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Dissertations / Theses on the topic 'Digression (Rhetoric) in literature'

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1

Taylor, Luke. "Renaissance Error: Digression from Ariosto to Milton." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11089.

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Renaissance Error proposes that the formal key to early modern literature is digression. In the sixteenth and seventeenth centuries, writers compose works that persistently imitate moral and cognitive wandering, often in an attempt to remedy such wandering. Their powerful sense of human error springs from the humanist and reformist view of the Middle Ages as a gigantic detour from classical civilisation and from the apostolic Church. This sense deepens as the intellectual disciplines and religious paths of the Renaissance divide. And it culminates in a radical picture of all human desire, thou
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2

Perry, Peter S. "The rhetoric of digressions revelation 7:1-17 and 10:1-11:13 and ancient communication." Tübingen Mohr Siebeck, 2008. http://d-nb.info/995886857/04.

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3

Bennett, Stephen Robert. "Is All This Digression or Isn't it Digression: "Fourplay" and its Effects in Ford Madox Ford's "The Good Soldier"." W&M ScholarWorks, 1995. https://scholarworks.wm.edu/etd/1539625977.

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4

Crimmins, Mark Dennis. "A rhetoric of digression, the discursive critique of ratiocentrism in the major novels of middle Bellow, 1953-1975." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/NQ45696.pdf.

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5

Church, Farrell Mary Joanne. "The rhetoric of silence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0021/NQ55328.pdf.

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6

Beedham, Matthew. "'Border rhetoric' : reading Asian-Canadian literature." Thesis, University of Nottingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401546.

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7

Ianetta, Melissa Joan. "Flowers rhetoric : the nineteenth-century improvisatrice tradition." Connect to resource, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1225218020.

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8

Walmsley, Peter Samuel. "The rhetoric of Berkeley's philosophy." Thesis, University of Cambridge, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.254447.

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9

Harry, Martyn. "Rhetoric and the compositional idea." Thesis, City University London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363351.

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10

Boehm, Beth Ann. "A rhetoric of metafiction." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1258655494.

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11

Chiappini, Michael. "Beyond Memorialization: Rhetoric, Aesthetics, and AIDS Literature." Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1554497149697206.

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12

Bumke, Alison. "John Donne's rhetoric of disease." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709173.

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13

Church, Alan P. "Scribal rhetoric in Anglo-Saxon England /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9320.

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14

Gifford, David Pharis. "Roasted: Coffee, Insult, Rhetoric." TopSCHOLAR®, 2017. http://digitalcommons.wku.edu/theses/1951.

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While insult has been a frequent topic for rhetorical study in the past, little if any work has gone toward the formation of a systematic theory of insult. Karina Korostelina has proposed a theory of intergroup identity insults, which appears promising from a socio-cultural perspective. However, her theory does not address the particularly rhetorical characteristics of insults, preferring instead to analyze them with reference to their socio-historic context. While her theory proves sound under scrutiny, it does little to shed light on pejorative rhetoric as rhetoric. In what follows, I would
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15

Michael, Andreas James Ado. "Paul Celan : a rhetoric of silence." Thesis, Queen Mary, University of London, 1987. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1623.

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The thesis focusses on the suspension of Celan's poetry between speech and silence, in particular on the way in which this suspension functions and on the interrelations between its thematic, formal, metaphorical, tonal and structural manifestations. As is emphasized in a fusion like "das erschwiegene Wort" in the early programmatic poem "Argumentum e silentio, " silence in Celan is not opposed to, but is inherent in, poetic speech. The fundamental mediality of his poetry engenders numerous devices of suspension, which, according to the rhetorical modes in which they silence reference, may be
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16

Hallen, Cynthia Leah. "Philology as rhetoric in Emily Dickinson's poems." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185586.

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Philology, or the love of words, is a source of power in Emily Dickinson's poems. Noah Webster's dictionary was a storehouse of philological knowledge and thus a major source of linguistic power for Dickinson. Her poems show that philology is an effective way to compose and interpret texts, and that paying attention to words is a source of rhetorical power for readers and writers today. The first six chapters of the dissertation feature aspects of Dickinson's philology from the perspective of nineteenth-century rhetoric: Definition, Music, Cohesion, Dictionary Use, and Etymology. Chapter One t
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17

Da, Soller Claudio. "The beautiful woman in medieval Iberia rhetoric, cosmetics, and evolution /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/4175.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (July 17, 2006) Vita. Includes bibliographical references.
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18

Ryan-Lopez, Bianca. "Corruption and infected sin the Elizabethan rhetoric of decay /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1790276231&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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19

Pina, Gerardo. "The rhetoric of the Fantastic in late-Victorian literature." Thesis, University of East Anglia, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.490670.

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This thesis offers a study of a particular period (1884-1899) in Britain in which Fantastic literature revealed itself as a convergence point of multiple anxieties of late nineteenth-century society. Fantastic literature is a genre often mistaken for Gothic, Fantasy or the like, that in fact has its own particular' rhetoric and literary conventions. In this study I present some of the most important social and literary elements of the context in which Fantastic literature emerged in Britain - the conventions of Gothic literature, a short history of Spiritualism, the scientific organizations de
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20

Fitzmaurice, Andrew. "Classical rhetoric and the literature of discovery 1570-1630." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307941.

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21

Vankeerbergen, Bernadette C. "Rhetoric, Truth, and Lydgate’s Troy Book." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243548160.

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22

Hagen, Alexandra S. "Rhetoric of Ruin: 9/11 in German Literature, Film and Culture." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1470672178.

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23

Crockett, Andrew Philip 1956. "An essay on the rhetoric of the postmodern essay." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/290677.

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Beginning with an inquiry into the tension between modernism and postmodernism, the dissertation claims that the essay is and always has been postmodern in its uncanniness--its refusal of generic and disciplinary boundaries, its capacity to bring together multiple voices and discourses, its skepticism, and its personal, experiential epistemology. Part I concludes with rhetorical analyses of late modern (in content and residual formal attributes) and postmodern essays. The affinities and contradictions between the normalized essay originating with Montaigne and feminist essays focuses the three
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24

Binkley, Roberta Ann. "A rhetoric of the sacred other from Enheduanna to the present: Composition, rhetoric, and consciousness." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289311.

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I examine particular characterizations of consciousness in the Western tradition of rhetoric that inform contemporary academic and professional discourse, characterizations built upon clearly gendered dichotomies. I begin by analyzing the metadiscourse of Enheduanna, (ca. 2350 B.C.E.), Marcus Tullius Cicero (d. 43 B.C.E.), and Carl Gustav Jung (d. 1961). Specifically, I examine the commentary concerning their composing processes as reflective of cultural conceptions of cognition. In all three cases they engender their creative process as sacred, other, and feminine. Focusing on Enheduanna, I a
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25

Murphy, Harriet. "The rhetoric of the spoken word in Die Wahlverwandtschaften." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385605.

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26

Schroeder, Sally Louise. "Allegory as rhetoric: Faulkner's trilogy." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1416.

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27

Dadey, Bruce. "Rhetorics Rising: The Recovery of Rhetorical Traditions in Ralph Ellison's Invisible Man and N. Scott Momaday's House Made of Dawn." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2789.

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This study suggests, through a rhetorical analysis of the role of orators and oration in Ralph Ellison's <em>Invisible Man</em> and N. Scott Momaday's <em>House Made of Dawn</em>, that literature can be a valuable resource for the study of comparative and contrastive rhetoric; conversely, it also demonstrates that a knowledge of culturally-specific rhetorical and narrative practices is important for understanding ethnic-American novels and their social significance. Written during periods of intense racial upheaval in the United States, <em>Invisible Man</em> and <em>House Made of Dawn</em
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28

Vankeerbergen, Bernadette C. "Rhetoric, truth, and Lydgate's Troy book." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1243548160.

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29

Manlove, Clifford T. "Eyes that colonize and post-colonial resistance to the transatlantic gaze in literature /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962541.

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30

Largey, Zachary L. "The Rhetoric of Persecution: Mormon Crisis Rhetoric from 1838-1871." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1249.pdf.

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31

Sumner, David Thomas. ""Speaking a word for Nature" : the ethical rhetoric of American nature writing /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9986764.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes transcripts of interviews with Stephen Trimble, Barry Lopez, Annick Smith, Bill Kittredge, David James Duncan, Don Snow, David Quammen, and Terry Tempest Williams. Includes bibliographical references (leaves 367-373). Also available for download via the World Wide Web; free to University of Oregon users.
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32

Jennings, Emily. "Prophetic rhetoric in the early Stuart period." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.

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This is a study of the political prophecy in England in a period delimited by the accession of King James I (1603) and the end of the Interregnum (1660). It combines the analysis of hitherto obscure manuscript texts with that of printed works to provide a nuanced account of the uses and reception of prophecies in this period. Chapter One (which focuses on the first decade of James's reign) and Chapter Two (which covers the period 1613-19) approach the analysis of dramatic treatments of political prophecy through the study of prophecy both as a rhetorical buttress to the Jacobean state and as a
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33

Forsa, Catherine Q. "Science as Aesthetic Device in Nineteenth-Century American Literature." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1460481373.

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34

Tanner, Rory. "Roger Crab and the rhetoric of reclusion." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27735.

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Prophet, pamphleteer, and hermit, Roger Crab (c.1616-1680) stands out from the sectarian tumult of mid-seventeenth century London as a zealous religious independent and a noteworthy oppositional figure. This study describes Crab's brief publication career as shaping a "rhetoric of reclusion," identifying in his work the distinct patterns of self-representation intended to free a purportedly divine message from the damaging influences of printers and booksellers, hireling ministers, and even the authorial self. Crab writes against the untoward mediation of his own text, but also against such in
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35

Owley, Steven A. "The voice of complaint : a study in political and moral rhetoric /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488191667185118.

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36

Gonzales, Amalia K. "The Visual Rhetoric of Craftsmanship." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/93.

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Within the existing research about communicative devices within visual rhetoric, most published research exists regarding two-dimensional design such as documents and media graphics. In this paper, I discuss the rhetorical value of handmade items and specifically speak to the ethos that three-dimensional, tangible handmade products inherently possess based upon their visual aesthetic.
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37

Hudler, Melissa Lynne. "The rhetoric of stasis, gesture and dance in Renaissance literature." Thesis, Anglia Ruskin University, 2014. http://arro.anglia.ac.uk/550333/.

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Focusing attention on a neglected aspect of Renaissance scholarship, this study aims to illuminate the rhetorical role of the body in Renaissance literature by exploring the rhetorical nature of three forms of corporeality: stasis, gesture, and dance. Generally speaking, rhetoric of the body is not lacking in early modern scholarship. However, consideration of the literary body as a rhetorical entity that not only articulates but also creates meaning is indeed a neglected area. The body-as-text paradigm that grounds performance studies provides for a unique and nuanced approach to literary tex
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38

Jensen, Steven Morten. "Contextualizing American literature : narrative progression and the rhetoric of reference /." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487780393265541.

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39

Sullivan, Ceri. "Rhetoric in recusant writing, published 1580-1603." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:6c33a077-8c94-4652-b5b6-f4be928afbba.

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Catholic writers traditionally approach the laity through the sacraments rather than the Word. Nonetheless, three devotional genres - meditation, hagiography and catechism - recognize that effective written appeals to a reader can be made using rhetoric. This thesis analyses such rhetoric, in recusant devotional texts published by secret presses between 1580 and 1603. Most detailed examinations of Catholic works think of rhetoric as emasculating the virile yet chaste prose of a 'shining band of martyrs'. This thesis proposes that the rules of rhetoric are used to empower the reader of these wo
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40

Sagerson, Erin Jean. "Art and bread Mike Gold, proletarian art, and the rhetoric of American communism /." [Fort Worth, Tex.] : Texas Christian University, 2009. http://etd.tcu.edu/etdfiles/available/etd-05012009-115428/unrestricted/Sagerson.pdf.

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41

Walker, Aretha A. "A study of the rhetoric of American advertising discourse." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2007. http://digitalcommons.auctr.edu/dissertations/1366.

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This study, exploring the nature of American advertising discourse, is guided by two overriding questions. First, "What is the nature of rhetoric in American advertising discourse?" and "How is the rhetoric of American advertising different from literature?" To answer these questions, the study examines the extended post-modern meaning of discourse and advertising, exploring both terms from the perspectives of humanists, sociologists, advertisers and communication experts. The study further discusses the nature of popular culture, of which advertising is a subgroup, and then explores the view
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42

Reed, Kristin. "The rhetoric of grief Seamus Heaney, Joseph Brodsky, Yves Bonnefoy, and the modern elegy /." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3386713.

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Thesis (Ph.D.)--Indiana University, Dept. of Comparative Literature, 2009.<br>Title from PDF t.p. (viewed on Jul 15, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4669. Adviser: David Hertz.
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43

Gring, Mark Andrew. "Rhetoric and ideology : an analysis of interaction among epistemology, praxis, and power /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487847761309056.

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44

Klassen, Jonathan M. Trites Roberta Seelinger. "Narrative distancing in literature for youth." Normal, Ill. : Illinois State University, 2006. http://proquest.umi.com/pqdweb?index=0&did=1276405151&SrchMode=1&sid=3&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1202154634&clientId=43838.

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Thesis (Ph. D.)--Illinois State University, 2006.<br>Title from title page screen, viewed on February 4, 2008. Dissertation Committee: Roberta Seelinger Trites (chair), Karen Coats, C. Anita Tarr. Includes bibliographical references (leaves 258-267) and abstract. Also available in print.
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45

Fredriksen, Sandra Ohse. "Roland Barthes's Ancient rhetoric: A translation." CSUSB ScholarWorks, 1988. https://scholarworks.lib.csusb.edu/etd-project/353.

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46

Hughes, Christopher. "Five Middle English alliterative poems : their versification, rhetoric and authorship." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/111228/.

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The Awntyrs off Arthure (Awntyrs), The Knightly Tale of Gologras and Gawain (Gologras), Rauf the Collier (Rauf), The Pistel of Swete Susan (Susan) and The Buke of the Howlat (Howlat), five fourteenth and fifteenth-century alliterative poems in rhyming stanzas, are the subjects of a stylistic analysis using a novel methodology. The aims of the analysis are threefold: (i) to reappraise the structure of Awntyrs and provide more evidence than hitherto has been offered for the work originally to have been two poems by different authors; (ii) to provide more securely evidenced data to evaluate the v
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47

Burrow, R. W. "Rhetoric and philosophy in Swift's 'A Tale of a Tub'." Thesis, Royal Holloway, University of London, 1986. http://repository.royalholloway.ac.uk/items/09ab9d80-56ce-4141-b952-d7c47d5e6d6b/1/.

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My aim is to show that Swift's rhetorical method in the Tale is determined by his adherence to a tradition of political philosophy which held that there is a radical distinction between the philosopher, or lover of knowledge; and the non-philosopher, or lover of delusion. In this ultimately Platonic view, 'noble lies' are though to be more useful to the generality of mankind than certain truths which weaken the fabric of society. The philosopher must work with illusions rather than attempting to destroy them; in fact, to be of any use to the state, he must vigorously maintain opinions which he
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48

Dillon, Brian. "The temporality of rhetoric : the spatialization of time in modern criticism." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300481.

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49

Dixon, Marzena M. "The structure and rhetoric of twentieth-century British children's fantasy." Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.

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This thesis discusses twentieth century children's fantasy fiction. The writers whose creative output is dealt with include Penelope Lively, Alan Garner, Susan Cooper, Pat O'Shea, Peter Dickinson, T.H.White, Lloyd Alexander and, to a lesser extent, C.S.Lewis and J.R.R.Tolkien. These authors have been chosen because their books, whilst being of a broadly similar nature, nevertheless have a sufficient diversity to illustrate well many different important aspects of children's fantasy. Chapter I examines the sources of modern fantasy, presents the attitudes of different authors towards borrowing
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50

Bullock, Kurt E. "Narrative space and time : the rhetoric of disruption in the short-story form." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213154.

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This study traces spatial and temporal disturbances in the modem short story structure. Edgar Allan Poe's "indefinitiveness" and Kenneth Burke's "actualization" serve as historical foundations for this investigation, which leads to contemporary frameworks proposed by such theorists as Gerard Genette, Umberto Eco, Wolfgang Iser, Paul Ricoeur, Peter Brooks, James Phelan, and Susan Sniader Lanser. In particular, I explore how effect operates as a predominant concern of short fiction. Short fiction is a rhetorical interaction encumbered by spatial and temporal constraints, and its narrative teleol
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