Relevant bibliographies by topics / Dimitriads

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  2. Dissertations / Theses
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  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Dimitriads'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Dimitriads"

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BERTRAND, Gilles. "Dimitris Keridis et Dimitrios Triantaphyllou, dir., Greek-Turkish Relations in the Era of Globalization, Herndon (Virginie), Brassey's, 2001, 283 p." CEMOTI, no. 33 (January 1, 2002): 333–38. http://dx.doi.org/10.4000/cemoti.737.

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Hagel, C. "Dimitrios Stavrou." Der Pathologe 33, S2 (September 1, 2012): 372–73. http://dx.doi.org/10.1007/s00292-012-1632-6.

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Rizvi, Fazal, and Cameron McCarthy. "Gregory James Dimitriadis, 1969–2014." Discourse: Studies in the Cultural Politics of Education 36, no. 2 (March 13, 2015): 300–302. http://dx.doi.org/10.1080/01596306.2015.1013252.

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Papaphilippou, George. "Irene Dimitriadou Bachas." British Homeopathic Journal 75, no. 03 (July 1986): 165–66. http://dx.doi.org/10.1016/s0007-0785(86)80014-x.

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Giakoulas, Dimitris. "Dimitris Giakoulas." International Journal of Business and Economic Sciences Applied Research 14, no. 2 (September 2021): 14–28. http://dx.doi.org/10.25103/ijbesar.142.02.

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Purpose: This paper focuses on the internationalization of the Greek Multinational Enterprises in Central and Eastern European Countries. Its purpose is twofold. Firstly, to describe the process through which Greece became a major investor in the region following the collapse of the central planned economies. Secondly, to investigate if there are any different patterns between firms investing in Central and Eastern European Countries and those investing in other EU countries.
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G. Konstantinides, Dimitrios. "Dimitrios G. Konstantinides." Quantitative Finance and Economics 2, no. 3 (2018): 717–32. http://dx.doi.org/10.3934/qfe.2018.3.717.

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Dimopoulou, Peristera. "Traductores dobles. Entrevista a Dimitris Pournias y Dimitris Issigonis." TRANS. Revista de Traductología 17 (December 1, 2013): 211–22. http://dx.doi.org/10.24310/trans.2013.v0i17.3747.

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Schulz, Martin. "Dimitris Paléothodoros: Épictétos." Gnomon 81, no. 1 (2009): 48–53. http://dx.doi.org/10.17104/0017-1417_2009_1_48.

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Yannakakis, Ilios. "Dimitris Vlandas 1908-1985." Matériaux pour l'histoire de notre temps 6, no. 1 (1986): 23–25. http://dx.doi.org/10.3406/mat.1986.401417.

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Avgita, Louisa. "Dimitris Konstantinidis in Conversation." Third Text 21, no. 2 (March 2007): 211–13. http://dx.doi.org/10.1080/09528820701273562.

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Dissertations / Theses on the topic "Dimitriads"

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Karampagia, Valentina. "Écriture et danse contemporaines. Une lecture de Gherasim Luca et de Dimitris Dimitriadis à l'épreuve du performatif." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030065.

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Cette thèse propose une exploration de la poésie de Gherasim Luca et de l’écriture scénique de Dimitris Dimitriadis à partir des interrogations philosophiques et esthétiques que suscite la notion de performatif. Cette notion qui circule entre la philosophie du langage et de l’art est décisive pour comprendre la profonde complicité entre l’écriture des deux auteurs, le corps et l’acte de lecture. Dans cette exploration, la danse contemporaine est une référence centrale : elle est en effet intrinsèquement performative en ce que ses fabriques sont de l’ordre d’une monstration et en ce que ses temporalités vacillent entre l’actuel de l’improvisation et le répétable de la composition. La monstration est aussi ce par quoi le langage est performatif : les mots donnent des définitions aux choses, or, ce faisant, ils inscrivent celles-ci dans un devenir ; ainsi, le langage est une scène où recommence infiniment le spectacle de l’existence. Mais le performatif du langage se détermine encore par la vacillation entre l’actuel et le répétable : le sens est pris dans un mouvement de sapement du présent par un passé impossible à délimiter, si bien que toute communication a lieu sur le fond de quelque chose qui lui échappe ; plus que de cerner un objet, sa fonction est de le décliner à l’infini. La danse contemporaine est une île dans ce vaste espace de pensée qu’ouvre le performatif et fournit des outils précieux afin de naviguer dans les œuvres littéraires hybrides de Luca et de Dimitriadis. La danse répond ainsi à ces écritures qui déploient la plasticité du langage. Elle répond aussi à leur tendance à rendre poreux le passé de l’écriture et le présent de la lecture, ainsi que les frontières entre la poésie et le théâtre
This thesis proposes a path throughout the poetry of Gherasim Luca and the dramatic writing of Dimitris Dimitriadis based on the philosophical and the aesthetic questions of performativity. This notion circulating between the philosophy of language and of art is decisive so as to understand the great relation of both authors’ writing to the body and the act of reading. Contemporary dance is a basic reference into this path : it is, indeed, profoundly performative as it’s creations are similar to demonstration and it’s temporality vacillates between the moment of improvising and the composition’s repetition. Demonstration is, equally, a performative aspect of language : words define things, and thus, they inscribe them in an motion. Therefore, language is the scene where the performance of being restarts endlessly. Furthermore, performativity of language is determined by the vacillation between the present and repetition itself : meaning is grasped by a mouvement of undermining of the present by a past improbable to limitate and all communication takes place in the background of something that espaces from it. Instead of clarifying an object, language’s fuction is to broaden it infinitely. Contemporary danse is an island in this vast space of thought on performativity and offers precious tools so as to navigate in the hybrid literary work of Luca and Dimitriadis. Danse indeed converses with these texts, which unfold the plasticity of language. It finally gives answers in regard to the texts’ tendancy to render the past of writing and the present of reading, as well as the boundaries between poetry and theater, permeable
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Dounis, Konstandina Tsaloumas Dimitris. "Island and exile in Dimitris Tsaloumas' The House with the eucalypts" / The House with the eucalypts / translated into English by Konstandina Dounis." [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19060.pdf.

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Tzani, Nikoleta. "Costas Dimitriadis (1879-1943) : la carrière européenne d'un sculpteur grec." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG007.

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Costas Dimitriadis (1879-1943) est l’artiste grec le plus célèbre sur le plan international de la première moitié du XXe siècle, entre Paris et Athènes. Par ses fonctions, il contribua à la création et à la modernisation des institutions artistiques publiques grecques, en assumant de 1930 à sa mort, la direction de l’École Supérieure des Beaux-Arts d’Athènes. Dans cette thèse, nous racontons la vie de Dimitriadis en Roumélie Orientale, où il est né, et puis à Athènes, dans le premier atelier libre où il fit son apprentissage et ses études à l’École des Beaux-Arts. Ensuite, nous suivons la trace de ses premiers pas en Europe ainsi que le rôle déterminant qu’ont joué dans sa survie artistique certains membres éminents des cercles parisiens tels que Jean Moréas et Jean Pischari, de même que son mécène, le marchand d’armes Basil Zaharoff. En passant par Paris et Londres, nous déterminons les processus qui l’ont conduit à des commandes en France, en Angleterre et en Grèce. Nous recherchons aussi de quelle façon Dimitriadis se rangea du côté des gouvernements grecs pro-venizelistes (1922-32) en vue de la modernisation de l’État grec par l’européanisation des institutions artistiques et quelle fut sa contribution à l’exercice de la diplomatie culturelle. Finalement, nous examinons l’évolution décroissante de son rôle protagoniste, interrompu par la politique d’intervention du dictateur Ioannis Metaxas ainsi que par l’Occupation jusqu’à sa mort, en octobre 1943. Sans exclure les analyses thématiques, nous avons choisi pour ce travail de suivre une structure chronologique accompagnée d’un catalogue raisonné de l’oeuvre du sculpteur
Costas Dimitriadis (1879-1943), who lived and worked in Athens and Paris, was the most famous Greek artist of the first half of the twentieth century. Through his directorship of the School of Fine Arts in Athens (1930-1943), he defined the role and viewpoint of public art institutions in Greece to this day. This dissertation traces Dimitriadis’ life and work. It begins with his youth in Eastern Roumelia followed by an examination of his studies in Athens both as an apprentice and in the School of Fine Arts. The dissertation continues with an exploration of his early career in Europe and the role Paris intellectual circles played in his artistic development, mainly the prominent members Jean Moréas and Jean Pischari, and his patron, the arms dealer Basil Zaharoff. In addition, this dissertation establishes the process by which Dimitriadis established ateliers in Paris and London, as well as a leading role in the art life of these cities as well as in Greece. His political viewpoints are also examined; for example, his support to the Venizelist Governments (1922-1932), which promoted modernization of the Greek state through the Europeanization of art institutions and his role in cultural diplomacy are documented and discussed. Circumstances that limited Dimitriadis’ leading role are also examined, including policies of the dictator Ioannis Metaxas and the Occupation of Greece during World War II. Although chronological in structure, the dissertation also explores thematic issues. It includes moreover a Catalogue Raisonné of the artist
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Geromichalos, Dimitrios [Verfasser]. "Dynamik feuchter Granulate / Dimitrios Geromichalos." Ulm : Universität Ulm. Fakultät für Naturwissenschaften, 2004. http://d-nb.info/1015438415/34.

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Jacovides-Andrieu, Anna Olvia. "Dimitris Lipertis, poète de Chypre." Paris 3, 1991. http://www.theses.fr/1991PA030069.

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Dimitris lipertis, 1866-1937, est-il le "poete de chypre" comme la rumeur populaire le laisse entendre ? aujourd'hui encore, ses vers, mis en musique, sont chantes dans toute l'ile et son influence s'exerce toujours sur les poetes chypriotes. Notre these demontre l'exactitude de ce jugement et l'explique a partir de la vie et de l'oeuvre du poete, a partir aussi du contexte politique, social et culturel de chypre durant toutes ces annees. La vie du poete s'inscrit dans le cadre douloureux de l'occupation turque puis anglaise, elle s'inscrit aussi dans celui d'un eternel desir de rattachement a la grece. Apres une enfance heureuse le poete connaitra des annees difficiles a la recherche d'un metier. C'est alors qu'il sera amene a observer le peuple chypriote. C'est en se rapprochant des paysans de son ile qu'il va sentir le besoin d'ecrire ses vers en dialecte. Ce sont ses quatre recueils ecrits en dialecte chypriote qui vont lui apporter la consecration et lui valoir le titre de "poete de chypre". Lipertis sera le representant de tout un peuple, son peintre favori, son temoin et son defenseur, le gardien de ses traditions. . . Ses declamations publiques seront nombreuses et scanderont tous les temps forts de l'histoire de son pays. Pour avoir choisi de parler la langue de son pays mais aussi pour ses qualites poetiques lipertis deviendra a son tour en exemple tout en rayonnant hors frontieres
Is dimitris lipertis the poet of cyprus as public opinion would have it ? even today his verse, set to music, is sung in the island and he exerts an influence on the cypriot poets. Our thesis proves the exactness of this judgment, and explains it through the life and the work of the poet, also through the social, cultural and political context of cyprus during his lifetime. The life of the poet is placed in the context of the turkish and english occupation, and of the cypriots' perpetual aspiration for nuion with greece. After a happy childhood the poet experienced difficult years looking for work. It is at that time that he observed the people of cyprus. Being drawn closer to the peasants of his island he felt the need to write his verse in dialect. There are four collections written in the cypriot dialect which brought him consecration and the title of poet of cyprus. Lipertis became the representant of his people their favourite painter, their witness, their defender, and the guardian of their traditions. His public declamations were many and marked all the important times of the history of his country. Having chosen to speek the language of his island but also for his poetic talent lipertis became a model and shone beyond the frontiers of cyprus
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Thomaidis, Dimitrios [Verfasser]. "Pulveradditivierte Dielektrika in der Mikrosenkerosion / Dimitrios Thomaidis." Aachen : Shaker, 2007. http://d-nb.info/1166510832/34.

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Papanikolaou, Dimitrios [Verfasser]. "Die sekundäre Erklärungspflicht im Zivilprozess. / Dimitrios Papanikolaou." Berlin : Duncker & Humblot, 2018. http://d-nb.info/1238443427/34.

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Dimitriadis, Timo [Verfasser]. "Three Essays on Estimation, Forecasting and Evaluation of Financial Risk / Timo Dimitriadis." Konstanz : KOPS Universität Konstanz, 2019. http://d-nb.info/1186630825/34.

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Toris, Dimitrios [Verfasser]. "Zur Brandbeanspruchung vertikaler Tragglieder in Personenverkehrsanlagen / Dimitrios Toris." Wuppertal : Universitätsbibliothek Wuppertal, 2018. http://d-nb.info/1156626080/34.

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Wagner, Dimitrios Laurin [Verfasser]. "CRISPR-Cas9 and T cells / Dimitrios Laurin Wagner." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1234984946/34.

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Books on the topic "Dimitriads"

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Ambler, Eric. The mask of Dimitrios. Bath: Chivers Press, 1994.

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Ambler, Eric. A coffin for Dimitrios. Pleasantville, N.Y: ImPress, 2004.

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Ambler, Eric. A coffin for Dimitrios. New York: Vintage Books, 2001.

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Ambler, Eric. The mask of Dimitrios. Bath: Chivers, 1994.

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Ambler, Eric. A coffin for Dimitrios. New York: Carroll & Graf Publishers, 1996.

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Ambler, Eric. The mask of Dimitrios. London: Fontana, 1991.

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Ambler, Eric. The mask of Dimitrios. Hampton, N.H: Curley Large Print, 1994.

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Ambler, Eric. The mask of Dimitrios. London: Macmillan, 1999.

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Cramer, Mathias. Dimitris, o grego e um porto: A trajetória de Dimitris Anagnostopoulos. [Porto Alegre, Brazil]: Papel & Palavra, 1995.

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Venturoli, Marcello. Dimitris Hordakis: Meraviglie del quotidiano. Bologna: Edizioni Bora, 1986.

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Book chapters on the topic "Dimitriads"

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Lenz, Bernd. "Ambler, Eric: The Mask of Dimitrios." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7871-1.

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Stefanidis, Dimitrios. "Gastric Bypass After Failed Fundoplication from Dimitrios Stefanidis." In Gastrointestinal Operations and Technical Variations, 87–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-662-49878-1_13.

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Kynigos, Chronis. "Innovations Through Institutionalized Infrastructures: The Case of Dimitris, His Students and Constructionist Mathematics." In Mathematics Education in the Digital Era, 197–214. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61488-5_9.

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Vryzidis, Nikolaos. "Animal motifs on Asian textiles used by the Greek Church: A case study of Christian acculturation with an appendix by Dimitris Loupis - A woven Islamic inscription." In Medieval and Post-Medieval Mediterranean Archaeology, 155–84. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.mpmas-eb.5.120557.

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"King Dimitrios." In Selected Poems by C.P. Cavafy, 9. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400872923-009.

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Ashton, Paul W. "Dimitri's void." In From the Brink, 133–44. Routledge, 2018. http://dx.doi.org/10.4324/9780429475191-16.

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Carpinato, Caterina. "Ogni epoca ha la sua guerra di Troia Poesie neogreche, per Ettore." In Antichistica. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-548-3/001.

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"KING DIMITRIOS (1906)." In C.P. Cavafy, 23. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzsmfk3.21.

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"Christofias, Dimitris (Cyprus)." In The Statesman’s Yearbook Companion, 81. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-349-95839-9_154.

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"EIGHTEEN. Dimitris Poulikakos." In Surrealism in Greece, 328–36. University of Texas Press, 2008. http://dx.doi.org/10.7560/718005-020.

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Conference papers on the topic "Dimitriads"

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Caio Cesar Bezerra Carneiro, Jorge André C. Santos, Francisco de Assis Leandro Filho, Rodrigo Alves Patrício, and Iramilson Maia da Silva Filho. "Modificação do Modelo de Dimitriadis via Nanoindentação Computacional." In IX Congresso Nacional de Engenharia Mecânica. Rio de Janeiro, Brazil: ABCM Associação Brasileira de Engenharia e Ciências Mecânicas, 2016. http://dx.doi.org/10.20906/cps/con-2016-0914.

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