Journal articles on the topic 'Diocese of Campagna (Italy)'

For the last ten years, Social farming (SF) has become an innovative practice able to connect multifunctional agriculture and novel social services for urban and rural areas in Italy and the EU. By looking at the experience from Italy, it is possible to note that SF has not developed homogeneously along the national territory. It is characterized by a wide range of practices and activities related to the development of a welfare in which several topics such as subsidiarity, the value of relationship, and co-production find multiple meanings and applications. This paper provides a further contribution to the knowledge on this type of activity and opens the way to deeper considerations on the topic. The information reported in this study refers to a project born in 2018 and carried out by Fondazione Campagna Amica, a foundation promoted by Coldiretti, the main organization of agricultural entrepreneurs in Italy. This paper focuses on the analysis of data collected during this project, through in-depth interviews carried out from July 2018 to March 2019 among 229 agricultural enterprises, as well as meetings with representatives of the regional offices of Coldiretti that are involved in SF. This study aims to reach a better understanding of the development of SF in Italy through the perspective of a national network of farmers and to compare SF practices across regions in order to examine their similarities and differences. The most important results show big individual farms with a great variety of agricultural activities and livestock systems, with a clear predominance of horticulture. These SF farms mainly provide direct sales and educational activities and are involved in training and job placement services.

The authors report the finding of eight individuals of <em>Salamandrina</em> <em>perspicillata</em> (Savi, 1821) with aberrant body colour discovered within a large population of the species in the Natural Reserve “Macchia di Gattaceca and Macchia del Barco” (Campagna Romana, Latium).

AbstractThis article studies the development of poor relief in the rural areas of the diocese of Tortona in the eighteenth century, through the analysis of the parish reports written for the pastoral visits of bishops Giulio Resta and Giuseppe Lodovico Andujar in 1741 and 1743. The reports record the most important assistance activities organised by different social actors: dowries for poor girls; bread, money and clothing to distribute to the poor; but also formal support in the form of hospitals providing shelter and care for pilgrims and the sick; the monti di pietà, which loaned money and the grain stores, which provided essential loans of grain. The diocese of Tortona in the eighteenth century represents a privileged point of view for understanding how the development of poor relief in the ancien régime was influenced by the political and institutional, geographical, landowning and socio-ecomomic context. Here, a complex institutional situation, combined with a diverse geographical and socio-economic context, gave rise to a variety of poor relief systems.

My intervention was born as a reflection on the Census of churches of Turin diocese, organized by the CEI (Italian Episcopal Conference). Through my studies, I’ve observed the case of Turin ecclesiastical heritage built in the second half of the 20th century. A great number of places of worship have changed their historical validity due to arbitrariness of choices and interventions.I’ve always supported the thesis that this religious buildings are an important patrimony for the urban history and expression of the pastoral liturgy of the diocese in Italy and that the community is fundamental to the birth and the management of a parish centre. Now I think that it is necessary to consolidate project strategies and fix best-practices to preserve the ecclesiastic heritage from everyone’s action.Generally speaking, what contemporary buildings can be part of the Church heritage? How far can priests and communities decide, independently, to intervene?

This paper outlines the changes in the organisation of the Catholic Church in Istria, Kvarner and Dalmatia after World War II. A detailed analysis of the circumstances that lead to the establishment of the Rijeka Diocese, Archdiocese and Metropolitan Archdiocese, ecclesiastical union of the Istrian region in Croatia, the abolition of the Zadar Metropolitan Archdiocese, the raising of the Split-Makarska Diocese to an Archdiocese, and the establishment of the Split Metropolitan Archdiocese. The principles upon which the Church reorganisation in the spatial sense are considered, and presents new insights, particularly for the Croatian dimension. The second part of the paper gives a comparative analysis of the spatial organisation of the Catholic Church on the Croatian coast of the Adriatic Sea, with other countries. Examples were selected based on compatibility of different factors, with consideration to the historical context of events and their causes. To that aim, specific examples of the church administration in France and Italy are given. Using these examples and documents of church archives and official records and documents of the Catholic Church, this paper gives a final overview of the possibilities for the reorganisation of the church administration on the Croatian Adriatic coast.

This paper outlines the changes in the organisation of the Catholic Church in Istria, Kvarner and Dalmatia after World War II. A detailed analysis of the circumstances that lead to the establishment of the Rijeka Diocese, Archdiocese and Metropolitan Archdiocese, ecclesiastical union of the Istrian region in Croatia, the abolition of the Zadar Metropolitan Archdiocese, the raising of the Split-Makarska Diocese to an Archdiocese, and the establishment of the Split Metropolitan Archdiocese. The principles upon which the Church reorganisation in the spatial sense are considered, and presents new insights, particularly for the Croatian dimension. The second part of the paper gives a comparative analysis of the spatial organisation of the Catholic Church on the Croatian coast of the Adriatic Sea, with other countries. Examples were selected based on compatibility of different factors, with consideration to the historical context of events and their causes. To that aim, specific examples of the church administration in France and Italy are given. Using these examples and documents of church archives and official records and documents of the Catholic Church, this paper gives a final overview of the possibilities for the reorganisation of the church administration on the Croatian Adriatic coast.

We reported a complete check-list of Vertebrates for the “Tenuta dei Massimi” nature reserve, a protected area well representing a remnant agro-forest heterogeneous mosaic landscape of the “Campagna Romana”. Data were obtained from a large original and bibliographic data-set on a large time-span (1991-2012). This reserve represents an area with a high value of species richness when compared to the surrounding metropolitan areas, also including a large number of species of conservation concern at different scales. We obtained evidences for the occurrence of 141 species (one fish, six amphibians, 12 reptiles, 101 birds, 21 mammals). Among them, some species are of conservation concern at European, regional or local scale. Further research should be focused on a set of fragmentation-sensitive species to verify the long-term viability of their local small populations [<em>e.g. Hyla intermedia</em> Boulenger, 1882, <em>Bufo lineatus</em> Ninni, 1879, <em>Muscardinus avellanarius</em> (Linnaeus, 1758), <em>Sorex samniticus</em> Altobello, 1926)].

We present a structural study on the tectonic windows of Giffoni and Campagna, located in the western sector of the southern Apennines (Italy). We analyzed thrusts, folds, and related minor deformation structures. Here, a major in-sequence E-verging thrust fault juxtaposes Meso-Cenozoic successions of the Apennine Platform (Picentini Mts unit) and the Lagonegro-Molise Basin (Frigento unit). However, out-of-sequence thrusts duplicated the tectonic pile with the interposition of the upper Miocene wedge-top basin deposits of the Castelvetere Group. We reconstructed the orogenic evolution of these two tectonic windows, including five deformation phases. The first (D1) was related to the in-sequence thrusting with minor thrusts and folds, widespread both in the footwall and the hanging wall. A subsequent extension (D2) has formed normal faults crosscutting the D1 thrusts and folds. All structures were subsequently affected by two shortening stages (D3 and D4), which also deformed the upper Miocene wedge top basin deposits of the Castelvetere Group. We interpreted the D3–D4 structures as related to an out-of-sequence thrust system defined by a main frontal E-verging thrust and lateral ramps characterized by N and S vergences. Low-angle normal faults were formed in the hanging wall of the major thrusts. Out-of-sequence thrusts are observed in the whole southern Apennines, recording a crustal shortening event that occurred in the late Messinian–early Pliocene. Finally, we suggest that the two tectonic windows are the result of the formation of an E–W trending regional antiform, associated with a late S-verging back-thrust, that has been eroded and crosscut by normal faults (D5) in the Early Pleistocene.

The Counter-Reformation initiated a long period of growth in the numbers of the secular and religious clergy of Catholic Europe. Mario Rosa has observed that in Italy the clerical population reached its peak in the first half of the eighteenth century, when Montesquieu described the peninsula as a ‘monk's paradise’, and that it declined thereafter as reformist governments attempted to curb the religious orders and restrict new ordinations to the priesthood. According to Rosa, in the early eighteenth century the Italian Church had a ‘plethora’ of poorly trained priests who lived on the meagre sums provided by their patrimony and sought to improve their lot by obtaining benefices and endowments. In spite of the efforts of the hierarchy to improve clerical education, Rosa continues, Italian seminaries lacked adequate resources to train the great numbers of clerics.Rosa's observations about the expanding ecclesiastical population before the mid-eighteenth century are borne out by statistical evidence to be found in the archive of the northern diocese of Novara, where numbers of secular or diocesan priests tripled between the early seventeenth century and the middle of the eighteenth. The purpose of this paper is to analyse the composition of the Novarese priests and to test the applicability of Rosa's observations about the economic status and education of the Italian clergy to the diocese of Novara.

Abstract Rinaldo De Benedetti, also known by his pen names Sagredo and Didimo, was mainly known because of his long career as a science journalist in Italy. He managed to write and publish even under the racial laws, with the connivance of a publisher in Milan. His being in a mixed marriage probably enabled more successful survival tactics. Rinaldo De Benedetti also was a literary writer, publishing as such in old age, and his memoirs have been published posthumously. His childhood in Cuneo, as the son of a secular Jewish family, comes across in his memoirs. In particular, we translate and discuss aspects of a short story of his (which has only previously appeared in a communal publication), set around 1910 and whose protagonist was a relative Amadio Momigliano, faced with the mayor and councillors of Provençal hamlet of mountaineers in Piedmont’s western Alps, who came on visit on a Saturday of all day, decided to become Jewish because the parish priest, opposing their drunken dancing in front of church on the day of the patron saint, had challenged them to do that much. Momigliano alerted the diocesis, and the parish priest was ordered to condone dancing. That episode is part of a long campaign against dancing, which in that period in France pitted the clergy against some mayors. Whereas in the Kingdom of Italy, before World War I, there was a decades-long struggle pitting, e.g., bishops and province prefects (it was precisely in Piedmont that the archbishop of Turin was imprisoned in 1850 and then exiled to France), arguably the awkward episode described in “Racconto occitano” is better explained with reference to the state of affairs at the municipal level in France, as far as clerical but also anticlerical Brittany.

Compulsory public education in Italy came into being almost simultaneously with the process of national unification. From the outset, the liberal ruling class was faced with the old-established educational tradition of the church, and historians of education have explored the process of the secularization of education. This article sheds light on how decisions of the hierarchy and the pope, especially during the early twentieth century, were translated into practical pastoral action, noteworthy in some cases for a surprising modernity in the means used. The article focuses on the dioceses of northern Italy and in particular that of Bergamo, a populous agricultural centre then undergoing rapid industrialization. Using diocesan archive materials and the press of the period, it focuses on new forms of pastoral work, particularly those directed at teaching the catechism by means of societies for children and young people, catechism competitions and slide shows. The results obtained using this approach challenge the perception of Catholicism as intransigent on this issue.

Peter of Tilleberi (Tilbury), later known as bishop Thomas of Wroclaw, after completing his studies (in Bologna or in Montpellier) worked as a physician in northern Italy and probably in Spain. Later through Germany and Bohemia, he came to Wroclaw in 1336 where he joined the Order of St. Dominic. In 1352, Thomas was made an auxiliary bishop of the diocese of Wroclaw. After the episcopal consecration, Thomas stopped living in the abbey, but all the time he was well known both as a priest and physician. He is known as an author of several treatises on medical sciences. His most important work entitled Michi competit (i.e. It suits me) is composed of four parts: Regimen sanitatis (i.e. Hygiene), Aggregatum (i.e. Aggregation), Antidotarium (i.e. Medicine directory) and Practica medicinalis (i.e. Medical practices). Moreover, he is the author of other treatises including, for example, De phlebotomia et de iudiciis cruoris (i.e. On phlebotomy and blood content) and De urinis (i.e. On urine). Some Polish scientists claim that bishop Thomas of Wroclaw with his knowledge and industriousness functioned as a university faculty of medicine even though the University of Cracow had not been established yet.

<p><strong>Abstract.</strong> Relevant, historically, it is the role of the Diocese of Fermo (Italy) in the Vatican organization dedicated to vast ecclesiastical patrimony on the territory of the Marche region. In this context, for the peculiarity of its identity and its property, the object of this study is the “Chiesa della Pietà”. This research starts with the photogrammetric survey to document and analyse the existing condition of the church. The data acquisition provides many scans following a network schema and the photographic survey allows to create orthoimages to make more realistic the 3D representation. Once acquired the geometric and material survey, a series of investigations have been carried out to assess the surface degradation and the material decay of the external façades and internal environments. Furthermore, some structural problems have been occurred, investigating and verifying the presence of advanced stages of deterioration of the wooden structures and the restoration of these structural elements must be mandatory. To take under control the decay and to propose a restoration step, we have arranged the 3D model in HBIM software with different LOD, according to the BIM Forum Level of Development Specification (2016), suitable to develop a well-structured information system. Before the 3D modelling phase, a decomposition of the building is useful to implement a semantic classification of the architectural elements. Basing on a hierarchy of classes and subclasses, the dedicated database organizes the building components assigning an ID-code to the features, putting in evidence materials decay by a thematic mapping.</p>

In questo saggio si svolgerà una comparazione dei tre brevi romanzi di Calvino La formica argentina (1952), La nuvola di smog (1958), La speculazione edilizia (1957), con le opere di Malerba in cui maggiormente emerge il suo impegno ecologico: Il serpente (1966), Salto mortale (1968) e Fantasmi romani (2006). Tra questi romanzi che trattano con nerbo la tematica etico-ambientale, esiste un dialogo molto forte a livello testuale e ideologico, certamente maturato dall’amicizia e dagli scambi tra i due autori. Malerba e Calvino, uomini di città cresciuti però in stretto rapporto con la campagna, si rivelano attenti osservatori dei mutamenti economici, antropologici e ambientali che l’Italia subiva nell’epoca del boom. Lontana da qualsiasi lirismo romantico e da sentimenti nostalgici per un mitico passato, la relazione tra letteratura e ambiente affiora nei testi come una forma di denuncia ecologica contro inquinamento, speculazione edilizia e sottomissione degli organismi non-umani. Sia Malerba sia Calvino si fanno portavoce della necessità di smascherare le ideologie dominanti e boicottare le logiche binarie come natura / cultura. Nella battaglia che inscenano tra umano e non-umano emerge la loro prospettiva “ecocentrica” che attribuisce un valore intrinseco ad ogni organismo vivente e al loro spazio naturale a prescindere dalla loro utilità e profitto per l’essere umano. Abstract This essay compares Italo Calvino’s short novels La Formica Argentina (1952), La Nuvola di Smog (1958), and La Speculazione Edilizia (1957), with Luigi Malerba’s works, in which his strong environmental consciousness most comes to light: Il Serpente (1966), Salto Mortale (1968) and Fantasmi Romani (2006). These works engage in a textual and ideological “ecocentric” dialogue about the environment and society, which was certainly the result of the close friendship and professional exchanges between the two authors. This project thus participates in ecocriticism through an investigation of the textual and ideological dialogue between these texts. Rather than merely romantic lyricism and feelings of nostalgia for the mythical past, the relationship between literature and the environment emerges in the texts as a form of ecological denunciation against pollution, building development, and the subjugation of non-human organisms. Malerba and Calvino, city men who spent their upbringing in close contact with nature, reveal themselves to be attentive observers of the economical, anthropological, and environmental changes that Italy underwent in the period known as the economic boom. Both Malerba and Calvino bring to the fore the urgency to unmask dominant ideologies and to boycott perceived binary oppositions of nature versus culture. Through these texts, they stage a battle between the human and non-human, bringing together their “ecocentric” perspective with their goal of bestowing an intrinsic value to every living organism and their natural space. Resumen Este ensayo compara tres novelas cortas de Italo Calvino La formica argentina (1952), La nuvola di smog (1958), La speculazione edilizia (1957), con las obras de Luigi Malerba, en las que más manifiesta su empeño ecológico: Il serpente (1966), Salto mortale (1968) e Fantasmi romani (2006). Entre estas novelas, que tratan con vigor la temática ético-medioambientalista, existe un diálogo muy fuerte a un nivel textual e ideológico, ciertamente madurado desde la amistad y los intercambios entre los dos autores. Malerba y Calvino, hombres de ciudad pero que crecieron en cercano contacto con la naturaleza, se revelan cuidadosos observadores de los mutaciones económicas, antropológicas y medioambientales que el Italia sufría en la época del boom de los años cincuenta y sesenta. Lejana de cualquier lirismo romántico y de sentimientos nostálgicos por un pasado mítico, la relación entre literatura y medio ambiente aparece en los textos como una forma de denuncia ecológica contra la contaminación, la especulación edil y la sumisión de los organismos no-humanos. Tanto Malerba como Calvino devienen portavoces de la necesitad de desenmascarar las ideologías dominantes y boicotear las lógicas binarias como naturaleza / cultura. En la lucha que escenifican entre el humano y no-humano emerge su perspectiva “ecocéntrica” que atribuye un valor intrínseco a cada organismo viviente y a su espacio natural sin importar los beneficios económicos.

В статье рассматривается история раскопок крупнейшей римской гробницы, а именно мавзолея императора Цезаря Августа. Основное внимание уделяется результатам недавних археологических работ и тому, как они повлияли на представление о памятнике. Гробница первого римского императора в пост-античную эпоху претерпела различные трансформации и неоднократные грабежи, в результате которых сильно пострадала. Памятнику находили практическое применение вплоть до 1930-х гг. За многовековую историю мавзолей использовали как каменоломню, крепость, которую не раз разрушали, виноградник, сад, амфитеатр для корриды, театр и концертный зал. Первые археологические работы на территории памятника проводились уже в XVI в. Именно с них начинается история исследования монумента и результаты, полученные тогда, до сих пор имеют большое значение для науки. На протяжении длительного времени после эпохи Ренессанса объект изучался только периодически, в связи с какими-либо строительными работами, проводившимися на его территории. Работы на памятнике активизируются с начала XX в. Масштабные раскопки состоялись в 1920-30-е гг. Их проведение диктовалось не научными целями: Бенито Муссолини стремился использовать римское наследие в своей пропаганде. Тем не менее, в результате проведенных работ мавзолей был не только освобожден от пост-античных наслоений, но полученные тогда результаты заложили современное представление о памятнике. Интерес к мавзолею возобновляется только через семьдесят лет. Непосредственным толчком было решение реконструировать мавзолей и площадь вокруг него. В результате раскопок, проведенных департаментом культурного наследия столицы Рима, были получены археологические данные, изменяющие взгляд на внешний облик монумента и позволяющие поставить точку в дискуссии по данному вопросу. 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Lietuvos nacionalinė Martyno Mažvydo bibliotekaGedimino pr. 51, LT-01504 Vilnius, LietuvaEl. paštas: viktorija.vait@gmail.comStraipsnyje nagrinėjami Lietuvos nacionalinės Martyno Mažvydo bibliotekos Retų knygų ir rankraščių skyriaus paleotipai: jų leidimo vieta, spaustuvininkai, tematika bei proveniencijos, dėmesį telkiant į retesnius, Lietuvos knygos kultūrai svarbesnius leidinius. Iš šiame skyriuje saugomų daugiau kaip 800 paleotipų analizuojama tik dalis jų, nes daugiau negu 200 knygų teturi kortelinį bibliografinį aprašą ir išsamiai juos ištirti šiuo metu neįmanoma. Dalies šių paleotipų analizė papildo jau esamus tyrimus, praplečia senosios knygos kultūros vaizdą.Reikšminiai žodžiai: knygotyra, paleotipai, retos knygos, spaustuvininkai, proveniencijos.THE COLLECTION OF POST-INCUNABULA IN THE MARTYNAS MAŽVYDAS NATIONAL LIBRARY OF LITHUANIAViktorija VAITKEVIČIŪTĖ AbstractPost-incunabula or the books printed in the first half of the 16th century (from January 1, 1501 to January 1, 1551), along with incunabula, are considered to be the oldest and most valuable publications in the world. Due to their likeness to incunabula and publishing specifics, post-incunabula are considered to be historical treasures and monuments of culture. The Rare Book and Manuscript Department of the National Library of Lithuania has in its holdings more than 800 post-incunabula, not including the ones kept at the Department of the National Archival Fund of Published Documents. The exact number is still unknown, since not all the books have been included into the electronic catalogue: more than 200 of them have only a card catalogue description and are awaiting a more detailed study. This article analyses specific features of part of the post-incunabula collection in the NLL Rare Book and Manuscript Department: their place of publication, publishers, thematics and provenances. Principal attention is accorded to the books that are rarer, more interesting and more important for Lithuania’s culture and book culture in general.The most of the post-incunabula kept in the Rare Book and Manuscript Department were published in Germany, many in Switzerland, France and Italy. There also is a small number of post-incunabula published in Poland (Cracow). Of the publications produced by Cracow’s printers, the article discusses those by Jan Haller (ca. 1467–1525), Hieronim Wietor (ca. 1480–1546) and Florian Ungler (d. 1536). It is necessary to mention Aldines – the publications by one of themost famous European printers, Aldo Manuzio (Lat. Aldus Manutius; ca. 1450–1515) and by his descendants. The article also touches upon the work of such acclaimed French publishers as Henri Estienne (lat. Henricus Stephanus, ca. 1460–1520), founder of the famous dinasty of printers, and the Lyonese printer Sébastien Gryphius (ca. 1493–1556). The Rare Book and Manuscript Department also keeps quite a few post-incunabula published by Johannes Frobenof Basel (1460–1537).As to the content aspect, the collection of post-incunabula in the department is versatile. For the most part, it is made up by religious literature: sermons, bibles, theological treatises, Church Fathers’ writings. There are many works by and commentaries on classical authors, of whom Cicero, at the time of the Renaissance viewed as the greatest authority on rhetoric, is the most famous one. The post-incunabula collection illuminates the emergence of the Reformations and the related spread of new ideas in the first half of the XVIth century. The Rare Book and Manuscript Department boasts a number of works by the founder of Protestantism, Martin Luther (1483–1546) and by the most acclaimed humanist of the times, Desiderius Erasmus (1469–1536).The provenances in the post-incunabula (manuscript inscriptions, stamps, bookplates) provide much interesting information. Most often found are ownership marks of the establishments that since the olden times had been preserving books: various monasteries, churches and priest seminaries,. The notable representative of the post-incunabulum culture is the Bernardine Order. According to the electronic catalogue, the Rare Book and Manuscript Departmenthas in its holdings 21 post-incunabula formerly kept by the library of the Tytuvėnai Bernardine Monastery. Most provenance inscriptions are from Kaunas Priest Seminary, the library of the Samogitian Priest Seminary, the library of the Vilnius Seminary and Kražiai College. Of the XIXth century personal libraries,particularly noteworthy are the collections of Jonas Krizostomas Gintila (1788–1857), XIXth-century bibliophile, hebraist and administrator of the Samogitian Diocese, and of Friedrich August Gotthold (1778–1858), educator and music theorist. A separate, rather abundant group of provenance inscriptions consists of the books that formerly belonged to Königsberg University. An in-depth study of all the post-incunabula kept in the NLL would significantly add to the existing research and broaden the understanding of old book culture.

Durante la década de los años cincuenta del pasado siglo la ciudad de Milán creció a un ritmo acelerado al tratar de acomodar a la población que, como consecuencia de los movimientos migratorios acaecidos al final de la Segunda Guerra Mundial, se había ido alojando en la periferia. Algunas entidades, como la Diócesis de esta ciudad, trataron de dar ayuda espiritual a los habitantes de estas áreas en crecimiento, consolidándose esta iniciativa en un plan de construcción de nuevos complejos parroquiales en los alrededores de la ciudad. En el año 1955 es nombrado Arzobispo de Milán Giovanni Battista Montini, futuro Papa Pablo VI, que será una figura clave, el verdadero artífice tanto de este plan de construcción de iglesias como de la modernización de la imagen de la arquitectura sacra en Milán. Montini encargó muchos de los proyectos a arquitectos innovadores de experiencia probada, que trabajaban habitualmente en Milán o en otras zonas de Italia, pero también solicitó la redacción de algunos proyectos a jóvenes arquitectos que apenas tenían experiencia en el campo de la arquitectura eclesiástica. Con él, el ritmo de construcción de iglesias se incrementó considerablemente en los alrededores de la ciudad, llegando a levantarse en esos años más de cien nuevos edificios sacros. La intención de este texto es señalar, a través de una serie de ejemplos relevantes, entre los que destaca la iglesia Mater Misericoridae, cómo la Diócesis de Milán contribuyó, mediante una renovación de la imagen de la Iglesia como institución a través de su arquitectura, a definir la identidad de algunos barrios periféricos de la ciudad. En ellos, las nuevas construcciones eclesiásticas se convirtieron en hitos, símbolos de una importante renovación litúrgica que se había iniciado unas décadas antes en otros puntos de Europa Algunas de las nuevas propuestas arquitectónicas, en las que la Iglesia Católica apostó por apoyar la reconciliación entre arte moderno y arte sacro, se convirtieron en modelos de referencia en los que confluían tradición y modernidad. El caso concreto de la Iglesia Mater Misericordiae permite reconocer un alto grado de experimentación, muy por encima de otras arquitecturas coetáneas, tanto religiosas como civiles, muestra de la apuesta que la Diócesis milanesa, y en concreto el Cardenal Montini, hizo al apoyar la construcción de un proyecto renovador de verdadero carácter vanguardista.PALABRAS CLAVE: Milán de posguerra, arquitectura sacra, renovación litúrgica, iglesia y modernidad. During the 50s’ the city of Milan experienced a fast growth to accommodate the population that arrived into the city as a consequence of the migratory movements that took place at the end of the Second World War. Some organizations, such as the Archbishopric of the city, tried to provide with spiritual help to the inhabitants of this developing areas. This initiative turned into a plan for the construction of new parish churches in the settlements around the city. In the year 1955 Giovanni Battista Montini - who a few years later would become pope Paulus VI- Became archbishop of Milan and took over the management and planning for the construction of new churches. He was responsible for the modern image of sacred architecture in this city. Montini commissioned a group of innovative architects with proven experience that had already worked in Milan or other parts of Italy to deliver some of the Projects. At the same time, he appointed a group of young architects with relatively little experience in the field of ecclesiastical architecture and put them in charge of a second group of projects projects. Under Montini the rhythm of churches construction in the neighborhoods around Milan increased considerably and more than one hundred churches were constructed during this period and the following years. This paper discusses the contribution of the Diocese of Milan, within the renovation of the church as an institution through its architecture, to define the identity of some of the new peripheral areas of the city. For this purpose, some of the most interesting examples of architecture constructed during this period have been selected. Among all this constructions the church of Mater Misericordiae can be singled out for a number of reasons. These new sacred constructions became symbols of the important Liturgical renewal that had started a few decades before in some other parts of Europe. Some of these new architectural proposals, in which the Catholic Church tried to reconcile modern and sacred art, became new models of reference in which tradition and modernity went hand by hand. In the case of the church of Mater Misericordiae a high level of experimentation, well above some other contemporary sacred and civil constructions, can be recognized. This is an evidence of Montini’s commitment, to support a really avant-garde renewal project.KEYWORDS: Post-war Milan, Sacred Architecture, Liturgical renewal, church and modernity.