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Books on the topic 'Digitally recorded'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Stoliar, Richard J. M. A digital sound recorder. Manchester: University of Manchester,Department of Computer Science, 1995.

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2

Watkinson, John. The digital video tape recorder. Oxford: Focal Press, 1994.

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3

Watkinson, John. The Digital video tape recorder. Oxford: Focal, 1994.

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4

The D-3 digital video recorder. Oxford, OX: Focal Press, 1992.

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5

Watkinson, John. The D-2 digital video recorder. London: Focal Press, 1990.

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6

Greenberg, Pam. Preserving legislative digital records. Denver, Colo: National Conference of State Legislatures, 2010.

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7

Ferle, Christoph H. Marktstudie digitale Langzeitarchivierung: Im Spannungsfeld zwischen Digital Preservation und Enterprise Information Archiving. Stuttgart: Fraunhofer Verlag, 2012.

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8

Immink, Kees A. Schouhamer. Coding techniques for digital recorders. New York: Prentice Hall, 1991.

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9

Goodman, Robert L. Troubleshooting and Repairing Digital Videosystems. New York: TAB Books, 1995.

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10

McNamee, Kevin. High capacity digital storage on VCR. Dublin: University College Dublin, 1996.

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11

Mortimer, Julie Holland. Supply responses to digital distribution: Recorded music and live performances. Cambridge, MA: National Bureau of Economic Research, 2010.

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12

Phillips, John. Managing large format digital files: Digital assets are now electronic records. Oak Brook IL: International Reprographic Association, 1999.

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13

Hoagland, Albert S. Digital magnetic recording. 2nd ed. New York: Wiley, 1991.

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14

E, Monson James, ed. Digital magnetic recording. Malabar, Fla: Krieger Pub. Co., 1998.

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15

F, Bria William, ed. Digital communication in medical practice. London: Springer, 2009.

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16

Watkinson, John. An introduction to digital video. Oxford: Focal Press, 1994.

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17

Media, Kagan World. Digital video recorders: The future of television viewing. Carmel, CA: Kagan World Media, 2002.

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18

Record it!: Shooting and editing digital video. Ann Arbor, Mich: Cherry Lake Pub., 2013.

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19

FEDERAL AVIATION ADMINISTRATION. Airworthiness and operational approval of digital flight data recorder systems. Washington, D.C: U.S. Dept. of Transportation, Federal Aviation Administration, 1999.

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20

Personal archiving: Preserving our digital heritage. Medford, New Jersey: Information Today, Inc., 2013.

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21

Gestión de archivos electrónicos. Buenos Aires: Alfagrama, 2008.

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22

DAT: The complete guide to digital audio tape. Blue Ridge Summit, PA: Tab Books, 1991.

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23

Burfield, P. R. A digital HDTV recorder using a cluster of four DI DVTRs. London: BBC, 1989.

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24

De digitale schaduw: Hoe het verlies van privacy en de opkomst van digitale profielen je leven beïnvloeden. Houten: Spectrum, 2012.

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25

Alexandra, Lutz, and Archivschule Marburg, eds. Zwischen Analog und Digital: Schriftgutverwaltung als Herausforderung für Archive. Marburg: Archivschule Marburg, 2009.

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26

(Netherlands), Koninklijke Bibliotheek, ed. Using emulation to preserve digital documents. The Hague: Koninklijke Bibliotheek, 2000.

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27

Watkinson, John. An introduction to digital audio. Boston, MA: Focal Press, 1994.

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28

An introduction to digital audio. 2nd ed. Oxford, England: Focal Press, 2002.

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29

Ciureanu, Petru. Magnetic heads for digital recording. Amsterdam: Elsevier, 1990.

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30

Richard, Ovenden, Redwine Gabriela, and Donahue Rachel, eds. Digital forensics and born-digital content in cultural heritage collections. Washington, D.C: Council on Library and Information Resources, 2010.

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31

Institute, Pennsylvania Bar. Digital forensics in civil litigation. [Mechanicsburg, Pa.] (5080 Ritter Rd., Mechanicsburg 17055-6903): Pennsylvania Bar Institute, 2005.

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32

The complete guide to digital audio tape recorders including troubleshooting tips. Englewood Cliffs, N.J: Prentice Hall, 1993.

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33

Farrell, Peter B., Elizabeth H. Sillin, and Ethan A. McKittrick. Estate planning & settlement in the digital age. [Boston, MA]: MCLE New England, 2012.

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34

Foundations of digital evidence. Chicago: American Bar Association, 2008.

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35

Asilomar Conference on Signals, Systems & Computers (24th 1990 Pacific Grove, Calif.). Conference record: Papers presented November 5-7, 1990, Pacific Grove, California. San Jose, CA: Maple Press, 1990.

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36

Asilomar Conference on Signals, Systems & Computers (24th 1990 Pacific Grove, Calif.). Conference record: Papers presented November 5-7, 1990, Pacific Grove, California. San Jose, CA: Maple Press, 1990.

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37

Mathar, Thomas. Der digitale Patient: Zu den Konsequenzen eines technowissenschaftlichen Gesundheitssystems. Bielefeld: Transcript, 2010.

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38

Jähne, Bernd. Digital Image Processing: Concepts, Algorithms, and Scientific Applications. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997.

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39

Asilomar Conference on Signals, Systems & Computers (23rd 1989 Pacific Grove, Calif.). Conference record: Papers presented October 30-November 1, 1989, Pacific Grove, California. San Jose, CA: Maple Press, 1989.

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40

Asilomar Conference on Signals, Systems & Computers (22nd 1988 Pacific Grove, Calif.). Conference record: Papers presented October 31-November 2, 1988, Pacific Grove, California. Washington, D.C: Computer Society Press of the IEEE, 1988.

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41

Navone, Gianluca. Instrumentum digitale: Teoria e disciplina del documento informatico. Milano: dott. A. Giuffrè editore, 2012.

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42

Perry, Megan. How to be a record producer in the digital era. New York: Billboard Books, 2008.

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43

Raul, Alan Charles. Privacy and the digital state: Balancing public information and personal privacy. Boston: Kluwer Academic Publishers, 2002.

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44

Niv. Complete Bible Digitally Recorded. Nelson Bibles, 1991.

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45

Camlot, Jason. Phonopoetics. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503605213.001.0001.

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Phonopoetics tells the neglected story of early “talking records” and their significance for literature from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker, and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot’s experimental readings of “The Wasteland” and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to Modern periods and sheds new light on our own digitally mediated relationship to the past.

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46

Amsco. Alto Saxophone With Piano Accompaniment: An Exciting Collection of Ten Swing Tunes Expertly Arranged for the Beginning Soloist With Piano Accompaniment ... and Digitally Recorded forma (Solo Plus). Amsco Music, 1999.

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47

Clarinet With Piano Accompaniment: An Exciting Collection of Ten Swing Tunes Expertly Arranged for the Beginning Soloist With Piano Accompaniment in Printed and Digitally Recorded forma (Solo Plus). Amsco Music, 1999.

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48

Digital Seismic Recorder Specification. Society of Exploration, 1988.

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49

Schaeffler, Jimmy. Digital Video Recorders. Routledge, 2013. http://dx.doi.org/10.4324/9780080928333.

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50

Watkinson, John. The D-2 digital video recorder. Focal, 1990.

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