Relevant bibliographies by topics / Digital materiality

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Digital materiality'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 May 2025

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Journal articles on the topic "Digital materiality"

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Hui, Yuk. "Towards A Relational Materialism." Digital Culture & Society 1, no. 1 (2015): 131–48. http://dx.doi.org/10.14361/dcs-2015-0109.

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AbstractThis article takes off from what Lyotard calls ‘the immaterial’, demonstrated in the exhibition Les Immatériaux that he curated at the Centre Pompidou in 1985. It aims at outlining a concept of ‘relational materiality’. According to Lyotard, ‘the immaterial’ is not contrary to material: instead, it is a new industrial material brought about by telecommunication technologies, exemplified by Minitel computers, and serves as basis to describe the postmodern condition. Today this materiality is often referred to as ‘the digital’. In order to enter into a dialogue with Lytoard, and to rende
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Tschofen, Monique, and Lai-Tze Fan. "Introduction : Matérialités vibrantes à travers les médias, la littérature et la théorie." Imaginations: Journal of Cross-Cultural Image Studies 14, no. 2 (2023): 5–17. http://dx.doi.org/10.17742/image29699.

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This special issue of *Imaginations: Journal of Cross-Cultural Image Studies* takes materiality as the critical touchstone for a new comparative literary and media studies. We ask: How can an examination of the modes of inscription across media, platforms, and interfaces draw greater attention to what is often ignored in critical conversations about texts, objects, and bodies; how can such an investigation attend to the vitality of their materiality? Studies of materiality may occur of/in: images, texts, subjects, and objects; philosophical approaches to materiality and interrelationality; cul
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Horst, Heather, and Daniel Miller. "Normativity and Materiality: A View from Digital Anthropology." Media International Australia 145, no. 1 (2012): 103–11. http://dx.doi.org/10.1177/1329878x1214500112.

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As with all material culture, the digital is a constitutive part of what makes us human. Social order is itself premised on a material order, making it impossible to become human other than through socialising within a material world of cultural artefacts, and includes the order, agency and relationships between things, and not just their relationship to persons. This article considers the consequences of the digital culture for our understanding of what it is to be human. Drawing upon recent debates concerning materiality in the sub-field of digital anthropology, we focus upon four forms of m
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Neubert, Christoph. "Vom Disegno zur Digital Materiality." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 57, no. 1 (2012): 46–68. http://dx.doi.org/10.28937/1000106210.

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Janik, Justyna. "The material world of digital fictions." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 29, no. 38 (2021): 57–72. http://dx.doi.org/10.14746/i.2021.38.04.

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This paper explores the interdependency between digital matter and the representational or mimetic layer of the digital game object. The main aim is to foreground the mechanisms by which the representationalelements of the game world emerge from the materiality of the process of play. These mechanisms are examined from the perspective of the ontology of the game object. The issue of digital materiality will be linked with the aesthetical explorations of Tadeusz Kantor, who emphasised the relation between the materiality of the theatre and its fictional elements. As the main example of this ana
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Heilmann, Till A. "Reciprocal Materiality And The Body Of Code." Digital Culture & Society 1, no. 1 (2015): 39–52. http://dx.doi.org/10.14361/dcs-2015-0104.

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Abstract Materiality has often been a neglected factor in discussions of digitally encoded information. While a lot of early works in media studies suffered from this shortcoming, questions regarding the materiality of digital technology and artefacts have slowly gained prominence in recent debates. Matthew Kirschenbaum’s concept of “forensic” and “formal” materiality has proven particularly useful to the study of digital artefacts, differentiating the (routinely overlooked) physical existence of digital data from their (commonly discussed) logical character. However, analyses concerning the m
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Ries, Thorsten. "Digital history and born-digital archives: the importance of forensic methods." Journal of the British Academy 10 (2022): 157–85. http://dx.doi.org/10.5871/jba/010.157.

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This article explores the historical materiality of born-digital primary records from a digital forensic, archival and historical scholarship perspective. On a conceptual level, the article discusses the historical materiality, layeredness and complexity of born-digital records, considers the impact of technological change on their forensic materiality as well as archival and historical scholarship methodology and practice. These historical, forensic and archival perspectives will be laid out drawing on examples from Glyn Moody�s personal digital archive, born-digital documents of the Mass Obs
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Zuanni, Chiara. "Theorizing Born Digital Objects: Museums and Contemporary Materialities." Museum and Society 19, no. 2 (2021): 184–98. http://dx.doi.org/10.29311/mas.v19i2.3790.

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This paper explores the characteristics of born digital objects and how their materiality is framed and transformed in the musealization process. It draws on vibrant materialism and web archiving, framing born digital objects as assemblages and proposing a distinction between these and reborn digital objects, i.e. their collected counterparts. The paper relates this new framing of digital objects to established museological frameworks, such as analyses of the musealization process through the lenses of semiotics and research on authenticity in relation to digital reproductions, in order to unp
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Mohar, Alenka Kepic. "The Materiality of Textbooks." Logos 30, no. 2 (2019): 26–34. http://dx.doi.org/10.1163/18784712-03002005.

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This article discusses changes in the materiality of textbooks by examining several examples of primarily Slovene textbooks from various periods. By focusing on their spread design rather than technical aspects (e.g., length, weight, and format), one may infer that their materiality changed with the development of printing technologies and publishing skills. Based on the assumption that textbook visuality is a field of meaning that requires different bodily movements, postures, and engagement with the physical environment to produce cognitive processing, this article sheds light on how the bod
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Makris, D., C. Sakellariou, and L. Karampinis. "Emerging materiality through dynamic digital conservation." Digital Applications in Archaeology and Cultural Heritage 23 (December 2021): e00198. http://dx.doi.org/10.1016/j.daach.2021.e00198.

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Dissertations / Theses on the topic "Digital materiality"

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Ballard, Susan Patricia Art College of Fine Arts UNSW. "Out of order: explorations in digital materiality." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42596.

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Digital art installation is the result of informatic materials entering gallery spaces and challenging the establishment of media forms. This thesis contends that the open, recursive and recombinatory process of looking at digital installation is in fact the result of noisy relations between information and the spatial temporal contexts of the art gallery. In order to focus on the processes of informatic materials within gallery spaces, this thesis identifies four key modulations of noise and materiality ? emergence, feedback, entropy and delay. I demonstrate how these impact on a range of rec
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Tsamis, Alexandros 1976. "Digital graft : towards a non-homogeneous materiality." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/28810.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.<br>Includes bibliographical references (leaves 104-110).<br>(cont.) and form development. Through this approach, space can be perceived not as distributed geometries, but rather as a composite graft responding locally to flows of programmatic and environmental parameters.<br>Digital methodologies have radically shifted our conception of the design process, as well as our understanding of geometry in terms of flexible relationships instead of finite positions in space. However, the material tectonic that digital
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Pitsillides, Stacey. "Digital death : the materiality of co-crafted legacies." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/22959/.

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Our relationship to death is changing. The prevalence of death and dying online has created new ways of understanding those we have lost. This includes the diversification of aesthetics traditionally associated with mortality. Online environments have provided new opportunities for interacting with the dead, putting the theory of continuing bonds into practice but also creating a data boom that is an overwhelming digital legacy. The question of how we can make meaning from the things left behind will explore the entanglement of people with data, documents, traces, things, collections and archi
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De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th
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Haskell, Natalie. "Design practice through emerging digital fabrication technologies, workflows and materiality." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/413298.

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In the age of Industry 4.0, transformative technologies are radically changing design practice, workflow and fabrication; what outputs are designed; and in turn, the impact products and/or experiences created have on the user and ways of manufacturing. The research is focused on the role of Additive Manufacturing (AM) within Industry 4.0; industries being disrupted by these shifts, and the opportunities this presents for customised solutions. Key questions driving the research are: as emerging technologies transform ways of designing and fabricating, what opportunities does this present for mo
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Elerding, Carolyn. "Mechanical Clouds and Other Concrete Abstractions: Materiality, Enlightenment, and the Digital." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492627462988087.

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Rydell, Nils. "Displacing the Familiar." Thesis, Konstfack, Grafisk design & illustration, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7980.

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Displacing the Familiar is a practice-based research project focused around the exploration of digital materiality. This writing is intended to give the reader an exposé of the thought process that has emerged out of my crafting and practice. It also presents shorter technical insights and examples of software used. This project takes it starting point in the joy of unpacking the digital technology. The urge to explore and understand the underlying processes that renders visuals material on the screen. How can a visual practice concerned with digital materiality work?
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Gruwell, Leigh C. "Multimodal Feminist Epistemologies: Networked Rhetorical Agency and the Materiality of Digital Composing." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1436810721.

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Smith, Imogen J. "Materiality and media: Australian literary journals in the post-digital publishing ecology." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107725/4/Imogen_Smith_Thesis.pdf.

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Literary journals have always held a shifting and uncertain place in Australian cultural life, and in recent years, technological developments have both destabilised and provided new possibilities for literary journal publishing. While literary journals have a long history of adapting to challenges, material changes in publication media brought about by the introduction of digital publishing technologies have struck deeper than ever before, and prompted questions about journals' survival and relevance. These questions have, as yet, been the subject of little academic inquiry. This project aims
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Payne, Simon. "Materiality and medium-specificity : digital aesthetics in the context of experimental film and video." Thesis, Royal College of Art, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503027.

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This thesis proposes a concept of materiality and medium-specificity that is relevant to the theorisation of digital aesthetics in the context of experimental film and video. Drawing on the example of structural/materialist film, in particular, the thesis presents a critique of several theories associated with new technology, which describe digital media as immaterial and privilege practices that involve virtual reality, immersive environments and cinematic aesthetics. The discussion of a number of key experimental films and videos highlights differences between film, analogue and digital vide
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Books on the topic "Digital materiality"

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Buono, Veronica Dal. Raffaello Galiotto: Design digitale e materialità litica. Casa Editrice Librìa, 2012.

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Rendell, James. Transmedia Terrors in Post-TV Horror. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463726320.

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In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche a
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Fuller, Matthew. Media ecologies: Materialist energies in art and technoculture. MIT Press, 2005.

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Austria. Signaturgesetz: Bundesgesetz BGBl I 1999/190 mit den Materialien und zusätzlichen Anmerkungen. Manz, 1999.

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Magherini, Simone. AD900 – archivio digitale del 900 letterario italiano. SEF - Centro Studi Palazzeschi, 2022. http://dx.doi.org/10.35948/9788860326065.

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Realizzato nell'ambito dei due finanziamenti PRIN 2003-2006, il portale raccoglie e presenta i materiali dell'Archivio Palazzeschi dell'Università di Firenze, dell'Archivio Gozzano-Pavese dell'Università di Torino, dell'Archivio del Novecento in Liguria dell'Università di Genova, alcuni fondi dell'Archivio del Novecento dell'Università La Sapienza di Roma e dell'Archivio linguistico e cinematografico italiano (Aleci) di Alberto Raffaelli. Esso conserva manoscritti, lettere, foto, filmati in formato digitale visibili e consultabili on line, con possibilità di un'ampia gamma di ricerche sui dati
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Moskatova, Olga, ed. Images on the Move. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452462.

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In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. Th
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Ukraine) Respublikansʹka naukovo-praktychna Internet-konferent︠s︡ii︠a︡ "Elektronni informat︠s︡iĭni resursy" (2010 Vinnyt︠s︡i︠a︡. Elektronni informat︠s︡iĭni resursy--stvorenni︠a︡, vykorystanni︠a︡, dostup: Zbirnyk materialiv Respublikansʹkoï naukovo-praktychnoï Internet-konferent︠s︡iï, m. Vinnyt︠s︡i︠a︡, 12-18 kvitni︠a︡ 2010 roku : (do 50-richchi︠a︡ stvorenni︠a︡ VNTU). Kondor, 2010.

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Malina, Roger F. Series ed., ed. Media ecologies: Materialist energies in art and technoculture. MIT Press, 2005.

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Bartelmus, Martin, and Alexander Nebrig, eds. Schriftlichkeit. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839460924.

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Die Erfahrung digitaler Schriftlichkeit hat nicht bloß die Materialität der Schrift bewusster gemacht, sondern auch die gegenwärtige Schriftpraxis als eine maschinell bedingte offenbart. Von diesem Befund ausgehend, nehmen die Beiträger*innen des Bandes die Agentialität der Schrift genauer in den Blick und prüfen auch für die analoge Praxis, welche Handlungsmacht sie besitzt. Mit ihrem Blick auf nicht-menschliche Aktanten sowie die Aktivität von Schrift machen sie deren spezifische Agentialität deutlich und geben rückwirkend Aufschluss über das weiterhin vage Konzept der Schriftlichkeit.
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Digital Materiality in Architecture. Lars Müller Publishers, 2008.

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Book chapters on the topic "Digital materiality"

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Shep, Sydney J. "Digital Materiality." In A New Companion to Digital Humanities. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118680605.ch22.

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Grice, Malcolm Le. "Material, Materiality, Materialism [1978]." In Experimental Cinema in the Digital Age. British Film Institute, 2001. http://dx.doi.org/10.1007/978-1-349-91371-8_13.

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Denny, Phillip. "Materiality and Objecthood." In Digital Fabrication in Interior Design. Routledge, 2021. http://dx.doi.org/10.4324/9781003025931-9.

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Denny, Phillip. "Materiality and Objecthood." In Digital Fabrication in Interior Design. Routledge, 2021. http://dx.doi.org/10.4324/9781003025931-9.

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Bratteteig, Tone. "A Matter of Digital Materiality." In Computer Supported Cooperative Work. Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-223-0_5.

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Kiernan, Anna. "Materiality and Post-Digital Storytelling." In New Directions in Book History. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75081-7_8.

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Mills, Kathy A., Len Unsworth, and Laura Scholes. "Mind and materiality of digital reading." In Literacy for Digital Futures. Routledge, 2022. http://dx.doi.org/10.4324/9781003137368-3.

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Atalaia, Nuno. "16. Tracing the Voice's Digital Materiality." In Edition Kulturwissenschaft. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839466971-019.

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Engberg, Maria. "Reading and materiality: conditions of digital reading." In The Digital Reading Condition. Routledge, 2022. http://dx.doi.org/10.4324/9781003211662-4.

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O’Sullivan, James. "Digital Materiality and the Politics of the Screen." In Towards a Digital Poetics. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11310-0_5.

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Conference papers on the topic "Digital materiality"

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Mohseni, Hesam, Marcos Antonio de Almeida, Daniel Schneider, and António Correia. "‘Do I Belong Here, There, or Elsewhere?’: The Materiality and Intangible Benefits of Technology in Digital Nomads' Place-Belongingness." In 2024 8th International Symposium on Multidisciplinary Studies and Innovative Technologies (ISMSIT). IEEE, 2024. https://doi.org/10.1109/ismsit63511.2024.10757193.

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Ktistakis, George, and Demosthenes Akoumianakis. "Towards digital materiality." In the 18th Panhellenic Conference. ACM Press, 2014. http://dx.doi.org/10.1145/2645791.2645847.

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Jung, Heekyoung, and Erik Stolterman. "Digital form and materiality." In the 7th Nordic Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2399016.2399115.

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Rhomberg, Daniel. "Towards a Digital Anisotropic Materiality." In ACADIA 2014: Design Agency. ACADIA, 2014. http://dx.doi.org/10.52842/conf.acadia.2014.549.

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Israel, Johann Habakuk, Laurence Mauderli, and Laurent Greslin. "Mastering digital materiality in immersive modelling." In the International Symposium. ACM Press, 2013. http://dx.doi.org/10.1145/2487381.2487388.

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Husic, Sinan, and Sheryl Boyle. "Thinking and Making - Digital Craft Hybridity." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.25.

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Research creation opens opportunities to explore the evolving understanding of materiality in a world seemingly split between hand-craft and digital design and fabrication. This project explores 3D printing of ultra-high performance concrete through a series of material exercises in the creation of a chair to interrogate how materiality might be evolving.
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Pretious-Cooney, Chrissy. "Experimenting with the Physicality of Digital Materiality." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.12.

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Marcos, Carlos L. "New materiality: ideation, representation and digital fabrication." In eCAADe 2011 : Respecting Fragile Places. eCAADe, 2011. http://dx.doi.org/10.52842/conf.ecaade.2011.351.

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Garg, Nipun, and Sheng-Yang Huang. "Conjugated Materiality – Reinstating Material Circularity via Digital Twins." In CAADRIA 2023: Human-Centric. CAADRIA, 2023. http://dx.doi.org/10.52842/conf.caadria.2023.1.705.

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Menges, Achim. "Material Generation: Materiality and Materialisation as Active Drivers in Design Computation." In ACADIA 2012: Synthetic Digital Ecologies. ACADIA, 2012. http://dx.doi.org/10.52842/conf.acadia.2012.021.

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Reports on the topic "Digital materiality"

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Lindberg, Dick. Välfärdsteknologi i de nordiska länderna – en kartläggning av statliga satsningar. Nordic Welfare Centre, 2023. http://dx.doi.org/10.52746/hepe6058.

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Verksamhetsutveckling med digitala stöd fyller en viktig funktion för att samhället ska kunna fortsätta att erbjuda välfärd för invånarna. I de nordiska länderna pågår arbete och utveckling på olika plan när det gäller digitalisering och införande av välfärdsteknologi. Denna kartläggning omfattar välfärdsteknologi i socialtjänsten, i huvudsak inom äldreomsorgen och kring insatser till personer med funktionsnedsättning. Kartläggning ger en bild av den digitala utvecklingen, med särskild inriktning på välfärdsteknologi i Norden ur ett nationellt och statligt perspektiv. Kartläggningen är genomfö
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Chagas, Viktor, and Luiza de Mello Stefano. TikTok e Polarização Política no Brasil. Laboratório de Pesquisa em Comunicação, Culturas Políticas e Economia da Colaboração (coLAB), 2022. http://dx.doi.org/10.56465/ddoslab.2022.001.

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Este relatório se baseia em uma amostra composta por 23.139 vídeos publicados por 264 perfis de políticos no TikTok. Os dados coletados se referem ao período entre outubro de 2018 e março de 2022, quando se encerrou o prazo de desincompatibilização de cargos, segundo o calendário do Tribunal Superior Eleitoral (TSE). O estudo procura avaliar como os políticos utilizam e incorporam o TikTok em suas respectivas estratégias de comunicação política, que tipo de conteúdo produzem, e que resultados concretos, em termos de alcance e engajamento, eles obtêm. Muito se comenta a respeito das diferenças
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Financial Infrastructure Report 2023. Banco de la República, 2023. http://dx.doi.org/10.32468/rept-sist-pag.eng.2023.

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Introduction The Financial Infrastructure Report is a product of Banco de la República’s (Banrep) continuous efforts to scrutinize financial market infrastructures (FMIs) in Colombia, besides being a contribution to analyzing and monitoring the country’s financial stability. If FMIs are not managed properly, they can pose significant risks to the financial system and be a possible source of contagion, especially in periods of market stress. The domestic financial infrastructure during 2022 was safe and efficient, allowing the payment system and financial markets to operate normally, which lent
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