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Journal articles on the topic 'Digital obsolescence'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Fitzpatrick, Kathleen. "Obsolescence." PMLA/Publications of the Modern Language Association of America 123, no. 3 (2008): 718–22. http://dx.doi.org/10.1632/pmla.2008.123.3.718.

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I was invited by the MLA committee on the status of graduate students in the profession to speak at a convention workshop entitled “Keywords for a Digital Profession.” My keyword was obsolescence, a catchall term for a multiplicity of conditions; there are material obsolescences, institutional obsolescences, and purely theoretical obsolescences, each type demanding a different response. I spent years pondering theoretical obsolescence while writing The Anxiety of Obsolescence: The American Novel in the Age of Television. The book argues, in part, that claims about the obsolescence of cultural

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Quick, Ken, and Mike Maxwell. "Ending Digital Obsolescence." Archiving Conference 2, no. 1 (2005): 201–5. http://dx.doi.org/10.2352/issn.2168-3204.2005.2.1.art00044.

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Meecham, William C., and Louis Bloomfield. "Digital TV: Artificial Obsolescence?" Physics Today 53, no. 7 (2000): 76. http://dx.doi.org/10.1063/1.1292498.

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Madden, Shannon. "Obsolescence in/of Digital Writing Studies." Computers and Composition 33 (September 2014): 29–39. http://dx.doi.org/10.1016/j.compcom.2014.07.003.

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Hidalgo, Cerezo Alberto. "Obsolescencia programada y obsolescencia provocada. La falta de conformidad sobrevenida por las actualizaciones de contenidos digitales y el derecho al regreso a la versión anterior («the right to downgrade»)." Anuario de Derecho Civil 77, no. 2 (2024): 617–66. https://doi.org/10.53054/adc.v77i2.10508.

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<strong>RESUMEN:</strong> El fenómeno de la obsolescencia programada, nacida en el contexto de la crisis económica de la Gran Depresión de la década de 1920, ha sido objeto de análisis en la doctrina, pero carece de una regulación unificada que aborde de manera integral sus implicaciones. Su impacto adverso se percibe desde las perspectivas del derecho del consumidor, derecho de la competencia y derecho al medio ambiente, dado que contribuye a la generación de residuos de difícil gestión. Las reformas actuales y futuras (recienteme

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Barros, Mário, and Eric Dimla. "FROM PLANNED OBSOLESCENCE TO THE CIRCULAR ECONOMY IN THE SMARTPHONE INDUSTRY: AN EVOLUTION OF STRATEGIES EMBODIED IN PRODUCT FEATURES." Proceedings of the Design Society 1 (July 27, 2021): 1607–16. http://dx.doi.org/10.1017/pds.2021.422.

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AbstractPlanned obsolescence can artificially increase sales by stimulating desire or perceived need. This can be done in many ways and some companies are releasing newer models sooner than necessary or engineering the product to fail after a certain amount of use. In recent years, we have observed a change in the pattern of planned obsolescence strategies employed by technological companies, shifting from aesthetic to technological obsolescence. The reaction to this model comes from social enterprises and grassroots movements addressing the circular economy and repairability. This paper illus

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O'Connor, Matthew, Bruce Geddes, and Sean Kelley. "ICONE23-1396 GUIDANCE AND METHODOLOGIES FOR MANAGING DIGITAL INSTRUMENTATION & CONTROL OBSOLESCENCE." Proceedings of the International Conference on Nuclear Engineering (ICONE) 2015.23 (2015): _ICONE23–1—_ICONE23–1. http://dx.doi.org/10.1299/jsmeicone.2015.23._icone23-1_183.

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8

Pearson, David, and Colin Webb. "Defining File Format Obsolescence: A Risky Journey." International Journal of Digital Curation 3, no. 1 (2008): 89–106. http://dx.doi.org/10.2218/ijdc.v3i1.44.

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File format obsolescence is a major risk factor threatening the ongoing usefulness of digital information collections. While the preservation community has become increasingly interested in tools for assessing a wide range of risks, the National Library of Australia is developing mechanisms specifically focused on the risks of format obsolescence. The paper reports on the AONS II Project, undertaken in conjunction with the Australian Partnership for Sustainable Repositories (APSR). The project aimed to refine and develop a software tool that would automatically find and report indicators of ob

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Tester, Keith. "Book review: Prometheanism: Technology, Digital Culture and Human Obsolescence." Thesis Eleven 148, no. 1 (2018): 103–5. http://dx.doi.org/10.1177/0725513618802371.

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Li, Chuqiu. "Debunking the Myth of Obsolescence: Strategies for Digital Heritage Conservation." Advances in Social Behavior Research 8, no. 1 (2024): 4–9. http://dx.doi.org/10.54254/2753-7102/8/2024060.

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This essay extensively explores the multifaceted challenges and complexities associated with preserving digital cultural heritage, using the BBC Domesday Project as a case study. It underscores the critical importance of meticulous planning, future-proofing, and proactive strategies in digital archival endeavors. Emphasizing the significance of adopting open standards and establishing clear data ownership provisions, the essay aims to mitigate risks of obsolescence and safeguard digital cultural heritage for future generations. Furthermore, it addresses the concept of obsolescence in digital p

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Le Meur, Jean-Yves, and Nicola Tarocco. "The obsolescence of Information and Information Systems CERN Digital Memory project." EPJ Web of Conferences 214 (2019): 09003. http://dx.doi.org/10.1051/epjconf/201921409003.

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In 2016 was started the CERN Digital Memory project with the main goal of preventing loss of historical content produced by the organisation. The first step of the project was targeted to address the risk of deterioration of the most vulnerable materials, mostly the multimedia assets created in analogue formats from 1954 to the late 1990’s, like still and moving images kept on magnetic carriers. In parallel was studied today’s best practices to guarantee a long life to digital content, either born digital or resulting from a digitization process. If traditional archives and libraries have grow

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Jethani, Suneel, and Dale Leorke. "Ideology, obsolescence and preservation in digital mapping and locative art." International Communication Gazette 75, no. 5-6 (2013): 484–501. http://dx.doi.org/10.1177/1748048513491904.

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Chirumamilla, Padma. "Remaking the set: innovation and obsolescence in television’s digital future." Media, Culture & Society 41, no. 4 (2018): 433–48. http://dx.doi.org/10.1177/0163443718781993.

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In this article, I examine how television’s shifting presence in an unfamiliar venue – the repair shop – is illustrative of a broader tension between rhetorics of innovation and obsolescence. Investigating the nature of this tension, I argue, is crucial for understanding how television is changing in India. Through interviews with small-town and rural television repairmen in south India, and an ethnographic study of a small-town television repair shop, I explore how studying the television as a material object with a distinct life outside the walls of the home and the experiences of the indivi

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Elsaesser, Thomas. "Trapped in Amber: The New Materialities of Memory." Panoptikum, no. 19 (June 30, 2018): 144–58. http://dx.doi.org/10.26881/pan.2018.19.10.

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The term ‘obsolescence’ has in recent years re-entered the vocabulary of the art world, memory studies and new media historians. In the process, it has significantly changed its meaning and enlarged its semantic and evaluative range, even signifying something like heroic resistance to relentless new-ness or superficial novelty, even becoming the badge of honour for all that is no longer useful (for capitalism, for appropriation, for instrumental objectification). Anyone engaged with ‘found footage’ films, with home movies or our analogue cinematic legacy knows that the strategic use of obsoles

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White, Paul Antony. "Peace and the digital revolution: Toward “cyberpeace?”." Peace & Change 49, no. 4 (2024): 393–99. http://dx.doi.org/10.1111/pech.12694.

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AbstractThis article will explore challenges posed by the digital communications revolution to some long‐standing concepts and assumptions around security, warfare, and peace. It will demonstrate the obsolescence of the traditional state‐focused national security paradigm with regards to matters of cybersecurity, as well as the limitations of conventional collective security approaches. It will also outline the Internet's potential as a peacebuilding medium, and the crossroads we currently face between a new era of cyberwarfare or an Internet for “cyberpeace.”

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Cepeda, Rene G. "Rescuing new media art from technological obsolescence." DAT Journal 4, no. 3 (2019): 37–46. http://dx.doi.org/10.29147/dat.v4i3.145.

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As time passes and digital technologies become obsolete, more and more new media artworks face the possibility of being lost forever. As many new media artworks depend on certain technologies, when these technologies are replaced with other or are not available any more, steps should be taken to make older artworks compatible with newer technologies that replace them. Using Jon Ippolito’s concepts of storage, emulation, migration and reinterpretation, this text attempts to provide a basic framework to understand each different concept and the advantages and disadvantages to their implementatio

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Falcão, David. "A “obsolescência programada” do Direito do Trabalho." Revista Electrónica de Direito 37, no. 2 (2025): 73–93. https://doi.org/10.24840/2182-9845_2025-0002_0004.

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A Revolução Digital fez irromper a necessidade de repensar o Direito do Trabalho tradicional. Ora, a evidente incapacidade deste ramo do Direito em produzir respostas adequadas aos novos desafios resultantes da massificação da prestação de trabalho no âmbito de plataformas digitais, da paulatina transferência de tomada de decisões para algoritmos e outros sistemas de inteligência artificial, bem como da robotização de inúmeras tarefas complexas, conduziu à adoção de um conjunto de medidas legislativas, quer no plano nacional, quer no europeu. No entanto, e pese embora tenham sido dados os prim

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Beskaravainaya, E. V., and I. A. Mitroshin. "The modern methods of data preservation in libraries. The key aspects and solutions." Scientific and Technical Libraries, no. 8 (August 16, 2024): 78–97. http://dx.doi.org/10.33186/1027-3689-2024-8-78-97.

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In this publication, we examined the range of issues that the libraries face during the transfer of traditional collections into digital format, and provided examples of efficient technological solutions.Preserving scientific information in libraries is a complex task encompassing many factors, such as: media obsolescence, changes in device designs, software obsolescence and updates, format compatibility, data security and access to information.The issues of selecting documents for digitization in accordance with the specific requirements of the library and user needs are discussed, and severa

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Meagher, Mark. "Responsive Architecture and the Problem of Obsolescence." International Journal of Architectural Research: ArchNet-IJAR 8, no. 3 (2014): 95. http://dx.doi.org/10.26687/archnet-ijar.v8i3.498.

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Responsive architecture, a design field that has arisen in recent decades at the intersection of architecture and computer science, invokes a material response to digital information and implies the capacity of the building to respond dynamically to changing stimuli. The question I will address in the paper is whether it is possible for the responsive components of architecture to become a poetically expressive part of the building, and if so why this result has so rarely been achieved in contemporary and recent built work. The history of attitudes to- ward obsolescence in buildings is investi

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da Silva, Glayston André Melo. "Challenges and strategies in the preservation of historical and audiovisual archives." Revista Sistemática 14, no. 4 (2024): 985–89. http://dx.doi.org/10.56238/rcsv14n4-018.

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The conservation of historical and audiovisual archives is essential for preserving cultural heritage, collective memory, and national identity. These archives—comprising documents, photographs, films, videos, and other materials—serve as critical records of historical events, cultural traditions, and social practices. However, preserving such materials is fraught with challenges, including physical and chemical degradation caused by factors like humidity, temperature, light, and improper handling. Moreover, technological obsolescence poses a significant risk to digital media. To address these

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Rych, Alexander. "PIQL Preservation Services – A Holistic Approach to Digital Long- Term Preservation." Digital Presentation and Preservation of Cultural and Scientific Heritage 5 (September 30, 2015): 361–62. http://dx.doi.org/10.55630/dipp.2015.5.34.

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Digital storage media (hard disks, magnetic tape) exhibit limited lifetime. Repetitive data migration to overcome rapid obsolescence of hardware and software bears accelerated risk of data loss, data corruption or even manipulation and adds significant repetitive costs for hardware and software investments. Piql Preservation Services (“Piql”) has been developed as a turnkey solution designed for secure, migration-free long-term preservation of digital data. It sets an open standard for long-term preservation for the future, consisting of equipment and processes needed for writing and retrievin

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Adilov, B. B., and B. S. Kadirov. "DEVELOPMENT OF NEW FORMS OF EMPLOYMENT IN THE DIGITAL ECONOMY." International Journal Of Management And Economics Fundamental 03, no. 01 (2023): 32–35. http://dx.doi.org/10.37547/ijmef/volume03issue01-05.

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The article examines the emergence of new forms of employment, which¬is caused by innovative processes and the transformation of the economy as a whole. It is shown that the spread of new forms of employment in the context of the formation of a new technological order is a manifestation of the digital transformation of the economy and at the same time acts as a response to the economic crisis caused by the obsolescence¬of outgoing industries due to the gradual exhaustion of their efficiency. The transition to the digital economy is a natural process and requires modernization of employment. Th

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Jung, Da Yeon, and In Cheol Kwon. "A Study on the Applicability of Virtual Machines for Software-Based New Media Works." Journal of Conservation Science 41, no. 1 (2025): 99–110. https://doi.org/10.12654/jcs.2025.41.1.10.

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New media, as a new medium emerging from advancements in science and technology, encompasses software-based works created using digital technologies such as the web, code, and algorithms. However, the rapid development of technology has led to challenges such as the discontinuation of hardware and software production, obsolescence, and compatibility issues between media, making it difficult to sustain the operation of these works. Additionally, new problems, such as the end of support due to software security vulnerabilities, have arisen, necessitating related research. This study examines the

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Hughes, Carol Ann. "The Myth of "Obsolescence": the Monograph in the Digital Library." portal: Libraries and the Academy 1, no. 2 (2001): 113–19. http://dx.doi.org/10.1353/pla.2001.0020.

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Ploeger, Daniël. "Abject Digital Performance: Engaging the Politics of Electronic Waste." Leonardo 50, no. 2 (2017): 138–42. http://dx.doi.org/10.1162/leon_a_01159.

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Building on anthropologist Mary Douglas’s writing on the ritual function of dirt, this article presents a strategy in digital performance art that engages with electronic waste (e-waste). It is suggested that planned obsolescence in electronics is of a particular nature that facilitates the representation of consumer technologies within the logic of a “symbolic order of technological progress,” where digital devices act as mere signifiers for abstract notions of connectivity, well-being and innovation. Conceptualizing discarded electronic devices as abject technology that is positioned outside

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Channar, Waqas Ahmad, Muhammad Akhtar Rind, Orangzaib, Arif Ali Bhatti, and Muhammad Waqar Abbasi. "Perception of LIS Professionals towards Digital Libraries and Digital Curation: Managing Digital Collection." Journal of Regional Studies Review 4, no. 1 (2025): 82–93. https://doi.org/10.62843/jrsr/2025.4a054.

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Digital libraries and digital curation have come to be at the core of the current information environment regarding practice and theory about managing, preserving, and providing access to digital collections. This article accounts for the relationship between digital libraries and digital curation, focusing the discussion on the aspects that connect both in facilitating the availability, integrity, and long-term preservation of digital resources. Digital libraries have been made possible by advanced clouds, artificial intelligence (AI), and big data but they truly transform access to informati

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Somvir, Vinod Kumar, and Sudha Kaushik. "The role of technology in disaster preparedness for digital collections in libraries." IP Indian Journal of Library Science and Information Technology 8, no. 2 (2024): 88–92. http://dx.doi.org/10.18231/j.ijlsit.2023.015.

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In the digital age, libraries have transitioned from being repositories of printed materials to custodians of vast digital collections, including manuscripts, photographs, research data, and cultural artifacts. The preservation of these digital collections is vital for the continuity of our cultural and academic heritage.The purpose of the study to highlight how technology plays a pivotal role in disaster preparedness for digital collections in libraries. It delves into the unique challenges digital materials face, such as hardware failure, cyber threats, and obsolescence, and highlights the e

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Guoxin, Chen. "Digital Art in Art Museums in the New Era-Take Queensland Museum of Modern Art as an Example." International Journal of Current Science Research and Review 06, no. 04 (2023): 2388–92. https://doi.org/10.5281/zenodo.7822856.

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<strong>ABSTRACT: </strong>This paper explores the role of digital art in the Queensland Art Gallery of Modern Art (QAGOMA) in Brisbane, Australia. QAGOMA has been at the forefront of exhibiting and collecting digital art since the early 2000s, and has developed a significant collection of works in this medium. The paper examines the ways in which QAGOMA has embraced digital art, including through its exhibitions, acquisitions, and programming. It also considers the challenges of exhibiting and collecting digital art, such as technological obsolescence, preservation, and the question of authen

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Ates, Aylin, and Nuran Acur. "Making obsolescence obsolete: Execution of digital transformation in a high-tech manufacturing SME." Journal of Business Research 152 (November 2022): 336–48. http://dx.doi.org/10.1016/j.jbusres.2022.07.052.

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Curtis, J., P. Koerbin, P. Raftos, D. Berriman, and J. Hunter. "AONS—An obsolescence detection and notification service for Web archives and digital repositories." New Review of Hypermedia and Multimedia 13, no. 1 (2007): 39–53. http://dx.doi.org/10.1080/13614560701423711.

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Gonçalves, Luiza, and Lucas Larriera. "Against Digital Obsolescence: The Challenges of Preserving Cultural Heritage in the "Ningunismo" Archive." Archiving Conference 20, no. 1 (2023): 101–4. http://dx.doi.org/10.2352/issn.2168-3204.2023.20.1.21.

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Perfetto, Fábio, Sandra Reis, and Franciso Paletta. "Digital information managementpossible paths." RDBCI: Revista Digital de Biblioteconomia e Ciência da Informação 21 (December 21, 2022): 1–14. http://dx.doi.org/10.20396/rdbci.v21i00.8671342/31552.

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Introduction:Since its beginnings, society has sought to register its information and thus information technology tools occupy a prominent place in society, and are considered indispensable for scientific, social, technological and economic advancement. Objective:With this common thread, this article seeks to present a reflection on the concepts of Digital Information Management starting from the characteristics, problems and challenges of digital information. Methodology:The methodology consists of a bibliographic-documentary survey, composed of published materials, among them: books, theses,

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Rubio, Fernando Domínguez, and Glenn Wharton. "The Work of Art in the Age of Digital Fragility." Public Culture 32, no. 1 (2020): 215–45. http://dx.doi.org/10.1215/08992363-7816365.

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Impermanence and fragility have become the defining conditions of the digital age. Technologies that were ubiquitous barely a decade ago, like floppy disks, now look like archaeological relics. It takes only a few years, if not months, before software environments are replaced by newer versions, often with limited backward compatibility. At the same time, digital technologies rely on hardware that has short life expectancy. The radical obsolescence of this new digital register raises a number of important questions. How are we going to prevent the fragile memories of contemporary digital cultu

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IRENOA, Kenneth Ohis, and Magnus Osahon IGBINOVIA. "Navigating Digital Preservation in Modern Libraries: Opportunities and Obstacles." Niger Delta Journal of Library and Information Science 5, no. 2 (2024): 125–33. https://doi.org/10.5281/zenodo.14787340.

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<strong>Abstract</strong>Digital preservation in modern libraries presents a dynamic landscape of opportunities and obstacles.<strong>Purpose of the Study</strong>: This study explores the multifaceted aspects of digital preservation, highlighting the potential for enhanced accessibility, collaboration, and technological advancements. It also addresses the significant challenges posed by technological obsolescence, financial constraints, skill gaps, and legal and ethical issues.<strong>Methodology:</strong> Through a comprehensive analysis of current practices and emerging trends, the study pr

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Liao, C. Y., C. Y. Wu, Y. S. Cheng, et al. "New controls for White Circuits power supplies for the booster synchrotron of Taiwan light source." Journal of Physics: Conference Series 2687, no. 7 (2024): 072021. http://dx.doi.org/10.1088/1742-6596/2687/7/072021.

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Abstract The controls of the White Circuits for the booster synchrotron of Taiwan Light Source (TLS) were developed in the late 1990s. That design is based on various analog circuitry to detect 10 Hz magnet amplitude and phase. The existing implementation consists of analog regulation for amplitude control and digital regulation for the relative phase between magnet families. Recently, modernized White Circuits controls were implemented to prevent component obsolescence in the existing system. The upgraded system adopts digital regulation for both amplitude and phase loops. Improve performance

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Segerstad, Ylva Hård af, Jo Bell, and Daphna Yeshua-Katz. "A Sort of Permanence: Digital Remains and Posthuman Encounters with Death." Conjunctions 9, no. 1 (2022): 1–12. http://dx.doi.org/10.2478/tjcp-2022-0001.

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Abstract Digital remains, in the shape of devices and traces of digital content and interaction stored on the devices them selves and online, left behind by the deceased have come to play important parts in the lives of those who live on. With a posthumanist perspective we explore how user-driven engagement with digital remains are changing and diversifying existing practices related to loss and grieving. The digital remains can be seen to contain the “essence” of the deceased person embodied within the digital device. Based on interviews and observations gathered from the contexts of Israel,

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Neunzehn, Labor. "Reframe the Network: Parallel Narratives and Media Obsolescence as Post-Digital Publishing Practice." APRIA Journal 3, no. 3 (2021): 44–51. http://dx.doi.org/10.37198/apria.03.03.a4.

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In this article, we try to outline the philosophical and technical background that informs the architecture of our web-based project 'All Sources Are Broken,' an online publishing platform that enables cross-referencing media, as well as an artistic experiment about the archive and hyperlink obsolescence. We also address the artistic practices that contribute to defining the project as a decelerated post-digital strategy, in order to frame it within the context of what we feel like is the main urgency in the scope of information systems today: media and self-education and cultural activism.

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Hapsari, Nurul Fikriati Ayu. "Urgency Digital Archive Preservation." Record and Library Journal 4, no. 2 (2019): 127. http://dx.doi.org/10.20473/rlj.v4-i2.2018.127-138.

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The development of information and communication technology led to the rapid growth of information in the community. The presence of technology that creates archives that originate from the transfer of media conventionally to digital and archives are presented digitally (born-digital). A digital archive containing information on the subject can be specified in the solution forum. The need for preservation of digital archives and so on. In the digital preservation or preservation process is digitally independent compared to other media because it is more susceptible to damage. Damage to digital

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Luiz dos Santos, Alckmar. "The cosmonaut: A Digital Creation." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 6, no. 2 (2018): 231–45. http://dx.doi.org/10.14195/2182-8830_6-2_17.

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The cosmonaut, by Alckmar Santos, Wilton Azevedo and Adir Filho, like any digital artistic work, has to deal with the increasingly rapid obsolescence of techniques and technologies. In this case, the entire creation process lasted for about four years and was subject to a number of substantial changes in the programming strategy as well as in the tools and programs used. In our case, along with the story we wanted to tell — an epiphanic experience experienced by a cosmonaut —, several elements became part of the navigation environment of The cosmonaut, associating to this the difficulty of dea

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Abu, Roziya, Siti Khadijah Rafie, and Mohd Hafidzrizal Mansor. "Digitizing Sustainability: Exploring the Opportunities and Challenges for Rural Public Libraries Adopting Technology." International Journal of Research and Innovation in Social Science VIII, no. IX (2024): 3250–58. http://dx.doi.org/10.47772/ijriss.2024.8090270.

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This paper explores the infusion of digital technologies in the sustainability of rural public libraries, focusing on the opportunities and threats. In rural settings, libraries serve as essential community hubs, providing access to information, education, and cultural resources. Integrating digital technologies offers numerous opportunities, including expanded access to information through online resources, enhanced community engagement via virtual platforms, and more efficient resource management through digital cataloguing systems. Moreover, digital initiatives enable rural libraries to ado

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Minniti, Sergio, Joshua Salazar, and Jorge Vega. "Implementing Low Cost Digital Libraries for Rural Communities by Re-functioning Obsolescent Television Sets." VIEW Journal of European Television History and Culture 8, no. 15 (2019): 123. http://dx.doi.org/10.18146/2213-0969.2019.jethc169.

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The article addresses the issue of the digital divide in Ecuador and illustrates how artefacts from television material heritage might be transformed into digital libraries to provide marginalized communities with access to digital information. It describes an ongoing socio-technical project which aims at providing Ecuadorian rural communities with access to digital information through the re-functioning of analogue TV sets and other complementary technologies that will become obsolete due to Ecuador’s switch from an analogue to digital broadcasting signal. On one hand, the project is discusse

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Rahm-Skågeby, Jörgen, and Anders Carlsson. "The archive and the scene: On the cultural techniques of retrocomputing databases." New Media & Society 23, no. 4 (2021): 732–49. http://dx.doi.org/10.1177/1461444820954186.

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Several digital spaces are now archiving artifacts from the first 1980s home computer boom. These spaces are not only storages but also social venues and “memory banks,” and thereby depend on several concurrent practices: software and hardware developed to read, run, and preserve computer code; archiving of old software, magazines, and personal stories; contemporary conferences dedicated to retrocomputing; and making artifacts, which used to be private, publicly available. The article argues that retrocomputing can be seen as a foreshadowing in terms of managing collective digital archives, me

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Gubler, David, Lukas Rosenthaler, and Peter Fornaro. "The Obsolescence of Migration: Long-Term-Storage of Digital Code on Stable Optical Media." Archiving Conference 3, no. 1 (2006): 135–39. http://dx.doi.org/10.2352/issn.2168-3204.2006.3.1.art00031.

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Vaishnav, Ankit, Mahesh Kumar Meena, Neha Nandani, and Annapurna Sharma. "Digital is Not the Alternative: Dilemma and Preserving Films in India." Preservation, Digital Technology & Culture 53, no. 3 (2024): 133–46. http://dx.doi.org/10.1515/pdtc-2024-0020.

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Abstract Films deteriorate over time and archival methods are still being developed to prevent this. Digital technology enables the conversion of films, but there are various issues with digital approaches that present Indian archivists with the dilemma of choosing the appropriate one to film preservation. It is perceived that digital technology is inferior to film and, thus, archivists in India are struggling to preserve their film heritage for future generations. Film archivists, curators and restorers in India were interviewed as part of this study, with a thematic analysis conducted to und

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Aburto, José. "Catching the Ephemeral: Archives and Latin American Digital Literature, José Aburto’s Personal Journey." Przegląd Kulturoznawczy, no. 1 (63) (March 31, 2025): 117. https://doi.org/10.4467/20843860pk.25.011.21572.

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Latin American digital literature occupies a transformative space in global literary studies, where interactivity, materiality, and computational aesthetics converge with regional cultural and linguistic diversity. However, this field faces critical challenges, including technological obsolescence, linguistic marginalization, and infrastructural precarity. This paper explores these issues through case studies such as Jose Aburto's Paranoico arcoiris and collaborative preservation efforts like the Antología Lit(e)Lat. Drawing on decolonial digital humanities frameworks and theoretical contribut

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Shen, Chen, Hua Liang Gui, and Ming Ming Wu. "Based on the Digital Design of the Pneumatic Pick Force Analysis and Research of Key Parts." Advanced Materials Research 753-755 (August 2013): 1347–50. http://dx.doi.org/10.4028/www.scientific.net/amr.753-755.1347.

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Pick is a hand-held machine of the air power machinery, using compressed air as power, hit a rundown coal and ore body or other objects. In the working process of the pneumatic pick, pick cylinder under different loading easily lead to early obsolescence. In order to improve the impact resistance performance to pick picks, prolong the service life of pneumatic pick, based on the digital design method for pneumatic pick pick cylinder is modeled, and based on the simulated stress analysis, for the process improvement, improve its mechanical performance, reduce the waste of raw materials.

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Fanni, Simona. "La inteligencia artificial y el cuerpo humano digital: a la búsqueda del habeas data." IUS ET SCIENTIA 6, no. 2 (2020): 200–224. http://dx.doi.org/10.12795/ietscientia.2020.i02.13.

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The title of Günther Anders’ major work “The obsolescence of man” seems to capture the essence of the challenges that the impact of artificial intelligence on the human body poses for jurists, namely, the definition of a modern Magna Charta for the digital human body, aimed at addressing the habeas data. Privacy, informational self-determination and identity need to be properly protected in the digital era. UNESCO, the European Union and the Council of Europe are developing important responses at the moment, and they can also rely on some interesting legal tools that can be found in their resp

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Cantrell, Joe. "Timbre of Trash." JAAAS: Journal of the Austrian Association for American Studies 1, no. 2 (2020): 217–29. http://dx.doi.org/10.47060/jaaas.v1i2.116.

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Late capitalist production is highly dependent upon the continuous manufacture of new goods to be brought to market. The idea of obsolescence plays a key role in this process, as more recent commodities replace older, presumably less-effective products. This process is especially prominent in the technological sector, which routinely encourages the deliberate replacement of older devices— even when still functional. Digital audio technologies fall in line with these practices, and are often produced using exploitative labor practices. A serious consideration of these effects poses a difficult

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Zakharov, M. Yu, I. E. Starovoytova, and A. V. Shishkova. "THE ISSUE OF “CULTURAL AMNESIA” IN THE CONTEXT OF DIGITAL CULTURAL HERITAGE MANAGEMENT." Vestnik Universiteta, no. 4 (June 29, 2020): 182–86. http://dx.doi.org/10.26425/1816-4277-2020-4-182-186.

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The issue of the dual impact of innovative technologies on the sphere of spiritual culture has been considered. On the one hand, the digitalization of cultural values gives hope for their longevity, compared with traditional storage methods. On the other hand, the preservation of cultural heritage is facing new, previously unmet difficulties: the life of digital documents is short due to constant technological improvement and the rapid obsolescence of technology; not all artifacts can be digitized; when knowledge is transmitted through the media, its reduction, vulgarization occurs; finally, t

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Felluga, Dino Franco. "Going a Step Further Than Open Access and Open Source: COVE and the Promise of Open Assembly." Victorians Institute Journal 49 (November 1, 2022): 198–209. http://dx.doi.org/10.5325/victinstj.49.2022.0198.

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Abstract This articles asks if the principles of open source and open access are sufficient to safeguard our intellectual labor and to guard against the predatory logic of a world dominated by capitalist systems of production and dissemination. Both open source and open access face a similar problem, as it happens: neglect and obsolescence, as well as the most pernicious Achilles’ heel of the vast majority of digital humanities initiatives: long-term sustainability. COVE offers an alternative to both long-term sustainability and the collective sharing of content.

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