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Relevant bibliographies by topics / Diller + Scofidio

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Academic literature on the topic 'Diller + Scofidio'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

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Journal articles on the topic "Diller + Scofidio"

1

Pierce, Christopher. "Three's a crowd: drawing, building and photography in the recent work of Diller Scofidio + Renfro." Architectural Research Quarterly 12, no. 3-4 (2008): 233–48. http://dx.doi.org/10.1017/s1359135508001164.

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This is a short tale of two competing institutions and two of their most celebrated figures. On one side is Cooper Union – that hulking Manhattan brownstone, an island on the intersection of Lafayette Street and the Bowery where Ricardo Scofidio (1935) silently honed his art of drawing like an angel. On the other is Princeton University, where his partner (and partner), Elizabeth Diller (1954) is often resident. Princeton sits in the heart of the New Jersey woods, literally and metaphorically, and despite its baronial coniferous presence, is most notable in architectural circles for its rhetor

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2

Friedman, Mildred. "Tourisms: suitCase Studies. Elizabeth Diller and Ricardo Scofidio." Design Quarterly, no. 152 (1991): 35. http://dx.doi.org/10.2307/4091255.

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3

Fabbrini, Ricardo. "Poética dos materiais na arquitetura contemporânea." Rapsódia, no. 14 (December 3, 2020): 5–32. http://dx.doi.org/10.11606/issn.2447-9772.i14p5-32.

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Este artigo trata da convergência entre arte e arquitetura em uma poética dos materiais. Partindo da reflexão de “Dentro do nevoeiro” (Ubu, 2018), de Guilherme Wisnik, investigamos em que medida certa arte e arquitetura ainda podem promover o sentimento de assombro em um mundo caracterizado pela dimensão global do espetáculo midiático e da tecnociência. É na poética do nublamento que localizamos formas residuais e emergentes de resistência à arte e arquitetura hegemônicas no capitalismo neoliberal, tais como as fotografias de Michael Wesely; as instalações de Olafur Eliasson; e as construções

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4

Касьянов, Николай Владимирович, Армен Юрьевич Казарян, and Юрий Павлович Волчок. "PARK «ZARYADIE» AS A NEW ARCHITECTURAL AND LANDSCAPE REALITY IN MOSCOW." СОВРЕМЕННАЯ АРХИТЕКТУРА МИРА, no. 1(12) (June 22, 2020): 227–50. http://dx.doi.org/10.25995/niitiag.2019.12.1.029.

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В статье рассказывается об архитектурно-ландшафтном эксперименте в историческом центре Москвы. Район Зарядье, упоминаемый с XII века, имеет богатую историю; динамичные изменения здесь происходили в XX веке, когда историческая застройка была снесена и на этой территории последовательно пытались реализовать несколько крупномасштабных архитектурных проектов. В итоге к 2010-м годам территория превратилась в пустырь в центре города. К сентябрю 2017 года на этом месте был создан архитектурно-ландшафтный парк по проекту победившей в конкурсе американской фирмы «Diller Scofidio + Renfro». В парке реал

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5

Phillips, Patricia C., Elizabeth Diller, and Ricardo Scofidio. "A Parallax Practice: A Conversation with Elizabeth Diller and Ricardo Scofidio." Art Journal 63, no. 3 (2004): 62. http://dx.doi.org/10.2307/4134491.

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6

Diller and Scofidio. "Blur: Swiss EXPO 2002 Diller + Scofidio, Ear Studio, MIT Media Lab." Assemblage, no. 41 (April 2000): 25. http://dx.doi.org/10.2307/3171285.

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7

Phillips, Patricia C. "A Parallax Practice: A Conversation with Elizabeth Diller and Ricardo Scofidio." Art Journal 63, no. 3 (2004): 62–79. http://dx.doi.org/10.1080/00043249.2004.10791135.

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8

Kazi, Olympia. "Architecture as a Dissident Practice: An Interview with Diller Scofidio + Renfro." Architectural Design 79, no. 1 (2009): 56–59. http://dx.doi.org/10.1002/ad.812.

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9

Hann, Rachel. "Blurred Architecture: Duration and performance in the work of Diller Scofidio + Renfro." Performance Research 17, no. 5 (2012): 9–18. http://dx.doi.org/10.1080/13528165.2012.728434.

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10

Jasińska, Anna, and Artur Jasiński. "ELI BROAD AND HIS WORK: THE BROAD MUSEUM IN LOS ANGELES." Muzealnictwo 62 (February 10, 2021): 2–12. http://dx.doi.org/10.5604/01.3001.0014.7368.

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In the paper the profile and activity of Eli Broad is presented; an American entrepreneur, collector, philanthropist, Broad is one of the wealthiest individuals in the world who has allocated most of his assets to charity. His collecting passion climaxed in The Broad Museum of modern art designed by the New York architects Diller Scofidio + Renfro, and opened in September 2015 in Downtown Los Angeles. Not only has Eli Broad funded the museum bearing his own name and numerous other buildings designed by the most outstanding modern architects, but many other museum institutions are indebted to t

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