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Journal articles on the topic 'Dime museums'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

B. Crow, William. "Dime, muéstrame, involúcrame: la importancia de la enseñanza y el aprendizaje participativo en los museos." Illapa Mana Tukukuq, no. 14 (February 18, 2019): 110–17. http://dx.doi.org/10.31381/illapa.v0i14.1884.

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Los museos y las instituciones culturales están buscando maneras para que sus visitantes estén más involucrados y conectados con sus instituciones. En lugar de ver a los visitantes del museo como receptores pasivos de información o experiencias, los museos y los visitantes del museo en sí, desean algo más. Este artículo ofrece ejemplos de la enseñanza y aprendizaje participativos, y por qué es importante para los museos y sus visitantes. Palabras clave: museos, educación, estrategias para enseñar, Museo Metropolitano de Arte  AbstractMuseums and cultural institutions are look

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2

Rumble, Walker. "A Showdown of "Swifts": Women Compositors, Dime Museums, and the Boston Typesetting Races of 1886." New England Quarterly 71, no. 4 (1998): 615. http://dx.doi.org/10.2307/366605.

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3

Brayshaw, Emily. "Ethnographic spectacle and trans-Atlantic performance: Unravelling the costumes of vaudeville’s ‘Queen’, Eva Tanguay." Studies in Costume & Performance 4, no. 1 (2019): 25–41. http://dx.doi.org/10.1386/scp.4.1.25_1.

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Eva Tanguay (1878–1947), although little known today, was one of the most famous and wealthy actresses in America in the first three decades of the twentieth century. Tanguay’s vaudeville success was built on her playing a wild, racialized, highly sexed, financially and socially emancipated woman, who was nonetheless affectionate and warm. Scholarship to date has considered how Tanguay used the offensive stereotype of the ‘Coon’ associated with African Americans to achieve her huge commercial success, but less attention has been paid to how she used the symbolism and materiality of her costume

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4

Wallner, Christian. "Die Inschriften des Museums in Yozgat — Addenda." TYCHE – Contributions to Ancient History, Papyrology and Epigraphy 30, no. 01 (2016): 173–91. http://dx.doi.org/10.15661/tyche.2015.030.15.

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5

Dobat, Andres Siegfried, Torben Trier Christiansen, Mads Dengsø Jessen, et al. "The DIME project." Danish Journal of Archaeology 8 (October 21, 2019): 1–15. http://dx.doi.org/10.7146/dja.v8i0.111422.

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In september 2018, the DIME portal was officially launched to facilitate the user driven recording of metal detector finds produced by members of the public. The concrete and operational aim of DIME is to provide a portal for the registering and hence safeguarding of the increasing number of metal detector finds and to make them accessible for the general public and for research. The more overarching vision behind the DIME project is to realise the potential of recreational metal detecting as a medium to implement an inclusive and democratic approach to heritage management in Denmark and to ad

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6

Nasaw, David, and Andrea Stulman Dennett. "Weird and Wonderful: The Dime Museum in America." American Historical Review 104, no. 1 (1999): 201. http://dx.doi.org/10.2307/2650249.

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7

McEntee, Ann Marie. "Weird and Wonderful: The Dime Museum in America (review)." Theatre Journal 52, no. 1 (2000): 148. http://dx.doi.org/10.1353/tj.2000.0019.

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8

Janssen, Ronald. "The Types of the Senckenberg Museum of Nature, 81. The types of the Japanese marine molluscs described by Dunker 1860/1861." Archiv für Molluskenkunde 122 (February 28, 1993): 403–35. http://dx.doi.org/10.1127/arch.moll/122/1993/403.

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9

Neubert, Eike, and Ronald Janssen. "Die Typen und Typoide des Natur-Museums Senckenberg: Mollusca: Gastropoda: Pulmonata: Orthalicoidea: Bulimulidae, Orthalicidae, Placostylidae." Archiv für Molluskenkunde 133, no. 1-2 (2004): 193–297. http://dx.doi.org/10.1127/arch.moll/133/2004/193.

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10

Zilch, Adolf, Hartmut Nordsieck, and Eike Neubert. "Die Typen und Typoide des Natur-Museums Senckenberg, 83: Mollusca: Clausiliidae (7): Alopiinae (5): Delimini (1)." Archiv für Molluskenkunde 130, no. 1-2 (2002): 201–37. http://dx.doi.org/10.1127/arch.moll/130/2002/201.

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11

Barnard, Dan. "Case Study 2." International Journal of Game-Based Learning 7, no. 3 (2017): 87–92. http://dx.doi.org/10.4018/ijgbl.2017070109.

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This case study draws on some experiments I have been doing in the use of dice in the ideas generation phase of a creative project. It draws on workshops I have run with creative technology students at Goldsmiths, with a range of adults at the Counterplay Conference in Aarhus (Denmark) and the Playful Learning Conference at Manchester Metropolitan University, in workshops for museum professionals I have co-led with Rachel Briscoe and in teaching Drama and Performance students at London South Bank University.

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12

Eccarius-Kelly, Vera. "The imaginary Kurdish museum: Ordinary Kurds, narrative nationalisms and collective memory." Kurdish Studies 3, no. 2 (2015): 172–91. http://dx.doi.org/10.33182/ks.v3i2.413.

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The aim of this article is to reflect on the role of Kurdish collective memory in the diaspora as it affirms Kurdishness and rejects the Turkish state’s hegemonic histories. Where can Kurdish families go to recognise their own heritage, reflect on their socio-cultural journeys, share experiences, or validate familial memories? Non-elite diaspora Kurds are asked to curate exhibits for an imagined Kurdish museum. The exhibit proposals explore how ideas and beliefs shape diasporic representations of Kurdishness and why the (in)visibility of Kurdish diaspora communities remains a pressing concern.

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13

Scholz, Michael, and Carsten M. Pusch. "Contamination by preparation: Risks by the application of biological conservation practices of museum collections." Anthropologischer Anzeiger 58, no. 3 (2000): 225–35. http://dx.doi.org/10.1127/anthranz/58/2000/225.

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14

BUNCH, CRAIG. "BLANTON MUSEUM OF ART: AMERICAN ART SINCE 1900 BY ANNETTE DIMEO CARLOZZI, KELLY BAUM (EDS), BLANTON MUSEUM OF ART: LATIN AMERICAN COLLECTION BY GABRIEL PÉREZ-BARREIRO (ED) AND BLANTON MUSEUM OF ART: GUIDE TO THE COLLECTION BY LARRY R FAULKNER AND JESSIE O." Art Book 14, no. 1 (2007): 23–24. http://dx.doi.org/10.1111/j.1467-8357.2007.00757_5.x.

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15

LEWIS, ROBERT. "Andrea Stulman Dennett, Weird and Wonderful: The Dime Museum in America (New York and London: New York University Press, 1997, £13.00). Pp. 200. ISBN 0 8147 1886 8." Journal of American Studies 33, no. 2 (1999): 351–82. http://dx.doi.org/10.1017/s0021875899306149.

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16

Strachotová, K. C., M. Kouřil, K. Kuchťáková, and Š. Msallamová. "Inhibition efficiency of sodium salts of carboxylic acids on corrosion of lead in archive environment." Koroze a ochrana materialu 63, no. 1 (2019): 37–47. http://dx.doi.org/10.2478/kom-2019-0005.

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Abstract Lead in archive environment suffers from severe corrosion attack caused by the organic acids’ vapours usually presented in such an environment. One of possible ways of corrosion protection of lead is its surface treatment by solutions of sodium salts of monocarboxylic acids (general formula CH3(CH2)n-2COONa, noted NaCn, n = 10, 11, 12). The principle of this corrosion protection is a creation of conversion coating on the lead’s surface, which decreases corrosion rate of lead in the atmospheric environment polluted by organic acids’ vapour. Our research aims at the selection of a suita

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17

Senelick, Laurence. "Book Review: The Academic Sideshow, Clown Scenes, in the Kingdom of Shadows. A Companion to Early Cinema, Scottish Popular Theatre and Entertainment: Historical and Critical Approaches to Theatre and Film in Scotland, Weird and Wonderful. The Dime Museum in America, Freakery. Cultural Spectacles of the Extraordinary Body, inside the Minstrel Mask. Readings in Nineteenth-Century Blackface Minstrelsy." Nineteenth Century Theatre 27, no. 2 (1999): 124–36. http://dx.doi.org/10.1177/174837279902700203.

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18

"Weird & wonderful: the dime museum in America." Choice Reviews Online 35, no. 10 (1998): 35–5837. http://dx.doi.org/10.5860/choice.35-5837.

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19

Baldwin, Mark. "Andrea Stulman Dennett — Weird and Wonderful: The Dime Museum in America." Left History: An Interdisciplinary Journal of Historical Inquiry and Debate 6, no. 1 (1999). http://dx.doi.org/10.25071/1913-9632.5374.

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20

Pagoto, Cristian, Juliana Alves Barbosa Menezes, and Mirele Carolina Jacomel. "Horácio e Adélia Prado: dois momentos do carpe diem." Revista Letras 73 (December 31, 2007). http://dx.doi.org/10.5380/rel.v73i0.8600.

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A modernidade trouxe uma série de termos que ganharam osabor da moda: novo, originalidade, criatividade, ruptura.Desde o Romantismo, e cada vez se intensificando mais, atradição literária parece estar confinada em museus; o passado,representado pelos clássicos, tornou-se objeto de esquecimento.Buscamos, neste artigo, demonstrar que os textos literáriosmodernos, muitas vezes a sua revelia, retomam temas oulugares-comuns da literatura clássica, os topoi. É com esse olharque examinamos no poema O encontro, de Adélia Prado, ocarpe diem horaciano, consagrado no poema ad Leuconoen.

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21

Moll*, Friedrich H., Thorsten Halling, Matthis Krischel, and Heiner Fangerau. "FR01-05 “FOR MEN ONLY”—HEALTH AND SEX EDUCATION AT THE DIME MUSEUM AND THE WAXWORKS." Journal of Urology 201, Supplement 4 (2019). http://dx.doi.org/10.1097/01.ju.0000555396.79195.75.

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22

"Andrea Stulman Dennett. Weird and Wonderful: The Dime Museum in America. New York: New York University Press. 1997. Pp. xiv, 200. Cloth $45.00, paper $15.95." American Historical Review, February 1999. http://dx.doi.org/10.1086/ahr/104.1.201.

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23

Cevallos Romero, Hilda Annabelle. "La gestión participativa y los actores locales en el desarrollo local, caso Cantón de Santa Elena (Ecuador)." Alternativas 20, no. 2 (2019). http://dx.doi.org/10.23878/alternativas.v20i2.254.

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El actual gobierno del Ecuador y la Federación de las Cámaras de turismo, están dirigiendo sus energías para satisfacer las demandas de los mercados internacionales, para promocionar al Ecuador, como potencia turística.Su política de relaciones exteriores va en esa dirección, e internamente se proponen ampliar la capacidad de recepción de turistas, comprometiendo en esta alianza tanto al Gobierno Central, los Gobiernos Autónomos Descentralizados y al sector privado de la economía en la rama del turismo.Moreno (2017) manifiesta que “Ecuador tiene apenas poco más de 10% de ingreso de turistas al

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24

Perttula, Timothy K. "An Artifact Assemblage from Area B at the Grace Creek Site (41GG33), Gregg County, Texas." Index of Texas Archaeology Open Access Grey Literature from the Lone Star State, 2016. http://dx.doi.org/10.21112/.ita.2016.1.88.

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The Grace Creek #1 site (41GG33, GC–1) was situated on a natural alluvial rise on the east side of Grace Creek, about 0.4 km north of its confluence with the Sabine River. On the north side of the site was an abandoned Sabine River lake bed, while to the south was an old channel, as well as a channel lake (Muddy Lake), of the Sabine River. Jones divided the site into three areas (A, B, and C); a midden deposit was apparently located in Area B on the central part of the rise. Buddy Calvin Jones identified and worked at the Grace Creek #1 site between 1954 and 1956, while the site was being dest

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25

Vegas Salamanca, Juana, Graciela Delvene, Silvia Menéndez, et al. "El patrimonio paleontológico en España: una necesidad de consenso sobre su gestión y marco legal." revista PH, May 3, 2018, 326. http://dx.doi.org/10.33349/2018.0.4189.

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El patrimonio paleontológico (mueble e inmueble) es el conjunto de restos directos de organismos o de restos indirectos (resultado de su actividad biológica) que se han conservado en el registro geológico y al cual se le ha asignado un valor científico, didáctico o cultural. Los fósiles son parte del registro geológico y forman parte indudable de la naturaleza, independientemente de la cronología que tengan (Díaz-Martínez et al., 2013). No todos los fósiles son patrimonio geológico de tipo paleontológico, puesto que es necesario aplicar una metodología de valoración para evaluar si un yacimien

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