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Books on the topic 'Digital intersection'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

The digital divide: Standing at the intersection of race & technology. Carolina Academic Press, 2001.

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2

Produsing theory in a digital world: The intersection of audiences and production in contemporary theory. Peter Lang, 2013.

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3

Candy, Linda. Explorations in art and technology: Intersection and correspondence. Springer, 2002.

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4

Nexus: New intersections in Internet research. Peter Lang, 2011.

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5

Dibazar, Pedram, and Judith Naeff, eds. Visualizing the Street. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only

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6

Fink, Moritz. Understanding The Simpsons. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462988316.

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Another book on The Simpsons? you might wonder. Isn’t the yellow cartoon troupe around the eponymous chaotic family somewhat worn-out? Perhaps you even ask yourself whether that nineties’ show is still on the air anyhow. Accolades such as "the best TV show of the twentieth century" or "the longest-running scripted series on American prime-time television" have elevated The Simpsons to the pop culture pantheon, while also suggesting the very vintage character of the program. But the label "The Simpsons" refers not just to a show that seems to belong to a bygone television era, it implies a rich

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7

Johnston, Bill, Sheila MacNeill, and Keith Smyth. Conceptualising the Digital University: The Intersection of Policy, Pedagogy and Practice. Palgrave Macmillan, 2019.

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8

Johnston, Bill, Sheila MacNeill, and Keith Smyth. Conceptualising the Digital University: The Intersection of Policy, Pedagogy and Practice. Palgrave MacMillan, 2020.

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9

Hancock, Jeffrey T. Digital deception. Edited by Adam N. Joinson, Katelyn Y. A. McKenna, Tom Postmes, and Ulf-Dietrich Reips. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199561803.013.0019.

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The prevalence of both deception and communication technology in our personal and professional lives has given rise to an important set of questions at the intersection of deception and technology, referred to as ‘digital deception’. These questions include issues concerned with deception and self-presentation, such as how the Internet can facilitate deception through the manipulation of identity. A second set of questions is concerned with how we produce lies. For example, do we lie more in our everyday conversations in some media than in others? Do we use different media to lie about differe

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10

Phillips, Murray G., and Gary Osmond. Digital History Flexes its Muscle. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0012.

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This concluding chapter discusses the potentially far-reaching impact of the intersection between history and the digital era. An important consequence of this discussion is the encouragement of experimentation in history making. Digital history, at its maximalist end, engages with the practice of experimentation by denaturalizing every dimension of traditional history: the dominance of qualitative research, traditional source materials, the practice of sole authoring, one-way scholarly communication, peer review, filter-then-publish models, linear narratives, intellectual property, and the vi

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11

Lind, Rebecca Ann. Produsing Theory in a Digital World 3. 0: The Intersection of Audiences and Production in Contemporary Theory - Volume 3. Lang AG International Academic Publishers, Peter, 2020.

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12

Lind, Rebecca Ann. Produsing Theory in a Digital World 2. 0: The Intersection of Audiences and Production in Contemporary Theory. Volume 2. Lang AG International Academic Publishers, Peter, 2015.

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13

Lind, Rebecca Ann. Produsing Theory in a Digital World 3. 0: The Intersection of Audiences and Production in Contemporary Theory - Volume 3. Lang AG International Academic Publishers, Peter, 2020.

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14

Produsing Theory in a Digital World 2. 0: The Intersection of Audiences and Production in Contemporary Theory. Volume 2. Lang AG International Academic Publishers, Peter, 2015.

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15

Tham, Joo-cheong. How Might Digital Campaigning Affect the Problems of Political Finance? International Institute for Democracy and Electoral Assistance, 2021. http://dx.doi.org/10.31752/idea.2021.57.

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This lecture deals with the intersection between three sets of challenges, each of which constitutes an existential threat to democracies across the world. The first is linked to money in politics, which poses the danger not only of ‘policy capture’ but also, in worse-case scenarios, of state capture by monied interests. The principal question addressed by this lecture is poised at the meeting place between these sets of challenges: How might digital campaigning affect the problems of political finance? Also integrated into the analysis is a third set of challenges: those which arise from the

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16

Intersectional Tech: Black Users in Digital Gaming. Louisiana State University Press, 2020.

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17

Sarkeesian, Anita, and Kishonna L. Gray. Intersectional Tech: Black Users in Digital Gaming. Louisiana State University Press, 2020.

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18

Krajewski, Markus. The Server. Translated by Ilinca Iurascu. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300180817.001.0001.

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Though classic servants like the butler or the governess have largely vanished, the Internet is filled with servers: web, ftp, mail, and others perform their daily drudgery, going about their business noiselessly and unnoticed. Why then are current-day digital drudges called servers? This book explores this question by going from the present back to the Baroque to study historical aspects of service through various perspectives, be it the servants' relationship to architecture or their function in literary or scientific contexts. At the intersection of media studies, cultural history, and lite

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19

Critical Digital Literacies As Social Praxis Intersections And Challenges. Peter Lang Publishing, 2012.

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20

Bodies of Information: Intersectional Feminism and the Digital Humanities. Univ Of Minnesota Press, 2019.

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21

Losh, Elizabeth, and Jacqueline Wernimont. Bodies of Information: Intersectional Feminism and the Digital Humanities. Univ Of Minnesota Press, 2019.

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22

Timcke, Scott. Algorithms and the End of Politics. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529215311.001.0001.

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As the United States contends with issues of populism and de-democratization, this book considers the impacts of digital technologies on the country's politics and society. The book provides a Marxist analysis of the rise of digital media, social networks and technology giants like Amazon, Apple, Facebook and Microsoft. It looks at the impact of these new platforms and technologies on their users who have made them among the most valuable firms in the world. The book is concerned with unfreedom and class rule in contemporary American capitalism as seen in the digital realm. Class struggle is t

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23

Rosenberg, Douglas, ed. The Oxford Handbook of Screendance Studies. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199981601.001.0001.

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The Oxford Handbook of Screendance Studies is the first publication to offer a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema, and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each essay discusses and reframes current issues, as a means of

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24

Gómez, Marisa, ed. Digital Arts: Challenges and Opportunities at the Intersections between Arts, Society and Technology. BRILL, 2016. http://dx.doi.org/10.1163/9781848884274.

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25

Intersectional Internet: Race, Sex, Class and Culture Online. Lang AG International Academic Publishers, Peter, 2016.

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26

Noble, Safiya Umoja, and Brendesha M. Tynes. Intersectional Internet: Race, Sex, Class and Culture Online. Lang AG International Academic Publishers, Peter, 2016.

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27

Keegan, Cáel M. Lana and Lilly Wachowski. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252042126.001.0001.

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This book analyzes the filmmaking careers of Lana and Lilly Wachowski as the world’s most influential transgender media producers. Situated at the intersection of trans* studies and black feminist film studies, it argues that the Wachowskis’ cinema has been co-constitutive with the historical appearance of transgender, tracing how their work invents a trans* aesthetics of sensation that has disrupted conventional schemas of race, gender, space, and time. Offering new readings of the Wachowskis’ films and television, it illustrates the previously unsensed presence of transgender in the subtext

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28

Penney, Joel. Political Fans and Cheerleaders. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658052.003.0004.

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Drawing on stories of citizens who voluntarily participate in the viral marketing of electoral candidates, as well as developments from the 2016 Donald Trump, Hillary Clinton, and Bernie Sanders campaigns, this chapter explores the complex intersection between traditional top-down electioneering and grassroots political promotion that emerges from popular culture. It considers how a fanlike cultural engagement with modern political brands fosters participatory forms of candidate promotion that extend far beyond a campaign’s official digital media outreach. Here, citizen marketers take on the r

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29

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different exam

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30

Dowd, Cate. Digital Journalism, Drones, and Automation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190655860.001.0001.

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Advances in online technology and news systems, such as automated reasoning across digital resources and connectivity to cloud servers for storage and software, have changed digital journalism production and publishing methods. Integrated media systems used by editors are also conduits to search systems and social media, but the lure of big data and rise in fake news have fragmented some layers of journalism, alongside investments in analytics and a shift in the loci for verification. Data has generated new roles to exploit data insights and machine learning methods, but access to big data and

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31

Whittaker, D. Hugh, Timothy Sturgeon, Toshie Okita, and Tianbiao Zhu. Compressed Development. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198744948.001.0001.

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This book highlights the importance of time and timing in economic and social development. ‘Compressed development’ consists of two key features and their interaction: the tendency for development processes to unfold more rapidly (compression) and the institution-shaping influences of major periods of change and growth, especially when countries become integrated into the global economy (era). Using an interdisciplinary conceptual framework of state–market and organization–technology co-evolution, the authors contrast the experiences of ‘early’ and ‘late’ developers such as the United Kingdom

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32

Kim, Dorothy, and Adeline Koh, eds. Alternative Historiographies of the Digital Humanities. punctum books, 2021. http://dx.doi.org/10.53288/0274.1.00.

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In Silencing the Past: Power and the Production of History, Michel-Rolph Trouillot writes that by examining the process of history we can “discover the differential exercise of power that makes some narratives possible and silences others.” Alternative Historiographies of the Digital Humanities examines the process of history in the narrative of the digital humanities and deconstructs its history as a straight line from the beginnings of humanities computing. By discussing alternatives histories of the digital humanities that address queer gaming, feminist game studies praxis, Cold War militar

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33

Micle, Maria, and Gheorghe Clitan, eds. Innovative Instruments for Community Development in Communication and Education. Trivent Publishing, 2021. http://dx.doi.org/10.22618/tp.pcms.20216.

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The multiple facets of this volume belong to five large themes. The first theme, that of persuasion and manipulation, is studied here through electoral campaigns (i.e., mental filters used in voting manipulation, the mechanisms of vote mobilisation, manipulation and storytelling models). The institutionalization of education represents the second theme, approached here through specific interdisciplinary instruments: the intersection of higher education with public learning, the answers of the knowledge society to the issues of contemporary work problems, the institutional relationships used to

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34

Mallapragada, Madhavi. Homepage Nationalisms. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038631.003.0002.

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This chapter interrogates the so-called “problematic of homepage nationalisms” in analyses of online media. It argues that the problematic is produced through normative ideas about online media as “global” (which all too often is synonymous with “American”) technologies and cultural nationalism as a quintessentially immigrant or diasporic concern. It examines the politics underwriting the categorization of the global Web and digital diasporas, and links it to the continued undertheorization of “home” in home pages. Using the example of curry as a metaphor for the presence of Indian immigrants

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35

Banner, Olivia, Nathan Carlin, and Thomas R. Cole, eds. Teaching Health Humanities. Oxford University Press, 2019. http://dx.doi.org/10.1093/med/9780190636890.001.0001.

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Teaching Health Humanities expands our understanding of what health humanities teaching currently does and what it could do. Its contributors describe the variety of degree programs where they teach, the politics and perspectives that inform how they teach, and methods for incorporating newer digital and multimodal technologies into their teaching practices. Each individual chapter lays out the theory that drives contributors’ teaching, then describes how it happens in practice at the broad level of such matters as syllabus design and at the finer level of lesson plans, class exercises, and/or

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36

Schorey, Shannon Trosper. Media, Technology, and New Religious Movements. Edited by James R. Lewis and Inga Tøllefsen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190466176.013.19.

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Since the first edition of theOxford Handbook of New Religious Movements(2004), the growing field of media, religion, and culture has moved at a rapid clip. The previous emphases on theoretical approaches that imagined a significant distinction between online and offline practices has been largely replaced by approaches that attend to the entanglement of digital and physical worlds. Research within this new analytical turn speaks about the Internet and religion in terms of third spaces, distributed materialities or subjectivies, and co-constitutive histories and locations. Highlighted within t

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37

Wei, Ran, and Ven-hwei Lo. News in their Pockets. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197523728.001.0001.

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This book explores the societal, technological, and user-related factors in understanding why and how digitally savvy college students in Asia’s most mobile cities—Shanghai, Hong Kong, Singapore, and Taipei—seek news via the mobile phone, how they evaluate mobile news for credibility and usefulness, and the consequences of this practice: becoming engaged with mobile news, which then teaches them about current affairs. The analyses are situated at the intersection of technological advances from 3G to 4G and marked differences in political and media systems across the four cities, which jointly

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38

Eidsheim, Nina Sun, and Katherine Meizel, eds. The Oxford Handbook of Voice Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199982295.001.0001.

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More than two hundred years after the first speaking machine, we are accustomed to voices talking from seemingly anywhere and everywhere, including house alarm systems, cars, telephones, and digital assistants, or “smart speakers” such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions regarding the human, the animal, the machine, and the spiritual—or in nonmetaphysical terms, questions about identity and authenticity. Individuals and groups perform, refuse, and play identity through vocal acts and by listening to and for voice. In this volume, l

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39

Callison, Candis, and Mary Lynn Young. Reckoning. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190067076.001.0001.

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The book is about how journalists know what they know, who gets to decide what good journalism is, and how we know when it’s done right. Until a couple decades ago, these questions were rarely asked by journalists. When journalists were questioned by malcontented publics and critics about how they were doing journalism, these questions were easily ignored. Now, if you’re on social media, you’re likely to see multiple critiques of journalism on a daily basis. It seems not only convenient but pragmatic to give most of the credit to digital technologies and/or market failure for how relationships

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