Academic literature on the topic 'Dime museums'

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Journal articles on the topic "Dime museums"

1

B. Crow, William. "Dime, muéstrame, involúcrame: la importancia de la enseñanza y el aprendizaje participativo en los museos." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 110–17. http://dx.doi.org/10.31381/illapa.v0i14.1884.

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Los museos y las instituciones culturales están buscando maneras para que sus visitantes estén más involucrados y conectados con sus instituciones. En lugar de ver a los visitantes del museo como receptores pasivos de información o experiencias, los museos y los visitantes del museo en sí, desean algo más. Este artículo ofrece ejemplos de la enseñanza y aprendizaje participativos, y por qué es importante para los museos y sus visitantes.
 Palabras clave: museos, educación, estrategias para enseñar, Museo Metropolitano de Arte
 
 AbstractMuseums and cultural institutions are look
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2

Rumble, Walker. "A Showdown of "Swifts": Women Compositors, Dime Museums, and the Boston Typesetting Races of 1886." New England Quarterly 71, no. 4 (1998): 615. http://dx.doi.org/10.2307/366605.

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3

Brayshaw, Emily. "Ethnographic spectacle and trans-Atlantic performance: Unravelling the costumes of vaudeville’s ‘Queen’, Eva Tanguay." Studies in Costume & Performance 4, no. 1 (2019): 25–41. http://dx.doi.org/10.1386/scp.4.1.25_1.

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Eva Tanguay (1878–1947), although little known today, was one of the most famous and wealthy actresses in America in the first three decades of the twentieth century. Tanguay’s vaudeville success was built on her playing a wild, racialized, highly sexed, financially and socially emancipated woman, who was nonetheless affectionate and warm. Scholarship to date has considered how Tanguay used the offensive stereotype of the ‘Coon’ associated with African Americans to achieve her huge commercial success, but less attention has been paid to how she used the symbolism and materiality of her costume
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4

Wallner, Christian. "Die Inschriften des Museums in Yozgat — Addenda." TYCHE – Contributions to Ancient History, Papyrology and Epigraphy 30, no. 01 (2016): 173–91. http://dx.doi.org/10.15661/tyche.2015.030.15.

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5

Dobat, Andres Siegfried, Torben Trier Christiansen, Mads Dengsø Jessen, et al. "The DIME project." Danish Journal of Archaeology 8 (October 21, 2019): 1–15. http://dx.doi.org/10.7146/dja.v8i0.111422.

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In september 2018, the DIME portal was officially launched to facilitate the user driven recording of metal detector finds produced by members of the public. The concrete and operational aim of DIME is to provide a portal for the registering and hence safeguarding of the increasing number of metal detector finds and to make them accessible for the general public and for research. The more overarching vision behind the DIME project is to realise the potential of recreational metal detecting as a medium to implement an inclusive and democratic approach to heritage management in Denmark and to ad
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6

Nasaw, David, and Andrea Stulman Dennett. "Weird and Wonderful: The Dime Museum in America." American Historical Review 104, no. 1 (1999): 201. http://dx.doi.org/10.2307/2650249.

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7

McEntee, Ann Marie. "Weird and Wonderful: The Dime Museum in America (review)." Theatre Journal 52, no. 1 (2000): 148. http://dx.doi.org/10.1353/tj.2000.0019.

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8

Janssen, Ronald. "The Types of the Senckenberg Museum of Nature, 81. The types of the Japanese marine molluscs described by Dunker 1860/1861." Archiv für Molluskenkunde 122 (February 28, 1993): 403–35. http://dx.doi.org/10.1127/arch.moll/122/1993/403.

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9

Neubert, Eike, and Ronald Janssen. "Die Typen und Typoide des Natur-Museums Senckenberg: Mollusca: Gastropoda: Pulmonata: Orthalicoidea: Bulimulidae, Orthalicidae, Placostylidae." Archiv für Molluskenkunde 133, no. 1-2 (2004): 193–297. http://dx.doi.org/10.1127/arch.moll/133/2004/193.

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10

Zilch, Adolf, Hartmut Nordsieck, and Eike Neubert. "Die Typen und Typoide des Natur-Museums Senckenberg, 83: Mollusca: Clausiliidae (7): Alopiinae (5): Delimini (1)." Archiv für Molluskenkunde 130, no. 1-2 (2002): 201–37. http://dx.doi.org/10.1127/arch.moll/130/2002/201.

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