Relevant bibliographies by topics / Digital materiality / Dissertations / Theses
To see the other types of publications on this topic, follow the link: Digital materiality.

Dissertations / Theses on the topic 'Digital materiality'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 May 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Digital materiality.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Ballard, Susan Patricia Art College of Fine Arts UNSW. "Out of order: explorations in digital materiality." Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42596.

Full text
Abstract:
Digital art installation is the result of informatic materials entering gallery spaces and challenging the establishment of media forms. This thesis contends that the open, recursive and recombinatory process of looking at digital installation is in fact the result of noisy relations between information and the spatial temporal contexts of the art gallery. In order to focus on the processes of informatic materials within gallery spaces, this thesis identifies four key modulations of noise and materiality ? emergence, feedback, entropy and delay. I demonstrate how these impact on a range of rec
APA, Harvard, Vancouver, ISO, and other styles
2

Tsamis, Alexandros 1976. "Digital graft : towards a non-homogeneous materiality." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/28810.

Full text
Abstract:
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.<br>Includes bibliographical references (leaves 104-110).<br>(cont.) and form development. Through this approach, space can be perceived not as distributed geometries, but rather as a composite graft responding locally to flows of programmatic and environmental parameters.<br>Digital methodologies have radically shifted our conception of the design process, as well as our understanding of geometry in terms of flexible relationships instead of finite positions in space. However, the material tectonic that digital
APA, Harvard, Vancouver, ISO, and other styles
3

Pitsillides, Stacey. "Digital death : the materiality of co-crafted legacies." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/22959/.

Full text
Abstract:
Our relationship to death is changing. The prevalence of death and dying online has created new ways of understanding those we have lost. This includes the diversification of aesthetics traditionally associated with mortality. Online environments have provided new opportunities for interacting with the dead, putting the theory of continuing bonds into practice but also creating a data boom that is an overwhelming digital legacy. The question of how we can make meaning from the things left behind will explore the entanglement of people with data, documents, traces, things, collections and archi
APA, Harvard, Vancouver, ISO, and other styles
4

De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

Full text
Abstract:
This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as th
APA, Harvard, Vancouver, ISO, and other styles
5

Haskell, Natalie. "Design practice through emerging digital fabrication technologies, workflows and materiality." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/413298.

Full text
Abstract:
In the age of Industry 4.0, transformative technologies are radically changing design practice, workflow and fabrication; what outputs are designed; and in turn, the impact products and/or experiences created have on the user and ways of manufacturing. The research is focused on the role of Additive Manufacturing (AM) within Industry 4.0; industries being disrupted by these shifts, and the opportunities this presents for customised solutions. Key questions driving the research are: as emerging technologies transform ways of designing and fabricating, what opportunities does this present for mo
APA, Harvard, Vancouver, ISO, and other styles
6

Elerding, Carolyn. "Mechanical Clouds and Other Concrete Abstractions: Materiality, Enlightenment, and the Digital." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492627462988087.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rydell, Nils. "Displacing the Familiar." Thesis, Konstfack, Grafisk design & illustration, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7980.

Full text
Abstract:
Displacing the Familiar is a practice-based research project focused around the exploration of digital materiality. This writing is intended to give the reader an exposé of the thought process that has emerged out of my crafting and practice. It also presents shorter technical insights and examples of software used. This project takes it starting point in the joy of unpacking the digital technology. The urge to explore and understand the underlying processes that renders visuals material on the screen. How can a visual practice concerned with digital materiality work?
APA, Harvard, Vancouver, ISO, and other styles
8

Gruwell, Leigh C. "Multimodal Feminist Epistemologies: Networked Rhetorical Agency and the Materiality of Digital Composing." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1436810721.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Smith, Imogen J. "Materiality and media: Australian literary journals in the post-digital publishing ecology." Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107725/4/Imogen_Smith_Thesis.pdf.

Full text
Abstract:
Literary journals have always held a shifting and uncertain place in Australian cultural life, and in recent years, technological developments have both destabilised and provided new possibilities for literary journal publishing. While literary journals have a long history of adapting to challenges, material changes in publication media brought about by the introduction of digital publishing technologies have struck deeper than ever before, and prompted questions about journals' survival and relevance. These questions have, as yet, been the subject of little academic inquiry. This project aims
APA, Harvard, Vancouver, ISO, and other styles
10

Payne, Simon. "Materiality and medium-specificity : digital aesthetics in the context of experimental film and video." Thesis, Royal College of Art, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503027.

Full text
Abstract:
This thesis proposes a concept of materiality and medium-specificity that is relevant to the theorisation of digital aesthetics in the context of experimental film and video. Drawing on the example of structural/materialist film, in particular, the thesis presents a critique of several theories associated with new technology, which describe digital media as immaterial and privilege practices that involve virtual reality, immersive environments and cinematic aesthetics. The discussion of a number of key experimental films and videos highlights differences between film, analogue and digital vide
APA, Harvard, Vancouver, ISO, and other styles
11

Sivertzen, Oscar, and Tom Noble. "Tillgång eller ägande : En studie i konsumentvärde på marknaden för digital underhållningsmedia." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-194139.

Full text
Abstract:
Syftet med uppsatsen har varit att genom kvalitativa intervjuer lyfta fram motpolerna kringdagens konsumtion av digital underhållningsmedia och fastställa om konsumenters syn på värdekan relateras till deras val av att antingen betala för ägandet eller för tillgänglighet av den. Metoden har bestått av åtta stycken kvalitativa intervjuer där respondenter fått frågor om sinkonsumtion av digitala underhållningsmedia inom; musik, video, spel och podcasts. Uppsatsen kommer fram till att konsumenter ser värdet i användningen av mediet och inte iägandet av det. Konsumenterna vill således hellre ström
APA, Harvard, Vancouver, ISO, and other styles
12

McLaren, Sasha. "Material Synthesis: Negotiating experience with digital media." The University of Waikato, 2008. http://hdl.handle.net/10289/2761.

Full text
Abstract:
Given the accessibility of media devices available to us today and utilising van Leeuwen's concept of inscription and synthesis as a guide, this thesis explores the practice of re-presenting a domestic material object, the Croxley Recipe Book, into digital media. Driven by a creative practice research method, but also utilising materiality, digital storytelling practices and modality as important conceptual frames, this project was fundamentally experimental in nature. A materiality-framed content analysis, interpreted through cultural analysis, initially unraveled some of the cookbook's signi
APA, Harvard, Vancouver, ISO, and other styles
13

Ardèvol, Elisenda, and Débora Lanzeni. "Digital Visualities and Materialities: paths for an anthropological walk." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/80358.

Full text
Abstract:
En este artículo presentamos una reflexión sobre cómo estudiamos lo digital desde una perspectiva antropológica y exploramos cómo se han planteado cuestiones como la diversidad cultural, las desigualdades sociales y las posibilidades de cambio y transformación social vin- culadas con las tecnologías digitales. Proponemos que es necesario abrir un debate sobre las conceptualizaciones de lo digital y cuáles son las categorías que utilizamos para describir los procesos de cambio y continuidad en lo cotidiano, así como el papel de las tecnologías en ellos. este planteamiento nos lleva a cuestionar
APA, Harvard, Vancouver, ISO, and other styles
14

Santos, Rodrigo Faustini dos. "Filmes arruinados: a corrosão de imagens no cinema na era de sua transição analógico-digital." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-12032019-114633/.

Full text
Abstract:
A recorrência, no cinema experimental contemporâneo, de obras que enfatizam a instabilidade material da película - tal como Decasia, de Bill Morrison e Materia Obscura, de Jürgen Reble e Thomas Köner - vem sendo apontada por alguns autores como um retorno às questões da materialidade cinematográfica (outrora empregada pelo Cinema Estrutural) na era da passagem do analógico ao digital. Tal ênfase material se dá, em obras como essas, através do emprego de imagens degradadas, por vezes permeado de um caráter nostálgico e mórbido, que põe em cena a perda do corpo orgânico da película a partir de s
APA, Harvard, Vancouver, ISO, and other styles
15

Fredholm, Tilde. "Digital Figurations : The Human Figure as Cinematic Concept." Thesis, Stockholms universitet, Filmvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131474.

Full text
Abstract:
Mainstream cinema is to an ever-increasing degree deploying digital imaging technologies to work with the human form; expanding on it, morphing its features, or providing new ways of presenting it. This has prompted theories of simulation and virtualisation to explore the cultural and aesthetic implications, anxieties, and possibilities of a loss of the ‘real’ – in turn often defined in terms of the photographic trace. This thesis wants to provide another perspective. Following instead some recent imperatives in art-theory, this study looks to introduce and expand on the notion of the human fi
APA, Harvard, Vancouver, ISO, and other styles
16

Lallemand, Ianis. "Matière en acte : les rapports entre conception et matérialité dans la production matérielle numérique." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLET004.

Full text
Abstract:
Alors que l'évolution des pratiques de fabrication numérique dans les champs de l'art, de l'architecture et du design semble pointer vers l'émergence d'une « nouvelle matérialité », marquée par les développements contemporains de la robotique, de la computation et des sciences des matériaux, les discours entourant l'usage des machines à commande numérique restent trop souvent dominés par une compréhension passive de l'idée de matière. Cette thèse se propose d'actualiser la vision des rapports entre conception numérique et matérialité, en développant des schémas productifs ouverts à l'expressio
APA, Harvard, Vancouver, ISO, and other styles
17

Nascimento, Lucilelia Lemes de Castro Silva. "UM OLHAR SOBRE A POESIA DIGITAL: PROCEDIMENTOS E PRÁTICAS." Pontifícia Universidade Católica de Goiás, 2014. http://localhost:8080/tede/handle/tede/3205.

Full text
Abstract:
Made available in DSpace on 2016-08-10T11:06:59Z (GMT). No. of bitstreams: 1 LUCILELIA LEMES DE CASTRO SILVA NASCIMENTO.pdf: 1559212 bytes, checksum: f28a9b74e30c324bec433f840c7af921 (MD5) Previous issue date: 2014-04-11<br>This study investigates a range of poetic works created with and disseminated through digital computer media, for their visual, kinetic, and textual practices. We seek to articulate an analytic method grounded in close readings of selected poems out of several contemporary subgenres chosen to focus on poetic practices that raise questions about spatiality, temporality, ki
APA, Harvard, Vancouver, ISO, and other styles
18

Herrera, Altamirano Elisa. "Correr importa. Devenires coporales posthumanos desde una aproximación etnográfica al running popular en Barcelona." Doctoral thesis, Universitat Oberta de Catalunya, 2018. http://hdl.handle.net/10803/664196.

Full text
Abstract:
Aquesta tesi se situa en la intersecció disciplinària de l'antropologia del cos, les epistemologies feministes i la geografia, i té per objectiu reflexionar des de la banda teòrica i metodològica sobre la corporalitat posthumana per mitjà de l'exploració etnogràfica del running, popular a Barcelona, com una pràctica de la vida quotidiana en l'època contemporània. La inquietud principal a la qual respon aquest treball és contribuir a la crida que des de les ciències socials crítiques es fa per a generar una nova economia de la representació del cos que parli en clau de transformacions, processo
APA, Harvard, Vancouver, ISO, and other styles
19

Žilinský, Michal. "Aula." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2018. http://www.nusl.cz/ntk/nusl-377170.

Full text
Abstract:
Using slow camera movement in 20 minutes in five video scenes of completely CGI-rendered environment called Area of Universal Latency, I am mapping space-time of the zone which is located in the north-western Slovakia. Minimalistic narration of the autonomous single-channel video projection is confronting subjectivism with universality of the Anthropocene, vanitas and spirituality with the belief of consumerism in infinite accumulation and simulacra of virtuality with the absolute truth. The story of this video-poem is communicated through virtual environment, composed sounds and natural noise
APA, Harvard, Vancouver, ISO, and other styles
20

Holeman, Isaac. "Sensemaking and human-centred design : a practice perspective." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/267814.

Full text
Abstract:
This dissertation explores how people address problems of real human concern in situations of complexity, ambiguity, uniqueness, conflicting values and rapid change. Such circumstances stretch formal and idealistic rules and procedures to the breaking point. And yet, people in a variety of fields work through such difficulties in a pragmatic manner, at times finding ways to assert their humanity. Sensemaking and human- centred design are related activities through which many people approach such work. Through cases in digital innovation, global health care delivery and an unlikely voyage of th
APA, Harvard, Vancouver, ISO, and other styles
21

Murphy, Brian Michael. "The Future of American Memory: Media Preservation, Photography, and Digital Archives." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1398876304.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Cöllen, Sebastian. "Den auratiska artefakten : Begränsningar och möjligheter i den digitala reproduktionen av kulturarv." Thesis, Uppsala universitet, Institutionen för ABM, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413839.

Full text
Abstract:
The digital copy is rapidly becoming the dominant form in which researchers encounter cultural heritage. In this situation, the relation between the original and the digital reproduction has become a crucial, yet too little discussed problem. This thesis investigates this relation through two questions: (1) Which is the ontological status of the reproduction in relation to the original, and (2) How is the original mediated to its digital format? Question (1) is answered in dialogue with previous research: The reproduction is a new artefact, but with a relation (of similiarity) to the original.
APA, Harvard, Vancouver, ISO, and other styles
23

Windlin, Charles. "Visible Light Communication as a material for design." Thesis, KTH, Människa-datorinteraktion, MDI (stängd 20111231), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-189553.

Full text
Abstract:
Visible light communication (VLC) is a novel complement to Radio Frequency Communication (RFC) and has many applications in wireless communication, indoor positioning and where RFC is not applicable. The problem is that the technology is black-boxed and therefore hard to apply in today’s design process. For designers to be able to use VLC in their creative process, this study uses the Inspirational Bits approach to expose the materiality of VLC by asking the question: How can we design artefacts that allow designers to engage in a conversation with Visible Light Communication as a material? Th
APA, Harvard, Vancouver, ISO, and other styles
24

Piras, Paola. "Matérialité et gouvernance du système sociotechnique très haut débit à Dakar (Sénégal) : vision stratégique de l’infrastructure numérique, planification métropolitaine et chantiers de construction." Electronic Thesis or Diss., Université Gustave Eiffel, 2025. http://www.theses.fr/2025UEFL2009.

Full text
Abstract:
Cette thèse analyse le développement d’un système sociotechnique très haut débit (réseau de fibre optique et data centers) et les transformations urbaines d’une métropole ouest-africaines en interrogeant les conditions et modalités d’une « urbanisme du numérique » à Dakar (Sénégal). L’ambition est de comprendre comment infrastructure numérique et espaces urbains se façonnent mutuellement et d’en proposer une lecture à partir de la matérialité plutôt que surplombant une matérialité-support inerte. S’appuyant sur des travaux issus des études urbaines et des approches sociales de la technique ins
APA, Harvard, Vancouver, ISO, and other styles
25

Burczykowski, Ludovic. "Par-delà l'écran : dimension physique et espace numérique." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080020.

Full text
Abstract:
En art numérique, une pratique tend à se développer chez un nombre croissant de créateurs. Cette pratique correspond à la mise en relation d’une image numérique projetée, immatérielle, avec un support, matériel, généralement non standardisé, qui conserve par rapport à celle-ci une certaine indépendance ou autonomie. Il s’agit dans ces créations de partir d’une distinction, d’une opposition ou d’une distance entre un élément virtuel et un élément physique, qui, à partir de leur rapprochement, permet de faire émerger un sens que ce type de création devient prédisposé à porter. Devenant ainsi une
APA, Harvard, Vancouver, ISO, and other styles
26

Olofsson, Max. "Painting in the twenty-tens;where to now? : (You can’t touch this!)." Thesis, Kungl. Konsthögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-212.

Full text
Abstract:
The essay is a manifesto-like personal take on painting, and a redefinition of painting in the digital age. Careless usage of the term ”painting” has led to a diluted descriptive function and a waning categorizing capacity; almost anything can be called painting, which in turn puts actual painting in an awkward position – where it, apart from being itself, could be almost anything. The term “painthing” is introduced to distinguish painting from works that beside its two-dimensional visual information also makes a point of its specific materiality. It brings up cave paintings and links to video
APA, Harvard, Vancouver, ISO, and other styles
27

Rakov, Artem. "Unfolding the Assemblage : Towards an Archaeology of 3D Systems." Thesis, Stockholms universitet, Filmvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182425.

Full text
Abstract:
Recent scholarship around the topic of 3D mainly deals with the visual developments that have occurred in the medium during the 21st century. A common perception in these strands of research is that in comparison to the production workflows employed in the analogue era, the 3D compositions that are being crafted through the aid of the ever-evolving digital technology have made 3D develop for the better. Yet a question that nevertheless remains is how the technology itself employed to craft these compositions has evolved. Rather than focusing on the visual developments, the primary aim of this
APA, Harvard, Vancouver, ISO, and other styles
28

Stålhand, Henrik, and Matin Davoodi. "Den första digitala medarbetaren : En Actor-Network Theory-studie i en omsorgsförvaltning." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95685.

Full text
Abstract:
Det har visat sig att det finns en viss oro för vad den ökade robotiseringen kommer att innebära, samtidigt som robotiseringens utsträckning skiljer sig mellan branscher. Denna ANT-studie behandlar införandet av en robot i en omsorgsförvaltning. Av detta följer att verksamheten genomgår någon form av förändring, varefter vi ämnat skapa en förståelse för de okända konsekvenser som följer. Studien har även sin utgångspunkt i HRI och antropomorfisering, som givit perspektiv på olika former av aktörskap och deras interaktioner. Studien är till sin natur kvalitativ och har präglats av en abduktiv a
APA, Harvard, Vancouver, ISO, and other styles
29

Lindén, Lisa. "Communicating Care : The Contradictions of HPV Vaccination Campaigns." Doctoral thesis, Linköpings universitet, Tema teknik och social förändring, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-127638.

Full text
Abstract:
Denna avhandling undersöker tre statligt finansierade kampanjer mot human papillomvirus (HPV) i Sverige. Författaren visar att kampanjerna innehåller och artikulerar olika former av omsorg som inte är begränsade till att endast uppmana människor att ”ta hand om sig själva” eller ”bry sig om andra”. Istället studeras omsorg som något mångfasetterat och kontextuellt, och som något som innefattar såväl mänskliga som icke-mänskliga komponenter. I studien fokuserar författaren på hur aktörer möjliggör och problematiserar olika former av omsorg. Dessa aktörer inkluderar yrkesverksamma inom landsting
APA, Harvard, Vancouver, ISO, and other styles
30

Burczykowski, Ludovic. "Par-delà l'écran : dimension physique et espace numérique." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080020.

Full text
Abstract:
En art numérique, une pratique tend à se développer chez un nombre croissant de créateurs. Cette pratique correspond à la mise en relation d’une image numérique projetée, immatérielle, avec un support, matériel, généralement non standardisé, qui conserve par rapport à celle-ci une certaine indépendance ou autonomie. Il s’agit dans ces créations de partir d’une distinction, d’une opposition ou d’une distance entre un élément virtuel et un élément physique, qui, à partir de leur rapprochement, permet de faire émerger un sens que ce type de création devient prédisposé à porter. Devenant ainsi une
APA, Harvard, Vancouver, ISO, and other styles
31

Serain, Clément. "La conservation-restauration du patrimoine au regard des humanités numériques : enjeux techniques, sociocognitifs et politiques." Thesis, Paris 8, 2019. http://www.theses.fr/2019PA080048.

Full text
Abstract:
En prenant acte des transformations induites par les technologies numériques au sein des institutions patrimoniales, cette thèse propose d’analyser l’impact de ces technologies dans le domaine particulier de la conservation-restauration des collections muséales. Ce travail part de l’hypothèse selon laquelle la discipline de la conservation-restauration, loin d’être neutre, construit notre compréhension et notre perception de la matérialité des objets du patrimoine. Aussi, l’objectif de cette thèse est de montrer en quoi les technologies de l’information et de la communication utilisées au sein
APA, Harvard, Vancouver, ISO, and other styles
32

Kayser, Markus (Markus A. ). "Towards swarm-based design : distributed and materially-tunable digital fabrication across scales." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/115741.

Full text
Abstract:
Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2018.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 141-149).<br>Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on December 8, 2017 in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Media, Arts and Sciences at the Massachusetts Institute of Technology Throughout history, Nature has always been part of the discourse in Design theory and practice. The D
APA, Harvard, Vancouver, ISO, and other styles
33

Forsse, Viktor, and Tobias Anderberg. "Osynliga Processer : En audiell utforskning av det osynliga." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14554.

Full text
Abstract:
Med detta kandidatarbete vill vi skapa en koppling mellan vårt lyssnande och de osynliga processer som omringar oss i den digitala teknik vi använder vardagligen. Med Salomé Voegelins okonventionella syn på hur vi lyssnar på vår omgivning samt teorin kring AlgoRHYTHMS som utgångspunkt har vi genomgått en djupgående utforskning av denna relation.Genom att tillämpa Critical Making i en experimentell skapandeprocess med ambitioner´ att hitta en materialitet i det subliminala hittade vi istället ett samspel mellan två osynliga medier som tillsammans bildar en digital materialitet.<br>With this bac
APA, Harvard, Vancouver, ISO, and other styles
34

Bernert, Constantin. "Untersuchung photorefraktiver Materialien mittels optischer Ptychographie." Master's thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-216063.

Full text
Abstract:
In der vorliegenden Arbeit wird die neuartige Mikroskopiemethode der Ptychographie für die Untersuchung photorefraktiver Materialien genutzt. Photorefraktive Materialien zeichnen sich durch die Generation lichtinduzierter Brechungsindexänderungen aus. Die Ptychographie bietet die Möglichkeit, neben der generierten Brechungsindexänderung im photorefraktiven Material auch die für die Generation genutzte Intensitätsverteilung des Laserstrahls zu bestimmen. Es wird sowohl die Abhängigkeit der Brechungsindexänderung von der Zeit der Generation als auch die Abhängigkeit von der Polarisation des Lase
APA, Harvard, Vancouver, ISO, and other styles
35

FRANCESCONI, LUCA. "Analisi teorica, numerica e sperimentale dei processi di grandi deformazioni nei materiali duttili." Doctoral thesis, Università degli Studi di Cagliari, 2012. http://hdl.handle.net/11584/266081.

Full text
Abstract:
A broad area of the troublesome bound to the mechanical design of structures is represented by the ability of including in the engineering analysis all the non linearity effects expressed by the ductile materials, often disregarded to obtain a clearer and simpler description of the phenomena. The frequently used “isotropic approach” and the choice of focusing only on the linear-elastic phase of the materials are the most important reasons behind the success of these design choices. Years after years, following the constant improvements in structures, in the material’s geometries and innovative
APA, Harvard, Vancouver, ISO, and other styles
36

Debeaux, Gaelle. "Multiplication des récits et stéréométrie littéraire : d’Italo Calvino aux épifictions contemporaines." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20039/document.

Full text
Abstract:
Depuis les romans oulipiens d’Italo Calvino – Si par une nuit d’hiver un voyageur et Le Château des destins croisés – jusqu’aux hypertextes de fiction se joue une redéfinition de la forme et des enjeux de l’enchâssement narratif. Ce travail vise, à partir d’un corpus contemporain, à explorer les mutations que connaît cet agencement de récits perçu comme traditionnel et théorisé en France dans les années 1960 par Gérard Genette et Tzvetan Todorov. Nous proposons, avec la notion de multiplication des récits, un assouplissement de ses contours afin d’aborder un corpus d’oeuvres romanesques cherch
APA, Harvard, Vancouver, ISO, and other styles
37

Shea, Pip. "Community arts and appropriate internet technology : participation, materiality, and the ethics of sustainability in the digitally networked era." Thesis, Queensland University of Technology, 2014. https://eprints.qut.edu.au/73133/1/Phillipa_Shea_Thesis.pdf.

Full text
Abstract:
This thesis delivers new knowledge about how Australian community arts practices of appropriate technology are shifting due to the internet. It reconfigures the sector's incumbent ethics of sustainability in response to emerging concerns about how the internet's material politics are affecting cultural participation.
APA, Harvard, Vancouver, ISO, and other styles
38

COSOLA, ANDREA. "Multifunctional cyclodextrin derivatives for digital light processing 3D-printing." Doctoral thesis, Politecnico di Torino, 2022. http://hdl.handle.net/11583/2959957.

Full text
APA, Harvard, Vancouver, ISO, and other styles
39

Lanå, Bolin Lisa. ""Man kan höra musiken bara man ser omslaget" : En kvalitativ studie om vinylskivans specifika drag i en digital tid." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-27836.

Full text
Abstract:
Syftet med denna uppsats är att erhålla en fördjupad förståelse för de karaktäristiska drag som användare upplever att vinylskivan har i en tid av digitala strömningstjänster. Därför har två frågeställningar formulerats som behandlar vilka kvaliteter som användare tillskriver mediet och vilka praktiker som de upplever är relaterade till det. Det teoretiska ramverket som underbygger denna uppsats är främst Jay David Bolters och Richard Grusins (1999) remedieringsteori och tanken om att medier står i en dialektisk relation till varandra och att det gör att vi tillskriver dem
APA, Harvard, Vancouver, ISO, and other styles
40

MANFREDI, EMANUELA. "Elaborazione di immagini digitali: applicazioni innovative ai materiali dell'arte come guida per interventi di conservazione e restauro." Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1001405.

Full text
APA, Harvard, Vancouver, ISO, and other styles
41

Menzel, Olaf. "Charakterisierung makroporöser Materialien mit den Methoden der digitalen Bildverarbeitung und Bestimmung von effektiven Diffusionskoeffizienten durch Computersimulationen." [S.l. : s.n.], 2000. http://deposit.ddb.de/cgi-bin/dokserv?idn=961157844.

Full text
APA, Harvard, Vancouver, ISO, and other styles
42

Odd, Erik. "Vinylens två världar : Unga människors relation till vinylen i den digitala eran." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-21024.

Full text
Abstract:
Vinylen har lyckats överleva trots att både CD:n och det digitala formatet gett oss nya och lättare sätt att lyssna på musiken. Vinylen tilltalar personer i yngre åldrar som inte växte upp med vinylen som det vardagliga formatet. Det tydligaste resultat som kommit att visa sig i undersökning för denna uppsats är att vinyler fortfarande upplevs tilltalande av intervjupersonerna, även om det digitala formatet fortfarande används dagligen. Intervjupersonerna tilltalas av olika aspekter av vinylen som gör det värt att gå och köpa en skiva, även om vi lever i en tid där vi näst intill har obegränsa
APA, Harvard, Vancouver, ISO, and other styles
43

Keul, Christine Ursula [Verfasser]. "Systemabhängige Genauigkeiten und Charakterisierung von CAD/CAM-Materialien im digitalen Workflow der Zahnärztlichen Prothetik / Christine Ursula Keul." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1172205337/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

POZZI, Alessandra. "Materiali per una sociologia del libro: senso, rappresentazioni e significati simbolici del libro nella tarda modernità." Doctoral thesis, Università degli Studi di Verona, 2011. http://hdl.handle.net/11562/347574.

Full text
Abstract:
Materiali per una sociologia del libro: senso, rappresentazioni e significati simbolici del libro nella tarda modernità Alla luce delle possibilità offerte dalle innovazioni tecnologiche dell’era digitale, in grado di proporre nuove soluzioni per la scrittura e la lettura e quindi di introdurre mutamenti per quanto attiene i meccanismi ed i comportamenti che presiedono alla pratica del leggere e scrivere, obiettivo della ricerca è comprendere se nel libro cartaceo tradizionale – tecnologia della parola che diviene oggetto culturale e materiale insieme – si ravvisi ancora oggi, nella vit
APA, Harvard, Vancouver, ISO, and other styles
45

Hansson, Karl. "Det figurala och den rörliga bilden : Om estetik, materialitet och medieteknologi hos Jean Epstein, Bill Viola och Artintact." Doctoral thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-798.

Full text
Abstract:
This dissertation is a comparative study of the concept of the figural in relation to moving images with three case studies on filmmaker and writer Jean Epstein (1897-1953), video artist Bill Viola (1951-) and the cd-rom art magazine Artintact 1-5 (1994-1999). The conceptually focused case studies also enable a comparison between the different media technologies of film, video and new digital media. The figural is a concept originally used by Jean-François Lyotard and has resurfaced in the works of Jacques Aumont, Philippe Dubois, Nicole Brenez and D. N. Rodowick. Building on ideas expressed b
APA, Harvard, Vancouver, ISO, and other styles
46

Krottenthaler, Markus [Verfasser], Mathias [Gutachter] Göken, and Chris [Gutachter] Eberl. "Eigenspannungsmessungen an einkristallinen und polykristallinen Materialien mittels digitaler Bildkorrelation und Focused Ion Beam / Markus Krottenthaler ; Gutachter: Mathias Göken, Chris Eberl." Erlangen : FAU University Press, 2016. http://d-nb.info/1122350333/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
47

Mcintyre, Megan M. "Relational Agency, Networked Technology, and the Social Media Aftermath of the Boston Marathon Bombing." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5742.

Full text
Abstract:
Agency is a foundational and ongoing concern for the field of Rhetoric and Composition. Long thought to be a product and possession of human action, rhetorical agency represents the most obvious connection between the educational and theoretical work of the field and the civic project of liberal arts and humanities education. Existing theories of anthropocentric rhetorical agency are insufficient, however, to account for the complex technological work of digitally enmeshed networks of humans and nonhumans. To better account for these complex networks, this project argues for the introduction o
APA, Harvard, Vancouver, ISO, and other styles
48

Zaar, Oskar, and Anton Sörlin. "”Out of sight, out of mind” : En studie av svenska bokbloggares inställningar till e-boken." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-26039.

Full text
Abstract:
There are experiential products that through a digital transformation wholly or partially have taken new place in our everyday lives. Just a few years ago, we had music on CDs, movies on tape and books in bookshelves. In Sweden, we are now facing a transformation when the e-book begins to take place alongside the printed book. This paper focuses on what values play a role in the attitude towards ebooks among a selected group of Swedish book bloggers. A qualitative content analysis was performed on blog posts concerning the ebook from twelve different Swedish book blogs. The posts were then cod
APA, Harvard, Vancouver, ISO, and other styles
49

Favretto, Stefano. "Applications of x-ray computed microtomography to material science: devices and prespectives." Doctoral thesis, Università degli studi di Trieste, 2008. http://hdl.handle.net/10077/2756.

Full text
Abstract:
2006/2007<br>The three-dimensional visualization of the inner microstructural features of objects and materials is an aspect of relevant interest for a wide range of scientific and industrial applications. X-ray computed microtomography (μ-CT) is a powerful non-destructive technique capable to satisfy these needs. Once the complete reconstruction of the sample is available, a quantitative characterisation of the microstructure is essential. Through digital image processing tools, image analysis software or custom developed algorithms, it is possible to obtain an exhaustive geometrical, morphol
APA, Harvard, Vancouver, ISO, and other styles
50

Charlton, James. "Catch | Bounce : towards a relational ontology of the digital in art practice." Thesis, University of Plymouth, 2017. http://hdl.handle.net/10026.1/10377.

Full text
Abstract:
How might ‘the digital’ be conceived of in an ‘expanded field’ of art practice, where ontology is flattened such that it is not defined by a particular media? This text, together with an installation of art work at the Exhibition Research Lab, Liverpool John Moores University (13-24 March), constitutes the thesis submission as a whole, such that in the practice of ‘reading’ the thesis, each element remains differentiated from the other and makes no attempt to ‘represent’ the other. In negating representation, such practices present a ‘radical’ rethinking of the digital as a differentiated in-i
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Digital materiality' for other source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography