Relevant bibliographies by topics / Dinggedicht

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Dinggedicht'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 June 2025

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Journal articles on the topic "Dinggedicht"

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Jaehyeok Kim. "Nachahmung oder Abstraktion? Eine Studie über Rilkes Dinggedicht." Koreanische Zeitschrift für Germanistik 51, no. 4 (2010): 25–44. http://dx.doi.org/10.31064/kogerm.2010.51.4.25.

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Werle, Marco Aurélio. "A poesia das coisas de Eduard Mörike." REVISTA APOENA - Periódico dos Discentes de Filosofia da UFPA 3, no. 5 (2021): 63. http://dx.doi.org/10.18542/apoena.v3i5.11618.

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O artigo que se segue consiste num comentário e tradução de um idílio de Eduard Mörike, intitulado O velho galo da torre. Trata-se de situar as características da lírica desse poeta, marcada pela Dinggedicht [poesia das coisas] e por uma atmosfera de espírito tipicamente pós-idealista, ainda romântica, embora já realista, de meados do século XIX.
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Eben, Michael C. "Rainer Maria Rilke and Gertrud Kolmar: Das dinggedicht-two poems." Neophilologus 73, no. 4 (1989): 633–36. http://dx.doi.org/10.1007/bf00214606.

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Kornhauser, Jakub. "Towards new materialism: Things in Poems edited by Josef Hrdlička and Mariana Machová." Romanica Cracoviensia 23, no. 4 (2024): 605–9. http://dx.doi.org/10.4467/20843917rc.23.062.19375.

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The article discusses the most important threads of the monograph Things in Poems edited by Josef Hrdlička and Mariana Machová, (Prague: Karolinum Press, 2022) in the context of studies on objectivism. Attention is paid to the evolution in the meaning of the object poem (Dinggedicht) as well as the status of the word itself, which becomes autonomous from the concept behind its material form. The case of poetry by, among others, Francis Ponge and Miron Białoszewski was briefly discussed.
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Rymar, N. T. "ABOUT THE SOURCES OF RILKE’S CONCEPTS OF «DING» AND «FIGUR»." Culture and Text, no. 48 (2022): 152–65. http://dx.doi.org/10.37386/2305-4077-2022-1-152-165.

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The central concepts of Rilke’s things and figures are considered in connection with the ethical and aesthetic attitudes of Rilke, which were formed in the spiritual situation of Jugendstil, which expressed the aesthetic will to return the personality to the integrity of the life world as a unity of nature and culture and thus overcome the loneliness and fear of the personality of the modern era. The thing is experienced by Rilke as an intermediary between man and the world in its deep foundations. The poetics of Dinggedicht is shown as the poetics of revealing the phenomenon of a thing in the contexts of the existential experience of a large continuum of human culture.
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Barreto, Matheus. "“Dança de força”: elementos estruturais em três traduções de Rainer Maria Rilke." Cadernos de Tradução 40, no. 3 (2020): 109–31. http://dx.doi.org/10.5007/2175-7968.2020v40n3p109.

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No presente artigo, pretendo investigar se e em que medida os elementos estruturais do poema “Der Panther” (“A pantera”) de Rainer Maria Rilke foram recriados por três de seus mais reconhecidos tradutores brasileiros, a saber: por Geir Campos (1924-1999) em 1953, por José Paulo Paes (1926-1998) em 1993 e por Augusto de Campos (1931- ) em 1994. Partindo do pressuposto apresentado por Haroldo de Campos no ensaio “Da tradução como criação e como crítica” (1963), segundo o qual a tradução de poesia seria um trabalho com o “próprio signo, ou seja, sua fisicalidade, sua materialidade mesma” (Campos 34), pretendo apontar primeiramente a importância ainda maior de tais elementos naqueles poemas rilkeanos que, como “Der Panther”, vêm sendo há quase 100 anos descritos pela crítica (Müller 298) como “Dinggedicht” (ou “poema-coisa”); realizando, em seguida, uma breve análise dos elementos estruturais do poema original (aqui entendidos como metro, aliterações, assonâncias, movimento frasal e outros aspectos da materialidade do signo linguístico); para chegar, finalmente, a uma breve leitura comparada das maneiras como os três tradutores lidaram com esses elementos estruturais em suas respectivas traduções para o português.
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Reynolds, Nicholas, and Jeffrey S. Librett. "Introduction: What is a Thing." Konturen 8 (October 8, 2015): 1. http://dx.doi.org/10.5399/uo/konturen.8.0.3691.

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As the modern world has seemed an increasingly material one, and so increasingly thingly, the very reality of things has often--and from many different perspectives--seemed to elude us. Questions about what things are, and how they mean, questions about how things are to be circumscribed (for example) in epistemological, ethical, aesthetic, and political terms, have arguably become--across the course of modernity (and beyond)--both increasingly pressing and increasingly vexed. -- In this extremely broad context, the contributions to the current Special Issue examine specific approaches to things from the later nineteenth century to today within the literary, philosophical, and psychoanalytic discourses. The foci range from the descriptive representationalism of nineteenth century German poetic realism to the monumentalization of everyday objects in postcolonial fiction; from the poetics of the Dinggedicht in Rilkean modernism to the Anglo-American imagist doctrine of "no ideas but in things" and the disruptions of this doctrine in contemporary German and American poetry; from Husserl's call "to the things themselves" to the Derridian displacements of the Heideggerian "thing" and on to the most recent developments in "object-oriented metaphysics"; from the Freudian notion of the unconscious as comprising "representations-of-things" to the Lacanian rereading of the lost object as das Ding.
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Burján, Ágnes. "Rilke és Dosztojevszkij." Iskolakultúra 31, no. 4 (2021): 12–23. http://dx.doi.org/10.14232//iskkult.2021.04.12.

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Rilke fiatalon, rögtön első oroszországi útját követve olvasta A Karamazov testvéreket, és fordította le a Szegény emberek egy részletét. Évtizedeken keresztül, életműve összes korszakában csodálattal említette fel az orosz író nevét. A világháború idején és művészi válságpontjain is a nagy orosz író regényeihez fordult. Bár Dosztojevszkij hatása evidenciaként szerepel Rilke kritikai recepciójában, a Dosztojevszkij-élmény esztétikai vonatkozásait tárgyaló elemzések jóformán nem születtek, szemben a költő Oroszországhoz fűződő viszonyát taglaló számos tanulmánnyal. Holott különösen izgalmas kérdésiránya lehetne ez a Rilke-kutatásnak, hiszen a költő orosz kultúrához való viszonya köztudottan textuálisan meghatározott. Oroszország-képe elsősorban korai Tolsztoj és Dosztojevszkij olvasatain alapszik, az orosz világhoz fűződő viszonya pedig nagy szerepet töltött be saját irodalomesztétikájának formálódásában. Meglátásom szerint Rilke Oroszország-képe egyúttal a költő Dosztojevszkij-képét is magában rejti, hiszen a Dosztojevszkij-élmény Rilke Oroszországtól való megszólítottságának „hermeneutikai szituációjaként” (Gadamer) szolgált. Ezért dolgozatom egyfelől arra a kérdésre fókuszál, mennyiben árnyalja az osztrák költő művészetkoncepciójáról alkotott eddigi képünket, ha azt Dosztojevszkij alakjának meghatározó szerepe felől olvassuk. Dosztojevszkij művészetének mely aspektusai állnak a regényeit olvasó Rilke érdeklődésének középpontjában? Igen valószínű, hogy a Dinggedicht-koncepció megszületéséhez, melynek voltaképpeni kidolgozása majd csak Párizsban, a rodin-i és cézanne-i hatásra történik meg, az orosz vidék térélményén túl az ortodox ikonok és Dosztojevszkij verbális ikonjai is hozzájárultak, így dolgozatom a Szegény emberek és A Karamazov testvérek lehetséges rilkei olvasatával is számot vet.
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Orduño, Rodrigo. "La trascendencia de la materialidad. Revisión escultórica a partir del poema ecfrástico «Torso Arcaico de Apolo»." Hyperborea. Revista de ensayo y creación, no. 5 (December 22, 2022): 1–11. https://doi.org/10.5281/zenodo.7019995.

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A partir del poema ecfrástico de Rainer Maria Rilke «Torso Arcaico de Apolo», el presente texto muestra, desde el campo de la escultura, una reflexión sobre nuestra naturaleza humana material, no sólo la de carne, también la de piedra, en la que la mediación de nuestros sentidos posibilita encarnaciones de nosotros mismos en total conciencia de lo que la retórica del material ofrece a la configuración de la obra del ser humano: su propio ser trascendente en el mundo. 
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van den Broek, Claire Y. "How the Panther Stole the Poem: The Search for Alterity in Rilke's Dinggedichte." Monatshefte 105, no. 2 (2013): 225–46. http://dx.doi.org/10.1353/mon.2013.0046.

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Dissertations / Theses on the topic "Dinggedicht"

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Eichhorn, Rolf. "Mörikes Dinggedichte das schöne Sein der Dinge ; Interpretation und Deutung." Marburg Tectum-Verl, 2006. http://d-nb.info/986848514/04.

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Eichhorn, Rolf. "Mörikes Dinggedichte : Das schöne Sein der Dinge. Interpretation und Deutung /." Marburg : Tectum, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=3045082&prov=M&dok_var=1&dok_ext=htm.

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Härtelová, Eliška Dana. "Předmět v poezii fin de siècle." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388243.

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v anglickém jazyce This thesis is based on the Kurt Oppert's term "Dinggedicht" (in English "object-poem" or "thing- poem"), through which it views the transformations within the conceptualization of the subject and things in modern poetry. Apart from poems associated with the name of R. M. Rilke, thingness is also seen from the perspective of the functional use of the object in a poem (e.g. a thing as a tool of characterization orironization), whichis related to theuse ofobjects in figurativelanguage - the thing as a part of the metaphor, simile or allegory. As part of the definition of a thing-poem, the thesis also deals with the issue of subject-object relationship, which leads also to the category of a lyrical "I" in the literary theory. The thesis is based on individual poems which represent a concrete, prototypical way of dealing with the subject in poetry. These poems are delimited by the second half of the 19th century and the first two decades of the 20th century. The thesis is not based on strictly defined national literature, but it considers the German, French and Czech context in the comparative perspective.
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Books on the topic "Dinggedicht"

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Eichhorn, Rolf. Mörikes Dinggedichte: Das schöne Sein der Dinge : Interpretation und Deutung. Tectum Verlag, 2007.

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Zu : Eduard Mörike - Das Dinggedicht: Auf eine Lampe, An eine Äolsharfe. GRIN Verlag GmbH, 2011.

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Über Rainer Maria Rilkes 'Römische Fontäne': Eine Interpretation und Auseinandersetzung mit der Poetik des 'Dinggedichts' im Hinblick auf den Einfluss Rodins. GRIN Verlag GmbH, 2009.

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Book chapters on the topic "Dinggedicht"

1

Karnick, Manfred. "Parallelstrukturen und Sinnkontraste: »Dinggedichte« von Günter Eich, RichardWeiner undHans Magnus Enzensberger." In Dioskuren, Konkurrenten und Zitierende. V&R Unipress, 2014. http://dx.doi.org/10.14220/9783737003001.331.

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"Dinge / Sammeln: Rilke / Benjamin (Dinggedicht)." In Die Bildlichkeit des lyrischen Textes. Wilhelm Fink Verlag, 2010. http://dx.doi.org/10.30965/9783846750964_017.

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"2: Rilke’s Unnatural Things: From the End of Landscape to the Dinggedicht." In The Technological Unconscious in German Modernist Literature. Boydell and Brewer, 2008. http://dx.doi.org/10.1515/9781571138071-004.

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"The Elusiveness of Things in Rilke’s Dinggedichte." In Das lyrische Bild. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846750117_013.

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MARTENS, LORNA. "Corporeality, Materiality, and Unnamed Emotions in Rilke’s Dinggedichte." In Feelings Materialized. Berghahn Books, 2020. http://dx.doi.org/10.2307/j.ctv1k3nqr9.19.

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Martens, Lorna. "Chapter 14. Corporeality, Materiality, and Unnamed Emotions in Rilke’s Dinggedichte." In Feelings Materialized. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781789205527-017.

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"Inständigkeit und Agency. Zur Problemgeschichte des Dinggedichts von der Emblematik bis Rilke und darüberhinaus." In Das lyrische Bild. Wilhelm Fink Verlag, 2016. http://dx.doi.org/10.30965/9783846750117_012.

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"3.17 Verlust und Gewinn der Dinge in Rainer Maria Rilkes und Gertrude Steins Dinggedichten." In Handbuch Literatur & Materielle Kultur. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110416497-034.

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