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Journal articles on the topic 'Digital television transformation'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Ortiz-Sobrino, Miguel-Ángel. "Television, globalization and social change." Comunicar 13, no. 25 (2005): 79–85. http://dx.doi.org/10.3916/c25-2005-011.

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XXI Century television is undergoing a process of transformation. New actors, new products and new ways of consuming television are on the lookout. Interactivity will make the traditional concept of television disappear. Television viewers can design their own grids independently of the operator’s schedule. The convergence of television and computer, Internet, telephone and video games bring us a new concept of television. Television faces two big transformations: digital transformation and that of the concept of «general public». The computer, the computer screen, has the calling of turning i

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Rizky, Dede, Dewi Nusraningrum, Alyssa Edwina Imad Khalid Bakhour, Egit Mulyatri, and Kayla Rosantya Dewi. "Correlation of Terrestrial Satellite Computation and Allocation of Influence in The Development of Digital Television Services in Indonesia." Jurnal Ilmiah Manajemen dan Bisnis 10, no. 2 (2024): 224. http://dx.doi.org/10.22441/jimb.v10i2.25353.

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Analog television in Indonesia is currently being transformed into digital television. The purpose of this study was to determine the effectiveness and impact of the transformation of these changes. The total population of the study was unknown, so convenience sampling was used. The data obtained is processed descriptively. The results show that all respondents who earn below one million rupiah per month do not receive government assistance to convert their televisions into digital televisions, and respondents do not have knowledge about how to convert analog televisions into digital televisio

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NWOGA, Chibuzor Cosmas IBE Kingsley C. NWANKITI Chukwuemeka Ononuju CHIME-NGANYA Chioma Rose OBIN Ogban Obin &. NGWU Ogonnaya Lynda. "ACHIEVING MEDIA VIABILITY THROUGH DIGITAL TRANSFORMATION IN NIGERIA'S DEPRESSED ECONOMY: A STUDY OF SELECT GOVERNMENT OWNED TELEVISION STATIONS IN SOUTHEAST NIGERIA." IMSU Journal of Communication Studies 9, no. 1 (2025): 276–87. https://doi.org/10.5281/zenodo.15242033.

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This study was on the effect digital transformation has on the viability of Television stations in Nigeria. The objectives were to: ascertain effects of digital media platforms on TV stations; determine the implications of digital transformation on viability of television stations; identify the impediments to TV stations digital transformation in southeast Nigeria and ways it could be self-sustaining, as they face stiff competition with the digital media platforms and irregular subvention from government. The study was anchored on the Disruptive Innovation theory and adopted survey design. A s

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Rozanova, N., and A. Yushin. "Digital Technologies in TV and Transformation of Media Market." World Economy and International Relations, no. 5 (2015): 92–103. http://dx.doi.org/10.20542/0131-2227-2015-5-92-103.

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The article analyzes new phenomena in the field of television associated with the digital era, in particular, the transformation of media market under the influence of technological, economic, financial and institutional factors of digitalization. Contemporary international and Russian television industry is in the process of digital revolution. The era of traditional television as a typical broadcasting technology, a traditional social, economic and cultural phenomenon, has come to an end. We are on the verge of a global and irrevocable shift to mass utilization of various digital devices tha

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Sultanbayeva, G., and O. Lozhnikovа. "DIGITAL TRANSFORMATION IN THE KAZAKHSTAN." BULLETIN Series of Philological Sciences 75, no. 1 (2020): 405–15. http://dx.doi.org/10.51889/2021-1.1728-7804.70.

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This research presents the results of a sociological study on the media behavior of the adult population of Kazakhstan. The aim of the research is to identify the specifics of media consumption of digital technologies and media preferences of the adult population. The main task of our empirical research is to determine the mechanism of access to the main technical means, and the media behavior of active users. The research methodology includes quantitative and qualitative methods: a survey among the target group, sampling over 2500 respondents from all regions of Kazakhstan. We conclude that t

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Alzubi, Ahmad, Noor Aziah Abdullah, and Azliza Othman. "Digital Transformation from Conventional Media to Digital Media in Jordanian TV." PaperASIA 41, no. 3b (2025): 179–86. https://doi.org/10.59953/paperasia.v41i3b.451.

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The transition from conventional to digital media in Jordan presents significant challenges, particularly for Jordanian television channels. This study examines the factors contributing to the reluctance of Jordanian television to adopt digital media technology. The research employs the Unified Theory of Acceptance and Use of Technology (UTAUT) as a theoretical framework, utilizing a methodical approach that involves qualitative interviews with industry professionals and quantitative surveys targeting media practitioners. The study identifies key obstacles, including inadequate government supp

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Frandsen, Kirsten. "Tour de France in a digital television paradigm." MedieKultur: Journal of media and communication research 39, no. 75 (2023): 032–52. http://dx.doi.org/10.7146/mk.v39i75.138616.

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This article analyses sports events as mega-events with global appeal and increasing socio-economic and cultural significance, and as genres which have now become important in the television industry’s transformation from broadcast to online streaming. It presents findings from a qualitative production analysis of how the Tour de France 2022 was shaped in a twofold strategic context. Genre specific aspects of the media event in the ongoing transformation of the television industry and wider strategic interests behind the hosting and organization of the start of the race in Denmark 2022 are dis

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García-Matilla, Agustín. "About a television for the education in tuning multimedia." Comunicar 13, no. 25 (2005): 33–44. http://dx.doi.org/10.3916/c25-2005-005.

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In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among thes

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Brakovska, Diāna. "THE BRANDING OF TELEVIZION BROADCASTS IN THE CONTEXT OF DIGITAL TRANSFORMATION." Krustpunkti: kultūras un mākslas pētījumi, no. 3 (July 7, 2025): 110–23. https://doi.org/10.55877/kkmp.2024.3.594.

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During the last decades the digital transformation in the television industry has contributed to the need to strengthen television brands in a multi-platform environment. But there is a lack of research to help professionals understand how to preserve the value of TV brands in the changing digital transformation environment. Therefore, based on the analysis of theoretical sources, a new approach to brand management was developed in the research, the advantages and disadvantages of which were considered in the analysis of the brand development of the TV3 program “Bez Tabu” in the context of dig

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Zaurbaev, Islam Zh, Olga A. Guk, and Naila A. Teplaya. "RESEARCH AND DEVELOPMENT OF THE MULTIMEDIA ENVIRONMENT OF PUBLIC TELEVISION USING MODERN INFORMATION TECHNOLOGIES." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 1/8, no. 154 (2025): 22–29. https://doi.org/10.36871/ek.up.p.r.2025.01.08.003.

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The latest technologies and transformations in the field of digitalization of the television industry are undoubtedly changing our society today, providing a lot of new opportunities and innovations in the world of television. The initial stage is important – the analysis of innovative solutions and technologies, which sheds light on the digital transformation in this area. It is extremely important to discuss breakthrough digital innovations, as they dictate new trends in the television industry and stimulate its development. Let's look at the key aspects of the digital revolution of the tele

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Pecheranskyi, Ihor. "Media Fusion As Technology and Mechanism for Transforming the Television Ecosystem in the Twentieth Century." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 7, no. 2 (2024): 236–46. https://doi.org/10.31866/2617-2674.7.2.2024.318989.

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The purpose of the research is to reveal the meaning of media fusion as a technology and mechanism of the television ecosystem transformation in the first quarter of the 21st century. The research methodology. The article tested, firstly, the ecosystem approach that helps to identify television as an ecosystem and one of the important segments of the digital audio-visual landscape on the modern stage that is in a transformational stage, characterised by fusional, co-evolutionary and convergent processes between traditional and new media, and, secondly, the methodology of media archaeological r

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Medina-Laverón, Mercedes, and Teresa Ojer-Goñi. "The Transformation of Public TV Companies into Digital Services at the BBC and RTVE." Comunicar 18, no. 36 (2011): 87–94. http://dx.doi.org/10.3916/c36-2011-02-09.

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Some authors question the existence of public television companies in the new environment of digitalization, Internet proliferation, growing competition and audience segmentation. However, others believe they should act as a driving force in the process of convergence and even that the new media present an opportunity to redefine the public broadcasting service (PBS) remit. The current challenge for the public media companies is to deliver their content through the maximum number of devices, not only via television sets but also broadband and mobile devices. Over the years, the BBC has adapted

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Kienzl, Lisa. ""You're My True Vessel": Knowledge and Digital Fan Culture Discussed on the Basis of Mediumship and Possession in Supernatural's Narrative and Fandom." Journal of Religion, Media and Digital Culture 3, no. 1 (2014): 155–80. http://dx.doi.org/10.1163/21659214-90000044.

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Portrayals of mediumship in modern Western television narratives need to be seen as part of a broader phenomenon of the presence of religious elements in Western media, a phenomenon I argue expresses a longing for grand narratives in contemporary Western society. The portrayal and mediatization of religious elements in television narratives as well as their discussion in digital fan culture are part of what I would call a transformation process of knowledge and in particular knowledge of religious phenomena. More specifically, digital fan culture allows for an engagement with discursive transf

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Siregar, Alya Rahmayani, and Hasan Sazali. "TRANSFORMASI KEBIJAKAN PENYIARAN DI ERA DIGITAL ANALISIS DAMPAK REGULASI OVER-THE-TOP (OTT) TERHADAP INDUSTRI TELEVISI KONVENSIONAL." FIKRUNA: Jurnal Ilmiah Kependidikan dan Kemasyarakatan 7, no. 3 (2025): 846–68. https://doi.org/10.56489/fik.v7i3.318.

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This study explores the changing broadcasting policy in the digital context, with an emphasis on the influence of Over-The-Top (OTT) regulation on the traditional television industry. Digital transformation has drastically changed the way content is delivered and consumed, resulting in a shift from conventional television dominance to digital platforms. OTT regulation, which aims to regulate streaming service providers and digital content, has a significant impact on the existing business model, revenue, and operations of the television industry. The methodology used in this study is a qualita

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Kim, Myung-Jin. "A Study on the Changing Characteristics of K-pop with the Turns of New Media Technology." Korean Society of Culture and Convergence 45, no. 9 (2023): 121–34. http://dx.doi.org/10.33645/cnc.2023.09.45.09.121.

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This paper introduces a media perspective that understands K-pop as a new media communication process and examines its historic changes. K-pop has expanded its genre through a series of new media technology turns represented by visual transformation by color television and music channels of cable television in the 1980s, acceptable transformation by PC communication and the Internet in the 1990s, digital transformation by digital platforms such as iTunes and YouTube in the 2000s, and virtual transformation by virtual and AI media such as VR, AR, XR, and Metaverse in the 2020s. K-pop is a genre

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Fomina, A. N. "Innovative Discourse of Television Industry Development: Virtual and Augmented Reality Technologies." Beneficium, no. 2 (2024): 88–97. http://dx.doi.org/10.34680/beneficium.2024.2(51).88-97.

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At the presentstage of digital transformation of society, more and more industries and enterprises are showing interest in virtual and augmented reality technologies (VR and AR), which, along with artificial intelligence, Big Data, and cloud technologies, are a promising direction for innovative development of all spheres of the economy. Virtual and augmented reality technologies are widely used in the creative industries. The purpose of the study is aimed at identifying and systematizing the functionality of VR and AR technologies for the digital television industry and its main actors: telev

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Kaparova, Chinara. "DIGITAL TELEVISION DEVELOPMENT POLICY ON THE PUBLIC TELEVISION IN THE KYRGYZ REPUBLIC." Alatoo Academic Studies 21, no. 3 (2021): 294–302. http://dx.doi.org/10.17015/aas.2021.213.031.

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The emergence of new communication channels showed their impact on the press, radio, television and news agencies. This changes not only the quality of the information communication system, but also the quality level of the journalistic profession. Televizion technology is improving every time, surprising with its new discoveries. The era of qualitative renewal of television has come, which opens up new opportunities in obtainihg information. The globalization that is taking place around the world, including incredible technological development, has had a huge impact on television. The innovat

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Thomas, Julian. "The Old New Television and the New: Digital Transitions at Home." Media International Australia 129, no. 1 (2008): 91–103. http://dx.doi.org/10.1177/1329878x0812900110.

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Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhere has been the implementation of strategies to switch from analogue to digital television broadcasting systems. Despite extensive debate, the transition to digital broadcasting remains fraught. What seems to be a technical matter conceals a range of intractable social, economic and cultural policy decisions. This article explores some of the challenges of digital television through the prism of an earlier, and often overlooked, transformation of television, namely the consumer-driven uptake of

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Mu, Yunxiao, and Leila Mirzoyeva. "The digital transformation and future development trends of CCTV1 programs." Frontiers in Humanities and Social Sciences 4, no. 6 (2024): 268–72. http://dx.doi.org/10.54691/efbj0m52.

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As one of China's most authoritative and credible television media platforms, China Central Television (CCTV) has a long history and a vast audience base. However, facing the dual challenges of audience attrition and competition from emerging media, CCTV cannot afford to be complacent. Today, with the gradual maturation of digital technology, CCTV is actively promoting digital transformation to enhance media competitiveness and ensure it meets the ever-changing needs of its audience. This is not only a necessity for keeping pace with the times but also an important measure to gain the favor an

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Straubhaar, Joseph D., Deborah Castro, Luiz Guilherme Duarte, and Jeremiah Spence. "Class, pay TV access and Netflix in Latin America: Transformation within a digital divide." Critical Studies in Television: The International Journal of Television Studies 14, no. 2 (2019): 233–54. http://dx.doi.org/10.1177/1749602019837793.

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In the context of international flows of media products, this article offers an exploration of pay TV and the prospects for streaming television usage in the Latin American region. Based on audience preference data gathered by Kantar Media, the article offers an overview of how the pre-Netflix era looked like in the region. Drawing on the theories of cultural proximity and cultural discount, our results suggest that the international nature of Netflix programming is of particular interest and appeal among the upper middle class and elite, who have the cultural capital to enjoy and appreciate i

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Wang, Zhenzi, Zhi-Qiang Liu, and Steve Fore. "Facing the Challenge: Chinese Television in the New Media Era." Media International Australia 114, no. 1 (2005): 135–46. http://dx.doi.org/10.1177/1329878x0511400115.

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In this paper we examine current developments in new media and Chinese television. In particular, we present a case study of the Spring Festival Eve Gala 2002, sponsored by China Central Television Station (CCTV). Despite the rapid development of digital technology and new media in recent years, Chinese television is unlikely to be transformed quickly. We propose that coevolution and convergence with new media offer the most effective strategy for the future development of Chinese television. The case study indicates that the current progress in media and communications technologies has set th

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GÜLSEÇEN, Sevinç. "DIGITAL TRANSFORMATION IN EDUCATION: ACTIVE LEARNERS." International Conference on Technics, Technologies and Education, ICTTE 2019 (2019): 14–21. http://dx.doi.org/10.15547/ictte.2019.01.040.

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It is argued that the digital technology has made possible the vast range of applications and media forms including virtual reality, digital special effects, digital film, digital television, electronic music, computer games, multimedia, the Internet, the World Wide Web, digital telephony and so on [8]. Digital transformation has been particularly influential in new directions of society.Providing schools with digital technology promises a high return on investment. The presence of computers and Internet access raises technology literacy and skills, better preparing the future generations to p

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Zhang, Lanshan, and Weike Shi. "Enlightenment and challenge of the concept of metaverse to film and television creation." Metaverse 3, no. 2 (2022): 11. http://dx.doi.org/10.54517/m.v3i2.2129.

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<p>Starting from the enlightenment of the concept of metaverse to film and television creation, this paper puts forward that metaverse will be possible to reconstruct digital virtual space-time, open a new context of interactive narration and replace real actors with virtual personification. The role of film and television audience will also experience the transformation from viewer to experiencer, from audience to player, and from audience to creator. In addition, the virtual world constructed by the metaverse may cause ethical risks due to the unlimited creative freedom, domesticate th

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Zhang, Lanshan, and Weike Shi. "Enlightenment and challenge of the concept of metaverse to film and television creation." Metaverse 3, no. 2 (2022): 11. http://dx.doi.org/10.54517/met.v3i2.2129.

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<p>Starting from the enlightenment of the concept of metaverse to film and television creation, this paper puts forward that metaverse will be possible to reconstruct digital virtual space-time, open a new context of interactive narration and replace real actors with virtual personification. The role of film and television audience will also experience the transformation from viewer to experiencer, from audience to player, and from audience to creator. In addition, the virtual world constructed by the metaverse may cause ethical risks due to the unlimited creative freedom, domesticate th

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Efanov, V. A., V. K. Chaadaev, and A. S. Shlyakhov. "Strategizing of digital transformation of an industrial enterprise (on the example of Federal State Unitary Company “Russian Television and Radio Broadcasting Network”)." Russian Journal of Industrial Economics 16, no. 1 (2023): 95–104. http://dx.doi.org/10.17073/2072-1633-2023-1-95-104.

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Technological characteristics and the scale of terrestrial broadcasting determine the status of FSUE “Russian Television and Radio Broadcasting Network” as a systemforming enterprise regarding terrestrial broadcasting of the all-Russian mandatory public TV and radio channels. In order to implement the import substitution program it is advisable to perform a digital transformation of the company, which can be successful if the strategy chosen has goals and objectives structured and synchronized in time and resources with the potential capabilities of the management object. The author uses Profe

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Tereuri, Shabrina, Herry Azhari Rangkuti, Riri Satria, and Sofian Lusa. "Strategi Transformasi Digital LPP TVRI." ETNIK: Jurnal Ekonomi dan Teknik 1, no. 4 (2022): 283–98. http://dx.doi.org/10.54543/etnik.v1i4.30.

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The television industry is undergoing a digital revolution. Infrastructure-based broadcast services with linear programs in the form of news, sports and entertainment broadcasts at certain times, have experienced the disruption of video streaming and on-demand viewing services based on digital platforms. TVRI as a public broadcasting institution also suffered a similar blow. With the mission of providing television broadcasting services to all corners of the archipelago, TVRI must maintain a balance playing in linear programming to be able to reach remote areas that have not been reached by di

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Fauzi, Fauzi, Marhamah Marhamah, and Shafira Ulfa Rahmani. "Transformation and Challenges of Digital Journalism in Aceh." Komunikator 15, no. 1 (2023): 41–53. http://dx.doi.org/10.18196/jkm.16614.

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Technological developments have changed the distribution pattern and access to information from conventional to digital media. Hence, digital journalism has an impact on the media industry and journalists. The purpose of this research is to analyze the transformation and challenges of digital journalism from the perspective of journalists in Aceh. This research uses a desciptive qualitative approach. Interviews were conducted with ten journalists in Aceh from print, radio, television, and online media. Validity of the data was tested using the technique of triangulation of sources and data ana

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Kolomiets, Viktor P. "Mediatization of the Media as Industrial Transformation." RUDN Journal of Studies in Literature and Journalism 26, no. 4 (2021): 623–30. http://dx.doi.org/10.22363/2312-9220-2021-26-4-623-630.

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The article implements the idea of mediatization as a process of transformation of the mass communication industry. Nowadays, the current system of mass communication is under the pressure of digital transit, which is transgressive in nature and breaks traditional business patterns, requires business administration to make mental changes in thinking and management practices, and creates the highest level of tension among media managers. The article attempts to conceptualize (through the analysis of industrial points of tension: between television and online video - players of the cross-media d

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Litvintsev, A. E. "Media Researches’ Transformation: Experience in Data Analysis." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 27, no. 2 (2021): 44–58. http://dx.doi.org/10.15826/izv1.2021.27.2.029.

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The article reveals the most frequently used words in the titles of dissertations related in the field of to journalism and adjacent areas that were published in Russia during 2000-2019. Thus, the frequency of words “newspaper” and “magazine” shows steady growth, the frequency of the word “radio” demonstrates weak growth, the use of the word “television” is going down. Among the tags that are widely used are the ones that mark the academic interest to the digital media.

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Babich, Babette. "Radio ghosts: Phenomenology’s phantoms and digital autism." Thesis Eleven 153, no. 1 (2019): 57–74. http://dx.doi.org/10.1177/0725513619863852.

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Günther Anders offers one of the first phenomenological analyses of broadcast radio (in 1930) and its transformation of the contemporary experience of music. Anders also develops a reflection on its political consequences as he continues his reflection in a discussion of radio and newsreel, film and television in his 1956 ‘The World as Phantom and Matrix’. A reflection on the consequences of this transformation brings in Friedrich Kittler’s reflection on radio and precision bombing. A further reflection on Jean Baudrillard’s notion of ‘speech without response’ permits a review of digital cultu

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Sonni, Alem Febri, Vinanda Cinta Cendekia Putri, Muhammad Akbar, and Irwanto Irwanto. "Platform-Specific Masculinities: The Evolution of Gender Representation in Indonesian Reality Shows Across Television and Digital Media." Journalism and Media 6, no. 1 (2025): 38. https://doi.org/10.3390/journalmedia6010038.

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This study examines the transformation of masculine representation across television and digital platforms in Indonesian reality shows. We identified distinct patterns of masculine representation emerging across platforms through a mixed-method analysis of 240 h of television programming, 1100 digital media items, and survey data from 1000 respondents. Our study reveals a significant decline in traditional masculine representations from 85% to 30% between 2019 and 2024, accompanied by the rise of “platform-specific masculinities”. The research identifies three primary categories: traditional (

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Dr.A.Shaji, George. "YouTube as the New Television: The Evolution of Content Consumption in the Digital Age." Partners Universal Innovative Research Publication (PUIRP) 03, no. 03 (2025): 1–19. https://doi.org/10.5281/zenodo.15571030.

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This paper examines the transformation of YouTube from a user-generated content platform to a dominant force in the global media landscape that has effectively supplanted traditional television. Through analysis of consumption patterns, content evolution, and platform development from 2005 to 2025, we explore how YouTube reshaped media consumption habits and reinvented the television experience for the digital era. The platform's journey from hosting amateur videos to becoming the third largest subscription TV provider in the US represents a fundamental shift in how media is produced, distribu

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Radhi, Vazer Safaa. "DIGITAL POSSIBILITIES OF TELEVISION NEWS AND THEIR IMPLEMENTATION ON TRT AND RT." Proceedings of Southern Federal University. Philology 27, no. 4 (2023): 220–29. http://dx.doi.org/10.18522/1995-0640-2023-4-220-229.

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The study of the main vectors of the transformation of news television in the digital age showed that, turning into a hybrid platform, modern TV channels are undergoing significant changes affecting both the formats for collecting, organizing and presenting news content, and presenting it to viewers. The following parameters are distinctive of modern digital television: syndication and aggregation, vertical news feed format, active use of video with notes, structured news blocks, mailing lists and summaries, data visualization. These adjustments and changes involve a revision of the traditiona

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Chmielewska, Aleksandra. "Wykorzystanie sztucznej inteligencji na rynku telewizyjnym. Bezpieczeństwo informacji." Zarządzanie Mediami 12, no. 1 (2024): 27–52. https://doi.org/10.4467/23540214zm.24.001.20568.

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In the face of dynamic changes and digital revolution in today’s world, Artificial Intelligence (AI) is emerging as a key transformation actor, shaping new horizons, opportunities and challenges. AI is not just tools, but a powerful force that is revolutionizing not only the concept of technology, but also the entire landscape of the media market, including the television market. The article aims to present the trends and potential of Artificial Intelligence in the area of development of television companies in the field of content personalization and advertising. Market expectations regarding

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Liu, Yutong, and Peiyi Song. "Research on the Influence of Firm Digital Intelligence Transformation and Management Innovation on Performance and Sustainable Development: Empirical Evidence from China." Sustainability 16, no. 17 (2024): 7578. http://dx.doi.org/10.3390/su16177578.

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From the perspective of firm capability, this study explores the impact of digital intelligence transformation and management innovation on the performance and sustainable development of Chinese firms. On the basis of constructing an evaluation index system of firm digital intelligence transformation and management innovation, a comprehensive evaluation model of firm digital intelligence transformation and management innovation is constructed via the analytic network process (ANP) and fuzzy comprehensive evaluation method. Taking Chinese film and television firms as an example, this study sele

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Murschetz, Paul Clemens. "Datafication and Public Service Media." MedienJournal 44, no. 3 (2021): 69–86. http://dx.doi.org/10.24989/medienjournal.v44i3.1808.

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The chapter explores the challenges of datafication as a new paradigm in the digital transformation of Public Service Media (PSM). It argues that while datafication is principally identified as a core dimension of the current transformation of television broadcasting, with data becoming a dominant paradigm also for PSM, we still have scant scientific insight into the conditions under which it is likely to be culturally, economically, legally and politically consequential for broadcasting. Furthermore, how, if at all, it might impact on PSM values and thereby be socially consequential as a new

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Kolomiets, V. P. "Mediatization as a Transformation of Management Practices in Media Industry." Book. Reading. Media 1, no. 1 (2024): 14–20. http://dx.doi.org/10.20913/brm-1-1-2.

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The article implements the idea of mediatization as a process of transformation of mass communication industry. Nowadays, the current system of mass communication is under the pressure of digital transit, which is transgressive in nature. It breaks traditional business patterns; requires business administration to make mental changes in thinking and management practices; creates the highest level of tension among media managers. The article attempts to conceptualize (through the analysis of industrial ‘points of tension’: between television and online video – players of the cross-media measure

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Taurino, Giulia, and Georgia Aitaki. "Television in and After the Archive: Catalogues, Databases, Interfaces and Other Ways to Organize Audiovisual Records." VIEW Journal of European Television History and Culture 13, no. 26 (2024): 1–11. https://doi.org/10.18146/view.353.

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This editorial essay introduces the VIEW Journal of European Television History and Culture Special Issue on how algorithmic curation mediates archival practices and influences the management, preservation and accessibility of television content. Within this scope, it examines the evolving role of television archiving in the shaping of audiovisual culture against the backdrop of significant advancements in media technologies and infrastructures. As streaming platforms like Netflix and Amazon Prime Video have transformed the landscape of television production, distribution, and reception, the g

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Marcum, Deanna. "The Digital Transformation of Information, Education, and Scholarship." International Journal of Humanities and Arts Computing 8, supplement (2014): 1–11. http://dx.doi.org/10.3366/ijhac.2014.0095.

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Digital technology has profoundly altered nearly every aspect of our lives. The little iPhone we carry in our pocket or purse connects us with those we know and love, while also connecting us to news channels, daily newspapers, music, television, movies, this afternoon's weather, and much more. We should expect that same digital technology that is now nearly ubiquitous to have similarly dramatic effects on information, education,and scholarship. This paper explores the changes in expectations that faculty and students have for gaining access to digital information, and how librarians are respo

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Wulandari, Rosa Jenita, Rio Yusri Maulana, and Michael Lega. "Transformasi Digital LPP TVRI dalam Meningkatkan Layanan Penyiaran Publik: Studi Kasus LPP TVRI Jambi." Kolaborasi : Jurnal Administrasi Publik 10, no. 3 (2024): 215–26. https://doi.org/10.26618/kjap.v10i3.16405.

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In today’s digital era, television stations face competition not only from other traditional broadcasters but also from the growing presence of social media and digital platforms, which are increasingly favored by the public. Digital transformation has become essential for maintaining relevance in a highly competitive broadcasting landscape. This study explores how LPP TVRI Jambi’s digital transformation enhances public broadcasting services, examining both supportive and hindering factors in the process. Using a descriptive qualitative approach, data were collected through interviews, observa

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Chorna, Krystina. "Transformation of Artistic Forms of Ukrainian Docudrama in the Context of Postmodern Trends." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 147–53. https://doi.org/10.31866/2410-1176.43.2020.220238.

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The purpose of the article is to identify the transformational form-creating processes of the Ukrainian television art of the 21st century on the example of the genre of documentary drama in the context of postmodern trends. Research Methodology. The following methods have been applied in the article: analytical and historical, cultural methods (to understand process of infotainment formation and development in the context of the Ukrainian television space at the beginning of the 21st century), cultural method (to develop the necessary view of the modern Ukrainian television art, the special f

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Reisa, Steffiani, and Irwansyah Irwansyah. "Fragmentation and Audience Activity on Video-on-Demand Platform: Netflix and the ‘Binge-watching’." Jurnal InterAct 9, no. 2 (2021): 120–32. http://dx.doi.org/10.25170/interact.v9i2.2235.

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   One of digital transformation of television systems is an interactive service called video-on-demand (VOD). VOD provides full control to its users, by allowing viewers to enjoy, choose, store, and even download the desired audio-visual content anytime and through any electronic communication device. The presence of Netflix and other VOD service providers is transforming people's behavior patterns in watching television. People are beginning to switch to watching audiovisual content and episodes the same televisions or programs known as binge-watching through online streami

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Tsotniashvili, Zaza, and Elizabeth Abuladze. "Media Strategies of Orthodox Church Television Networks: A Comparative Analysis of Romania, Serbia, Greece, Russia, and Georgia." Journal of Digital Sociohumanities 2, no. 2 (2025): 58–69. https://doi.org/10.25077/jds.2.2.58-69.2025.

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This study examines the media strategies employed by Orthodox Church television networks in five predominantly Orthodox countries: Romania, Serbia, Greece, Russia, and Georgia. As religious broadcasting continues to play a significant role in shaping public discourse and reinforcing religious identity, this research explores how these networks navigate the intersection of faith, culture, and media in their respective sociopolitical contexts. Through a comparative analysis, the article investigates the programming content, audience engagement tactics, and technological adaptations utilized by t

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Ke, Chenghan. "Analysis of the Relationship and Application of Film and Animation and Digital Media Art." Communications in Humanities Research 25, no. 1 (2024): 174–78. http://dx.doi.org/10.54254/2753-7064/25/20231935.

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Digital media has emerged as an innovative form that will disseminate information through new channels and facilitate the transformation of traditional mass communication into digital. The link between digital media and animation in movies and television shows is the primary topic of this essay. The study goes into additional detail about the significance of digital media in film and animation production by examining the relationship between the two. Animation in movies and on television frequently uses digital media technologies, such as computer graphics, augmented reality, virtual reality,

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Shake, Mohammed Humayun Kabir. "Opportunities and Dangers for the Traditional Mass Media in the Digital Age An Assessment." International Journal of Trend in Scientific Research and Development 3, no. 5 (2019): 1270–72. https://doi.org/10.5281/zenodo.3590672.

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Mass Media is an integral part of contemporary society. Traditional broadcast media such as Radio, Television, and Newspapers have emerged in the pre internet era. They are serving as the prime sources of news and entertainment for a long time. Conversely, the Digital Age is creating alternative sources by promoting internet based Digital Media or New Media, such as social media, online newspapers, websites, and the like. New Media is becoming more popular day by day and creating a threat to Traditional Mass Media. The internet is surpassing newspapers in popularity as a news platform. In many

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Permana, Yudistira, Rizqi Azizah, and Novita Wila. "Generate local own source revenue: The digital business strategy of Jogja Istimewa Television." Journal of Innovation in Business and Economics 5, no. 02 (2022): 71–84. http://dx.doi.org/10.22219/jibe.v5i02.20541.

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This paper studies the feasible digital content business model of Jogja Istimewa Television (JITV) and Jogja Istimewa Application (JI App) under the management of the Yogyakarta Provincial Office of Communications and Informatics. Thanks to the development of digital transformation and digital content business, both are now integrated to reach a broader market since they provide unique content of Yogyakarta socio-culture and government activities. However, it needs a more advanced business model compared to the existing ones. In addition, this transformation will help The Government of Yogyaka

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Jiang, Xiaohan. "Research on Disney's Streaming Media Industry Behavior under the Digital Transformation." Advances in Economics, Management and Political Sciences 80, no. 1 (2024): 330–36. http://dx.doi.org/10.54254/2754-1169/80/20241904.

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In the era of the digital economy, competition among media and film companies in the streaming media sector has entered a new stage. Following the steady growth of global users, the streaming media market is now trending towards a relatively consolidated monopoly. This paper takes Disney, an American media giant, as a case study to analyze its internal and external motivations for undertaking streaming media reform. It examines Disney's strategic layout in the streaming media industry from an industrial behavior perspective, focusing on organizational behavior and pricing strategies. Additiona

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Axhami, Mirdaim, and Loreta Axhami. "Financial Reporting Quality of Audiovisual Services Companies in Albania during the Digitalization Process." European Journal of Social Science Education and Research 10, no. 2 (2023): 15–23. https://doi.org/10.26417/d4b84z89.

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The digitalization process brought a series of challenges for Albanian audiovisual services companies, one of them is the financial reporting quality. Financial statements, apart from being key to the market evaluation of a company, serve to communicate with the interested public, hence their quality takes on a first-hand importance in an environment that is competitive and simultaneously rapidly changing. This study focuses on the challenges related to the existing financial reporting methodology of Albanian audiovisual companies in the conditions of the transformation of the television indus

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Malíček, Juraj. "Slovanská fantasy globálnym popkultúrnym fenoménom." Literatura i Kultura Popularna 26 (September 16, 2021): 119–26. http://dx.doi.org/10.19195/0867-7441.26.10.

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The aim of the paper is to introduce or rather (re)present The Witcher as a model-like pop cultural phenomenon illustrating the mechanisms within the framework of which a local hero, the main character of fantasy narratives written by Andrzej Sapkowski, transforms into a global hero. The Witcher — the character as well as the trademark, or rather brand — represents popular culture pars pro toto and emblematically a pop cultural artefact, undergoing a transformation on an axis from short stories to a novel saga, becoming an object of local cinematic and television-based adaptation and also a th

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Volčič, Zala, and Melita Zajc. "Hybridisation of Slovene Public Broadcasting: From National Community towards Commercial Nationalism." Media International Australia 146, no. 1 (2013): 93–102. http://dx.doi.org/10.1177/1329878x1314600113.

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Public broadcasting institutions have existed as central and publicly funded national institutions, providing services in the public interest. The coincidence of technological, political and economic circumstances in the last 20 years or so, however, has challenged their monopoly position. Technological developments – specifically digitalisation – have expanded spectrum availability. In some cases, public television has been commercialised, privatised or marginalised by the introduction of commercial channels. This article focuses on a specific case study of the Slovene public broadcaster. It

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