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1

Ninan, Johan, and Natalya Sergeeva. Using Innovation Stories From Digital Platforms to Explore What Motivates Innovation. SAGE Publications Ltd, 2023. http://dx.doi.org/10.4135/9781529629774.

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Blanuca, Viktor, Leonid Bezrukov, Egor Sherin, and Anatoliy Yakobson. Public geography: Digital priorities of the XXI century. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1863096.

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Social geography, aimed at understanding the territorial organization of society, has a number of digital priorities that have not been analyzed before. They are related to the objects and methods of research, as well as to the methods of visualization and the areas of application of the results obtained.
 The monograph analyzes the world experience of socio-geographical study of platform economy, telecommunication networks and "smart cities", the use of data mining, models of spatial diffusion of innovations and zoning, visualization through cartographic image, dendrogram and tag cloud,
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3

author, Kim A.-mi, Pak Sŏng-sun author, and Han'guk Ŏllon Hakhoe, eds. Midiŏ p'ŭllaetp'om cheguk ŭi tojŏn kwa taeŭng = The empire of media platforms: Challenge and future prospects. Hanul Ak'ademi, 2020.

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4

Rendell, James. Transmedia Terrors in Post-TV Horror. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463726320.

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In the twenty-first century horror television has spread across the digital TV landscape, garnering mainstream appeal. Located within a transmedia matrix, Transmedia Terrors in Post-TV Horror triangulates this boom across screen content, industry practices, and online participatory cultures. Understanding the genre within a post-TV paradigm, the book readdresses what is horror television, analysing not only broadcast TV and streaming platforms but also portals such as YouTube, Twitch.TV, and apps. The book also investigates complex digital media ecologies, blurring distinctions between niche a
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5

Popov, Evgeniy, Viktoriya Simonova, Igor' Chelak, Pavel Minakir, and Boris Porfir'ev. The company's ecosystem. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1864513.

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The monograph is devoted to modeling the ecosystem of the company. The influence of social networks on the development of business processes is shown, the principles of the use of new digital communication technologies are given and the drivers of the economy in the conditions of the coronavirus pandemic are substantiated. The structure of industrial ecosystems in the digital economy is given, the economic effects of digitalization of inter-firm interactions are discussed, the idea of the network potential of a firm in the conditions of digitalization of economic activity is substantiated. The
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6

Zheng, Jie, Xue Han, and Yuanyuan Wu. Disruptive Innovation by Digital Transformation: Multi-sided Platform on E-health in China. Springer, 2020.

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7

Skills, Creativity and Innovation in the Digital Platform Era: Analyzing the New Reality of Professions and Entrepreneurship. Routledge, Chapman & Hall, Incorporated, 2023.

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8

Skills, Creativity and Innovation in the Digital Platform ERA: Analyzing the New Reality of Professions and Entrepreneurship. Routledge, 2023.

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9

Tyagi, Kalpana, Anselm Kamperman Sanders, and Caroline Cauffman, eds. Digital Platforms, Competition Law, and Regulation. Hart Publishing, 2024. http://dx.doi.org/10.5040/9781509969418.

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This open access book offers a comparative and inter-disciplinary perspective on the unique competition law challenges presented by the converged digital markets. Following the digitalisation of even the most traditional bricks-and-mortar sectors of the economy, a well-functioning internal market can only be guaranteed by ensuring the competitiveness of the digital markets. What role do intellectual property law and competition law play in this digital world? How can a more economic analysis strengthen innovation policies to achieve a truly competitive digital single market? The book provides
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10

Sivarasu, Sudesh. Medical Devices Innovation for Africa: enabling industrialisation. University of Cape Town Libraries, 2022. http://dx.doi.org/10.15641/uctlib40.

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It is with great pleasure to recognise all our partners in the merSETA Viro-Vent Innovation Skills Challenge who contributed to this publication: University of Cape Town, Cape Peninsula University of Technology, University KwaZulu Natal, University of Witwatersrand and National Technologies Implementation Platform. Thank you, Professor Sivarasu, for your leadership of the University of Cape Town for supporting these efforts to find new forms of collaboration that focus on “Skills for localisation” and “Skills for re-industrialisation”. This publication comes at a time when South Africa and the
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11

Cowhey, Peter F., and Jonathan D. Aronson. Information and Production Disruptions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190657932.003.0002.

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Digital technology (digital DNA) has catalyzed information and production disruptions—ranging from cloud computing and machine learning to 3D printers—that are sweeping across firms and markets. Special attention is paid to competition dynamics in digital markets and the creation of a trusted digital environment for digital privacy and cybersecurity. A new system of innovation, digital platform clusters, is emerging that will change both global industrial and regional growth patterns, even in traditional industries like farming. Discussions of the automotive and electric grid industries illust
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12

Levina, Natalia, and Anne-Laure Fayard. Tapping into Diversity Through Open Innovation Platforms: The Emergence of Boundary-Spanning Practices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816225.003.0009.

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Crowdsourcing for innovation is gaining critical momentum, with an increasing number of organizations engaging with digital platforms. While collecting ideas from a broad set of participants is now easier than ever, combining and deploying them in innovative ways is becoming increasingly difficult. As a result, organizations are faced with challenges in productively integrating ideas generated by the crowd. Organizations seeking to learn about and combine new perspectives have traditionally turned to consulting companies to tap into external expertise. In this chapter, we compare how consultin
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13

Machine, Platform, Crowd: Harnessing Our Digital Future. W. W. Norton & Company, 2018.

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14

author, Brynjolfsson Erik, ed. Machine, platform, crowd: Harnessing our digital future. W.W. Norton & Company, 2017.

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15

Digital Access and Museums As Platforms. Routledge, 2021.

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16

Wilson-Barnao, Caroline. Digital Access and Museums As Platforms. Taylor & Francis Group, 2021.

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17

Wilson-Barnao, Caroline. Digital Access and Museums As Platforms. Taylor & Francis Group, 2021.

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18

Digital Access and Museums As Platforms. Taylor & Francis Group, 2021.

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19

Gradinariu, Lucia, and Mark Newman. Service Delivery Platforms: From Network Innovation to the New Digital Lifestyle. Taylor & Francis Group, 2009.

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20

Digital Platforms, Imperialism and Political Culture. Taylor & Francis Group, 2017.

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21

Jin, Dal Yong. Digital Platforms, Imperialism and Political Culture. Taylor & Francis Group, 2015.

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22

Jin, Dal Yong. Digital Platforms, Imperialism and Political Culture. Taylor & Francis Group, 2015.

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23

Jin, Dal Yong. Digital Platforms, Imperialism and Political Culture. Taylor & Francis Group, 2015.

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24

Jin, Dal Yong. Digital Platforms, Imperialism and Political Culture. Taylor & Francis Group, 2015.

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25

Digital Platforms, Imperialism and Political Culture. Taylor & Francis Group, 2015.

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26

Gradinariu, Lucia. Service Delivery Platforms: From Network Innovation to the New Digital Lifestyle (Informa Telecoms & Media). AUERBACH, 2009.

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27

Duffy, Brooke Erin, Thomas Poell, and David B. Nieborg. Platforms and Cultural Production. Polity Press, 2021.

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28

Duffy, Brooke Erin, Thomas Poell, and David B. Nieborg. Platforms and Cultural Production. Polity Press, 2021.

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29

Platforms and Cultural Production. Polity Press, 2021.

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30

Gawer, Annabelle, David B. Yoffie, and Michael A. Cusumano. Business of Platforms: Strategy in the Age of Digital Competition, Innovation, and Power. HarperCollins Publishers, 2019.

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31

Graef, Inge, and Bart van der Sloot, eds. The Legal Consistency of Technology Regulation in Europe. Hart Publishing, 2024. http://dx.doi.org/10.5040/9781509968053.

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By bringing together fundamental rights, economic law, and recent legislation in the areas of digital platforms, data, and AI, this open access book gives a comprehensive picture of the state of play in technology regulation in the EU. Risks of regulatory fragmentation are on the rise with ever more legislative instruments becoming applicable to the technology sector. This book explores the prospects and challenges of ensuring legal consistency in a period of transition in which new legislation is being implemented and the interpretation of existing laws is being challenged by the use of data,
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32

O'Neill, Judith, Eli M. Noam, and Darcy Gerbarg. Broadband As a Video Platform: Strategies for Africa. Springer London, Limited, 2014.

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33

O'Neill, Judith, Eli M. Noam, and Darcy Gerbarg. Broadband as a Video Platform: Strategies for Africa. Springer, 2016.

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34

Zhang, Marina, Mark Dodgson, and David Gann. Demystifying China's Innovation Machine. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861171.001.0001.

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China’s extraordinary economic development is explained in large part by the way it innovates. This book explains how it innovates, which has important implications not only for China but also for the rest of the world. Contrary to widely held views, China’s innovation machine is not created and controlled by an all-powerful government. Instead, it is a complex, interdependent system composed of hundreds of millions of elements, involving bottom-up innovation driven by innovators and entrepreneurs and highly pragmatic and adaptive top-down policy. Using case studies of leading firms and indust
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35

The Business of Platforms: Strategy in the Age of Digital Competition, Innovation, and Power. HarperBusiness, 2019.

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36

Prassl, Jeremias. Humans as a Service. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198797012.001.0001.

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The rise of the gig economy is disrupting business models across the globe. Platforms’ digital work intermediation has had a profound impact on traditional conceptions of the employment relationship. The completion of ‘tasks’, ‘gigs’, or ‘rides’ in the (digital) crowd fundamentally challenges our understanding of work in modern labour markets: gone are the stable employment relationships between firms and workers, replaced by a world in which everybody can be ‘their own boss’ and enjoy the rewards—and face the risks—of independent businesses. Is this the future of work? What are the benefits a
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37

Jin, Dal Yong. Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms. Taylor & Francis Group, 2021.

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38

Jin, Dal Yong. Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms. Taylor & Francis Group, 2021.

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39

Jin, Dal Yong. Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms. Taylor & Francis Group, 2021.

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40

Gamble, Steven. Digital Flows. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197656389.001.0001.

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Abstract Digital Flows provides a radical study of the most recent chapter in the life of hip hop, one closely intertwined with the networked cultural flows of the internet. Some fifty years after its birth in the Bronx, hip hop is one of the most significant cultural forms of the internet age. Now that the internet is enmeshed in our everyday lives, hip hop is predominantly encountered and experienced online, where it comprises a third of all streamed music. People are constantly making, sharing, and commenting on hip hop—from Drake memes through viral TikTok dances to AI-generated rappers—ch
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41

Christiaens, Tim. Digital Working Lives. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9798881813406.

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Recent innovations in digital technologies are fundamentally transforming the world of work. A digital gig economy is emerging that threatens to displace traditional labour relations based on legally regulated labour contracts. Companies like Uber, Deliveroo, or Amazon Mechanical Turk rely increasingly on ‘independent contractors’ who earn piece-rate wages by completing tasks sent to them via their smartphones. This development understandably pushes workers to desire more autonomy, but what would workers’ autonomy mean in the digital age? This book argues that the digital gig economy undermine
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42

Digital Work and the Platform Economy: Understanding Tasks, Skills and Capabilities in the New Era. Taylor & Francis Group, 2019.

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43

Digital Work and the Platform Economy: Understanding Tasks, Skills and Capabilities in the New Era. Taylor & Francis Group, 2019.

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44

Trepulė, Elena, Airina Volungevičienė, Margarita Teresevičienė, et al. Guidelines for open and online learning assessment and recognition with reference to the National and European qualification framework: micro-credentials as a proposal for tuning and transparency. Vytauto Didžiojo universitetas, 2021. http://dx.doi.org/10.7220/9786094674792.

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These Guidelines are one of the results of the four-year research project “Open Online Learning for Digital and Networked Society” (2017-2021). The project objective was to enable university teachers to design open and online learning through open and online learning curriculum and environment applying learning analytics as a metacognitive tool and creating open and online learning assessment and recognition practices, responding to the needs of digital and networked society. The research of the project resulted in 10 scientific publications and 2 studies prepared by Vytautas Magnus university
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45

Born, Georgina, ed. Music and Digital Media: A planetary anthology. UCL Press, 2022. http://dx.doi.org/10.14324/111.9781800082434.

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Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the
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46

Counts, Derek B., Erik Walcek Averett, Kevin Garstki, and Michael K. Toumazou. Visualizing Votive Practice: Exploring Limestone and Terracotta Sculpture from Athienou-Malloura through 3D Models. The Digital Press at the University of North Dakota, 2020. http://dx.doi.org/10.31356/dpb011.

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Visualizing Votive Practice is an innovative, open-access, digital monograph that explores the limestone and terracotta sculptures excavated from a rural sanctuary at the site of Athienou-Malloura (Cyprus) by the Athienou Archaeological Project. Chapters on the archaeology of the site, the historiography of Cypriot sculpture, and perspectives on archaeological visualization provide context for the catalogue of 50 representative examples of votive sculpture from the sanctuary. The catalogue not only includes formal and contextual information for each object, but also embeds 3D models directly o
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47

Ganajová, Mária, Jozef Hanč, Ivana Sotáková, and Petra Letošníková, eds. DidSci+ Conference 2022 PROCEEDINGS − Selected Papers. ŠafárikPress Publishing Pavol Jozef Šafárik University in Košice, 2025. https://doi.org/10.33542/dsc-0421-7.

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The International Conference on Research in Didactics of the Science – DidSci+ 2022, continues in the educational legacy of the successful series of the previous DidSci conferences held from 2004 in Krakow, Prague, Brno, or Trnava. The DidSci+ conferences present a platform for enduring international cooperation, focusing on the frontiers and current challenges in science education research. This special edition of DidSci conferences, celebrating its 10th anniversary, was held in Košice, at the Faculty of Science of Pavol Jozef Šafárik University, from June 26 to 29, 2022. The careful double-b
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48

Boudreault, Patrick. Exposing the Borders of Academia: Sign Language as a Medium of Knowledge Production, Preservation, and Dissemination (ASL, WEBM). Michigan Publishing Services, 2024. http://dx.doi.org/10.3998/dsdj.sf268778f.

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The _Deaf Studies Digital Journal_ (DSDJ) is a peer-reviewed, digital journal in American Sign Language and English text dedicated to advancing the cultural, creative and critical output of work in and about sign languages and its communities, in the form of scholarly video articles, original works of signed literature, as well as interviews, reviews, and historical resources. This project will preserve and migrate past issues of DSDJ to a new open-access, technologically sustainable platform, which adheres to and advances accessibility standards in publishing through fully bilingual video and
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49

Boudreault, Patrick. Exposing the Borders of Academia: Sign Language as a Medium of Knowledge Production, Preservation, and Dissemination (English). Michigan Publishing Services, 2024. http://dx.doi.org/10.3998/dsdj.k643b4150.

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The _Deaf Studies Digital Journal_ (DSDJ) is a peer-reviewed, digital journal in American Sign Language and English text dedicated to advancing the cultural, creative and critical output of work in and about sign languages and its communities, in the form of scholarly video articles, original works of signed literature, as well as interviews, reviews, and historical resources. This project will preserve and migrate past issues of DSDJ to a new open-access, technologically sustainable platform, which adheres to and advances accessibility standards in publishing through fully bilingual video and
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50

Boudreault, Patrick. Exposing the Borders of Academia: Sign Language as a Medium of Knowledge Production, Preservation, and Dissemination (ASL, MP4). Michigan Publishing Services, 2024. http://dx.doi.org/10.3998/dsdj.2v23vx408.

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The _Deaf Studies Digital Journal_ (DSDJ) is a peer-reviewed, digital journal in American Sign Language and English text dedicated to advancing the cultural, creative and critical output of work in and about sign languages and its communities, in the form of scholarly video articles, original works of signed literature, as well as interviews, reviews, and historical resources. This project will preserve and migrate past issues of DSDJ to a new open-access, technologically sustainable platform, which adheres to and advances accessibility standards in publishing through fully bilingual video and
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