive digital bibliography provides access to a broad range of resources, including scholarly articles, historical documents, and multimedia content, pertinent to the study of Old Believer communities. The article highlights the role of this online platform in enhancing research accessibility, facilitating academic sch

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Li, Qing. "Research on the Integration and Innovation of Culture and Tourism in Dance Performances in Xi'an, China During the Historical Evolution Process." Herança 7, no. 1 (2023): 21–32. http://dx.doi.org/10.52152/heranca.v7i1.828.

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As a famous historical and cultural city in China, Xi'an has a long history and rich cultural heritage. In the long process of historical evolution, culture and tourism have become essential pillars of the development of Xi'an. As a unique art form, dance performance not only has the function of inheriting historical memories but also can convey cultural connotations and stimulate emotional resonance. This article provides an in-depth analysis of the current situation and problems in the field of cultural and tourism dance performances in Xi'an. It explores the paths and strategies for its int

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Wright, Kristina Dziedzic, David K. Wright, Nicholas Wiltshire, and Jenna Lavin. "DIGITAL KITAMBO: DECOLONISING NARRATIVES AND BRINGING THE PAST INTO THE FUTURE AT THE NATIONAL MUSEUMS OF KENYA." Herança 6, no. 1 (2023): 115–31. http://dx.doi.org/10.52152/heranca.v6i1.667.

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The Swahili word ‘kitambo’, which refers to occurrences in the past that are understood to be at least indirectly connected to the speaker, can be used to describe experimental museology through digital cultural heritage. There is a need to improve access and enhance conservation goals within African cultural heritage institutions, and the National Museums of Kenya (NMK) has been developing innovative technologies and communication tools with the Kenya Heritage Resource Information System (KEHRIS). This paper will discuss Digital Kitambo—a pilot project completed at NMK from 2013 – 2019 to cre

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Wright, Kristina, David Wright, Nicholas Whltshire, and Jenna Lavin. "DIGITAL KITAMBO: DECOLONISING NARRATIVES AND BRINGING THE PAST INTO THE FUTURE AT THE NATIONAL MUSEUMS OF KENYA." Herança 6, no. 1 (2023): 115–31. http://dx.doi.org/10.29073/heranca.v6i1.667.

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The Swahili word ‘kitambo’, which refers to occurrences in the past that are understood to be at least indirectly connected to the speaker, can be used to describe experimental museology through digital cultural heritage. There is a need to improve access and enhance conservation goals within African cultural heritage institutions, and the National Museums of Kenya (NMK) has been developing innovative technologies and communication tools with the Kenya Heritage Resource Information System (KEHRIS). This paper will discuss Digital Kitambo—a pilot project completed at NMK from 2013 – 2019 to cre

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Kirdar, Gulce, Feyza Nur Kocer Ozgun, Özgün Balaban, and Guzden Varinlioglu. "AUGMENTED REALITY SUPPORTED PARTICIPATORY WEB PLATFORM TO TRACK EASTERN ANATOLIAN CARAVANSERAIS." Herança 6, no. 1 (2023): 85–98. http://dx.doi.org/10.52152/heranca.v6i1.678.

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The focus of this research is digital heritage in emergence. This study deals with how to use digital media tools to collect information about caravanserais (khans) to digitise lost heritage attributes. The study involved researchers compiling information about these caravanserais from references, and digitally mapping and generating identification tags based on the information in the sources. The researchers generated an online platform for information dissemination, consisting of the projection augmented model of the khans, and participatory web archive platform for crowdsourcing information

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Kidar, Gulce, Feyza Ozgun, Özgün Balaban, and Guzden Varinlioglu. "UMA PLATAFORMA WEB PARTICIPATIVA APOIADA POR REALIDADE AUMENTADA PARA LOCALIZAR CARAVANÇARAIS (KHANS) ANATOLIANOS ORIENTAIS." Herança 6, no. 1 (2023): 85–98. http://dx.doi.org/10.29073/heranca.v6i1.678.

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The focus of this research is digital heritage in emergence. This study deals with how to use digital media tools to collect information about caravanserais (khans) to digitise lost heritage attributes. The study involved researchers compiling information about these caravanserais from references, and digitally mapping and generating identification tags based on the information in the sources. The researchers generated an online platform for information dissemination, consisting of the projection augmented model of the khans, and participatory web archive platform for crowdsourcing information

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Solomon, Maui, and Susan Thorpe. "Taonga Moriori: Recording and revival." Journal of Material Culture 17, no. 3 (2012): 245–63. http://dx.doi.org/10.1177/1359183512453533.

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Moriori culture is one of the most researched in the Pacific, and yet perhaps one of the least well understood. Until the last 30 or so years, history had consigned the Moriori people of the Chatham Islands near New Zealand to being defined as extinct and almost landless. Today Moriori are in a spirit of revival and reconnection with their identity and culture. Through the gift of the Traditional Knowledge Revival Pathways (TKRP) software system, laser scanning of rākau momori (tree carvings), and involvement in the Intellectual Property Issues in Cultural Heritage (IPinCH) Project, Moriori ar

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Lavrenova, Olga A. "VISUAL IMAGES OF SPACE. REVIEW OF THE GEOGRAPHY OF ART VII INTERNATIONAL CONFERENCE." Art and Science of Television 17, no. 3 (2021): 211–29. http://dx.doi.org/10.30628/1994-9529-17.3-211-229.

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The Geography of Art International Scientific Conference has a long history. Geography of Art began in 1994 and was originally conceived as a purely publishing project. In 2009, the first conference was held under the auspices of the Likhachev Russian Research Institute for Cultural and Natural Heritage and its director Yuri A. Vedenin. The topics at the conferences are traditionally very diverse, but the “protagonist” of all discussions, debates, and subsequent collections is invariably space, in all its guises, and its interaction with culture. The original subjects such as the geography of

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Zardini Lacedelli, Stefania, Fabiana Fazzi, Chiara Zanetti, and Giacomo Pompanin. "FROM “EXHIBITION” TO “LABORATORY”: RETHINKING CURATORIAL PRACTICES THROUGH A DIGITAL EXPERIMENTAL PROJECT. THE CASE STUDY OF #DOLOMITESMUSEUM - LABORATORY OF STORIES." Herança 6, no. 1 (2023): 199–224. http://dx.doi.org/10.52152/heranca.v6i1.680.

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Digital curation is one of the most experimental areas of museum practice introduced by the digital revolution. A whole new generation of cultural experiences are emerging from the interaction with online spaces and social media platforms, encouraging museums to explore new curatorial approaches. In this paper, we will show how a digital experimental project led to the rethinking of the exhibition format into a more collaborative, interdisciplinary and laboratory approach to museum curation. The case study analysed is Laboratory of Stories, a dynamic participatory archive which was co-designed

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Lacedelli, Stefania, Fabiana Fazzi, Chiara Zanetti, and Giacomo Pompanin. "FROM “EXHIBITION” TO “LABORATORY”: RETHINKING CURATORIAL PRACTICES THROUGH A DIGITAL EXPERIMENTAL PROJECT. THE CASE STUDY OF #DOLOMITESMUSEUM - LABORATORY OF STORIES." Herança 6, no. 1 (2023): 199–224. http://dx.doi.org/10.29073/heranca.v6i1.680.

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Digital curation is one of the most experimental areas of museum practice introduced by the digital revolution. A whole new generation of cultural experiences are emerging from the interaction with online spaces and social media platforms, encouraging museums to explore new curatorial approaches. In this paper, we will show how a digital experimental project led to the rethinking of the exhibition format into a more collaborative, interdisciplinary and laboratory approach to museum curation. The case study analysed is Laboratory of Stories, a dynamic participatory archive which was co-designed

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Stern, Arden. "Freaks of Fancy, Revisited: Nineteenth-Century Ornamented Typography in the Twenty-First Century." Design Issues 32, no. 4 (2016): 76–90. http://dx.doi.org/10.1162/desi_a_00418.

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This article offers a historical analysis of 21st-century American engagements with 19th-century ornamented typography, demonstrating how this form of historicist practice constructs purposeful continuities between past and present by aligning 19th- and 21st-century modes of production. These alignments, balanced on fraught cultural divisions between handmade/machine-made and authentic/artificial, are resolutely ahistorical yet speak volumes about the dynamics of information capitalism, deindustrialization, and recession in recent US history. The analysis focuses upon two genres of neo-19th-ce

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Petersson, Sonya, and Anna Dahlgren. "Seeing Images." Culture Unbound 13, no. 2 (2022): 104–32. http://dx.doi.org/10.3384/cu.3562.

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In the cultural heritage digital archive, descriptive metadata makes images (re)searchable. Text-based searches seek terms that match metadata terms or terms referring to aspects of images that have previously been considered essential to select and describe in metadata terms. Such considerations are bound up with historically changing institutional agendas, ideas about user preferences, and implementation of metadata standards. This study approaches image accessibility from a different perspective. It aims to investigate how the infrastructure of the digital archive, comprising metadata and i

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Devine, Kit. "On country: Identity, place and digital place." Virtual Creativity 11, no. 1 (2021): 111–23. http://dx.doi.org/10.1386/vcr_00045_1.

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Place is central to the identity of Aboriginal and Torres Strait Islander peoples. The Narrabeen Camp Project explores the use of immersive technologies to offer opportunities to engage with Indigenous histories, Storytelling and cultural heritage in ways that privilege place. While nothing can replace being ‘on Country’, the XR technologies of AR and VR support different modalities of engagement with real, and virtual, place. The project documents the Stories, Language and Lore associated with the Gai-mariagal clan and, in particular, with the Aboriginal Camp that existed on the north-western

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Palfrey, John. "Design Choices for Libraries in the Digital-Plus Era." Daedalus 145, no. 1 (2016): 79–86. http://dx.doi.org/10.1162/daed_a_00367.

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Libraries are more important, not less so, in a digitally networked era. Despite the fact that today's mobile devices feature Google's search box and Apple's Siri to help us find a quick answer to just about any question, we ought to be investing more capital than ever in our public libraries. We need libraries in the digital era to provide a public option to ensure sustained, free, equitable access to knowledge and preservation of our cultural and scientific heritage. In a period when both the analog and digital are useful, the design choices for those building, and reimagining, libraries are

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Kokot-Kanikuła, Kamila, and Anna Sobolewska. "Promocja zasobów Pomorskiej Biblioteki Cyfrowej na przykładzie XVIII-wiecznego rękopisu." Z Badań nad Książką i Księgozbiorami Historycznymi 16, no. 2 (2022): 297–309. http://dx.doi.org/10.33077/uw.25448730.zbkh.2022.706.

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The aim of the article is to present the method of sharing and promoting the manuscript collections on the example of the 18th-century manuscript of Christian Gabriel Fischer available in the Pomeranian Digital Library (PDL). This manuscript inspired the Library of the Gdańsk University of Technology and the Institute of City Culture in Gdańsk to cooperate on a project promoting. Thanks to the joint initiative, work on the transcription of the German text written in „Kurrent” script was started and a number of events were organized to popularize both the manuscript’s content and the 18th-centu

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Syed Shaharuddin, Sharifah Imihezri, Maryam Samirah Shamsuddin, Mohd Hafiz Drahman, et al. "A Review on the Malaysian and Indonesian Batik Production, Challenges, and Innovations in the 21st Century." SAGE Open 11, no. 3 (2021): 215824402110401. http://dx.doi.org/10.1177/21582440211040128.

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Malaysia and Indonesia are well known as prolific producers of batik in Southeast Asia. The history of batik in both countries is deeply intertwined for more than a century. Most available published works related to batik production, challenges, and innovations were discussed within the local batik context of each country. This study aims to identify collectively how far batik, as a creative industry in these countries has progressed since its establishment until the present 21st century. It was notable that batik craftsmanships have been mostly maintained as similar tools and techniques are p

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Kim, Eun-kyoung. "Art History in the Digital Age: The Current State and Achievements of Digital Heritage Research." Korean Journal of Art History 325 (March 31, 2025): 109–40. https://doi.org/10.31065/kjah.325.202503.004.

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This study examines the impact of digitalization on art historical research and its scholarly significance in the field of cultural heritage. Since the 2000s, advancements in digital technologies have fundamentally transformed the documentation, preservation, and analytical methodologies of cultural heritage. By analyzing case studies such as the Sŏkkuram Grotto, the Royal Protocols of the Chosŏn Dynasty (Ŭigwe), and Koguryŏ tomb murals, this study explores how digital heritage has expanded access to and the scope of research on cultural assets. The integration of cutting-edge technologies—inc

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Bračun Sova, Rajka. "Museum and School Interpretation of Cultural Heritage." Revija za elementarno izobraževanje 15, Spec. Iss. (2022): 7–26. http://dx.doi.org/10.18690/rei.15.spec.iss.7-26.2022.

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The museum and the school are two complementary institutions within the system of cultural heritage care. The Knight’s Hall in Brežice Castle is used here as an example for qualitative research on cultural heritage interpretation. The research focused on scientific art-historical information as the basis for cultural messaging. The analysis of the museum interpretation included a printed Knight’s Hall guidebook, as well as hall-related information boards and digital information, while the analysis of the school interpretation included an art history exam catalogue and an art history textbook.

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Zhou, Linjuan, and Sharulnizam Bin Ramli. "From Photochemistry to AI: The Evolution and Multiple Values of Film Cultural Heritage Restoration Technology." Scientific and Social Research 6, no. 12 (2025): 37–41. https://doi.org/10.26689/ssr.v6i12.9258.

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As an art form rising in the 20th century, film has not only made important achievements in history and art but also become an important object of global cultural heritage protection. With the advent of the digital age, especially the rapid development of artificial intelligence (AI) technology, the restoration of film cultural heritage has emerged. This paper traces the historical evolution of film restoration techniques, analyzing the technological advancements from photochemical restoration to digital restoration and then to AI restoration. It discusses how film restoration has undergone re

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Filiciak, Mirosław. "Playful Machines and Heritage: How to Prepare Future Cultural Histories?" Arts 9, no. 3 (2020): 82. http://dx.doi.org/10.3390/arts9030082.

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How are we to tackle digital heritage? The fact that its code can be copied, combined with a strong reliance on user interaction, is a distinguishing characteristic of digital art, one which also complicates framing it with the traditional categories of art history. Therefore, in my search for the new ways to preserve heritage, appropriate for digital objects, I will use a case study where technical and social elements play an important role and where we can already speak of a partly institutionalized network aimed at preservation, even if its identification within the field of art, or heritag

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Pandey, Rahul, and Vinit Kumar. "A Survey of the Metadata Element Sets Used for Digital Art Objects in the Online Collections of the Museums of India." DESIDOC Journal of Library & Information Technology 43, no. 04 (2023): 226–33. http://dx.doi.org/10.14429/djlit.43.04.19228.

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Digital technology advancements have had a significant impact on how people learn, search for information, and evaluate it. Indian cultural heritage institutions like GLAMs (Galleries, Libraries, Archives, and Museums) have also embraced a number of digitisation initiatives to increase access to their wide-ranging art collections. Digital paintings and other cultural heritage information artifacts can facilitate digital humanities research in multiple ways. Using an online content analysis and observation method, this study looks at how metadata elements are used to describe the different art

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Pütt, Karin. "Documentation and Digital Preservation of Syrian Heritage." Public Historian 40, no. 4 (2018): 107–28. http://dx.doi.org/10.1525/tph.2018.40.4.107.

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Since 2013, the Museum of Islamic Art in Berlin and the German Archeological Institute (DAI) have hosted a digital archive documenting Syrian heritage and built environment. This project was developed in the face of a war that would destroy places of cultural heritage on a large scale. The archive consists of photos, plans, and documents and includes more than 200,000 items. For long-term storage and attainability they are integrated into the digital world of the DAI. In order to raise awareness and to present the data to a wider audience, selected photos and drawings are bundled into stories

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Gagarina, Dinara. "Digital History in Central Asia: Initiatives, Regional Specifics and Community." Bulletin of the L.N. Gumilyov Eurasian National University. Historical Sciences. Philosophy. Religion Series 148, no. 3 (2024): 36–55. http://dx.doi.org/10.32523/2616-7255-2024-148-3-36-55.

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This paper explores the development of digital history initiatives in Central Asia, focusing on Kazakhstan, Kyrgyzstan, and Uzbekistan. It examines the challenges, opportunities, and trends within digital humanities in the region, emphasizing the importance of incorporating postcolonial perspectives and practical digital methods for research and cultural heritage preservation. The study employs a mixed-methods approach, including literature reviews, interviews, surveys, site visits, and case studies to provide a comprehensive analysis of current digital history projects. Despite the growth of

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Ha, Jungmin. "Digital Archives of Buddhist Cultural Heritage on the Eastern Silk Road: Status and Utilization in Dunhuang, Turfan, and Kucha." Korean Journal of Art History 323 (September 30, 2024): 213–43. http://dx.doi.org/10.31065/kjah.323.202409.008.

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The advancement of digital humanities in the 21st century has significantly enhanced the importance of digital archives in Buddhist art research. The digitization of the extensive and geographically diverse Buddhist cultural heritage along the eastern Silk Road has greatly improved the efficiency and accessibility of scholarly research. This paper examines seminal digital archives initiatives pertaining to the region's Buddhist legacy.Notable examples analyzed in this study include the International Dunhuang Project (IDP); the Database of Medieval Chinese Texts, a collaborative effort between

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Drobysheva, Elena E., and Anna V. Russkih. "The Phenomenon of Creative Heritage in Socio-Humanitarian Discourse." Observatory of Culture 21, no. 2 (2024): 116–23. http://dx.doi.org/10.25281/2072-3156-2024-21-2-116-123.

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The main idea of the article is to address the phenomenon of creative heritage as an independent basic concept of modern socio-humanitarian research. Having analyzed a certain corpus of works in the field of memorial cultural practices, the authors came to the conclusion that there is no instrumental distinction of the concepts “cultural memory”, “artistic heritage”, “creative heritage” in this discursive field. The novelty of the study lies in analyzing the specificity of the concept “creative heritage”, as well as its role in contemporary socio-humanitarianism in general and art history in p

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Yan, Yihan. "Study on Protection Measures and Risk Management Strategies for Cultural Relics and Artworks." Advances in Economics, Management and Political Sciences 53, no. 1 (2023): 37–45. http://dx.doi.org/10.54254/2754-1169/53/20230782.

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Works of art and cultural relics are an important part of the Chinese cultural heritage, and every piece of art and cultural relic contains a rich historical story behind it. Moreover, works of art and cultural relics also represent the image of the country and indicate the long history of Chinese civilization; At the same time, art and artifacts are valuable resources and achievements for historical research and education. However, with the rise of the art market and the excavation of cultural relics, more and more works of art and cultural relics are subject to the risk of damage. Hence, the

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Wu, Caitian, Yongxing Xia, and Hongxi Chen. "CSSCI literature Research on Cultural Heritage Related Topics Based on Knowledge Graph." Frontiers in Business, Economics and Management 18, no. 1 (2025): 243–47. https://doi.org/10.54097/16mz1s54.

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Cultural heritage is the wealth left by history to mankind, and the protection and inheritance of cultural heritage is the necessary meaning for a country to retain its cultural roots and keep the soul of the nation. By using the bibliometric software CiteSpace, this paper makes a visual analysis of the knowledge map of CSSCI research literature generation on Chinese cultural heritage-related topics since the 21st century, and sorts out and studies its research status and evolution context. Through the analysis of keyword clustering, Timeline chart and emergence chart, this paper believes that

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Middle, Sarah, Ryan Horne, David A. McMeekin, Chiara Zuanni, and Alex Butterworth. "Geographies of Place in Digital Art History." International Journal of Humanities and Arts Computing 16, no. 1 (2022): 94–109. http://dx.doi.org/10.3366/ijhac.2022.0279.

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Art history research examines objects as embedded in a web of relationships, including multiple spatial dimensions (e.g. of the materials, of the artist, of the cultural influences, of the museum collection, and of the temporary exhibitions). However, this richness of nuances is not yet fully encompassed in Linked Open Data standards. This paper aims to examine how the multiplicity of places entangled in art objects can be represented within existing vocabularies (Getty Thesaurus of Geographic Names, Geonames, Pleiades, Trismegistos), ontologies ( CIDOC CRM, Europeana Data Model, Linked Ancien

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Valle, Arthur. "Applying Topic Modeling to Art History Articles: An Analysis of the Journal of the Brazilian Service/Directorate of Historic and Artistic Heritage (1937-1961)." 19&20 preprint (January 1, 2023): 1–13. https://doi.org/10.52913/preprint/01.

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This paper addresses a critical gap in digital art history by employing Natural Language Processing to analyze the Journal of the Brazilian Service/Directorate of Historic and Artistic Heritage from 1937 to 1961. Using a topic modeling method, namely Structural Topic Modeling, we reveal representative themes, authors, and articles in this influential journal shaping Brazilian art history. Our analysis not only confirms the emphasis on material heritage with European connections but also highlights topics that have not received due attention to date, including contributions from other civilizat

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Dinler, Mesut. "Counter-Mapping through Digital Tools as an Approach to Urban History: Investigating the Spatial Condition of Activism." Sustainability 13, no. 16 (2021): 8904. http://dx.doi.org/10.3390/su13168904.

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Cultural heritage has a central role in sustainable development, and it has the potential to re-imagine more democratic cities. Yet, critical theory has framed cultural heritage not only as the material remains of the past, but also as a dynamic interaction of humans with their past that encompasses tangible and intangible entities. Thus, it is necessary to research these dynamics to understand the role of cultural heritage as a resource for sustainable development. In this context, the main research question of this article is: “How does heritage is shaped and managed by the ‘present’? Can we

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Lin, Huang, and Sastra Laoakka. "Yiwulv Mountain Manchu Paper-cutting: Designing and Developing Digital Media for Learning About Cultural Heritage." International Journal of Education and Literacy Studies 12, no. 2 (2024): 166–71. http://dx.doi.org/10.7575/aiac.ijels.v.12n.2p.166.

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The objectives of this research are to study: (i) the history and development of knowledge of Yiwulv Mountain Manchu paper-cutting art, and (ii) the process of designing and developing digital media for learning about cultural heritage. This research used qualitative research methods. By studying documents and collecting field data by surveys, interviews, observations, group discussions, and workshops. The data was elicited from a group of 40 participants. The analysis was based on the objectives and the results were presented in a descriptive analytical manner. The results are as follows: (i)

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Gómez-Ullate García de León, Martín, and Gerardo Vidal Gonçalves. "Ruralidades, património cultural, associativismo e turismo nos tempos das humanidades digitais." PASOS. Revista de Turismo y Patrimonio Cultural 22 (2024): 615–24. http://dx.doi.org/10.25145/j.pasos.2024.22.040.

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The chronicle "Ruralities, Cultural Heritage, Associativism and Tourism in the Times of Digital Humanities" addresses the pertinence of generalised access to historical legacy, highlighting the importance of cultural heritage, associativism and tourism in rural contexts in the digital age. The text questions who is interested in heritage, such as medieval chapels or castles, and argues that although history offers deep understanding of the past, its appreciation is not always understood by today's society. Exploring the impact of digitalisation, virtual reality and immersive experiences, we hi

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Kivada, Nakashari, Makarius Itambu, and Jan Kuever. "The Role of Information Technology in the Conservation of Intangible Cultural Heritage at Bagamoyo, Tanzania." Asian Journal of Education and Social Studies 50, no. 12 (2024): 322–31. https://doi.org/10.9734/ajess/2024/v50i121700.

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This study assessed the role of information technology in the Conservation of intangible cultural heritage in Tanzania specifically at Bagamoyo. It assessed the role of information technology in the protection and inheritance of intangible cultural heritage and the development of information technology in the protection and inheritance of intangible cultural heritage. The study used a quantitative approach through a case study design as the framework for data collection. The study collected data from 40 respondents through questionnaire and observation guide. The data was analysed using SPSS,

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Assarsson-Rizzi, Kerstin. "Cultural heritage: the art library cuts across borders in Sweden." Art Libraries Journal 33, no. 4 (2008): 39–41. http://dx.doi.org/10.1017/s0307472200015613.

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Vitterhetsakademiens Library (The Library of the Royal Swedish Academy of Letters, History and Antiquities) at the Swedish National Heritage Board is a partner in the development of new services in Sweden, both physically at the Library and digitally on the internet. An agreement signed by four partners in September 2007 aimed to strengthen and develop the Library’s services to the research community. In 2005 seven libraries in Stockholm formed a network with the specific aim of improving the quality of library services for research in the humanities. And in 2007 a new internet search service

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Maegaard, Bente. "Open Digital Humanities." Digital Humanities in the Nordic and Baltic Countries Publications 1, no. 1 (2018): 480–88. http://dx.doi.org/10.5617/dhnbpub.11076.

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One of the strong instruments for the promotion of Open Science in Digital Humanities is research infrastructures. PARTHENOS is a European research infrastructure project, basically built upon collaboration between two large the research infrastructures in the humanities CLARIN and DARIAH, plus a number of other initiatives. PARTHENOS aims at strengthening the cohesion of research in the broad sector of Linguistic Studies, Humanities, Cultural Heritage, History, Archaeology and related fields. This is the context in which we should see the efforts related to international liaisons. This effort

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Dobrovolska, Viktoriia. "EVOLUTION OF SCIENTIFIC PERSPECTIVES ON THE CONCEPT OF CULTURE." Scientific journal “Library Science. Record Studies. Informology”, no. 2 (September 1, 2021): 76–87. http://dx.doi.org/10.32461/2409-9805.2.2021.238786.

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The purpose of the article is to study the existing scientific views on the concept of “culture” in the context of the terminology “digital culture”, “cultural heritage”, “digital cultural heritage” and “cultural heritage”, their similarity and difference, which is important in the activity of archives, libraries, and museums. The methodology consists in the use of general scientific methods: analysis, synthesis, logical method, method of visualisation of research results. The methodological basis of the article is the analysis of concepts used in various spheres of humanities and in the activ

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