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Dissertations / Theses on the topic 'Dioramas'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Wonders, Karen. "Habitat dioramas : illusions of wilderness in museums of natural history /." Stockholm : Almqvist och Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb35614492v.

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2

Rusenova, Ina Boryana D. "Between Familiarity and Estrangement:Making Paintings From Constructed Dioramas." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460672646.

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3

Fletcher, Laurel. "Nostalgia and pragmatism dioramas of the Montana Historical Society /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 123 p, 2008. http://proquest.umi.com/pqdweb?did=1597631131&sid=9&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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4

Trotignon, Marc. "Du diorama au polúplokorama : pour une poïétique réversible du modèle reduit." Paris 1, 1996. http://www.theses.fr/1996PA010533.

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Dépassant l'ambivalence du terme diorama (spectacle à travers), qui recouvre à la fois les dispositifs illusionnistes du XIXe siècle et les environnements miniatures actuels, notre recherche vise à les réconcilier dans un regard stratégique sur le modèle réduit. Nous supposons, à la suite de Lévi-Strauss, que la réduction trouve sa dimension esthétique quand elle supplée a la diminution des qualités sensibles du modelé par l'augmentation de ses qualités intelligibles, ce qui revient aussi à interroger la distance qui sépare l'espace du modèle réduit de celui du spectateur. L'élargissement de c

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5

Howie, Geraldine Marian. "The Powell-Cotton dioramas and the re-interpretation of an idyll." Thesis, University of Gloucestershire, 2011. http://eprints.glos.ac.uk/3264/.

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This research examines the natural habitat dioramas created by Major P.H.G. Powell-Cotton, in doing so it affects a remembering of a sense of place where a diorama reflects in Mieke Bal's view a three-dimensionality that draws on architectural space; it then considers the three dimensional representation of the landscape within the diorama itself; the two-dimensional illusion of a trompe l'oeil landscape painting; and the exterior space occupied by the viewer. The Powell-Cotton natural habitat dioramas exist behind large glass screens their purpose follows an aesthetic relationship with the em

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6

Oliveira, Adriano Dias de. "Biodiversidade e museus de ciências: um estudo sobre transposição museográfica nos dioramas." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/81/81133/tde-20072010-161201/.

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O estudo em questão teve como principal objetivo analisar como o tema biodiversidade, no que diz respeito à forma em como é conceituado e a valores a ele atribuído, aparece nos dioramas de exposições de museus de ciências. Para tal, a pesquisa visou à compreensão dos processos de transformação do discurso científico para o discurso expositivo, tendo como referencial teórico o conceito de transposição didática, aqui entendida como transposição museográfica. O foco em biodiversidade deve-se as proporções que o termo ganhou nas últimas décadas, em que o mesmo sobrepujou os limites científicos, se

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7

Mifsud, Edward. "The visualization of natural history museum habitat dioramas by Maltese primary school children." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/10021923/.

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The thesis addresses a relatively under-explored area in this field of study within the socio-constructivist paradigm. The main aim is to investigate how 9-year-old school children visualize habitat dioramas to build a mental model, how they make sense of the dioramas to understand local flora and fauna, and how previous knowledge influences the way they visualise habitat dioramas. Data collected included a first drawing done in class, a second drawing done at the Natural History Museum before and a third following the viewing of the habitat dioramas. Each pupil was interviewed after the respe

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8

Silva, Wagner Alexandre. "Comunicação, consumo e colecionismo: produção de memórias e práticas identitárias do fã-colecionador de estátuas e dioramas bishoujo." Associação Escola Superior de Propaganda e Marketing, 2015. http://tede2.espm.br/handle/tede/63.

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Made available in DSpace on 2016-10-13T14:10:22Z (GMT). No. of bitstreams: 1 Wagner Alexandre Silva.pdf: 3888345 bytes, checksum: edc97b19e24930dc64474d55a9e1598b (MD5) Previous issue date: 2015-03-27<br>This thesis analyzes the sign production of bishoujo statues and dioramas, under the perspective of Communication, Consumption and Memory in the current context, and how important is its collecting for the maintenance of the records of the fans memory. This thesisrefers to the hybridization of pop culture and highlights its hybridization with the Japanese pop culture, allowing the conceptio

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9

González, Leiva Camilo. "Diseño museográfico representaciones (post) naturalistas de la vida animal. Gabinetes, dioramas y estaciones en el Museo de Historia Natural, Chile." Tesis, Universidad de Chile, 2014. http://repositorio.uchile.cl/handle/2250/130536.

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Memoria para optar al título de Diseñador Gráfico<br>La presente investigación reside en un estudio visual, historiográfico y documental sobre el diseño museográfico, abordando específicamente la representación naturalista del animal dentro del contexto del Museo Nacional de Historia Natural de Chile, desde los modelos de exhibición naturalistas decimonónicos hasta los trabajos de diseño contemporáneos. Considerando como antecedente inicial las ilustraciones naturalistas introducidas por el científico francés Claude Gay desde 1828, que guardan relación con la primera formación museal en

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10

Guerreiro, Cláudia Pereira da Cruz Carvalho. "A escultura ao serviço da ilustração científica. E a sua importância na comunicação das ciências." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/16311.

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Em Portugal, o conceito de escultura científica é ainda ignorado, e embora a ilustração científica portuguesa seja já uma referência a nível mundial, a escultura científica tem ainda um longo caminho a percorrer. A dificuldade e os custos que a escultura acarreta provocam, nas artes plásticas, uma menor produção nesta área do que nas áreas de expressão bidimensional. Na vertente científica as razões não serão diferentes, sendo ainda acrescidas das dificuldades próprias desta técnica e de aquisição de materiais específicos, que têm muitas vezes que ser importados. Numa lógica de tridimensionali

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11

Spikol, Daniel. "Digital diorama." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/70214.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.<br>Includes bibliographical references (leaves 57-58).<br>Digital Diorama may be briefly presented as: a historical exploration of the vision devices, performances, and installations of the nineteenth century, and their influences on the project. These histories of the magic lantern, the panorama, and the diorama are investigated in relation to forming a context for creating an interactive environment with digital video on a personal computer. Critical theories of the late twentieth century are used to illus

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12

Lauvin, Grégoire. "Split Soundscape, le diorama sonore : la reconstitution de l'espace sonore en temps réel." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0591.

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Split Soundscape est un projet artistique d’installation sonore inspiré par les notions de paysage sonore et de schizophonie introduites par le compositeur R. Murray Schafer. Ce projet artistique propose la reconstitution de l’espace sonore en temps réel par un double dispositif : des microphones disposés dans un territoire captent et transmettent leur environnement sonore par internet en temps réel (technique du streaming). Dans un espace d’exposition dédié à l’écoute, des haut-parleurs diffusent les sons transmis et construisent un espace nouveau.La recherche interroge la notion d’espace dan

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13

Greenhow, Peter N. "Construction and utilization of a David and Goliath diorama at the Bourbon Bible Church." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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14

Bueno, Juliana Pavani de Paula. "Objetos que ensinam em museus: análise do diorama do Museu de Zoologia da USP na perspectiva da praxeologia." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/81/81133/tde-14012016-112816/.

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Mudanças na economia, na sociedade e no mundo do trabalho deram grande destaque à educação não formal ao longo da segunda metade do século XX, gerando maior valorização dos processos de aprendizagem que se preocupam em aproximar a ciência, a tecnologia, a sociedade e o ambiente. Nesse cenário, uma das questões e desafios que se revelam está em torno do como realizar a socialização do conhecimento científico. De acordo com Marandino (2004), a transformação do conhecimento científico, com fins de ensino e divulgação, pode ser analisada no intuito de compreender a produção de novos saberes nesses

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15

Castillo, Martínez de Olcoz Ignacio Javier. "Sentido de la luz, El. Ideas, mitos y evolución de las artes y los espectáculos de la luz hasta el cine." Doctoral thesis, Universitat de Barcelona, 2006. http://hdl.handle.net/10803/1378.

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Esta tesis trata sobre la importancia de la luz en el conjunto de la civilización, especialmente en el campo de las bellas artes. Estudia la luz en la antigüedad descubriendo las ideas y los mitos; el simbolismo de la luz y los mitos de la sombra. Sigue la evolución de las artes y de los espectáculos de la luz hasta su desarrollo en el cine.<br/>En este viaje, he comprobado que el concepto de luz está presente en todas las civilizaciones y culturas como uno de los símbolos más importantes. Desde los primeros indicios en la antigüedad hasta los espectáculos contemporáneos el dominio de la luz y

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16

Kline, Amanda Le. "Speculation on the Trajectory of Human Kind." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1404324124.

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17

Grossmann, Ralph. "Penser le territoire, sculpter le paysage Robert Smithson, les "Nonsites" au regard des géosciences : un modèle pour les échanges entre Arts et Sciences en résonance avec les démarches de Giuseppe Penone et Olafur Eliasson." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH159.

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Construite sur une analyse approfondie des archives de Robert Smithson, cette thèse réévalue la série des Nonsites (1967-1969) dans sa relation d'inspiration avec les Géosciences. Elle rappelle le contexte culturel des années soixante comme toile de fond pour l’inspiration de l’artiste et détermine l’envergure de son expertise dans le domaine des sciences. Des documents préparatoires inédits viennent éclairer son processus de création et la manière dont il formule ses œuvres complexes, à partir des sources géologiques, de l'information scientifique et de la muséographie. La relation entre arts

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18

Murray, Katie. "Memorials of endurance and adventure : exhibiting British polar exploration, 1819-c.1939." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/11087.

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Over eighty polar-themed exhibitions were held in Britain between 1819 and the 1930s, a time of intense exploration of both the Arctic and Antarctic. These varied from panoramas and human exhibits to displays of ‘relics', equipment, photographs and artwork, waxworks and displays shown as part of a Great Exhibition. This period also saw the creation of the first dedicated polar museums. These displays were visited by thousands of people throughout the country, helping to mediate the subject of exploration for a public audience. Despite this, the role exhibitions played in forming popular views

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19

Nilsson, Stefan. "Skogsgeografi II : Om odlingslämningar i skogsbygd." Doctoral thesis, Karlstads universitet, Fakulteten för samhälls- och livsvetenskaper, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1245.

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Nilsson, S. 2007: Skogsgeografi II. Om odlingslämningar i skogsbygd (Forest Geography II. On Remains of Agriculture in Forest Settlement Districts) In this thesis issues on remains of agriculture in the county of Värmland, Sweden are discussed. The aim is to use a holistic approach when examining such remains, which goes beyond their mere morphology. Instead focus is put on their inner and outer geographies: the internal relations between different elements of a single remain, and the external relations between the remain and its local context. Also, it is argued that it’s necessary to approac

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20

HUANG，CHIUNG-HUI and 黃瓊慧. "Metal Dioramas as an Incarnation Of One’s Hometown Memories." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/2kg3pr.

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碩士<br>東方設計大學<br>流行商品設計系<br>107<br>Often I reminisce about living in my childhood home again, recalling the memories of more than a decade ago, and the scenarios flood back: “the smells of the rusty iron chair and of meals prepared in the kitchen, or the sight of the blotchy ceramic wall tiles in the bathroom filled with water vapor. But what always aroused my strongest sentiment was the moment when dusk was falling, and sunlight shimmered on the tatami mats in one of the rooms....” People tend to hanker after trivial things such as a wall brick or a roof tile, as long as they belong to the goo

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21

Hsu, Yuan-Fei, and 徐苑斐. "Miniature world: Collecting, play and self-identity of collectors of diorama." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/vwez85.

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22

Lin, Jung-Chun, and 林容君. "The Effects of Diorama Exhibit Caption Content Structure on Visitors'' Learning Outcomes." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/p2k5tk.

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碩士<br>國立臺北藝術大學<br>博物館研究所碩士班<br>99<br>The purpose of this study is to examine the effects of exhibit caption content organizations on the learning outcomes of museum visitors. The study was conducted at the East African Savannah exhibit at the National Museum of Natural Science in Taichung from October 2010 to January 2011. Two types of caption content organization were used. The in-situ exhibit caption showing only factual species taxonomic and climatic information was used as control (Control group) while the experimental caption contained additional ecological concepts such as adaptation, f

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23

Maree, Linda. "Taksonomie, taksidermie en diorama : bewaring in die poësie van Johann Lodewyk Marais." Diss., 2015. http://hdl.handle.net/10500/18843.

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Text in Afrikaans<br>In hierdie navorsingsverslag word die omgewingsgerigte poësie van Johann Lodewyk Marais ondersoek. Marais se verskuns word onder meer as “groen”, “omgewingsgerig”, “ekopoëties”, “bioregionaal” en “biogeografies” beskryf en kritici is dit eens dat sy oeuvre ‘n sterk bewaringsingesteldheid vertoon. Marais se eiesoortige bydrae tot die bewaringsdiskoers (deur sowel sy verse as kritiese uitsprake) word hier geëvalueer aan die hand van sekere sleutelkonsepte uit die museum- en bewaringswetenskap wat telkens as metafore in sy poësie figureer: taksonomie, taksidermie en diorama.

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24

Sales, Edgard Jorge de Sá e. "O diorama musical: contributos para um projeto cultural numa escola de música." Master's thesis, 2019. http://hdl.handle.net/1822/67916.

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Relatório de projeto de mestrado em Comunicação, Arte e Cultura<br>O presente relatório apresenta o processo de conceção, implementação e investigação do Projeto de Intervenção o qual traduziu-se por uma exposição de dioramas musicais realizada em fevereiro de 2019 no átrio do Conservatório de Música de Calouste Gulbenkian. Este trabalho apresenta igualmente uma reflexão sobre a evolução e aplicabilidade do diorama no contexto educativo e museológico bem como sob a ótica do colecionador e do curador. São referidos autores e pensadores da Arte como Walter Benjamin, Gaston Bachelard, Franço

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25

Wu, Hsin-Yeh, and 吳昕曄. "Air Beans and the Fantasy Travellers-Discourse on Wood Carving Diorama by Hsin-Yeh Wu." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/9e58se.

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碩士<br>大葉大學<br>設計暨藝術學院碩士班<br>105<br>Taking public transports has become part of my living since I was a college student. I watched the driver, and other passengers on the trip. Gradually, I found the fun in observing them on their looks, their moves, their belongings, etc. And saw every passengers has their own story, and compile their stories with strong affection, keep walking on their journey. Maybe have some mistakes on the way, but we always hope a happy ending. Integrated the above experiences with my Illustrator story on web side, to plan this creation of wood carving diorama – “Air Bean

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26

Yi, Jun. "User Interface Design And Forensic Analysis For DIORAMA, Decision Support System For Mass Casualty Incidents." 2015. https://scholarworks.umass.edu/masters_theses_2/308.

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In this thesis we introduces the user interface design and forensic analysis tool for DIORAMA system. With an Android device, DIORAMA provides emergency personnel the ability to collect information in real time, track the resources and manage them. It allows the responders and commanders to mange multiple incidents simultaneously. This thesis also describes the implementations of commander app and responder app, as well as two different communication strategies used in DIORAMA. Several trials and simulated mass casualty incidents were conducted to test the functionalities and performance of DI

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27

Chang, Chun-Sheng, and 張群昇. "A Study on Creation of Cardboard Diorama Storybook Game with Mixed Reality and Immersion Experience." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/qxst36.

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碩士<br>國立臺北科技大學<br>互動設計系碩士班（碩士在職專班）<br>103<br>Virtual and reality have been applied in Head Mounted Display due to the advances in technology. The study created a model of Cardboard Diorama Storybook Games (CDSG) with Mixed Reality and Immersion Experience. The purpose of such an innovation is to explore the relationship between immersion experience and interactive mechanism. The researcher reviewed the underlying theories including immersion experience, embodied interactive, mixed reality, and cardboard diorama storybook. The methodology of the study included experiment and questionnaire surve

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28

Coyle, SA. "Cruising Wonderland : queer reparative aesthetics within scenographic photography." Thesis, 2018. https://eprints.utas.edu.au/30033/1/Coyle_whole_thesis.pdf.

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CRUISING WONDERLAND refers to a specific ‘beat’ site in Sydney associated with illicit encounters and the homophobic violence it engendered during the 1980s, as well as an embodied means of re-presenting such traumatic histories. As practice-based research, it examines how traditionally representational forms of photography and scenography can inform each other through the more performative mode of ‘scenographic photography’: an interdisciplinary neologism operating between the performing, spatial and visual arts. Influenced by performance design, in which scenography operates within an expand

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29

Anderson, Kari. "Hominin representations in museum displays : their role in forming public understanding through the non-verbal communication of science." Thesis, 2012. http://hdl.handle.net/2440/75753.

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Key points: 71 institutions visited. 860 hominin representations assessed. Earlier hominins are treated differently from H. sapiens and often convey inaccurate scientific information. Hominin representations in museums and other displays have been used for well over a century to illustrate the people of the past. The popularity of archaeological and forensic facial reconstructions in the media ensures that they will be popular for some time to come. The aim of this work is to ascertain how hominin representations displayed in museums convey to the public interpretations of human evolution, var

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30

Deshpande, Kartik. "Web-Dinar: Web Based Diagnosis of Network and Application Resources in Disaster Response Systems." 2010. https://scholarworks.umass.edu/theses/420.

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Disaster management and emergency response mechanisms are coming of age post 9/11. Paper based triaging and evacuation is slowly being replaced with much advanced mechanisms using remote clients (Laptops, Thin clients, PDAs), RFiDs etc. This reflects a modern trend to deploy Information Technology (IT) in disaster management. IT elements provide a great a deal of flexibility and seamlessness in the communication of information. The information flowing is so critical that, loss of data is not at all acceptable. Loss of data would mean loss of critical medical information portraying the disaster

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Benická, Alexandra. "Živé obrazy VJingu." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313515.

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The subject of the thesis Live images of VJing is an aesthetic activity, based on visual projections and on work with new media in real-time, known as VJing, or more generally "live audiovisual performance". As these performances usually complement auditory events or are supplemented by music. The first part follows the origins of VJing out of three angles: First the historical development of projected image, electronic music and the discourse of synaesthesia principle as an principle joining different sensory perceptions into one. Second part of this thesis is introducing an philosophical per

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