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Books on the topic 'Digital media – Cross-cultural studies'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Digital futures for cultural and media studies. Malden: Wiley-Blackwell, 2011.

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2

Hartley, John. Digital Futures for Cultural and Media Studies. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781118106723.

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3

Digital media and political engagement worldwide: A comparative study. New York: Cambridge University Press, 2012.

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4

Łuszczek, Krzysztof. Kontrola społeczna nad dziećmi i młodzieżą w środowisku mediów elektronicznych: Studium porównawcze na przykładzie Stanów Zjednoczonych, Wielkiej Brytanii i Polski. Szczecin: Wydawnictwo Naukowe Uniwersytetu Szczecińskiego, 2013.

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5

Bastard culture!: How user participation transforms cultural production. Amsterdam: Amsterdam University Press, 2011.

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6

Kalay, Yehuda E. New heritage: New media and cultural heritage. New York: Routledge, 2008.

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7

Oaknín, Mazal. Feminism, Writing and the Media in Spain: Ana María Matute, Rosa Montero and Lucía Etxebarria. Bern: Peter Lang International Academic Publishers, 2019.

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8

Volmar, Axel, and Kyle Stine, eds. Media Infrastructures and the Politics of Digital Time. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727426.

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In a crucial sense, all machines are time machines. The essays in Media Infrastructures and the Politics of Digital Time develop the central concept of hardwired temporalities to consider how technical networks hardwire and rewire patterns of time. Digital media introduce new temporal patterns in their features of instant communication, synchronous collaboration, intricate time management, and continually improved speed. They construct temporal infrastructures that affect the rhythms of lived experience and shape social relations and practices of cooperation. Interdisciplinary in method and international in scope, the volume draws together insights from media and communication studies, cultural studies, and science and technology studies while staging an important encounter between two distinct approaches to the temporal patterning of media infrastructures, a North American strain emphasizing the social and cultural experiences of lived time and a European tradition, prominent especially in Germany, focusing on technological time and time-critical processes.

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9

Mobile media making in an age of smartphones. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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10

Hassan, Robert. The Condition of Digitality: A Post-Modern Marxism for the Practice of Digital Life. London: University of Westminster Press, 2020.

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11

Naidoo, Jamie Campbell. Diversity programming for digital youth: Promoting cultural competence in the children's library. Santa Barbara, California: Libraries Unlimited, An Imprint of ABC-CLIO, LLC, 2014.

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12

Art platforms and cultural production on the internet. New York: Routledge, 2011.

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13

Polak, Sara, and Daniel Trottier, eds. Violence and Trolling on Social Media. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989481.

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‘Trolls for Trump’, virtual rape, fake news — social media discourse, including forms of virtual and real violence, has become a formidable, yet elusive, political force. What characterizes online vitriol? How do we understand the narratives generated, and also address their real-world — even life-and-death— impact? How can hatred, bullying, and dehumanization on social media platforms be addressed and countered in a post-truth world? Violence and Trolling on Social Media: History, Affect, and Effects of Online Vitriol unpacks discourses, metaphors, dynamics, and framing on social media, in order to begin to answer these questions. Written for and by cultural and media studies scholars, journalists, political philosophers, digital communication professionals, activists and advocates, this book connects theoretical approaches from cultural and media studies with practical challenges and experiences ‘from the field’, providing insight into a rough media landscape.

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14

Perspectives on social media: A yearbook. New York: Routledge, Taylor & Francis Group, 2015.

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15

Digital solutions for contemporary democracy and government. Hershey, PA: Information Science Reference, an Imprint of IGI Global, 2015.

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16

Hollywood Asian: Philip Ahn and the politics of cross-ethnic performance. Philadelphia, PA: Temple University Press, 2007.

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17

Zhong Ying chuan bo xue jiao yu de jian gou yu yan bian: A comparative study of comunication [i.e. communication] education in China and UK. Jinan Shi: Shandong ren min chu ban she, 2011.

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18

International Clearinghouse on Children, Youth and Media, ed. The emerging media toddlers. Göteborg: International Clearinghouse on Children, Youth and Media, Nordicom, University of Gothenburg, 2010.

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19

On and off the field: Fussballkultur in England und Deutschland = football culture in England and Germany. Wiesbaden: Springer VS, 2014.

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20

Wilmott, Clancy. Mobile Mapping. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462984530.

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This book argues for a theory of mobile mapping, a situated and spatial approach towards researching how everyday digital mobile media practices are bound up in global systems of knowledge and power. Drawing from literature in media studies and geography -- and the work of Michel Foucault and Doreen Massey -- it examines how geographical and historical material, social, and cultural conditions are embedded in the way in which contemporary (digital) cartographies are read, deployed, and engaged. This is explored through seventeen walking interviews in Hong Kong and Sydney, as potent discourses like cartographic reason continue to transform and weave through the world in ways that haunt mobile mapping and bring old conflicts into new media. In doing so, Mobile Mapping offers an interdisciplinary rethinking about how multiple translations of spatial knowledges between rational digital epistemologies and tacit ways of understanding space and experience might be conceptualized and researched.

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21

Jean-Sébastien, Rioux, and Potter David M. 1961-, eds. Media, bureaucracies, and foreign aid: A comparative analysis of the United States, the United Kingdom, Canada, France, and Japan. New York: Palgrave Macmillan, 2004.

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22

Global masculinities and manhood. Urbana: University of Illinois Press, 2011.

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23

Karaganis, Joe. Media piracy in emerging economies. New York, NY: Social Science Research Council, 2011.

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24

Canel, María José. Morality tales: Political scandals and the media in Britain and Spain in the 1990s. Creskill, N.J: Hampton Press, 2005.

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25

O, Wyatt Robert, and Martin, Ernest L., Ph. D., eds. Free expression and five democratic publics: Support for individual and media rights / Julie L. Andsager, Robert O. Wyatt, Ernest L. Martin. Cresskill, N.J: Hampton Press, 2004.

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26

Barron, Anne. Public information messages: A contrastive genre analysis of state-citizen communication. Amsterdam: John Benjamins Pub. Co., 2012.

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27

Public information messages: A contrastive genre analysis of state-citizen communication. Amsterdam: John Benjamins Pub. Co., 2012.

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28

Intimate politics: Publicity, privacy and the personal lives of politicians in media-saturated democracies. Cambridge, UK: Polity, 2013.

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29

Altamirano, Alma C. Carrasco. La lectura desde el currículo de educación básica y media superior en México: Comparación curricular con Colombia, California y Finlandia. Guadalajara, Jalisco: Editorial Universitaria, Universidad de Guadalajara, 2008.

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30

Altamirano, Alma C. Carrasco. La lectura desde el currículo de educación básica y media superior en México: Comparación curricular con Colombia, California y Finlandia. Guadalajara, Jalisco: Editorial Universitaria, Universidad de Guadalajara, 2008.

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31

Education in a digital world: Global perspectives on technology and education. New York: Routledge, 2012.

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32

Comparing political communication across time and space: New studies in an emerging field. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014.

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33

Pickering, Sharon. Counter-terrorism policing: Community, cohesion and security. New York: Springer, 2008.

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34

Hartley, John. Digital Futures for Cultural and Media Studies. Wiley & Sons, Incorporated, John, 2011.

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35

Hartley, John. Digital Futures for Cultural and Media Studies. Wiley & Sons, Incorporated, John, 2011.

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36

Hartley, John. Digital Futures for Cultural and Media Studies. Wiley & Sons, Incorporated, John, 2011.

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37

Hjorth, Larissa. Digital Media Practices in Households: Kinship through Data. Amsterdam University Press, 2020.

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38

Digital Humanities and the Study of Intermediality in Comparative Cultural Studies. Purdue University Press, 2013.

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39

Stuart Hall Lives: Cultural Studies in an Age of Digital Media. Taylor & Francis Group, 2017.

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40

Decherney, Peter, and Katherine Sender, eds. Stuart Hall Lives: Cultural Studies in an Age of Digital Media. Routledge, 2018. http://dx.doi.org/10.4324/9781315158549.

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41

Global Media Literacy in a Digital Age: Teaching Beyond Borders. Lang AG International Academic Publishers, Peter, 2016.

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42

Digital Publics: Cultural Political Economy, Financialization and Creative Organizational Politics. Taylor & Francis Group, 2014.

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43

Roberts, John Michael. Digital Publics: Cultural Political Economy, Financialisation and Creative Organisational Politics. Taylor & Francis Group, 2017.

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44

New Heritage: New Media and Cultural Heritage. Routledge, 2007.

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45

(Editor), Yehuda E. Kalay, Thomas Kvan (Editor), and Janice Affleck (Editor), eds. New Heritage: New Media and Cultural Heritage. Routledge, 2007.

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46

A Social History of Contemporary Democratic Media Routledge Research in Cultural and Media Studies. Taylor & Francis Ltd, 2013.

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47

Pierson, Jo, and Joke Bauwens. Digital Broadcasting: An Introduction to New Media. Bloomsbury Academic, 2015.

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48

O'Connell, Roxanne M. Visualizing culture: Analyzing the cultural aesthetics of the Web. 2015.

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49

Pitman, Thea, and Claire Taylor. Latin American Identity in Online Cultural Production. Taylor & Francis Group, 2016.

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50

Latin American Identity in Online Cultural Production. Taylor & Francis Group, 2012.

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