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1

Marburg, Germany) Archivwissenschaftliches Kolloquium der Archivschule Marburg (16th 2011. Digitale Registraturen - digitale Archivierung: Pragmatische Lösungen für kleinere und mittlere Archive? : Beiträge zum 16. Archivwissenschaftlichen Kolloquium der Archivschule Marburg. Marburg: Archivschule Marburg, 2012.

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2

Marburg), Archivwissenschaftliches Kolloquium (4th 1999 Archivschule. Digitale Archive, ein neues Paradigma?: Beiträge des 4. Archivwissenschaftlichen Kolloquiums der Archivschule Marburg. Marburg: Archivschule Marburg, 2000.

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3

Ethnography as commentary: Writing from the virtual archive. Durham: Duke University Press, 2008.

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4

Arbeitskreis "Archivierung von Unterlagen aus digitalen Systemen". Tagung. Digitale Herausforderungen für Archive: 3. Tagung des Arbeitskreises "Archivierung von Unterlagen aus digitalen Systemen" am 22. und 23. März 1999 im Bundesarchiv in Koblenz. Koblenz: Bundesarchiv, 1999.

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5

I, digital: Personal collections in the digital era. Chicago: Society of American Archivists, 2011.

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6

Archive, European. European archive. Amsterdam, The Netherlands: European Archive, 2004.

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7

Digital audiovisual archives. London, UK: ISTE Ltd, 2011.

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8

Stockinger, Peter, ed. Digital Audiovisual Archives. Hoboken, NJ USA: John Wiley & Sons, Inc., 2012. http://dx.doi.org/10.1002/9781118561997.

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9

Op den Kamp, Claudy. The Greatest Films Never Seen. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462981393.

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Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.
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10

1976-, Parikka Jussi, ed. Digital memory and the archive. Minneapolis: University of Minnesota Press, 2012.

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11

Archivo de huellas digitales. Lima: PETROPERU, 1985.

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12

La memoria integrata nell'era digitale: Continuità archivistica e innovazione tecnologica. [San Miniato]: Archilab, 2006.

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13

Agosti, Maristella, Floriana Esposito, Carlo Meghini, and Nicola Orio, eds. Digital Libraries and Archives. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-27302-5.

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14

Agosti, Maristella, Floriana Esposito, Stefano Ferilli, and Nicola Ferro, eds. Digital Libraries and Archives. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-35834-0.

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15

Grana, Costantino, and Lorenzo Baraldi, eds. Digital Libraries and Archives. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68130-6.

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16

Rights in the Digital Era. Chicago: Society of American Archivists, 2015.

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17

Agosti, Maristella, Marco Bertini, Stefano Ferilli, Simone Marinai, and Nicola Orio, eds. Digital Libraries and Multimedia Archives. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56300-8.

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18

Serra, Giuseppe, and Carlo Tasso, eds. Digital Libraries and Multimedia Archives. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73165-0.

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19

Szoniecky, Samuel, and Nasreddine Bouhaï, eds. Collective Intelligence and Digital Archives. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119384694.

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20

Gömpel, Renate. House of books--digital archives. Berlin: Die Bibliothek, 1997.

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21

Potts, John, ed. Use and Reuse of the Digital Archive. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79523-8.

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22

Cotoneschi, Patrizia, ed. L'Archivio E-Prints dell'Università di Firenze: prospettive locali e nazionali. Florence: Firenze University Press, 2004. http://dx.doi.org/10.36253/88-8453-205-1.

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Archivio E-Prints è l'archivio istituzionale dei documenti elettronici (e-prints) dell'Università di Firenze: una risorsa fondamentale per la comunicazione scientifica. Contiene documenti per la didattica e la ricerca prodotti da docenti e ricercatori dell'Ateneo (materiale didattico, rapporti tecnici, tesi, working papers, preprints, postprints). Il Convegno di cui il libro raccoglie gli Atti, ha presentato Archivio E-Prints, i suoi obiettivi, le sue potenzialità per l'aumento della visibilità dell'autore, della sua produzione scientifica e dell'istituzione cui appartiene, contestualizzandolo nelle prospettive italiane e internazionali degli Archivi aperti e della Biblioteca digitale.
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23

Arbeitskreis "Archivierung von Unterlagen aus digitalen Systemen". Tagung. Auf der Suche nach archivischen Lösungsstrategien im digitalen Zeitalter: Beiträge zur 4. Jahrestagung des Arbeitskreises "Archivierung von Unterlagen aus digitalen Systemen" im Stadtarchiv Mannheim 10.-11.4.2000. Mannheim: Stadtarchiv Mannheim, 2001.

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24

Kenney, Anne R. Digital imaging for libraries and archives. New York: Department of Preservation and Conservation, Cornell University Library, 1996.

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25

Kenney, Anne R. Digital imaging for libraries and archives. Ithaca, N.Y: Dept. of Preservation and Conservation, Cornell University Library, 1996.

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26

Kenney, Anne R. Digital imaging for libraries and archives. Ithaca, N.Y: Dept. of Preservation and Conservation, Cornell University Library, 1996.

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27

Kenney, Anne R. Digital imaging for libraries and archives. Ithaca, N.Y: Dept. of Preservation and Conservation, Cornell University Library, 1996.

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28

Eivind, Røssaak, and Nasjonalbiblioteket (Norway), eds. The archive in motion: New conceptions of the archive in contemporary thought and new media practices. Oslo: Novus Press, 2010.

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29

Guercio, Maria Rosaria. Conservare il digitale: Principi, metodi e procedure per la conservazione a lungo termine di documenti digitali. Roma: Laterza, 2013.

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30

Mizruchi, Susan L., ed. Libraries and Archives in the Digital Age. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33373-7.

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31

Stockinger, Peter. Audiovisual archives: Digital text and discourse analysis. London, UK: ISTE Ltd, 2012.

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32

Katharina, Ernst, ed. Erfahrungen mit der Übernahme digitaler Daten: Bewertung, Übernahme, Aufbereitung, Speicherung, Datenmanagement ; Elfte Tagung des Arbeitskreises "Archivierung von Unterlagen aus digitalen Systemen" vom 20./21. März 2007, ausgerichtet vom Stadtarchiv Stuttgart. Stuttgart: Hohenheim in Kommission, 2007.

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33

University Archives in the European Union. The application of informatics in the University Achives (Conference) (2008 Archive of the University of Eötvös Loránd). Archival informatics in the European University Archives: International conference of the Archive of the University Eötvös Loránd. Budapest: Eötvös Loránd University Archive, 2010.

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34

Personal archiving: Preserving our digital heritage. Medford, New Jersey: Information Today, Inc., 2013.

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35

Alexandra, Lutz, and Archivschule Marburg, eds. Zwischen Analog und Digital: Schriftgutverwaltung als Herausforderung für Archive. Marburg: Archivschule Marburg, 2009.

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36

Fujiyoshi, Keiji. Archives accountability and democracy in the digital age. Wakayama, Japan: Koyasan University, 2011.

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37

Numériser, reproduire, archiver les images d'art. Paris, France: Harmattan, 2005.

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38

Spain. Dirección General del Libro, Archivos y Bibliotecas, Biblioteca Nacional (Spain), and Micronet S. A, eds. Admyte: Archivo digital de manuscritos y textos españoles. Madrid: Micronet, 1992.

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39

Rogue archives: Digital cultural memory and media fandom. Cambridge, MA: The MIT Press, 2016.

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40

Fujiyoshi, Keiji, ed. Archives, Accountability, and Democracy in the Digital Age. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6715-9.

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41

Stalder, Felix. MEDIEN – WISSEN – BILDUNG: Freie Bildungsmedien und Digitale Archive. innsbruck university press, 2014.

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42

Digitale Archive und Bibliotheken: Neue Zugangsmoglichkeiten und Nutzungsqualitaten (Werkhefte der Staatlichen Archivverwaltung Baden-Wurttemberg). Kohlhammer, 2000.

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43

Fabian, Johannes. Ethnography As Commentary: Writing from the Virtual Archive. Duke University Press, 2008.

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44

Heid, Jim, and Jan Ozer. Digital Family Archive. Pearson Education, Limited, 2020.

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45

Dobreva, Milena, and Gabriella Ivacs. Digital Archives. Facet Publishing, 2018.

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46

Dobreva, Milena, ed. Digital Archives. Facet, 2018. http://dx.doi.org/10.29085/9781783302406.

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47

Rodríguez Resendíz, Perla Olivia. El archivo digital sonoro. Universidad Nacional Autónoma de México, Instituto de Investigaciones Bibliotecológicas y de la Información, 2020. http://dx.doi.org/10.22201/iibi.9786073041430e.2020.

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El reto más significativo de los archivos sonoros en la actualidad es mantener los contenidos a largo plazo debido a que los procesos, técnicas y tecnologías utilizadas en la preservación analógica son obsoletas. Por ello, la discusión científica y profesional se han abocado a la generación de nuevos paradigmas de conocimiento que ensanchen los términos y conceptos documentales del siglo pasado. La automatización, digitalización y conectividad han determinado las nuevas fortalezas del archivo sonoro. Más aún, lo han transformado. Después de largos periodos de prueba y error los desarrollos y aplicaciones tecnológicas han sentado las bases para comprender los alcances de una nueva construcción social: el archivo digital sonoro como medio de preservación sustentable. Este libro ofrece las bases conceptuales para el diseño y creación de archivos digitales sonoros como sistemas de información sustentable
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48

Popple, Simon, Andrew Prescott, and Daniel Mutibwa, eds. Communities, Archives and New Collaborative Practices. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447341895.001.0001.

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Community archives are often viewed as repositories of knowledge and experience that are nevertheless somehow remote from the taxpayers who often fund them. However, the idea of an archive has more recently been popularized by digital resources that allow access to established archives and also permit users to create archives of their own. This book examines the changing relationship between citizens and their notions of archives. The growing number of archives, and the evolving practices associated with collecting and curating, mean that we are now in the process of remaking the very idea of the archive. Communities have been at the heart of this exciting work and their experiences are both central to our understanding of this new terrain and in challenging the traditional histories behind the control of knowledge and power. Using a wide range of case studies, this edited collection shows how community engagement and co-creation is challenging and extending the notion of the archive.
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49

Ralph, Bauer, and Maryland Institute for Technology in the Humanities., eds. Early Americas digital archive. College Park, MD: Maryland Institute for Technology in the Humanities, 2003.

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50

Stockinger, Peter. Digital Audiovisual Archives. Wiley & Sons, Incorporated, John, 2013.

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