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Academic literature on the topic 'Discours (art oratoire) – Dans la littérature'
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Journal articles on the topic "Discours (art oratoire) – Dans la littérature"
Gordon, Alex L. "Au service de l'argumentation : le classement des figures chez Guillaume Tardif." Études littéraires 24, no. 3 (April 12, 2005): 37–47. http://dx.doi.org/10.7202/500984ar.
Full textBeugnot, Bernard. "Apollon ou Orphée : la poétique déchirée." Études littéraires 22, no. 3 (April 12, 2005): 35–44. http://dx.doi.org/10.7202/500911ar.
Full textFonseca, Isis Borges R. da. "O gênero deliberativo na oratória grega: A Terceira filípica de Demóstenes e a Retórica de Aristóteles." Classica - Revista Brasileira de Estudos Clássicos 3, no. 3 (January 26, 2018): 67. http://dx.doi.org/10.24277/classica.v3i3.597.
Full textViselli, Antonio. "Fuir la complétude ou Le métarécit intermédial des Faux-monnayeurs." Voix Plurielles 11, no. 2 (December 3, 2014): 53–63. http://dx.doi.org/10.26522/vp.v11i2.1100.
Full textDissertations / Theses on the topic "Discours (art oratoire) – Dans la littérature"
Viellard, Delphine. "Les liminaires dans les oeuvres latines des IVe et Ve siècle." Paris 4, 2004. http://www.theses.fr/2004PA040088.
Full textIn the introductions to their works, the 4th and 5thcenturies' authors, be they pagan or christian, reveal their faith to the traditional rhetoric and mainly to Ciceron's "De inuentione". The introductory texts called in latin "exordium", "prologus", "prooemium", "praefatio" and "praefatiuncula" take on forms as varied as the oratory "exordium", the poetical "prooeminium, the dedicatory epistle and preface, which all imitate the oratory "exordium" codified from the poetic tradition. As we have demonstrated, the choice of an introductory text depends on the genre of work because the each literary genre corresponds a specific kind of text. Besides, the presence of some elements which are external to the "exordium" testifies more to our author's will to go beyond the mere presentation of the work rather than to a rejection of the rhetoric of th "exordium". The introductory text then becomes a text open not only to the external events but also to different people: dedicatees and interlocutors. Hence the emergence of the preface increasingly used by the Christiens, who are fond of justifications and consequently develop this introductory genre following thus in the steps of Jerome
Coulon, Laurent. "Le discours en Égypte ancienne : éloquence et rhétorique à travers les textes de l'Ancien au Nouvel Empire." Paris 4, 1998. http://www.theses.fr/1998PA040060.
Full textThis thesis deals with the discourse in ancient Egypt and the various shapes of valorization which matter is the discourse itself as a social activity as well as a literary shape and topic. The question, thus, relates to the way in which the ancient Egyptians have been picturing to themselves the discourse and its applications, its importance, its functions and its aesthetic value. The method adopted is built upon a pragmatic approach in which the texts from the ancient kingdom to the new kingdom that mention the dimension of the discourse (autobiographies, teachings, royal inscriptions, literary or religious texts) are related to their sociological and historical context. It is then possible to draw out, for each period, the place given to eloquence: thus, in the times of united monarchic power, the existence of court eloquence is stated, which is the means of distinction above all. On the contrary, during the first intermediate period, with the local withdrawal of the provinces, an unprecedented spreading out of political eloquence appears in assemblies where the community's future is committed. The literary discourse forms also the subject of a study in so far as it builds a reflection on the part taken by the discourse. During the middle kingdom, productions such as "the eloquent peasant" or "the lamentations of khakheperreseneb" are questioning deeply the lack of social communication or the loss of reference in an official discourse which fairness is fallacious. During the new kingdom, the literature, which had become more autonomous in the sphere of the discourse, appears as an all-powerful rhetoric that trifles with the truth and the false. The study eventually opens on an endeavor to evaluate the Egyptian rhetoric in itself, especially through what links the latter to the magic discourse
Balique, Florence. "Étude rhétorique des discours dans Les Fables de La Fontaine." Paris 4, 2002. http://www.theses.fr/2002PA040156.
Full textAt the crossroads of several disciplines - literature, rhetoric, philosophy,- our study of La Fontaine's Fables explains how the apologue, a minor genre with a didactic purpose, grows into a poem with a powerful style viewed as a hypothesis of meditation through fiction. The investigation goes beyond the apparent passage from "body" to "soul" to consider the fable, a cryptic speech, as a complex web with manifold polyphonic effects. The survey of rhetorical components leads us to an analysis of the oratory strategies displayed by the narrator, the discursive varietas, wich substitutes fictional speech to moral teaching, shaping a non-systematic thought. The "lecteur modèle", who falls in with feigning, enters the fiction to find there a questioning about his own outlook on the world. The omnipresent narrator enables the writer to ironically stand back, keep away from lyricism, a call to find our bearings along the puzzling paths the fable offers
Cosma, Olivier. "Recherches sur le grand style dans les discours de Cicéron." Lyon 3, 2001. http://www.theses.fr/2001LYO31018.
Full textAndriamasinalivao, Rajaofera Beby Alyette. "Gender and female empowerment in Malagasy folktales and oratory." Thesis, Université de Paris (2019-....), 2020. http://www.theses.fr/2020UNIP7142.
Full textGender relations in the Malagasy context are often conceptualised in terms of complementarity with a relative denial of the existence of overt male dominance and female oppression and a marked insistence on female superiority. Nevertheless, the diversity of the representations of gender relations in the different regions of Madagascar does not always reflect this generalised pattern, which points to the necessity of a contextual analysis of the representation of men and women and the power relations that structure their interactions. The present study focuses on the notions of masculinity and femininity as well as the power relations between men and women in a selection of Malagasy folktales that were written and published from the 19th century to the present and the contemporary performance of oratory discourses by orators from Antananarivo and Paris. Drawing on surveys and interviews with a selection of storytellers and orators, as well as the observation of storytelling and oratory performances, the study highlights the ways in which gender differences are translated into gender inequality, which tend to limit the possibilities for female empowerment. The main arguments that are presented in the research stress the prevalence of male dominance and female subordination as can be observed in the variety of the male and female characters’ experiences in the selected folktales and the current experiences of female orators in the field of oratory performance. Two possible itineraries for female empowerment are explored based on contemporary storytellers’ perceptions and representations of gender in their works and the audience’s responses to the latter
Bierce, Vincent. "Le sentiment religieux dans La Comédie Humaine d'Honoré de Balzac. Foi, ironie et ironisation." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSEN045.
Full textThe present work endeavours to demonstrate in Balzac’s Comédie humaine just how the representation of faith, considered as a religious feeling, is based upon an active principle of reversal that we will call « ironisation ». Distinct from irony and inherently non-comical, « ironisation » is bound to the issue of value and seems to be, in the early 19th-century society faced with disorder and the instability of meaning, the only form able to convey the unsteadiness of the real and to manifest the rift between the order of the subject and the order of the world. As a narrative, an aesthetic and a poetic dynamic, « ironisation » consists in a displacing and unsettling force, in a new critical mode which puts the reversibility of interpretations at the heart of stories, denies every axiological hierarchy and entails a worldview where truth isn’t tied to transcendence anymore, be it the transcendence of God, of meaning or of truth. Accepting the radical aloneness to which it condemns the reader, « ironisation » troubles our standards, constantly overturns significations and refuses all attempts at systematic unity: as such, it is a true confrontation with reality and it undermines beliefs while forming a third way escaping from the fruitless dialectic between nihilism and spiritualism.If Balzac invents his very personal and original theology, which he expands and exemplifies especially in Le Livre mystique, and if he makes room in his novels for recurring scenes where characters are faced with the appearance of the sacred, he nevertheless tries to represent the religious felling within the bounds of history and to situate his ideas about the spiritual inside of a general framework based upon a materialist project and « realist » poetics. These two premises lead to « ironisation » which, by creating tension between pairs of opposites, the religious and the materialistic, doubt and spirituality, gives birth to a resolutely polyphonic unity, inviting us to rethink the representation of faith in the contemporary world in light of new categories. Since it makes meaning undecidable and forces conflicting realities to cohabit, the gesture of « ironisation » shapes a new relation to time and questions the religious phenomenon as well as the becoming of the modern individual and history
Kërtusha-Tartari, Eriona. "Lire et traduire "Émile ou de l'éducation" de Jean-Jacques Rousseau." Montpellier 3, 2008. http://www.theses.fr/2008MON30090.
Full textPreliminary research on preceding flow of translations, reception and their use in Albanian Literature served as a starting phase for accomplishing the translation of ‘Emile, or on Education’. It included reflection on epistemological problems which emphasize the reaction of societies to certain writing works depending on time and culture. Every translation has its own value as long as it fulfills the minimum scientific convention and competence. Our complete translation of the writing work strives not to simply represent the thoughts of Jean Jacques Rousseau but also the writing style which involve images and rhythm, his attention to explain to the French readers the methodological selections of this work. In conclusion, a critic instrument of the proposed translation will allow a systematic approach destined to comprehend the work of Jean Jacques Rousseau and modalities of its reception in 21st Century Albania
Loutsch, Claude. "L'exorde dans les discours de Cicéron." Paris 4, 1991. http://www.theses.fr/1991PA040121.
Full textThe thesis focuses on the persuasive function of the exordium in Cicero’s speeches. Part one surveys the ancient theories about exordia, such as we know them through the "De inventione" and the "De oratore" of Cicero himself and the "Rhetorica ad Herennium". The major part of the work is a rhetorical analysis of twenty-seven exordia belonging to speeches ranging over thirty-seven years (80-43 b. C. ) of the long oratorical career of the great roman statesman and lawyer. Each analysis demonstrates how Cicero, through an appropriate choice and arrangement of exordial themes, prepares his audience to listen sympathetically and attentively and intelligently to the subsequent argumentation. The underlying idea is that the orator aims mainly at efficiency. Part three is a general outline of the exordial topics in Cicero’s speeches. The most important conclusion of this study may be as follows: apart from senatorial speeches, where the exordium is purely informative, its function is mostly ethical and consists much less in introducing the matter under discussion than in presenting the persons involved; it enforces the reputation of the orator himself and enhances those qualities of his that under the circumstances are most likely to ensure him the confidence of his audience
Zoberman, Pierre. "Les Cérémonies de la parole l'éloquence d'apparat en France dans le dernier quart du dix-septième siècle /." Lille 3 : ANRT, 1990. http://catalogue.bnf.fr/ark:/12148/cb37610958c.
Full textKhvochevsky, Ruslan. "Manipulations illocutoires : théorie et fonctionnement dans le discours politique." Paris 4, 2008. http://www.theses.fr/2008PA040050.
Full textHow to describe and explain, by linguistic means, numerous speech events revolving around the term(s) "allusion / hint" ? In fact, the traditional rhetorical vision does not include the allusive acts of “everyday discourse". This study proposes to distinguish a special profile of "illocutionary manipulation" for the indirect speech acts uttered in a manner of suggesting or insinuating. The position of such utterances hesitates between accidental connotation and deliberate implication, and this uncertainty, intended by the speaker, is the sense of the "manipulation" in a speech act. The thesis also proposes a model of allusive utterance, which refers to a polemical topos (a "pretext") and expresses an illocutionary tension, especially in a manipulative manner (I0 and/or I1). A corpus-based study analyses the linguistic aspects of the illocutionary manipulations in political discourse
Books on the topic "Discours (art oratoire) – Dans la littérature"
Lydie, Parisse, ed. Le discours mystique: Dans la littérature et les arts de la fin du XIXe siècle à nos jours. Paris: Classiques Garnier, 2012.
Find full textBojin, Jacques. Intervenir en public: Le guide pratique. Paris: E ditions d'Organisation, 2003.
Find full textDiscourses of difference: An analysis of women's travel writing and colonialism. London: Routledge, 1991.
Find full textPresse et littérature: La circulation des discours dans l'espace public. [Montréal]: Presses universitaires de Montréal, 2000.
Find full textMills, Sara. Discourses of Difference: An Analysis of Women's Travel Writing and Colonialism. Routledge, 1993.
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