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Books on the topic 'Digital sublime'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 June 2025

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1

Maria, Burmester, and Museu Serralves, eds. Under the clouds: From paranoia to the digital subime = da paranoia ao sublime digital. Serralves Museu de Arte Contemporânea, 2015.

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2

Mosco, Vincent. The Digital Sublime. The MIT Press, 2004. http://dx.doi.org/10.7551/mitpress/2433.001.0001.

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3

Pursuing the Sublime in Digital Media. Lang Publishing, Incorporated, Peter, 2019.

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4

Taylor, Paul. Hackers: Crime and the Digital Sublime. Taylor & Francis Group, 2012.

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5

Mosco, Vincent. Digital Sublime: Myth, Power, and Cyberspace. MIT Press, 2005.

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6

Taylor, Paul. Hackers: Crime and the Digital Sublime. Taylor & Francis Group, 2012.

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7

Taylor, Paul. Hackers: Crime and the Digital Sublime. Taylor & Francis Group, 2012.

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8

Taylor, Paul. Hackers: Crime and the Digital Sublime. Taylor & Francis Group, 2012.

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9

Taylor, Paul. Hackers: Crime and the Digital Sublime. Taylor & Francis Group, 2012.

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10

Mosco, Vincent. Digital Sublime: Myth, Power, and Cyberspace. MIT Press, 2015.

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11

Taylor, Paul A. Hackers: Crime in the Digital Sublime. Routledge, 1999.

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12

Hackers: Crime in the Digital Sublime. Routledge, 1999.

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13

Hackers: Crime in the Digital Sublime. Routledge, 1999.

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14

Mosco, Vincent. The Digital Sublime: Myth, Power, and Cyberspace. The MIT Press, 2005.

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15

Coale, Samuel. Pursuing the Sublime in the Digital Age. Lang AG International Academic Publishers, Peter, 2019.

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16

Coale, Samuel. Pursuing the Sublime in the Digital Age. Lang AG International Academic Publishers, Peter, 2019.

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17

Coale, Samuel. Pursuing the Sublime in the Digital Age. Lang AG International Academic Publishers, Peter, 2019.

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18

The Digital Sublime: Myth, Power, and Cyberspace. The MIT Press, 2004.

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19

Cinematic Sublime: Negative Pleasures, Structuring Absences. Intellect, Limited, 2020.

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20

Nye, David E. Seven Sublimes. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13830.001.0001.

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Abstract:

A reconception of the sublime to include experiences of disaster, war, outer space, virtual reality, and the Anthropocene. We experience the sublime—overwhelming amazement and exhilaration—in at least seven different forms. Gazing from the top of a mountain at a majestic vista is not the same thing as looking at a city from the observation deck of a skyscraper; looking at images constructed from Hubble Space Telescope data is not the same as living through a powerful earthquake. The varieties of sublime experience have increased during the last two centuries, and we need an expanded terminology to distinguish between them. In this book, David Nye delineates seven forms of the sublime: natural, technological, disastrous, martial, intangible, digital, and environmental, which express seven different relationships to space, time, and identity. These forms of the sublime can be experienced at historic sites, ruins, cities, and national parks, or on the computer screen. We find them in beautiful landscapes and gigantic dams, in battle and on battlefields, in images of black holes and microscopic particles. The older forms are tangible, when we are physically present and our senses are fully engaged; increasingly, others are intangible, mediated through technology. Nye examines each of the seven sublimes, framed by philosophy but focused on historical examples.

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