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Books on the topic 'Digital Ontology'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 June 2025

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1

Gwilt, Ian. MadeKnown: Digital technologies & the ontology of making. Faculty of Design, Architecture and Building, University of Technology, Sydney, 2006.

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2

Grigorishin, Sergey, Aleksey Petrov, and Anton Popov. The ontology of numbers. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2116160.

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The monograph examines the current philosophical, historical, technological and cultural aspects of digitalization from the point of view of human and social existence. The authors give their thoughts on the origins of digitalization, its connection with the culture of the game and technological revolutions. Assumptions are made about the integration of the "digital" into the structure of the modern information society. The analysis of such phenomena as digitalization, digital culture, information society, technological revolutions and digital existence is carried out. It is addressed to philo

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3

Furstenau, Marc. The Aesthetics of Digital Montage. Amsterdam University Press, 2024. https://doi.org/10.5117/9789463722803.

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Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetic

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4

Neri, Veronica. L'immagine nel web: Etica e ontologia. Carocci, 2013.

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5

Nisheva, Marii︠a︡. Sŭzdavane na kheterogenni t︠s︡ifrovi biblioteki, osnovano na ontologii. Universitetsko izdatelstvo "Sv. Kliment Okhridski", 2019.

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6

Fossati, Giovanna. From Grain to Pixel. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463725002.

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In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant questions about the status of physical film and the practice of its archival preservation, restoration, and presentation. From Grain to Pixel attempts to bridge the fields of film archiving and academic research by addressing the discourse on film's ontology and analyzing how different interpretations of what film is affect the role and practices of

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7

Lagerkvist, Amanda. Digital Existence: Ontology, Ethics and Transcendence in Digital Culture. Taylor & Francis Group, 2018.

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8

Lagerkvist, Amanda. Digital Existence: Ontology, Ethics and Transcendence in Digital Culture. Taylor & Francis Group, 2018.

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9

Digital Existence: Ontology, Ethics and Transcendence in Digital Culture. Taylor & Francis Group, 2018.

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10

Digital Stockholm Syndrome in the Post-Ontological Age. University of Minnesota Press, 2016.

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11

Evens, Aden. Logic of the Digital. Bloomsbury Publishing Plc, 2017.

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12

Logic of the digital. Bloomsbury Academic, 2015.

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13

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2012.

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14

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2012.

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15

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2012.

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16

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2012.

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17

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2012.

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18

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2014.

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19

Lechte, John. Genealogy and Ontology of the Western Image and Its Digital Future. Taylor & Francis Group, 2012.

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20

Genealogy and Ontology of the Western Image and Its Digital Future. Routledge, 2012.

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21

Genealogy and ontology of the Western image and its digital future. Routledge, 2011.

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22

Nagasawa, Y., E. Wielenberg, and E. Steinhart. Your Digital Afterlives: Computational Theories of Life after Death. Palgrave Macmillan Limited, 2014.

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23

Nagasawa, Y., E. Wielenberg, and E. Steinhart. Your Digital Afterlives: Computational Theories of Life after Death. Palgrave Macmillan, 2016.

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24

Nagasawa, Y., E. Wielenberg, and E. Steinhart. Your Digital Afterlives: Computational Theories of Life after Death. Palgrave Macmillan, 2014.

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25

Your Digital Afterlives Computational Theories Of Life After Death. Palgrave Macmillan, 2014.

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26

Steinhart, Eric Charles. Your Digital Afterlives: Computational Theories of Life after Death. Palgrave Macmillan, 2014.

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27

The Digital Cast of Being: Metaphysics, Mathematics, Cartesianism, Cybernetics, Capitalism, Communication. Ontos Verlag, 2009.

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28

Rosenfeld, Cynthia Porter. Digital Worldbuilding and Ecological Readiness. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781666991147.

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This book addresses how people in digital communities during the Anthropocene can become ecologically ready participants who are willing to build a flourishing relationship with the environment through a lens of community and care. The community-care paradigm is theorized as a way of understanding and living in the more-than-human world that is based on a relational ontology, situated knowledges, and ethics of care that takes individuals-in-communities as its basic unit of consideration. The author draws together disparate lines of inquiry—including ancient and contemporary rhetoric, media stu

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29

Kaun, Anne, Christian Pentzold, and Christine Lohmeier, eds. Making Time for Digital Lives. Rowman & Littlefield, 2020. https://doi.org/10.5040/9798881811075.

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It is said that the ontology of data resists slowness and also that the digital revolution promised a levelling of the playing field. Both theories are examined in this timely collection of chapters looking at time in the digital world. Since data has assumed such a paramount place in the modern neoliberal world, contemporary concepts of time have undergone radical transformation. By critically assessing the emerging initiatives of slowing down in the digital age, this book investigates the role of the digital in ultimately reinforcing neo-liberal temporalities. It shows that both "speed-up" a

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30

Dowd, Cate. Digital Journalism, Drones, and Automation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190655860.001.0001.

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Advances in online technology and news systems, such as automated reasoning across digital resources and connectivity to cloud servers for storage and software, have changed digital journalism production and publishing methods. Integrated media systems used by editors are also conduits to search systems and social media, but the lure of big data and rise in fake news have fragmented some layers of journalism, alongside investments in analytics and a shift in the loci for verification. Data has generated new roles to exploit data insights and machine learning methods, but access to big data and

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31

A semantic web approach to digital rights management: Using semantic web technologies to build a copyright ontology and a semantic copyright managment system. VDM Verlag Dr. Müller, 2010.

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32

Capurro, Rafael. Homo Digitalis: Beiträge zur Ontologie, Anthropologie und Ethik der digitalen Technik. Springer VS, 2017.

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33

Degle, Ralf. Ontologie-basierte Beschreibung digitaler Lernmaterialien. GRIN Verlag GmbH, 2007.

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34

Yaneva, Albena. Crafting History. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751820.001.0001.

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What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? This book provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow t

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35

Filozofija u digitalno doba: Оntološko razumijevanje (ljudskog) bića i svijeta. Filozofski fakultet Univerziteta u Banjoj Luci, 2020.

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36

Angus, Ian H. Groundwork of Phenomenological Marxism. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666994858.

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In Groundwork of Phenomenological Marxism: Crisis, Body, World, Ian H. Angus investigates the crisis of reason in a contemporary context. Beginning with Edmund Husserl’s The Crisis of the European Sciences and Transcendental Phenomenology, Angus connects the phenomenology of human motility to Marx’s ontology of labor in Capital and shows its basis in natural fecundity (excess). He argues that the formalization of reason creates an inability to foster differentiated community as expected by both Husserl and Marx and that the formalization of human motility by the regime of value reveals the ont

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37

Celentano, Augusto, and K. Selçuk Candan. Advances in Multimedia Information Systems: 11th International Workshop, MIS 2005, Sorrento, Italy, September 19-21, 2005, Proceedings. Springer London, Limited, 2005.

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