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Books on the topic 'Digital sampling'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 April 2022

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1

Harkins, Paul. Digital Sampling. Routledge, 2019. http://dx.doi.org/10.4324/9781351209960.

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2

Urheberrechtliche Zustimmungserfordernisse beim Digital Sampling. P. Lang, 1995.

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3

A practical approach to digital sampling. Hal Leonard Pub. Corp., 1989.

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4

Sahara, Gisnash, ed. Career building through digital sampling and remixing. Rosen Pub. Group, 2008.

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5

Feuer, Arie. Sampling in digital signal processing and control. Birkhäuser, 1996.

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6

Feuer, Arie, and Graham C. Goodwin. Sampling in Digital Signal Processing and Control. Birkhäuser Boston, 1996. http://dx.doi.org/10.1007/978-1-4612-2460-0.

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7

1976-, DiCola Peter, ed. Creative license: The law and culture of digital sampling. Duke University Press, 2011.

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8

Sound synthesis and sampling. Focal Press, 1996.

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9

Sound synthesis and sampling. 2nd ed. Focal Press, 2004.

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10

Freff. What's a sampler?: A basic guide to the world of digital sampling. Hal Leonard Publishing Corporation, 1989.

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11

Steve, De Furia, ed. Casio FZ-1 & FZ-10M digital sampling synthesizer: The essential guide to practical applications. Hal Leonard Books, 1988.

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12

1938-, Powell J. David, and Workman Michael L, eds. Digital control of dynamic systems. 3rd ed. Addison Wesley, 1998.

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13

Franklin, Gene F. Digital control of dynamic systems. 2nd ed. Addison-Wesley, 1990.

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14

Franklin, Gene F. Digital control of dynamic systems. 3rd ed. Addison-Wesley, 1998.

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15

Franklin, Gene F. Digital control of dynamic systems. 2nd ed. Addison-Wesley, 1990.

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16

Rothacher, Fritz. Sample-rate conversion: Algorithms and VLSI implementation. Hartung-Gorre Verlag, 1995.

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17

Rendine, John J. Real-time airborne ocean sampling and applications to naval operations. Naval Postgraduate School, 1986.

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18

Foster, Kevin D. A 3-channel 14-bit optimum SNS wideband digital antenna: Analysis of the electro-optic sampling front end. Naval Postgraduate School, 1997.

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19

Ringer, William P. Design, construction and analysis of a 14-bit direct digital antenna utilizing optical sampling and optimum SNS encoding. Naval Postgraduate School, 1997.

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20

Bater, Christopher W. Preliminary findings towards the use of lidar and digital aerial imagery as sampling tools to characterize volume killed by mountain pine beetle. Pacific Forestry Centre, 2010.

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21

Ya suo gan zhi lei da cheng xiang. Ke xue chu ban she, 2014.

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22

P, Kroese Dirk, ed. Simulation and the monte carlo method. 2nd ed. John Wiley & Sons, 2008.

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23

Häuser, Markus. Sound und Sampling: Der Schutz der Urheber, ausübenden Künstler und Tonträgerhersteller gegen digitales Soundsampling nach deutschem und US-amerikanischem Recht. Beck, 2002.

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24

DJ Spooky That Subliminal Kid., ed. Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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25

D, Miller Paul, ed. Sound unbound: Sampling digital arts and culture. Routledge, 2004.

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26

DJ Spooky That Subliminal Kid., ed. Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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27

Miller, Paul D., B. Coleman, Douglas Kahn, and Ron Eglash. Sound Unbound: Sampling Digital Music and Culture. MIT Press, 2008.

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28

(Foreword), Cory Doctorow, Paul D. Miller aka Dj Spooky that Subliminal Kid (Editor), and Steve Reich (Introduction), eds. Sound Unbound: Sampling Digital Music and Culture. The MIT Press, 2008.

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29

Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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30

Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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31

Goodwin, Graham, and Arie Feuer. Sampling in Digital Signal Processing and Control. BirkhÃ¤user Boston, 2011.

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32

DJ Spooky That Subliminal Kid., ed. Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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33

DJ Spooky That Subliminal Kid., ed. Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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34

ESI-32 digital sampling instrument: Operation manual. E-mu Systems, 1990.

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35

DJ Spooky That Subliminal Kid., ed. Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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36

DJ Spooky That Subliminal Kid., ed. Sound unbound: Sampling digital music and culture. MIT Press, 2008.

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37

ESI-32 digital sampling instrument: Operation manual. E-mu Systems, 1990.

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38

Sampling Theory: Beyond Bandlimited Systems. Cambridge University Press, 2015.

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39

McLeod, Kembrew, Peter DiCola, Jenny Toomey, and Kristin Thomson. Creative License: The Law and Culture of Digital Sampling. Duke University Press, 2011.

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40

Franklin, M. I. Sampling Politics. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190855475.001.0001.

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This book is an exploration of the geocultural politics of music sampling. Each chapter delves into one case study—a track, or larger work—from the inside out by starting with the samples that are at the heart of the work. The objective is to unpack how sampled and sampling material work together in light of shifts in the political, economic, and sociocultural contexts of their making, distribution, and reception since. Considering sampling as a material of music, not simply a digital technique or restricted to one sort of music making, addresses an under-explored dimension in studies of the r

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41

Rozwod, William J. Frequency-sampling design of two-dimensional FIR digital filters with nonuniform samples. 1987.

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42

Making Music with Samples: Tips, Techniques and 600+ Ready-to-Use Samples. Backbeat Books, 2005.

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43

Multiscale Signal Analysis and Modeling. Springer, 2011.

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44

A 3-Channel 14-Bit Optimum SNS Wideband Digital Antenna: Analysis of theElectro-Optic Sampling Front End. Storming Media, 1997.

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45

Facility, Dryden Flight Research, ed. Digital signal conditioning for flight test instrumentation. NASA Ames Resarch Center, Dryden Flight Research Facility, 1991.

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46

Design, Construction and Analysis of a 14-Bit Direct Digital Antenna Utilizing Optical Sampling and Optimum SNS Encoding. Storming Media, 1997.

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47

Compressive Sensing for Wireless Networks. Cambridge University Press, 2013.

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48

Jockers, Matthew L. Evidence. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037528.003.0002.

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This chapter discusses new approaches and new methodologies in literary evidence gathering. Science derives conclusions based on evidence, and ideally, is open to new methodologies. Furthermore, science attempts to be exhaustive in the gathering of evidence as much as possible and must therefore welcome new modes of exploration, discovery, and analysis. This chapter emphasizes literary criticism's heavy reliance on associations as evidence and explains how literary studies differs from scientific experimentation. It also considers the advantages of “close reading,” the primary methodology used

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49

Kroese, Dirk P., and Reuven Y. Rubinstein. Simulation and the Monte Carlo Method. Wiley & Sons, Incorporated, John, 2016.

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50

Kroese, Dirk P., and Reuven Y. Rubinstein. Simulation and the Monte Carlo Method (Wiley Series in Probability and Statistics). 2nd ed. Wiley-Interscience, 2007.

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